兰艾俱焚近义词

第一篇：兰艾俱焚近义词

兰艾俱焚的近义词：

兰艾同焚、兰艾同烬、玉石同烬

兰艾俱焚的近义词详细信息：

lan ai tong fen1、兰艾同焚

示例：兰艾同焚的出处是：《晋书·孔怛传》：“兰艾同焚，贤愚所叹。”

lan ai tong jin2、兰艾同烬

暂无关于兰艾同烬的示例或者释义信息，欢迎您的补充。

yu shi tong jin3、玉石同烬

释义：美玉和石头一样烧坏。比喻好坏不分，同归于尽

兰艾俱焚拼音和解释：

(A)、词语兰艾俱焚的拼音： lan ai ju fen;

(B)、词语兰艾俱焚的解释：暂无词语兰艾俱焚的解析，欢迎您的补充。

第二篇：艾伦杜兰大学毕业演讲

Thank you, President Cowan, Mrs.President Cowen;distinguished guests, undistinguished guestsaluminialumisI really, I had no ambition, I didn't know what I wanted to do.I did everything from“and I'm gonna be the first woman in the history of the show to be called over to sit down.” 我开始写作，心里涌出一段我和上帝的对话，虽然只是我一个人的独白，写完了之后我阅读了这个剧本，对自己说，我还没有做过脱口秀，那里没有夜总会，我对自己说要在“今夜秀”上与强尼卡森一起表演这一段，强尼卡森是当时天王级人物，我对自己说我要成为该节目史上第一个被邀请的女性，And several years later, I was the first woman in the history of the show, and only woman in the history of the show to sit down, because of that phone conversation with God that I wrote.And I started this path of stand-up and it was successful and it was great, but it was hard, because I was trying to please everybody and I had this secret that I was keeping, that I was gay.And I thought if people found out they wouldn't like me, they wouldn't laugh at me.数年之后，我成为这个节目史上第一位也是唯一一位被邀请参与的女性，就因为那段我写的与上帝对话的己剧本，从此我开始做单人脱口秀，做得很成功，也很辛苦，因为我想讨好每一个人，同时又不让知道我是同性恋的秘密，我想要是别人发现了，就不会喜欢我了，就不会笑我了。

Then my career turned intothis was back, many years ago-and I finally decided that I was living with so much shame, and so much fear, that I just couldn't live that way anymore, and I decided to come out and make it creative.后来我又有了自己的情景喜剧，也很成功，更进一步的成功，我于是更担心被别人担心是同性恋后怎么办，而且当时是很久很久以前，那是只有白人当总统的年代，好久好久以前。最终我还是决定，与其一直带着耻辱和恐惧生活，不如对这种生活就此做个了结，于是我决定用创意的方式，让剧中的主角和我自己同时出柜，And my character would come out at the same time, and it wasn't to make a political statement, it wasn't to do anything other than to free myself up from this heaviness that I was carrying around, and I just wanted to be honest.And I thought, “What's the worst that could happen? I can lose my career”.I did.I lost my career.The show was cancelled after six years, without even telling me, I read it in the paper.The phone didn't ring for three years.I had no offers.不是为了什么政治原因和其它，只是为了让我自己从背负已久的学生枷锁中释放出来，我只是想做真我，我想，“最坏的结果是什么？我可能会失去我的演艺事业”。结果我失业了。我失去了我的事业，我的节目在做了6年后停播了，竟然没有人通知我，我在报纸上才看到这一消息，家里的电话三年都没有响起过，没人找我做节目。

Nobody wanted to touch me at all.Yet, I was getting letters from kids that almost committed suicide, but didn't, because of what I did.And I realised that I had a purpose.And it wasn't just about me and it wasn't about celebrity, but I felt like I was being punished...it was a bad time, I was angry, I was sad, and then I was offered a talkshow.And the people that offered me the talkshow tried to sell it.And most stations didn't want to pick it up.Most people didn't want to buy it because they thought nobody would watch me.没有人愿意启用我。然后我却一直收到想要自杀的同性恋孩子给我的来信，他们因为我的出现而没有自杀，我这才感到，我在这个世上是有意义的，不是因为我，也不是因为名声，但我觉得自己好像是受了惩罚一样，那是一段痛苦的日子，我很愤世嫉俗，很难过。后来有人找我做脱口秀，找我做节目的制作公司努力推销我的节目，然而大多数电视台都不愿意买，他们都不愿意买，因为他们以为没有人会想看我的节目。

Really when I look back on it, I wouldn't change a thing.I mean, it was so important for me to lose everything because I found out what the most important thing is, is to be true to yourself.Ultimately, that's what's gotten me to this place.I don't live in fear, I'm free, I have no secrets.and I know I'll always be ok, because no matter what, I know who I am.每当我回想起这段往事时，我觉得一切都应该这样，真的，对我而言，失去一切太重要了，因为我发现最重要的是要做真我。最终，是我的选择才有了今天的我。生活中没有恐惧和秘密，而且我知道自己是没问题的，因为无论怎样，我都清楚知道自己是谁。

So In conclusion, when I was younger I thought success was something different.I thought when I grow up, I want to be famous.I want to be a star.I want to be in movies.When I grow up I want to see the world, drive nice cars, I want to have groupies.To quote the Pussycat Dolls.How many people thought it was “boobies”, by the way? It's not, it's “groupies”.所以总的来说，我对成功的看法不同，我想等我长大以后，我要出名。我要当明星，我要拍电影，长大后要环游世界，开名车，有一群影迷跟着，就象“小野猫”里说的那样。顺便问一句，有多少人听成是“咪咪”？听错了，应该是影迷。

But my idea of success is different today.And as you grow, you'll realize the definition of success changes.For many of you, today, success is being able to hold down 20 shots of tequila.For me, the most important thing in your life is to live your life with integrity, and not to give into peer pressure.To try to be something that you're not.To live your life as an honest and compassionate person.To contribute in some way.So to conclude my conclusion: follow your passion, stay true to yourself.Never follow anyone else's path, unless you're in the woods and you're lost and you see a path, and by all means you should follow that.Don't give advice, it will come back and bite you in the ass.Don't take anyone's advice.So my advice to you is to be true to yourself and everything will be fine.但今天我对成功的看法不一样了。当你长大，你会发现成功的定义在改变。对你们中的很多人来说，今天的成功是能灌下20杯龙舌兰酒。对我来说，生命中最重要的事是：是真实地去生活！不要因为别人的压力去逼自己做不是真正的自己，做一个真实的，有爱心的人，在某些方面有所贡献的人。所以总结一下我的总结，追随自己的热情，绝对不要追随别人的脚步，除非你在森林里迷路时看到了路，那你一定要跟上。别给别人忠告，吃力不讨好；也别只是听从别人的忠告。所以我忠告大家：做真实的自己，一切会好的。

And I know that a lot of you are concerned about your future, but there's no need to worry.The economy is booming, the job market is wide open, the planet is just fine.It's gonna be great.You've already survived a hurricane.What else can happen to you? And as I mentioned before, some of the most devastating things that happen to you will teach you the most.And now you know the right questions to ask in your first job interview.Like, “Is it above sea level?”.我知道在座的很多人都在担心自己的前途，其实不用担心，经济正“发展迅速”，就业机会“一大把”，地球也“好得很”，一切都会很棒，你们都经历过飓风了，还有什么可怕的？就象我以前说的那样，最惨痛的经历教育意义也最大。比如现在你第一次面试，就知道该问考官什么问题了，例如“咱公司的位置高于海平面吗？”

So to conclude my conclusion that I've previously concluded, in the common cement speech, I guess what I'm trying to say is life is like one big Mardi Gras.But instead of showing your boobs, show people your brain, and if they like what they see, you'll have more beads than you know what to do with.And you'll be drunk, most of the time.So the Katrina class of 2009, I say congratulations and if you don't remember a thing I said today, remember this: you're gonna be ok, dum de dum dum dum, just dance.因此„„总结一下我刚才总结过的总结，配合这个“常见的水泥”演讲，我想我要说的是，人生犹如一场狂欢派对，不过要向人们展示你的头脑，而不是你的胸部，如果人们欣赏你，你就不必担心没活干了，然后你就可以安枕无忧。2009年的毕业生们，恭喜大家，那怕我今天说的你全都会忘记，请记住这句：你没问题的，哒哒哒，让我们跳舞吧。

第三篇：读种兰不种艾有感

坦然面对生活

——读《种兰不种艾》有感

601 王一瑜

丰子恺先生写过一篇散文：《种兰不种艾》，这是一篇幽默的、很有启发性的文章。

起初我读不懂文章写了些什么，在经过反复的阅读与思考后我渐渐的明白了——原来这篇散文写的是丰子恺先生与自己的五个孩子在讨论白居易的一首。诗的大意是：兰草是香的，艾草是臭的，但兰草旁边总会长出艾草，两种草的根会缠在一起，锄也锄不掉，诗人问如何解决。丰子恺与家人寻思了半天也没有想到什么好办法，却想到了许多与其相似的事情——

小五说：肉粽子里的肉好吃，糯米不好吃，想吃肉不吃糯米不行，妈妈说要吃统统吃，不要吃统统不吃！

小三说：我最喜欢电灯的光，但不喜欢那些飞虫，我想要光不要虫，可光来虫亦来。

老大说：盟军的飞机想炸死日本鬼，就连中国人也炸死，想不炸死中国人，就连日本鬼子也炸不死。

……

看完了这篇散文后，我不禁开怀大笑起来：是呀，顺其自然未尝不是一件好事？为何一定要把艾草除去呢？在生活中，有惹人喜欢的兰草，也有让人生厌的艾草。有 “兰草”大家自然开心，但有时一些“艾草”也会结伴而来，这时人们就会想尽办法除去这些“艾草”，比如：一张试卷，有你会做的，也有你不会做的，但算分时都得算！几个小朋友聚在一起玩“警察捉小偷”的游戏，大家都想当小偷，因为小偷人数多，不容易被警察捉到，然而每次都必须有一个人当警察的，只要参加了游戏就会有人会轮到当“小偷”，逃也逃不掉的。

读了这篇散文我明白了：在生活中，“兰草”和“艾草”如同一对形影不离的姐妹，我们必须坦然面对它们，因为有了它们我们的生活才是完整的，才会出现精彩的瞬间！

有得必有失

——读《种兰不种艾》有感

作者：603班 孙一丰

丰子恺爷爷的散文，讲求“脱离尘世”，放弃欲念不讲工作，感受不一样的快乐。而这篇《种兰不种艾》就是丰子恺爷爷的代表作之一，对我的感受印象颇深。

这篇散文主要讲的是，在以前，有一位父亲对儿女说：“白居易曾经种了一盆兰草，并没种艾草。因为兰草是香的，而艾草是臭的。可是兰草旁边却自己生出许多艾草来。兰草的根和艾草的根搞在一起；兰草的茎叶也和艾草的茎叶混杂了在了一起生长，香的茎和臭的叶，日日夜夜一同长大起来，他想锄去艾草，恐伤了兰草。想给兰草浇水，又怕艾草得到水长得更旺了，左思右想都决定不了办法，到底该怎么办呢？以这件事为例，从而引发孩子的探索和孩子的亲身经历，让孩子明白世间有许多事，必须二选一，同这一样难办。情节令人情趣盎然，又一波三折，结尾幽默，又通俗易懂，实是一篇好的散文。

而关于其中的这个有得必有失，不能两相全的道理，我也是深有体会。我在学习上有个缺点，就是很少听英语，而把原本听英语的时间花费在了看书上，看书固然能得到知识，但不听英语，与班里同学英语的水平就差开了。更何况，学英语一旦错过这个年纪就很难学会了，而书却可以以后慢慢看。所以，每做一件事情，脑海里都要想清楚，做这件事在这时值吗？

感谢丰子恺爷爷的这篇散文，给了我启发。

第四篇：美国著名脱口秀主持人艾伦杜兰大学毕业演讲

Thank you.President Cowan.Mrs.President Cowen.distinguished guests, undistinguished guests.You know who you are, honored faculty and creepy Spanish teacher.And thank you to all the graduating class of 2009, I realize most of you are hangover and have splitting headaches and haven‟t slept since Fat Tuesday, but you can‟t graduate „til I finish, so listen up.When I was asked to make the commencement speech, I immediately said yes.Then I went to look up what commencement meant.Which would have been easy if I had a dictionary, but most of the books in our house are Portia‟s, and they‟re all written in Australian.So I had to break the word down myself to find out the meaning.Commencement.Common, and cement.Common cement.You commonly see cement on sidewalks.Sidewalks have cracks, and if you step on a crack, you break your mother‟s back.So there‟s that.But I‟m honored that you‟ve asked me here to speak at your common cement.I thought that you had to be a famous alumnus –alumint –alumini – aluminum – alumis – you had to graduate from this school.And I didn‟t go to college here, and I don‟t know if President Cowen knows, I didn‟t go to any college at all.Any college.And I‟m not saying you wasted your time, or money, but look at me, I‟m a huge celebrity.Although I did graduate from the school of hard knocks, our mascot was the knockers.I spent a lot of time here growing up.My mom works at(?)and I would go there every time I needed to steel something out of her purse.But why am I here today? Clearly not to steel, you‟re too far away and I‟d never get away with it.I‟m here because of you.Because I can‟t think of a more tenacious, more courageous graduating class.I mean, look at you all, wearing your robes.Usually when you‟re wearing a robe at 10 in the morning, it means you‟ve given up.I‟m here because I love New Orleans.I was born and raised here, I spent my formative years here, and I like you, while I was living here, I only did laundry six times.When I finished school, I was completely lost.And by school, I mean middle school, but I went ahead and finished high school anyway.And I – I really, I had no ambition;I didn‟t know what I wanted to do.I did everything from I shucked oysters, I was a hostess, I was a bartender, I was a waitress, I painted houses, I sold vacuum cleaners, I had no idea.And I thought I‟d just finally settle in some job, and I would make enough money to pay my rent, maybe have basic cable, maybe not, I didn‟t really have a plan.My point is that, by the time I was your age, I really thought I know who I was, but I had no idea.Like for example, when I was your age, I was dating men.So what I‟m saying is, when you‟re older, most of you will be gay.Anyone writing this stuff down? Parents? Anyway, I had no idea what I wanted to do with my life, and the way I ended up on this path was from a very tragic event.I was maybe 19, and my girlfriend at the time was killed in a car accident.And I passed the accident, and I didn‟t know it was her and I kept going, and I found out shortly after that, it was her.And I was living in a basement apartment, I had no money, I had no heat, no air, I had a mattress on the floor and the apartment was infested with fleas.And I was soul-searching, I was like, why is she suddenly gone, and there are fleas here? I don‟t understand, there must be a purpose, and wouldn‟t it be so convenient if we could pick up the phone and call God, and ask these questions.And I started writing and what poured out of me was an imaginary conversation with God, which was one-sided, and I finished writing it and I looked at it and I said to myself, and I hadn‟t even been doing stand-up, ever, there was no club in town.I said, I‟m gonna do this on the Tonight Show with Johnny Carson.At the time he was the king “and I‟m gonna be the first woman in the history of the show to be called over to sit down.” And several years later, I was the first woman in the history of the show, and only woman in the history of the show to sit down, because of that phone conversation with God that I wrote.And I started this path of stand-up and it was successful and it was great, but it was hard, because I was trying to please everybody and I had this secret that I was keeping, that I was gay.And I thought if people found out they wouldn‟t like me, they wouldn‟t laugh at me.Then my career turned into I got my own sitcom, and that was very successful, another level of success.And I thought, what if they find out I‟m gay, then they‟ll never watch, and this was a long time ago, this was when we just had white presidents this was back, many years ago and I finally decided that I was living with so much shame, and so much fear, that I just couldn‟t live that anymore, and I decided to come out and make it creative.And my character would come out at the same time, and it wasn‟t to make a political statement, it wasn‟t to do anything other than to free myself up from this heaviness that I was carrying around, and I just wanted to be honest, And I thought, “What‟s the worst that could happen? I can lose my career”.I did.I lost my career.The show was cancelled after six years, without even telling me, I read it in the paper.The phone didn‟t ring for three years.I had no offers.Nobody wanted to touch me at all.Yet, I was getting letters from kids that almost committed suicide, but didn‟t, because of what I did.And I realized that I had a purpose.And it wasn‟t just about me and it wasn‟t about celebrity, but I felt I was being punished…it was a bad time, I was angry, I was sad, and then I was offered a talk show.And the people that offered me the talkshow tried to sell it.And most stations didn‟t want to pick it up.Most people didn‟t want to buy it because they thought nobody would watch me.Really when I look back on it, I wouldn‟t change a thing.I mean, it was so important for me to lose everything because I found out what the most important thing is, is to be true to yourself.Ultimately, that‟s what‟s gotten me to this place.I don‟t live in fear, I‟m free, I have no secret, and I know I‟ll always be ok, because no matter what, I know who I am.So in conclusion, when I was younger I thought success was something different.I thought when I grow up, I want to be famous.I want to be a star.I want to be in movies.When I grow up I want to see the world, drive nice cars, I want to have groupies.To quote the Pussycat Dolls.How many people thought it was “boobies”, by the way? It‟s not, it‟s “groupies”.But my idea of success is different today.As you grow, you‟ll realize the definition of success change.For many of you, today, success is being able to hold down 20shots of tequila.For me, the most important thing in your life is to live your life with integrity, and not to give into peer pressure, to try to be something that you‟re not, To live your life as an honest and compassionate person.To contribute in some way.So to conclude my conclusion: follow your passion, stay true to yourself.Never follow anyone‟s path, unless you‟re in the woods and you‟re lost and you see a path, and by all means you should follow that.Don‟t give advice, it will come back and bite you in the ass.Don‟t take anyone‟s advice.So my advice to you is to be true to yourself, and everything will be fine.And I know that a lot of you are concerned about your future, but there‟s no need to worry.The economy is booming, the job market is wide open, the planet is just fine.It‟s gonna be great.You‟ve already survived a hurricane.What else can happen to you? And as I mentioned before, some of the most devastating thing that happen to you will teach you the most.And now you know the right questions to ask in your first job interview.Like, “Is it above sea level?”.So to conclude my conclusion that I‟ve previously concluded, in the common cement speech, I guess what I‟m trying to say is life is like one big Mardi Gras.But instead of showing your boobs, show people your brain, and if they like what they see, you‟ll have more beads than you know what to do with.And you‟ll be drunk, most of the time.So the Katrina class of 2009, I say congratulations and if you don‟t remember a thing I said today, remember this: you‟re gonna be ok, dum de dum dum dum, just dance.

第五篇：让-艾福兰.巴维的音乐会与大师班

让-艾福兰.巴维的音乐会与大师班

音乐会

在几乎所有钢琴音乐会都是肖邦、舒曼的2010年，中山音乐堂5月16日的整场拉威尔音乐会，太让人期待。

演奏所有拉威尔的钢琴独奏作品，单论这个曲目数量也是很有票房吸引力的。

整整三个小时的音乐会，对于听演双方都是一个巨大的挑战，音乐会的质量很高。很多人可能认为钢琴家的演奏没有太多的起伏或者非常有表情，但这个时候我脑中响起了钢琴家的话：“你必须节制你的感情，和作品保持距离，绝对不可以像演奏俄罗斯作品那样敞开心扉。事实上只有在这样的距离和节制下才能展现最优美的拉威尔。这也是拉威尔最喜欢的方式。”看起来要改变观念了，不是撕心裂肺都是好的。

钢琴家音色处理得不错，很透，很清澈。跟去年的贝多芬作品音乐会比较，我更喜欢他这次演奏的法国作品。当然作为法国人，演奏好本国作曲家也是自然的事情，毕竟有融于血脉之中的文化积淀。

音乐会曲目顺序是按照作曲家作品的创作年代作主线，从最早创作的《怪诞小夜曲》开始，接着是拉威尔发表的第一部作品《古风小步舞曲》，此曲创作于1895年，作品虽然不成熟但是已经具有作曲家明显的音乐风格。接下来演奏的就是大家都熟悉的《为夭亡的公主而作的帕凡舞曲》《水的嬉戏》《小奏鸣曲》《镜子》《海顿小步舞曲》《高贵而伤感的圆舞曲》《夜之幽灵》《夏布里埃之风》《鲍罗丁之风》《前奏曲》《库普兰之墓》。

这次音乐会我最喜欢他弹的《为夭亡的公主而作的帕凡舞曲》，还有就是《夜之幽灵》以及《夏布里埃之风》、《鲍罗丁之风》。《帕凡舞曲》是作曲家看了卢浮宫的一幅美术作品之后的有感之作，拉威尔曾表示：“我在寻找此曲标题时，只是对反复同样的发音(Pavanepour une infante defunte)感兴趣而已。”也就是说，“悼念公主”本没有意义。钢琴家的演奏清新淡雅，每个声部交代得很清楚，而且声部之间互有呼应，非常有启发性。

《夜之幽灵》是个有故事的曲子，整部作品取材于贝朗特诗歌中的三首《水妖》、《绞架》、《幻影》。第一首讲述了一个美妙的故事，水妖爱上了一个水手，水手却告诉美丽的水妖自己另有爱人，悲伤的水妖受到打击，潜回水底。以前听这个曲子的时候都不是很有感触。这次钢琴家的演奏给了我一个很明确的指向性，尤其是尾声之前的那个哀伤的单旋律。钢琴家的触键似断仍连、朦胧哀伤的音响恰到好处。

两首拉威尔小品演奏的人不多，也许是因为太短小了，往往只有灌录全部作品的钢琴家才会演奏。这两首作品技巧并不像其他的作品那样繁难，但是钢琴家演奏得一丝不苟，清新宜人，的确是很显功力。

听钢琴音乐会，钢琴家很容易演奏得很辉煌，换来热烈掌声，但弹得又辉煌、义清晰往往很少听到。尤其是拉威尔作品，听起来似乎不难，就是旋律和伴奏，但是对于演奏者来说，弹得举重若轻实在是不容易。

钢琴家演奏时没有很多花哨的肢体动作，更多的都是服务于乐曲，手指抬的不高，非常贴键。他弹得最好的是《镜子》和《库普兰之墓》，其次是那首《小奏鸣曲》。而《镜子》和《库普兰之墓》刚好从两个侧面映射出拉成尔是印象与古典的结合体。两组都是题献给朋友的《镜子》组曲，表现的是作曲家由镜中看到的镜像，题献给他的五位朋友，其中一位Ricardo Vifies首演了这套组曲。《库普兰之墓》与我自己听过的钢琴家相比，佩勒姆泰比他弹得更规整，蒂博戴弹得比他有灵气，而他则胜在有活力，我想如果这套曲目要是放在开场，而不是压轴的话他也许弹得更好，毕竟已经演奏两个多小时了。有人说“巴铁人’’弹得最好的还是他获奖无数的德彪西。可惜无缘亲耳听到，不知道何时圆梦了。

大师班

巴维在北京逗留的三天半中，最后一天的上午是去中央音乐学院钢琴系上大师班课。本着圆满的目的，我准时坐在了中央音乐学院钢琴系新的演奏厅里面。听课的除了上课的人、翻译和几个听课的学生，还有周广仁老师。

一共有三个学生演奏。演奏李斯特《第一钢琴协奏曲》和《但丁幻想曲》的学生可能准备得不够充分。巴维主要精力都在强调谱子上作曲家的表情记号要做到、拍子要分清楚以及音乐段落划分这些问题上。

还有一个学生弹了《水妖》。巴维说，在法国版中，作品之前都有一首诗歌，这首作品是一个诱惑之歌。然后在琴上示范了一些具体的、有指向性的音乐段落，比如一些低音部分可以想象成描写海王水下城堡的乐段。这首作品使用了全部的键盘，所以音响必须要有动态感。

他还重点讲了音乐的呼吸问题。拉威尔作品中的歌唱性乐句表现有两点要做到：一是流动性，二是句子之间要像古典作品那样分开交代清楚，绝对不可以弹成浪漫派的那种句句相融。然后还具体修正了一些演奏者的细节问题，比如力度转折、困难段落的练法等。

下午，巴维参观了故宫，终于心满意足地走了。他给我们留下了精彩的演奏、好听的音乐以及很多启示，尤其他每天雷打不动的练琴实在让我敬佩。钢琴家是寂寞的，因为需要把时间用在练琴上，巴维说自己很多时候都在练琴，没有太多时间给自己的孩子。

为了帮助大家更好的理解《夜之幽灵》。特将三首题诗的译文附在文后。译文由上海音乐学院钢琴系江晨教授提供，在此一并致谢。

《水妖》……我觉得在梦中隐约听到了音乐，身边有一个亲切而凄婉的声音在轻声歌唱。

――勃鲁尼奥《两位天才》

听呐!听呐!是我，水妖，把水珠洒在你的玻璃窗上，窗前是一片惨淡的月光。庄园里的那位夫人正婷立阳台，对着这星光灿烂的夜色和沉睡的湖面默默凝望。

每一朵小小的浪花都是一个顺着流水邀游的水妖，每一股流水就是一条通往我宫殿的通道。我的宫殿坐落在湖底用火焰、泥土、空气构成的三角形中。筑成的宫殿水浪滔滔。

听呐!我的父亲正在把绿色的檀木浸入汩汩流水，那飞溅的水泡，是我的姐妹们透明的手臂。在长满青草、睡莲和菖蒲的阴凉岛屿上轻轻摩挲。弯弯杨柳在溪中垂钓，引起她们笑声朗朗。

一曲清歌唱罢，她卸下指环要我戴上，求我与她配成佳偶，一起归去，到宫中做一位万湖之王。

我告诉她我爱着一位人间的姑娘。她懊丧失望，泪珠儿沾湿衣裳，继而又放声大笑，突然消融于万顷波涛，只留下我的蓝色玻璃窗上闪闪水光。

《绞刑架》我看见什么东西在绞架旁蠕动?

――浮士德

啊!我听到的是什么声音?是晚风在呼啸，还是绞刑架上的尸体在哀鸣?

是树林边可悲的不能结果实的常青藤丛中，一只蟋蟀蜷缩在苔藓中歌唱?

是一只苍蝇在对着那两只不再听得见的耳朵把猎号吹响?

是一只金龟子抱着一根从秃头上拔下来的头发，走得跌跌撞撞?

莫非是一只蜘蛛在编织纱巾，让

那被绞勒的颈项作领带戴上?那是城墙上的钟声回荡，城墙在远处地平线上，夕阳的余晖照得绞刑架上的尸体泛出红光。

《幻影》

他查看了床底下，烟囱上与碗橱――那儿谁也没有。他搞不懂它是怎么走进来，又是从哪里逃出去的。

――霍夫曼《夜的故事》

噢!多少次我看到幻影并听到它的声音，总是在夜半三更的时光，月亮像一块白银镶嵌在洒满了金色蜜蜂的蔚蓝天幕上。

多少次我听到它在花园凉亭的荫形下笑声如狂，多少次我听到它在我的丝织帷幔上摩拳擦掌!

多少次我看见它从天花板飘然下降，踮起脚尖急速旋转，滚过地板就像女巫纺织机上落下的纺锤一样。

我以为它晕厥过去了?这个侏儒却越长越高，像大教堂的塔尖，矗立在我与月亮中间。它尖角帽顶的金色铃铛叮咚作响。

但是，不久它就通体变成蓝色，像蜡烛一样透明，脸色也变成烛光一样苍白――然后突然消失。

乐讯

北京市第十届“希望杯”钢琴比赛即将开始

2010年8月13日下午18：00，北京市第十届“希望杯”钢琴比赛新闻发布会在北京乐成中心召开。首都师范大学副校长何奕醌，首都师范大学音乐学院院长杨青教授，历届总顾问中央音乐学院周广仁教授，著名钢琴家鲍蕙荞，评委会主席唐重庆教授，以及《音乐周报》、《钢琴艺术》、《北京晚报》、《北京青年报》、《北京晨报》等媒体记者出席了新闻发布会。

第十届“希望杯”青少年儿童钢琴比赛将于2010年9月30日至10月7日，在首都师范大学举行，选手报名时间是8月28日、29日，预计将有近千名选手报名参赛。比赛分两个阶段进行，第一阶段为钢琴音乐节，以音乐会演出的方式进行，评委现场讲评并评分，颁发演奏证书。第二阶段为钢琴比赛，最终评选出一、二、三等奖及优秀奖和优良奖，以及中国作品演奏奖。获奖选手还将走上颁奖大会的舞台，领取奖杯和奖牌。

“希望杯”钢琴比赛自1992年开赛以来，每两年举行一次，在18年内共举办过九届。在北京地区各类钢琴比赛中“希望杯”参与的人数最多，达8513人；年龄跨度最大，从4岁的幼童到93岁的老者均有。第十届增加了专业组别的选手比赛。“希望杯”钢琴比赛的宗旨是为广大钢琴学习者提供舞台表演和演奏交流的平台，提高广大学习者学习钢琴的兴趣和积极性，鼓励大家在一起相互学习、取长补短、开阔眼界、共同进步，推动首都钢琴基础教育的发展。当然，“希望杯”钢琴比赛的意义并不仅仅是发现和培养音乐人才，它更是高校服务社会、提升国民素质所做的一项公益事业，对社会和谐发展起到积极的推动作用。

本次比赛由首都师范大学校长任比赛组委会主席，著名钢琴教育家周广仁教授任总顾问，首都师范大学音乐学院唐重庆教授任评委主任，钢琴家鲍蕙荞、中央音乐学院郑丽琴、黄佩莹、泰尔、韩剑明、凌远、赵屏国、金爱平、吴元、钟慧教授、北京师范大学音乐系周铭孙教授及首都师范大学音乐学院钢琴系全体教师担任评委。

“希望杯”以拥有高规格的权威评委，以每位选手都能获得文字或当面点评的边赛边评的特别方式，以它公正、严谨、和谐的群众性、普及性，成为首都北京较有影响、广受欢迎的钢琴赛事。