信任力演讲主持词

第一篇：信任力演讲主持词

刘：尊敬的各位领导

卢：亲爱的职工朋友们，大家下午好！

刘：大家都知道，中国经济正处于一个前所未有的“新常态”，中国经济正在从高速增长转向中高速增长，经济发展方式正从“规模速度型”粗放增长转向“质量效率型”集约增长，经济结构正从增量扩能为主转向调整存量、做优增量并存的深度调整，经济发展动力正从传统增长点转向新的增长点。对于这样一个新常态，我们的企业文化建设应该做一些怎样的适应性创新，我们的出路又在哪里？

卢：在此关键时刻，********总经理适时适势地发表了关于搭建员工“信任力”基础平台的重要讲话，并要求在**公司内广泛开展“信任力”工程建设，以进一步激活和点燃广大员工主动适应智能化、信息化技术改造，进一步迸发一线员工的自主活力，从而真正在我们的企业中逐步形成一种干群和谐、上下同心、相互信任、互相激励的良好企业氛围!刘：为认真贯彻学习**总经理关于开展“信任力工程”建设的要求，**部开展了广泛的学习、征文活动，从思想上切入，坚决落实“信任力工程”建设。今天，**部团委、工会在此组织开展“如何提高信任力”为主题的演讲活动，为广大青年员工提供平台，发表自己关于“信任力工程”建设的想法。我宣布，**部“如何提高信任力”主题征文演讲比赛正式开始。卢：首先，由我介绍莅临本次比赛现场的各位领导和嘉宾。他们是：

刘：担任本次比赛评委的有：

卢：下面，由我宣读本次比赛的评分规则：

各位评委根据选手们的思想内容，语言表达，仪态表情和综合印象四方面进行评分，满分为100分。

1：思想内容30分：要求演讲内容紧扣主题，思想积极向上。

2：语言表达30分：语言规范，口齿清晰，普通话标准，体现演讲魅力。3：仪态表情20分：仪表大方，举止自然，体现朝气蓬勃的精神风貌。4综合印象20分：由评委根据演讲选手的临场表现做出综合素质的评价。刘：说到“信任力”，我想每个人都有自己独特的见解。

卢：是啊，在学习了**总经理的重要讲话后，我感觉自己无论是在思想还是工作方式上都有了不小的收获，也使我认识到了搭建“信任力工程”的重要性和紧迫性。

刘：既然这样，那不如你先给大家分享一下你关于“如何提高信任力”的想法吧。卢：好啊！那么接下来，由我谈谈我的一些想法，我演讲的题目是《****》

刘：说的好，诚信、辨析、正直、能力、宽容、负责，无一不是提高企业信任力，激发员工潜力，实现员工自我价值的基本条件。刚才**从提高“信任力”的基本要素做了分析，那么到底为什么要提高信任力，作为领导和员工又分别该怎么做呢？请听来自********的演讲，她的题目是《********》，有请。

卢：“人而无信，不知其可也。大车无，小车无，其何以行之哉？”两千年前的孔子早就为我们阐述了信任力的重要性。来自**的***给我们带来了他自己关于信任力的思考，他演讲的题目是《******》，有请。

刘：信任力的提升可以增强企业抵御市场风险的能力，在一定程度上决定着企业的命运。对于我们**，“信任力”就是我们企业的软实力。*总在讲话中指出，员工“信任力”基础平台的实质是要在内部组织中通过开展密切党群关系和干群关系等上下级关系，通过协调员工与员工、班组与班组、车间与车间、管理部与现场部之间等平级关系，来进一步在全体干部员工之间和各部门之间，形成一种“风清气正、坦诚相待、互相扶持、互相监督、互相激励”的整体企业内部环境氛围。来自****的**站在团队和组织建设的角度，就如何提高团队的信任力进行了思考，有请她带来演讲——《****》。

卢：当前社会，信任已经不再是局限于一个道德范畴的词了，而是成为越来越重要的一个影响企业健康发展的软性指标。**站在团队和组织建设的角度讲述了她的想法，而来自****的**则立足装配分部实际情况，就信任力对企业的重要性再次提出警示，有请她给我们带来——《******》，有请。

刘：一个巴掌拍不响，信任必然是建立在两个主体之间的。信任是双方交往的基础，也是双方共同发展的必要条件。下面有请****的**，他为我们带来的演讲是——《*****》。

卢：曹操与荀彧的故事确实值得我们思考，这也许是信任的极端案例了。对我们企业来说，我们不光要关注企业与员工之间的信任，更要广泛地关注员工与员工之间、顾客与产品之间的信任的构建。焊一现场分部的王长林从这三个层面系统地阐述了信任力构建的重要性和具体方法，有请他为我们带来——《让信任成为企业员工的工作态度》。

刘：于总在讲话中把在企业中实施和构建员工间可以相互信任、互相激励“信任力”的创建过程，称之为员工的“信任力”工程。他提出，必须要充分认识搭建员工“信任力”基础平台的必要性。来自*****的**从人类进化的过程中找到了必须提高信任力的有力证据，有请他带来——《*****》

卢：信任力的核心是一种人与人之间的“互动行为”，其中包括自信、他信和互信，尤其是在“信任他人”与“被他人所信任”的过程中，只有信任与被信任同时发生、相互激励，才能迸发出一种更强大的“信任力量”。从而在企业中形成基于人与人之间相互信任而产生的长久、持续推动企业发展、壮大的一种“正能量、场效应”。****的**认为我们企业在提高信任力时要从三个关系入手，而他演讲的题目也正是我们本次活动的主题——《*****》，有请。

刘：“人做不好我们不要，车做不好我们不卖”，这是员工对我们企业的要求和期望，也是我们员工对企业和顾客的承诺。信任力建设对于我们企业的重要性不言而喻，我们来自基层员工对此也有自己的看法。有请****的*娇带来——《****》。

卢：关于信任，我们每个人都有自己独到的见解。信任存在于我们的日常生活，也存在于我们的工作学习，****的***在学习了于总的重要讲话，并通过系统的思考，为我们带来了她关于信任的认知——《信任做基础，沟通架桥梁，共圆**梦》

刘：我们中国**始终坚持诚实守信的诚信理念，以“坚持以人为本、诚信中国**”为宗旨，促进了我们企业的快速发展，提高了我们企业的竞争力。如何提高信任力，这样一个多元化的命题，我们的参赛选手又会有怎么独特的角度和解读呢？有请*****的***为我们带来《****》，她将以一种辩证的思维阐述她关于这个命题的见解。

卢：信任需要我们反省，我们应该时常反思自己，是否能够相信自己，是否值得让别人信任，是否足够信任别人，能做到言出必行吗？信任对于我们，又到底意味着什么呢？有请******的***为我们带来——《***》

刘：对于信任，我们在不同的境遇、见识下都会有不同的认知。从青春懵懂的大学生活到身负重任的工作岗位，一个人的见识和境遇不可避免的要产生很大的改观。对于刚刚从大学毕业、走上工作岗位的大学毕业生，他们又会怎样去理解这种关于信任的改观呢？有请******实习生**带来——《****》

卢：信任是朋友交往的基础，也是同事间交流合作的必要条件。有请今天最后一位参赛选手，来自*****的***带来他关于“如何提高信任力”的观点，他参赛的题目是《*****》，有请。

刘：好的，至此呢，我们参赛的15位选手已经全部演讲完毕，相信大家通过刚才选手精彩的演讲，也已经对“如何提高信任力”有了自己内心深处的思考。在此，让我们对他们的精彩表现致以热烈的掌声。卢：聆听了这么多关于信任的见解，我们的工作人员也为大家准备了一部关于信任力的短片，请看大屏幕。卢：……ˆ

有请对本次比赛进行点评。刘：感谢。

下面宣布本次比赛的最终成绩：

卢：请获得上台领奖并合影留念，有请为他们颁奖

刘：“落实自信、实现他信、增强互信”，围绕**总经理提出的“员工信任力”工程，**人已经做好了一切准备，从这三个方面入手，全力推动信任力工程建设。

卢：不甘人后的**精神，感恩的**理念，相信每一个**人都会积极、认真地投入到信任力工程建设工作中来。

刘：我们要迸发活力、互相激励，为我们企业的发展注入新鲜血液！卢：我们要上下同心、相互信任，营造良好的企业文化氛围！刘：感谢各位参赛选手和广大职工的积极参与！

卢：**部“如何提高信任力”征文演讲比赛到此结束！再见！

第二篇：《演讲力》书摘

“可行的劝说手段”主要指通过语言创造心像、提供解释、介绍概念、组织思想和提出支持性证据的能力。就演讲而言，“可行的劝说手段”也指语调变化、姿势以及口头表达的任何其他方面。

意义写作时，我使用语句传达我的意思，假定作为读者的你能够理解这些语句。然而，即使我们都讲同一种语言，我也无法确认我们对于同样的语句赋予了同样的意义。意义存在于发出信息的人的头脑中，但是在接收者的头脑中可能有不同的意义。

如果认识到人们对你的想法有兴趣且正在聆听你的想法，你可能会更加充分地阐述自己的想法；如果认为他们觉得无趣或不赞成你的想法，你可能会收回一些观点或者干脆什么都不说了。最佳的交谈很可能是发生在参与者认为彼此都是平等的时候。如果某人试图通过引领或引导沟通流向对交谈加以组织时，动态形式就发生了改变，模式开始变成另外一种形式。

团队讨论模式人们为了一个具体任务聚在一起时，模式就改变了。一个有确定目标的团体可以被称为委员会或特别小组，它很可能有自己的议事日程，这样其成员就能专心于他们应该解决的主题。议事日程对主题设限，为讨论设定了焦点和方向。

首先是组织。这意味着演讲者在心中有某种组织结构，而且思考过信息如何起始、观点如何展开以及最后结论如何得出。演讲者致力于关注一个中心主题，不会偏离主题。其次是目的。演讲者需要保持他们所表达的观点的一致性。如果他们主张某个具体观点，即使有些观众有反对之声，他们也应该捍卫自己的立场。第三是姿势。第四是动机。你服务的是听众的兴趣而非你自己的兴趣。你并不是因为自己有强烈的演讲欲而站在一群人的面前，你这么做是因为你认为你的信息对听者来说是有用的。当不想承受面对听众进行演讲的焦虑时，你应该在心中牢记这个重要的观点。

第三篇：如何提高演讲力

1）一个干净利落的开场白至关重要

蔡聪演讲的开头很简单，首先介绍自己是谁，接着来说自己的目的是什么。千万不要小看这个开头，很多人演讲了半天，你都不知道他演讲的目的是什么，也许他讲段子很搞笑，会抖各种包袱，但是我敢保证，往往这类演讲完你都不会记得他的重点是什么。在表达演讲目的时候也有讲究，尽量把这个目的表达的“锐利”一些，比如蔡聪的目的是“我想告诉大家我认为这个世界上不应该有残疾人”-言下之意我今天就是来挑战你们的固有思维，还有第一集李开复人工智能那场开头就是“今天我要来讲一个非常认真而严肃的话题，就是你们以后失业后怎么办？”相比其他参赛者的开场白，比如“我觉得人生是各种体验，我今天的目的是来跟大家分享我的人生体验”这种诉说方式，蔡聪和李开复的开头显然一下子就能抓住观众的注意力和好奇心，观众想不认真听你说话都不行。2）你讲的所有故事都是为了服务你的观点

“讲故事”是奇葩大会的选手们最惯用的手段，蔡聪作为一个盲人，肯定也有很多经历和故事可以分享，但是蔡聪仅仅选择了演讲主题有关的小故事，比如他通过讲自己童年时代虽然成绩优秀，是家长老师眼中“别人的孩子”，但是由于视力问题依然被区别对待的经历，来体现周遭人群对于残疾人问题上的巨大偏见。就这样用3-4个小故事，蔡聪诉说了自己从“被区别对待”到“人生的彷徨”->再到“发现残障只是换了一个生活方式而已”最终“带着这个全新的观念开始影响他人”的心路历程，层层递进，紧扣主题，令人信服。大家都知道，讲故事的方式在演讲中是一个很有效的手段，但是要注意的地方是第一：选择的故事必须要跟主题息息相关，因为演讲不是“一千零一夜”，故事是用来辅助传输你的观点，所有内容都是来为观点服务。第二：如果你有多个故事讲述，最好梳理顺序，有起承转合，为演讲进入最终的高潮做铺垫。3）来一个“愿景式”的结尾

常常会看到一些好的演讲因为一个草草的结尾而大大减分，感到非常惋惜。其实要做到一个好的结尾并不难，首先最简单的方式就是重新强调你的观点，比如蔡聪在结尾时强调“残障只是一个人的特点或者条件，更多障碍来自于人们的认知以及刻板印象。”与他的开场白形成呼应，让听者更加牢记他的演讲主旨。另外，一个“美好愿景”式结尾可以唤起与观众的情感共鸣，会为整场演讲大大加分。比如蔡聪通过自己的实际行动（他和妻子均为盲人，再在未检测DNA的情况下怀孕生子）呼吁大家创造一个“觉得残障并没有什么”的社会环境，最终把这个演讲推向高潮，一气呵成，听众均为之动容。同样，李开复在第一集中讲“人工智能”的主题时，结尾同样给了美好的愿景：“在人工智能取代重复性工作后，人类终于重新有时间可以享受人文艺术的美好。”让观众不仅没有因为人工智能时代的到来而感到恐慌，反而有了期待和想象。

第四篇：王力宏演讲

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全开 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.

第五篇：抓住机遇-尹力演讲

抓住机遇、把握重点

大力推进卫生信息化快速发展

卫生部副部长尹力

（2010.5.27）

各位嘉宾、各位代表，大家好！

首先，我代表中华人民共和国卫生部对中国医院协会和美国卫生信息管理系统协会（HIMSS）联合举办的“2010亚太区卫生信息大会”的召开，表示最热烈的祝贺！

“亚太区卫生信息大会”首次在北京召开十分重要，当前我国医药卫生系统正在认真贯彻落实党中央、国务院关于深化医药卫生体制改革的各项部署，全面启动公立医院改革试点之际，中外信息界这么多专家学者共聚一堂，共同交流卫生信息化建设经验，共同展示卫生信息化建设成果，共同破解卫生信息化发展难题，共同探讨卫生信息化发展大计，这将有助于推进我国卫生信息化建设步伐。

各位嘉宾，目前，我国卫生信息化经过多年的建设，已经取得了显著的成效，信息化在医疗服务、公共卫生、妇幼保健、卫生监督、社区卫生、新型农村合作医疗等领域发挥了重要的支撑作用，应用效果十分明显。无论是区域卫生信息平台的构建、医院信息化建设和突发公共卫生事件网络直报系统的应用，还是卫生信息标准规范的制定、网络基础设施建设和应用系统的研究开发等等，都取得了重要的突破和长足的发展。

在区域卫生信息化建设方面，许多省市在区域信息平台建设、建立健康档案、医保费用异地结算、网上预约挂号、网络健康教育咨询，就医“一卡通”和双向转诊等方面，开展了卓有成效的探索和实践，取得了阶段性成果。许多省市开展了网上预约挂号并积极拓展市民卡功能，实施医疗便民服务“一卡通”工程等等，这些探索与实践对提高医疗卫生服务水平，方便群众就医，缓解群众看病难、看病贵问题发挥了明显功效。

在医院信息化建设方面，我国经历了20多年的发展历程，从早期的单机、单用户应用阶段，发展到部门级和全院级管理信息系统的应用；从侧重于财务、药品和医院管理为主的应用，向以病人信息为中心的临床业务支持和管理决策的应用延伸；从局限于医院内部的应用，发展到区域医疗协同的应用，医院信息化由广度向深度快速发展，在医院管理和医疗服务等方面发挥了重要作用。根据中国医院协会信息管理专业委员会

《2009-2010中国医院信息化调查报告》显示：在三级医院中，应用门急诊划价收费系统、药库管理系统和门急诊挂号系统的比例，分别为92.6％、91.03％和84.08%，住院护士工作站系统和病区医生工作站系统应用比例分别为80.27%、62.56%；近三年信息化建设累计投入在100-1000万区间的比例为54.64%。

在公共卫生领域，建成了“纵向到底、横向到边”的“五级网络”和“三级平台”，网络连接国家、省、市、县、乡五级卫生行政部门和医疗卫生机构，平台覆盖国家、省和市三级。以传染病与突发公共卫生事件的网络直报系统，各级疾病预防控制机构和卫生行政部门可以同时在线报告与浏览相关信息，极大地提高了传染病疫情监测和突发事件应急反应与危机处置的及时性、准确性及有效性。

在制定与颁布卫生信息标准规范方面，我国相继出台了一系列卫生信息标准规范、指导意见和管理办法等文件。先后编制和发布了《国家卫生信息标准基础框架》、《国家公共卫生信息系统建设方案》、《健康档案基本架构与数据标准》、《电子病历基本架构与数据标准》、《电子病历基本规范》、《卫生系统电子认证服务管理办法》、《基于健康档案的区域卫生信息平台建设指南》和《综合卫生管理信息平台建设指南》等信息标准和规范要求。另外，还有许多标准和规范正在制定之中，将陆续予以发布，以引导全国卫生信息化建设工作健康有序发展。

我国卫生信息化在取得进展和成绩的同时，也应清醒地认识到，我国卫生信息化发展极不平衡，资金投入和应用水平与发达国家相比还存在一定的差距，不同地区、不同系统的应用参差不齐；卫生信息基础研究和信

息标准体系研发工作还比较薄弱；信息化投资不足与投资效益不高的问题并存，信息化发挥的作用与深化医药卫生体制改革对信息化建设的要求相比还有较大差距等等。

过去令人鼓舞，未来任重道远。当前，我国卫生信息化建设任务极其繁重，既要切实有效地解决上述存在的各种问题，又要把握好信息技术手段支持与保障医药卫生体制改革向纵深发展等重大问题。

充分发挥信息化支持与保障作用，促进医药卫生体制改革向纵深发展。信息化对于实现医药卫生体制改革总体目标、圆满完成“十一五”乃至“十二五”规划战略目标至关重要。众所周知，2009年4月，中共中央、国务院颁布的《关于深化医药卫生体制改革的指导意见》和《2009-2011年深化医药卫生体制改革实施方案》文件中，将卫生信息化建设列为医药卫生体制改革的八项重要支撑之一，开创性地提出了要建立实用共享的医药卫生信息系统，有效支撑医药卫生体系高效规范运转。在如此高层次的中央政策文件中，部署卫生信息化工作在我国还尚属首次。中央要求，要大力推进医药卫生信息化建设，建立和完善医疗保障信息系统、药品监管、药品检验检测、药品不良反应监测信息网络，建立基本药物供求信息系统。在医改文件中把卫生信息化建设提升到如此重要的地位，一方面是医改自身迫切需要信息化手段作为技术支撑，达到深化医药卫生体制改革总体目标的实现。另一方面是信息技术的飞速发展和网络通信的广泛普及，为卫生信息化的发展创造了条件。

医改总体目标是为群众提供安全、有效、方便、价廉的医疗卫生服务，实现人人享有基本医疗卫生服务，基本适应人民群众多层次的医疗卫生需求，进一步提高人民群众健康水平。为实现深化医药卫生体制改革总体目标的要求，卫生信息化受到各级政府和卫生主管部门前所未有的重视与关注。卫生部领导在许多重要场合反复强调卫生信息化建设的发展思路、规划举措和重要意义，从多方面入手，加强了对卫生信息化工作的组织、领导、协调和推进工作，适时提出了“打好三个基础、建好三级平台、提升信息系统应用水平”的发展战略。所谓“打好三个基础”，一是要建立全

国统一的、标准化的居民健康档案；二是建立国家电子病历基本架构与数据标准；三是建立国家卫生信息数据字典，“打好三个基础”的核心是加快我国卫生信息标准化建设。“建好三级平台”，就是国家和省级的综合卫生信息管理平台，地市级基于居民健康档案的区域卫生信息平台，这是保障卫生信息存储、整合和交换的“三级平台”，是提高卫生信息资源的共享和利用水平，实现卫生信息化效率与质量的关键。

《2009-2011年深化医药卫生体制改革实施方案》明确提出：“以建立居民健康档案为重点，构建乡村和社区卫生信息网络平台；以医院管理和电子病历为重点，推进医院信息化建设”。在国务院部署的医改工作任务中具体的卫生信息化工作任务包括：一是由卫生部负责居民健康档案启动工作，要求2009年底前，城市居民健康档案规范化建档率达到30%左右，农村居民试点建档率达到5%；二是推行电子医疗档案和常见病临床路径，要求卫生部拟定全国统一的医院电子病历标准和规范以及100种常见疾病临床路径，在50家医院开展试点。目前，上述任务有的已经完成，有的延续性任务正在进行之中，临床路径试点医院增加到60多家，卫生部先后在济宁、杭州等地举办了多期培训班，人次参加了培训。

从深化医药卫生体制改革任务部署可以看出，我国政府对卫生信息化建设提出了更为具体和更为迫切的要求，无论是在政策导向、实施部署，还是在信息化资金投入等方面，采取了各种有力措施促进卫生信息化建设，这将为我国卫生信息化带来历史性的发展机遇。

关于做好“十二五”全国卫生信息化发展规划问题。为了贯彻党中央、国务院关于深化医药卫生体制改革和加快卫生信息化建设的重要决策，卫生部启动了“十二五”全国卫生信息化发展规划纲要的编纂工作。规划围绕全面建设小康社会的新要求和中央深化医药卫生体制改革精神，立足现实，着眼未来，从改善卫生信息化建设条件和促进卫生信息化快速发展入手，着眼于网络互联互通和信息资源共享的战略任务，研究提出“十二五”期间卫生信息化工作重点、策略和政策保障。规划的重点放在以居民电子健康档案为核心的区域卫生信息平台建设和以电子病历为基础的医院信

息平台建设，逐步将传染病报告、卫生应急、卫生监督、医疗服务、新农合、妇幼保健、社区卫生、医疗保险等方面的信息系统进行对接，连点成面，以适应医药卫生体制改革与卫生事业发展，满足人民群众日益增长的医疗卫生服务需求。各单位应根据国家卫生信息化规划纲要的精神，制定出本地区、本单位的卫生信息化发展规划。

我国卫生信息界的专家学者一定要增强紧迫意识、危机意识和责任意识，充分利用学术会议等各种机会，紧紧围绕卫生信息化建设的热点和难点问题，加强与国内外同行的广泛交流与深入探讨，为卫生信息化建设和发展做出更多、更新、更大的贡献！

祝大会圆满成功！