湖北省导游考试导游词整合之归元寺

第一篇：湖北省导游考试导游词整合之归元寺

归元寺英文导游词

Good morning, ladies and Gentlemen，Welcome to Wuhan.Please allow me to introduce my team first.Mr.Wang is our driver.He has 20 years of driving under his belt, so you are in a very safe hands.I’m Tang Huarong from Yangtze river international Travel Service, for convenience you can call me Xiao Tang.On behalf of our travel agency and my colleagues.I’d like to extend a warm welcome to you.I will be your guide during your stay in China.We highly appreciate your understanding and cooperation.If you have any special interest, please don’t hesitate.I will try my best to give your appropriate answers.Chinese buddhist temples are never single buildings.they always consist of a group buildings following a fundamental patter, which can, however, be modified.the main buildings and their symmetrically corresponding secondary buildings form individual groups and courtyards.the entire temple complex is spacious.the building inside the complex are usually single-storied and the main halls are sometimes decorated with a double roof.the towers, pavilions and halls can be multi-storied structures.The chinese temple complex has been subject to great structural changes throughout the centuries.but temple architects follow the basic principles of secular structures from the tang dynasty onwards.the complexes stand on a central axis, usually a north-south axis: east-west only as an exception.(guiyuan temple is just the very exception.)the main buildings are strung along this central axis, their broadest sides facing south or east.The most important and most frequently presented building inside a buddhist temple complex are the main entrance gate, the bell and drum towers, the hall of the heavenly kings, the hall of the buddha and a pagoda.Buddhism is said to be founded in india in the 6th century bc by siddatha gautama(bc565 –bc486), the son of a nobleman and member of the kshatriya caste near the present borders of india and nepal.buddhism advocates that all the people are created equal and turns against the caste system of brahmanism, so it was popular with the common people.It was said that buddhism was spread to china in 2 bc.at the beginning, it was only regarded as a kind of witch.about 200 ad, chinese version of buddhist s criptures began to appear, and thus, buddhist doctrines began to emerge with traditional chinese religious thought.from 2nd century to late 6th century, translation and research of buddhist sects with chinese characteristics were becoming more and more popular and many temples were built, which reached its peak in sui dynasty(581ad-617ad)and tang dynasty(618-907).some buddhist sects with chinese characteristics came into being.buddhism exerts a great influence on chinese philosophy, literature, art and folk customs.What is presented before our eyes is a copper statue of a famous bodhisattva in hynayana buddhism.bodhisattva is a tittle which is only next to buddha.this statue is the image of avalokitesvara, which has been popular with chinese people or more than 1,000 years.she is called the goddess of mercy cordially by chinese and is regarded as the symbol of kindness, mercy and benevolence.when we visit the avalokitesvara pavilion after a while, i will give a detailed introduction about her.this copper statue was sent to guiyuan temple by taiwan buddhists in september 1990.it shows that all chinese, whether in the mainland or in taiwan, are eager for the reunion of the country, even including religion believers.The building we see now is the buddha hall where one certain buddha and his two assistant bodhisattvases are worshiped.this buddha is amitabha buddha.amitabha means incomparable brightness.according to buddhism, time and space is limitless and thus there are many many buddhas in different spaces and times.but in a certain space or in a certain period of time, there is only one certain buddha who is in charge of instructing all living creatures.amitabha buddha is the buddha who presides over the land of ultimate bliss in the west, which will come in the future.buddhist s criptures describe the land of ultimate bliss as a wonderland, in which no pain exists and the people enjoy their lives.in one word, it's very attractive.some people will think it must be very difficult to enter such a world.how can i go to such a paradise? maybe i have to work hard and bear a lot of sufferings.in fact, it's very easy to enter the world.he only need often murmur ‘may buddha preserve us' sincerely.it's enough.You see, the statue in the middle is the very buddha.on his left is the goddess of mercy.on his right is the other bodhisattva who follows the buddha.it is said that he can save all the living creatures from three kinds of terrible disasters.Now, let's step into the buddhist s criptures pavilion where the s criptures of buddhism are kept.but i ‘m afraid what attracts our attention at the first sight must be this snow-white statue.it is a statue of sakyamuni, the founder of buddhism.this statue was carved out of a big piece of jade which is 2-meter-tall and weighs 3 tons.it was carved by myanmar handicraftsmen and donated to the temple by the rangoon buddhists in 1935.If we watch the statue, we may sense that the peaceful expression on the buddha's face has brought us to a quiet and harmonious state.The last building we will visit is the avalokitesvara pavilion in the north yard.when we entered the yard just now we saw a statue of her.now i'd like to introduce her carefully.As a goddess, she swore that she would not become a buddha until all the living creatures suffering from pains were saved.so she became a bodhisattva who is most popular among the people and attracts the most believers of all the gods and goddesses in buddhism.it was said that one would be saved from trouble and disaster as long as he(she)chanted her name and if it was heard by her.thus she is called guanshiyin, which means ‘hearing or looking on the voices of the suffering'.because of her kind heart and benevolence she got another title ‘the goddess of mercy'.According to buddhism, bodhisattvases have no distinction of sex, that is, they are neither male nor female, because they are immortals.but it's very strange and interesting that most of bodhisattvases were engraved or carved in the images of various kinds of men in human society.changes didn't take place until an emperor's mother thought it was inconvenient to worship a male bodhisattva in her bedroom.from then on, guanshiyin, the bodhisattvas began to appear before her believers in the image of a beautiful and elegant lady.We'll pay a visit to a very serious, sacred place.generally, the place is regarded as the most holy by buddhists.it is the grand hall, where the founder of buddhism, sakyamuni is worshiped.it is always the center of a buddhist temple in construction and in buddhists' mind.The statue in the middle is sakyamuni.according to buddhism his mother gave birth to him in a garden.he belonged to kshatreya caste.he married his cousin when he was 16 or 17 years old.at the age of 29, he was confronted with the sights of an old man, a sick man, a corpse, and a wandering ascetic.with eyes opened to aspects of life newly revealed to him, he broke from the material world and became an ascetic.six years later, he gave up mystic concentration that at last brought him enlightenment under a bo tree.he then founded an order of mendicants and spent his next 45 years preaching his ideas until his death.These two statue beside the buddha are his two disciples.the one on the right was said to be sakyamuni's cousin and he had good memory so that he could remember all the buddha told his disciples.the one on the left was said to be the lord of brahmnism and he once was sakyamuni's tutor.but afterwards he was convinced by buddhism after long-term debate between buddhism and other religions and he accepted sakyamuni as his tutor.thus he became the eldest one of all sakyamuni's disciples.Next, we'll pay a visit to the ahrat hall in the south court.The ahrat hall is an important structure in a buddhist temple.but not all temples have an ahrat hall, especially, well-kept ahrat halls are very rare in china.this one is among them, and what's more, it has its own unique characteristics.Generally, an ahrat hall is a square building.the building is subdivided into four small square courts so that the hall can get enough sunlight.this kind of structure show some lucky implies in chinese buddhist culture.Another characteristic about the hall lies in these sculptures themselves.they were neither made up of wood, nor stone, nor clay.a special way was taken in making them, which could prevents them from being burned, being soaked or being eaten by insects.all the sculptures were floating in water while wuhan was flooded in 1954, but, surprisingly, they were sound and safe after the flood had receded.it was really a wonder.Ahrats are the immortals in buddhism.but when you have a look around the sculptures, you may find from the expressions on their faces that they are so familiar to you.that's only because they were molded on the basis of the people in the reality, so they are human beings in our daily life rather than immortals.Ahrats are the symbols of harmony, happiness, and good luck, so the wuhan natives have got used to counting ahrats since ancient time to pray for peace.there are a few ways of counting ahrats.we can count from the first ahrat from left to right or from right to left, when we just enter the hall.we can also choose any ahrat as our starting point, and count in the same way, left to right or right to left.we should base counting on our own ages whatever we take.for example, i'm 25, so i should stop in front of the 25th ahrat from the starting ahrat.the sculpture in front of which i stop is my lucky ahrat.my lucky ahrat will accompany me to spend a peaceful and lucky year.wouldn't you like to have a try now? if you need, i can explain connotation of some ahrats.That's all for the explanation to guiyuan temple.thank you for your cooperation and understanding.you will have another 30 minutes to have a look around the temple.if you have any problems, do let me know.i would like to repeat our bus number, a3074.please don't forget.see you later.

第二篇：湖北省归元寺导游词

导语：归元禅寺位于湖北省武汉市汉阳区归元寺路，由白光法师于清顺治15年（公元1658年）兴建。下面是小编为你整理的湖北省归元寺导游词，希望对你有帮助！

湖北省归元寺导游词

各位朋友你们好，欢迎你们来到归元禅寺旅游，我是这里的讲解员，在接下去的时间里将由我为各位提供导游服务，希望你们的这次归元之旅能够开心愉快。

归元禅寺建于清顺治十五年，也就是1685年，整个寺庙分为东、西、南、北、中五个院落，占地46900平方米，整个平面布局呈袈裟形状，为什么布局成袈裟形状呢?在这里我先卖个小关子，请你们听我的讲解，待会儿自然就明白了。归元寺现存殿堂楼阁二十九栋。据说是禅宗的白光法师在明朝汉阳诗人王章蒲的葵园旧址上兴建的，关于当时修建归元禅寺的说法有几种，有说是白光、主峰两位法师明末战乱时募化于汉阳府城凤山门外，见尸骨遍野，一片凄凉，欲行善事，建“普同塔”和“归元禅寺”,掩埋白骨，超度亡魂,王章甫问何为归元禅寺，法师答：“‘元’，数之始、道之极、物之总也。‘归元’即归真、归化、归本，出生灭界，还归真寂本元，义同‘圆寂’。‘圆’是一切功德圆满，‘寂’是一切烦恼寂灭。归元便是得道成佛之义也”。如此一说，王章甫心悦诚服，深知法师道行无量，便将葵园献出，作为建寺之地。还有一说，明宗祯末年，一富豪无名指断，幕翠微草庵长老医道非凡，隧穿草鞋来进香，祈求再接断指。长老见其心诚，果然为他接活断指，口讼“归本归元”。富豪感恩戴德，愿为长老新建寺庙，即就其规模请问长老，长老法事完毕，随手将破袈裟抛向天空：“就此一袈裟之地”，顿时，袈裟越变越大，徐徐降落，竟覆地五十余亩，富豪见长老有如此法力，欣然买得这一袈裟之地，聘全国能工巧匠，选各地上等材石，经数年营造方告成功，并由法师以“归元”为寺命名。相信我讲到这儿你们应该已经知道我前面提到的“平面布局呈袈裟形状”是怎么一回事了吧?

现在在你们面前的就是归元寺的三门，也就是归元寺的大门，佛寺的大门称三门，即佛经里的三解脱门，中间的是空门，左右分别是无相和无作门。这门的建筑形式也是有说法的，归元寺的三门呈八字朝阳外开，就是象征着广结善缘，普度众生，喻意吉祥。你们再看门上方的蓝底镶金边的长方形竖匾，相传当年白光法师要离去，主峰及众僧挽留不住，只好请他题写寺名，永志纪念，白光盛意难却，便在临行时亲笔写下了这归元禅寺四个字。

步入三门，映入我们眼帘的就是这晚清文人张日煜的手迹“南无阿弥陀佛”，意思呢就是皈依阿弥陀佛。现在在你们右边的是北院，里面主要有念佛堂、藏经阁等几座建筑，下面我们就从北院开始游览。

你们看这圆形门上的“翠微妙境”，“翠微”二字还是源于王氏葵园，据记载，当年王章甫购得太湖石，在葵园中垒砌了一座高大假山，雅称翠微峰，供高朋玩赏，当年的翠微峰比现在的藏经阁还要高，可惜的是在明朝末年毁于战乱。建造归元寺的时候又搬掉了颓废的残石，翠微峰便名存实亡，白光法师感到很惋惜，就将此石移到了寺右后方的小石山上至今。现在归元寺附近的“翠微街”等皆是由此而得名。这里的“妙境”两个字则是蕴藏着佛教的色彩。

这里就是念佛堂了，念佛堂供奉着西方三圣，即阿弥陀佛和他的两个协侍观音菩萨和大势至菩萨。另外还有文殊和普贤菩萨。念佛堂内神龛高6米，宽5米，顶饰红日高照，二龙出海，双凤朝阳，寓意“龙凤呈祥”。你们可能已经注意到这个供桌了吧?它长达4.5米，是于1935年制成的，上面刻了五组浮雕图案，各位能看得出来刻的是什么吗?其实它从左到右再现了我国古典小说《西游记》中的几个情节，分别为：唐太宗为唐僧师徒送行、如来向伽蓝等菩萨说法、四大天王及“七佛”、如来说法于树下、佛祖给唐僧师徒封位。很有意思吧!

好，下面请你们和我一起去藏经阁，现在我们看到的藏经阁是1920年重建的，为两层五间，高约25米，首先我们看到的是阁中洁白无暇，光彩照人的玉雕释迦牟尼座像。这座佛像是1935年缅甸仰光三宝弟子赠送的，玉佛重约两吨，属国内寺庙中保存最好的佛像了。藏经阁的珍藏十分丰富，有南宋苏州砂廷圣院所刊孤本《啧砂藏》以及清代刊印的《龙藏》。《龙藏》有7250卷，至今完好无损，是国内研究佛教的珍贵资料之一。藏经阁中还有我国的佛教文物和外国的佛教礼品，如北魏的石雕观音，明代的冰裂纹净瓶，清代的镂空浮雕如意，印度的贝叶经，缅甸的檀香木雕香盒，马来西亚的玉塔等。你们可以慢慢的参观。

在藏经阁旁边的就是大士阁了，主要是供奉观音菩萨的殿堂。你们可以看到神龛左侧的墙壁上镶着的杨柳观音像，画像为唐代闫立本所绘。画像中的观音，文静安详，前胸丰满，体态轻盈多姿，显示了唐代以丰满为美的审美观念。

各位朋友，现在我们所在的地方就是归元寺的主殿大雄宝殿，这里供奉的是佛教的最高神释迦牟尼，它是全寺中最为高大的一尊佛像，你看他丈六金身，头上宝幢华盖，摩顶而结枷跌坐于莲台上。背后装饰一火焰圈，中是一面魔尼镜，象征光明，佛前一尊狮子，是佛前世为狮子王的形象。你们看佛前的这两棵树，代表的是释迦牟尼涅磐时的双婆罗树，据说释迦牟尼涅磐后遗体火化，有七佛在火中显现，因此人们拜佛前常先化纸钱或黄表纸，并焚香点烛，所以这里的树叶也做成火焰形，树叶间各有七佛。还书写有“佛日增辉，法轮常转”的八个相轮。佛左边弟子是迦叶，右边的名叫“阿难”。

我们再来看看弥勒佛吧!他被称为三世佛中的“未来佛”，你看他憨态可掬，滑稽可笑，给人们一种洪福不浅，快乐无忧，宽宏大度的象征。成为人们心目中的“笑佛”或“快乐佛”。神龛上有一副对联：“大肚能容容世间难容之事，慈颜常笑笑天下可笑之人”。此联传说是明太祖朱元璋所撰呢!

下面再请你们和我一起去游览罗汉堂。我国五百罗汉的形象是自唐以后，由五代开始兴盛，人们将散见于各经之中的名号录出，不足的就加以杜撰，凑足了五百个。北宋以后各地的寺院就多建有罗汉堂，而到了今天，在全国寺庙中保存比较完好的罗汉堂已为数不多，主要有北京碧云寺、武汉归元寺、昆明筇竹寺、成都宝光寺、重庆罗汉寺和苏州的西园寺。相比较而言，又属归元寺的罗汉堂最有特色，名气最大。

罗汉堂的平面布局呈田字形，内有四院，是为了使殿内的罗汉有充足的光线。另外田字恰好又是佛教中正反两个“万”字相叠加，这种布局暗示着一种善神降世的吉祥和神秘感。

这罗汉堂除了可供参观外，人们还喜欢用它来预测一年内的祸福，也就是武汉人说的“数罗汉”，方法是随意选中一尊罗汉，然后顺着数下去，数到和自己年龄数相等时看看那尊罗汉是什么样子就可以推测这一年的运势了。

我国有句俗语说：泥菩萨过江——自身难保，而在归元寺的罗汉堂就不能这么说了，因为这里的罗汉既不是木雕也不是泥塑，而是采用的一种盛行于唐代的独特工艺制成的夹伫像，又称脱纱像或干漆像，归元寺的罗汉塑像属活脱干漆，其制作过程较为复杂，首先要用粘土做成人形胎模，干后用生漆将丝绸或夏布层层粘附于其上，再用生漆将混合的膏灰、木粉调匀涂刮，塑造细部，阴干后再打磨抛光，然后在塑像的背后开一个小孔，注水化泥成浆脱出胎模并冲洗干净，晾干后再木块封口，再刷上生漆、贴上金箔，最后涂上桐油或亮漆以保持光泽。这里的罗汉造价虽然很高，但采用的工艺不仅省料，而且每尊不超过25公斤，体轻质坚，不透水，不怕水浸。很适应武汉地势低洼，湿度大的气候环境。1954年武汉遭遇百年不遇的特大洪水，很多地方都变成了汪洋，这些罗汉也浸泡在水里，洪水退后，罗汉却安然无恙。所以如此看来，别说是过江，就算是让它们去漂洋过海恐怕也不成问题。

好了各位朋友，关于归元寺呢我就给你们介绍到这里，希望我的讲解能令你们满意，不详尽的地方也请你们多多海涵。欢迎各位再次光临武汉，再来看看归元寺。

第三篇：湖北省导游考试导游词整合之黄鹤楼（xiexiebang推荐）

黄鹤楼Yellow Crane Tower

（一）各位朋友大家好，我是“恐龙特急旅行社”的导游员克塞，在这里我对大家光临武汉市表示热烈的欢迎，在接下去的时间里将由我为各位提供导游讲解服务，我一定会尽力安排好各位的行程，使大家在这次旅游活动中感到开心愉快。好，下面请大家随我一起去参观武汉市最有特色的景点黄鹤楼。

黄鹤楼始建于三国吴黄武二年，也就是公元223年，至今已有一千七百多年的历史，其间屡建屡毁，现在的黄鹤楼是以清代黄鹤楼为蓝本，于1981年重建，85年落成的。

现在大家所看见的前面这幢高大雄伟的建筑就是黄鹤楼，它以号称天下绝景而名贯古今，蜚声中外，它与江西滕王阁、湖南岳阳楼齐名，并称为“江南三大楼阁”。关于黄鹤楼的雄伟，曾经有这么一个趣闻，说是湖北、四川两地的客人相会在江上，攀谈间，竞相赞美自己的家乡，四川客人说：“四川有座峨眉山，离天只有三尺三”，湖北客人笑道：“湖北有座黄鹤楼，半截插在云里头。”惊得四川客人无言以对。当然，这个故事是有些言过其实，但黄鹤楼确以壮丽的景观，动人的传说及浓郁的文化气息吸引着中外游人。

好了，说了这么多，我们一起到黄鹤楼的里面去看看吧。

走进了大厅，最引人注意的就要数这幅《白云黄鹤图》了，它取材于驾鹤登仙的古神话，兼取唐诗“昔人已乘黄鹤去”之意，大家请看画面上的这位仙者，他口吹玉笛，俯视人间，似有恋恋不舍之情，下面黄鹤楼的人群或把酒吟诗，或载歌载舞，大有祝愿仙人黄鹤早返人间之意。其实在这幅壁画的后面还有一个传说故事，给黄鹤楼蒙上了一层神秘的色彩：古时候，有个姓辛的人在黄鹤山头卖酒度日，一天，有个衣衫褴褛的老道蹒跚而来，向他讨酒喝，辛氏虽本小利微，但为人忠厚善良，乐善好施，他见老道非常可怜，就慷慨应允。以后，老道每日必来，辛氏则有求必应，这样过了一年多。有一天老道忽然来告别说：“每日饮酒无以为酬，只有黄鹤一只可借，聊表谢意。”说罢，他拾起地上的一片桔子皮在墙上画了一只黄鹤，对辛氏说：“只要你拍手相招，黄鹤便会下来跳舞，为酒客助兴。”，说完后老道就不见了。辛氏拍手一试，黄鹤果然一跃而下，应节起舞。消息传开后，吸引了远近的游人都来饮酒，酒店的生意大为兴隆，辛氏因此而发了财。十年后，老道突然出现在酒店，对辛氏说：“十年所赚的钱，够还我欠的酒债吗？”辛氏忙道谢，老道取下随身携带的铁笛，对着墙上的黄鹤吹起一只奇妙的曲子，黄鹤闻声而下，载着老道飞走了。由此便出现了壁画上的情景。（除此壁画之外，就是这幅被誉为黄鹤楼二绝之一的楹联：爽气西来，云雾扫干天地憾；大江东去，波涛洗净古今愁。意思是清爽怡人的空气自西而来，驱散了积于云层的迷雾，将天地间令人遗憾的事情一扫而光；奔腾不息的长江滚滚东去，将古往今来令人感到烦恼的事都冲洗干净了。）

好，下面再请大家和我一起上楼去游览。这里是一楼半的跑马廊。现在大家也许已经注意到了，黄鹤楼外观为五层，但里面却不是这样，它实际上有九层。这是因为中国古代称单数为阳数，“9”为阳数之首，又与汉字长久的“久”同音，有天长地久的意思。在这个跑马廊里主要是陈列一些名人字画，供大家观赏。

各位朋友，来到了黄鹤楼的二楼，我们就可以看到黄鹤楼的历史，先请看这幅题为《孙权筑城》的壁画，再现了当年修建黄鹤楼时的历史背景。赤壁之战后，刘备借荆州，取四川，势力大盛，却不肯归还荆州。东吴大将吕蒙用计杀了关羽，夺回荆州后不久，刘备亲率十几万大军伐吴，孙权知道战事不可避免，便一面向魏称臣求和，一面集中力量对付刘备。为了就近指挥这场大战，孙权在长江边上依黄鹤山之险筑夏口城，并在城头黄鹤矶上建楼作观察了望之用，这便是最初的黄鹤楼。

大家再看中间的《黄鹤楼记》，论三大名楼，黄鹤楼排在首位，而论楼记，最没有名的就属黄鹤楼楼记了。现在我们看到的这篇是从十多篇楼记中选出的，它偏重于写实景，整篇文章不足三百字，但却写清了黄鹤楼的地理位置、建筑形式、传说以及人们在黄鹤楼上活动的情形。另外在这里还展出了历代黄鹤楼的模型，共有六个，这从一个侧面也反映出了黄鹤楼饱经了历史的沧桑。我们现在这个黄鹤楼就是以清同治楼为雏形重新设计建造的。

下面请各位再和我一起上三楼看看。三楼展示的是黄鹤楼的文化渊源。这组《文人荟萃》的板画再现了历代文人墨客来黄鹤楼吟诗作赋的情景。在壁画的中间大家可以看到这位穿红衣的诗人，他就是崔颢，虽然很有才气，但因奸臣当道，他仕途颇不得意，这种怀才不遇的心境使他萌生了学道成仙的念头，《黄鹤楼》这首诗就是这种心情的倾诉。现在可以收集到关于黄鹤楼的诗词共有一千七百多首，但因版面有限，这里只选择了十一位著名诗人的诗句。登上了黄鹤楼的四楼，大家可以看出这里是黄鹤楼的文化活动场所，它专门陈列当代书画家游览黄鹤楼留下的即兴作品。中间为李可染先生的山水画，右边是李苦禅先生的遗作，左边则是吴作人先生特为黄鹤楼作的《翔千里》。另外，这里还备有文房四宝，可供游客即兴挥毫。（有兴趣的话大家也可以试试，说不定将来这里也会陈列您的作品。）好了各位朋友，下面我们就要登上黄鹤楼的顶楼了（，看看在那里各位是不是也会有一种不一样的感觉呢？）。大厅里展示的这是一组题为《江天浩瀚》的组画，面积达99平方米，是全楼中规模最大的，它由十幅金碧重彩画组成，表现了长江的自然景观和文明史话渊源。从这里放眼望去，武汉三镇尽收眼底，或俯瞰，或眺望，一片绮丽风光，令人赏心悦目。黄鹤楼坐落在蛇山头，由于这列山丘东西延绵，形似长蛇，俗称蛇山。隔江对岸的则是汉阳的龟山，由于地层错动和大江冲击，造成龟蛇两山隔江对峙的独特地貌，长江大桥则把两岸山系连成一体，这样，东西延绵的莽莽山岭和南北穿行的浩浩长江在武汉大地上划了一个巨大的十字，黄鹤楼正好在这个交点旁。东望则又是一番景象，山岭延绵起伏，湖泊星罗棋布。在我们现在黄鹤楼所在的蛇山之东是双峰山和洪山，这两座山是武汉市的宗教胜地，其间有几处著名的道观及寺庙。再往东，则是著名的东湖风景区和武汉市文教区，一些著名的大专院校都集中在这里。

好了各位朋友，关于黄鹤楼呢我就给大家介绍到这里，希望我的讲解能给大家留下一点印象，不详尽的地方也请大家多多海涵。

（剩下的时间大家可以自由的参观一下，半小时后在大门口集合上车。）

黄鹤楼英文导游词正文:Yellow Crane Tower

（二）Good morning, Ladies and gentlemen,Welcome to Wuhan.Please sit and relax.Your luggage will be send to the hotel by another bus , so you don’t have to worry about it.Let me introduce my team first.Mr.Wang is our driver.He has 20 years of driving under his belt, so you are in a very safe hands.I’m Susan.We are from China Youth Travel Service, Wuhan Branch．On behalf of CYTS Wuhan Branch and my colleagues.I’d like to extend a warm welcome to you.I will be your guide during your stay in Wuhan.I will try to do my best to “warm the cockles of your heart”.We highly appreciate your understanding and cooperation.If you have any special interest, please let us know.I will try my best to give your appropriate answers.Now we are on the way to Yellow Crane Tower.At first, I would like to outline the general picture of Wuhan for you.Wuhan is in the southeast of China and covers an area of 8,494 square kilometers and has a population of 9.1 million.Wuhan is an important central city in China and the political, economic, scientific & technological, cultural and financial center in inland China.The third longest river of the world, the Yangtze River , and its longest branch, the Han River , cross here and divide the city into three parts, Hankou, Hanyang and Wuchang.There are 13

administrative districts in the city.According to the history, the Yellow Crane Tower, located on Snake Hill in Wuchang, is one of the "Three Famous Towers South of Yangtze River(the other two: Yueyang Tower in Hunan and Tengwang Tower in Jiangxi).The Yellow Crane Tower was first built in 223A.D, and was destroyed and rebuilt time and again throughout history.The whole compound ['kɔmpaund] 化合物；混合物consists of the main tower ,side pavilions(侧亭), corridors（廊道）, memorialarchway

['ɑ:tʃwei]n.拱门；拱道（纪念拱廊）,tabletswith inscriptions n.铭文；碑文；题字and business streets of ancient style.The main tower 51.4 meters in height , is of 5 stores ,each with extended upturned eaves(屋檐上翘的).At its back is the four –storied White Cloud Tower ,29.7 meters in height.The two towers together form the symbol:”the home of the yellow crane in white clouds”(白云黄鹤的故乡), another name for Wuhan.It was first built 1,700 years ago during the three-kingdom period, as a watching tower for the purpose of military defense to observe the enemy’s activity.As the time going , it became a scenic spot.Destroyed for so many times and the last time reduced to ashes , the tower was rebuilt on each occasion until 1884.The reconstruction [ri:kən'strʌkʃən]n.（再建，重建；改造；复兴）work of the tower started in Oct.1981, and it was completed in June 1985.So after 100 years, the Yellow Crane Tower stands on the top of the Snake Hill again.It seems a 5-storyed concrete [kən'kri:t]（混凝土的）tower from outside but it was a 9-storyed one inside with spiral ['spaiərəl]螺旋形的 staircase

['stεəkeis]n.(楼梯)In Chinese ,9 has the meaning of longevity ,expressing the good wishes of Wuhan people.Now we are standing in front of the tower.With yellow upturned eaves, each floor seems to have been designed to resemble（类似）a yellow crane spreading its wings to fly.Let’s enter the hall on the first floor.The hall in first floor is over 10 meters high.A 7-meter long couplet（对联）is hanged on two pillar（柱子）:”Fresh air comes from west ,clouds and fogs sweep off the shock of heaven and earth;Rivers goes towards east, its waves wash away the worry form ancient to present.”（爽气西来，云雾扫干天地憾；大江东去，波涛洗净古今愁）And a huge fresco（壁画）“White Clouds and Yellow Crane” stands in the hall.What do you think of the picture? It is very beautiful, isn’t it? Do you know why we call the tower “Yellow Crane Tower”? The answer lies in the picture.Have you noticed that , in the picture there is a Taoist who played an flute（长笛）and rode an crane gliding ['ɡlaidiŋ]（滑翔）through the sky ?It is a story about kindness and rewarding.Long long ago, there was a warm-hearted old man.He was very poor and ran a small wine tavern to earn a living.One day in the summer, the weather was very hot and the sun was very strong, a Taoist dressed in tattered ['tætəd](破烂的)clothes entered the alehouse ['eilhaus](酒馆；出售麦酒的酒店)He begged the shopkeeper for wine:” Excuse me, I am very thirsty but I haven’t any money.For god’s sake, could you give me a bowl of wine?” “sure” the shopkeeper smiled: “just help yourself” and gave him a bowl of wine.After that, the Taoist often patronized ['pætrənaizvt.惠顾；资助；保护 the tavern ['tævən](酒馆；客栈)and enjoyed the wine without paying money.One year later, the Taoist wanted to reward the poor man.He picked up an orange peel from the ground and drew a magic crane on the wall.When he clapped his hands, the crane can dance with the rhythm ['riðəm]n.节奏；韵律.Many people came to watch this miracle ['mirəkl]奇迹.From then on, the tavern was always full of guests.During the ten years, the old man got out of the

involvement(财政困难)of poverty and ran a large restaurant.Ten years later, the Taoist revisited（重游）the old place.When he met Xin’s , Xin ‘s thanked him.He said: it is your kindness that makes you wealthy.After saying goodbye, the Taoist played the flute and then rode the crane to the sky.In honor of the yellow crane and Taoist, the old man, Xin’s , built a tower and named it yellow crane tower.Now we are in the second hall, and we can appreciate various miniature ['miniətʃə]（小型的）copied the styles from Tang dynasty to Qing dynasty.Now, let us enjoy the yellow crane in Tang dynasty, it has two stories, the first floor was the gate of the wall , the second floor was used for visitors to enjoy the view of the city.I have a question, which resembles with the current tower most, pay attention ,please.Right, the design of yellow crane tower was followed a Qing dynasty picture.Let us have a look at the model in Qing dynasty.It has 3 stories, the first floor has 12 eaves（屋檐）which represent 12 hours in one day, the second floor also has 12 eaves and it stands for 12 months in a year.The third floor has 24 eaves and represents 24 solar terms（24节气）.It is very interesting to enjoy kinds of models in different dynasties.In the three hall ,there is a huge fresco ['freskəu]n.壁画 “Distinguished people gathering;Romance through ages “in which 12 well-known persons in Tang and Song Dynasties are painted.They are Cuihao ,Libai ,Yuefei, etc.And the poetry on Yellow Crane Tower written by each one are used as dedications[,dedi'keiʃən]n（奉献；献身）to their own pictures.Both of the pictures and writings are quite excellent（卓越的）, showing a unique characteristic（特征）。.Now we are in the fourth hall.Handwriting by modern expert are hanged on all around.Maybe you can try to learn Chinese from poem and show the poem to your family members back home.Such as YELLOW CRANE TOWER, and it is very simple.If you want to enjoy the Changjiangriver and the view of Wuhan, the good choice is to go to the fifth floor.And the rest time, enjoy yourself.That’s all for the explanation to yellow crane tower.Thank you for your cooperation and understanding.You will have another 30 minutes to have a look around the temple.I would like to repeat our bus number, WH12345.Please don’t forget.See you later.Your current visit to China is drawing to a close.It’s a pity you cannot stay in Wuhan any longer.Allow me, then take this opportunity to say something by way of a farewell.A Chinese saying goes ,”A friend from afar brings one boundless joy.”I hope you’ll take back happy memories of your trip to China.I hope you’ll come to China again.Everyone in the group has been very cooperative, friendly, understanding and punctual（守时的）。That is what I witnessed and experienced, it was much appreciated.Wish you have a nice journey home.Goodbye.

第四篇：归元寺导游词

归元寺导游词

各位游客朋友们，大家好，欢迎光临美丽的江城武汉，我是楚天旅行社的导游员李成，叔叔阿姨们可以叫 我小李或李导，小弟弟妹妹们叫我成哥，好吗？我的手机号码是？？，在接下来的 时间里将由我为大家提供导游讲解服务，在我右边的这位成熟稳重，魅力四射的男士，就 是我们的司机张师傅了，咱们张师傅不仅仅是光有魅力，技术也是一流的。我们的车牌号是 鄂 A23478，这一路上,呢，大家尽管放心尽兴的游玩，安全由老张负责，开心就交给我了，如果有什么困难可以尽管找我们，我们将竭诚为您服务。游历过山川湖泊，感受了风土人情，向往过桃园故里，今天，我将带领大家感受不一样 的艺术奇观---归元禅寺。

众所周知，佛教文化源远流长，其身后的文化底蕴影响了历代的文 人墨客，迁客骚人，可见其博大精深，而咱们今天要游览的归元禅寺就与宝通禅寺、莲溪寺、古德寺并称为武汉四大佛学丛林，归元寺更是声名远扬，在 1983 年被国务院确定为汉地全 国重点佛教寺院之一，现在为湖北省佛教协会和武汉市佛教协会的所在地。归元寺建于清顺治年间 1685 年，整个寺院分东、西、南、北、中五个院落，占地 17500 多平方米归元寺现存殿堂楼阁二十八栋，呈袈裟状。据说是禅宗的白光法师在明朝汉阳诗人王氏葵园旧址上兴建的，关于当时修建归元禅寺还有几种说法，有的说是白光、主峰两位法 师明末战乱时募化与汉阳府城凤山门外，见尸骨遍野，一片凄凉，建“普同塔”和''归元禅寺''，掩埋尸骨，超度亡魂，园主王章浦好奇，问为何为归元禅寺，法师答曰：元，数之始，道之极，物之总也。归元即归真、归化、归本，出生灭界，还归真寂本元，义同圆寂。圆是一切功德圆满，寂是一切烦恼寂灭，归元便是得到成佛之义也。如此一说，王章浦心悦诚服，甚至觉得法师道行无量，便将葵园献出，作为建寺之地。还有一说，明崇祯末年，一富翁无 名断指，听说翠微草庵长老医道非凡，隧穿草鞋前来进香，祈求再接断指。长老见其心诚，果然为他接活断指，口松归本归元。富翁感恩戴德，愿为长老新建寺庙，即就其规模请问长老，长老法事完毕，随手将破袈裟抛向天空，就此一袈裟之地，顿时，袈裟越变越大，徐徐降落，覆地五十余亩，富翁见长老有如此法力，欣然买的这一袈裟之地，聘全国能工巧匠，选各地上材石，经数年营造方告成功，并由法师以归元为寺命名。

说着说着我们已经到了归元禅寺了，下面请大家随身带好贵重物品，下车随我一起到里 面去参观，在这里呢，我要为大家提个建议，进入佛寺有个规矩，过大门时不可脚踩门槛，因为脚踩门槛是对神灵的亵渎。

现在大家面前的就是归元寺的三门，也就是归元寺的大门，佛寺的大门称三门，即佛教 里的三解脱门。中间的是空门，左右分别是无相和无作门。这门的建筑形式也是有说法的，象此寺的三门八字朝外开，就是象征着广结善缘，普度众生，寓意吉祥。大家在看门上方的 直匾，相传当年白光法师要离去，主峰及众僧挽留不住，只好请他题写寺名，永志纪念，白 光盛情难却，便在临行时亲笔写下了归元禅寺四个字。说到这儿，可能有的朋友会问了：“这寺名怎么不是横着写的呢？”确实，全国佛教古刹不少，可寺名直书的却不多见，因为直书寺名只有皇帝御赐匾额的寺庙才可以使用，可见归元禅寺这座民间寺庙在佛教丛林中的地位了之高。

步入三门，映入我们眼帘的是晚晴文人张日煜的手迹"南无阿弥陀佛，现在大家右边的 是北院，里面主要是念佛堂，藏经阁等几座建筑，下面我们就从北院开始游览。此时我们所 在的地方名为翠微妙境，内涵翠微泉，翠微古池，翠微亭等景观。大家看着圆形门上的翠微 妙境，翠微二字还是源于王氏葵园，据记载，当年王章浦购得太湖石，在葵园中垒砌了一座 高大假山，雅称翠微峰，供高朋玩赏，当年的翠微峰比现在的藏经阁还要高，可惜的是在明 朝末年毁于战乱。建造归元寺的时候又搬掉了颓废的残石，翠微峰便名存实亡，白光法师感 到很惋惜，就将此石已到了寺右后方的小石山上至今。现在归元寺附近的翠微街等皆是由此 而得名。这里的妙境两个字则是蕴含着宗教色彩。接下来呢，咱们就到这边来欣赏，这便是 念佛堂，进入念佛堂的，大家可以看到，这里主要供奉的是西方三圣，中间的是阿弥陀佛，也就是西方极乐世界的教主，他的左右分别是观世音菩萨和大势至菩萨，不知大家注意到这 个供桌了没？它长达 4.5 米，是于 1935 年制成的，上面刻了五组浮雕图案，从左到右再现了我过古典小说《西游记》中的几个情节，分别为唐太宗为唐僧师徒送行、如来向伽蓝等菩 萨说法，四大天王及七佛、来说法于树下佛祖给唐僧师徒封位。

下面请大家跟我一起去藏经阁，现在我们看到的藏经阁是 1920 年重建的，为两层五间，高约 25 米，其中的珍藏十分丰富，光这部清代刊印的《龙藏》就有 7250 部，除藏经外，还 有佛像、法物、书画、石雕、碑帖及外文典籍，是国内收藏佛教经典较多的一个佛寺。在藏经阁旁边的就是大士阁，主要是供奉观音菩萨。

各位朋友，现在我们所在的就是归元寺的主殿大雄宝殿，这里主要供奉的是佛教的最高 神释迦牟尼，他是全寺中最为高大的一尊佛像，大家看佛前的这两棵树，代表的是释迦牟尼 涅盘时的双婆罗树，据说释迦牟尼在涅盘后遗体火化有七佛在火中显现。因此人们拜佛前先 化纸钱或黄表纸，并焚香点烛，所以这里的树叶也做成火焰型，树间各有七佛。下面再请大家随我一起去游览罗汉堂。说到罗汉，我国五百罗汉的形象是自唐以后，有 元代开始兴盛，而到了今天，在全国寺庙中保存比较完好的寺庙已经不多了，民间有这样一 句谚语:上有宝光，下有西园，北有碧云，中有归元。比较而言，又属归元寺的罗汉堂最有 特色。他的平面呈田字形，内有四院，是为了使殿内的罗汉有充足的光线，另外田字刚好是 佛教中正反两面卐（wàn）字相加，这种布局暗示着一种善神降世的吉祥和神秘感。这里的五百罗汉既非木雕也不是泥塑，而是采用的一种盛行于唐代的独特工艺制成的夹伫像，夹伫像又称脱 纱像或干漆像，归元寺的罗汉堂就不能这么说了，归元寺的罗汉塑像属活脱干漆，其制作过 程较为复杂，首先要用粘土做成人形胎模，干后用生漆将丝绸或夏布层层沾附于其上，再用 生漆将混合的膏灰、木粉调匀涂刮，塑造细部，阴干后再打磨抛光，然后在塑像的背后开一 个小孔，注水化泥成浆脱出胎模并冲洗干净，晾干后再木块封口，再刷上生漆，贴上金箔，最后涂上桐油或亮漆以保持光泽。它的特点是抗潮湿、防虫蛀，经久不变，两百年间罗汉堂 几次遭受水灾侵袭，但水退后罗汉仍旧完好无损。这罗汉堂除了可供参观外，人们还喜欢用它来预测一年内的祝福，也就是武汉人说的数罗汉，方法有两种，其中一种是随意选中一尊罗汉，然后顺着数下去，数到和自己年龄数相 等时看看那尊罗汉是什么样子，然后大家可以去外面根据罗汉对应的号码买一个金箔，看看上面的偈语，就可以推测这一年的运势了。大家不妨去试一下，那么我今天的讲解就到此告 一段落了，接下来的时间给大家自由观赏，我们下午三点大门口见。

朋友们，大家玩的还开心吗？咱们的归元寺之行也要说再见了，很感谢大家给力的支持，不足之处也希望大家多多指导指导，也希望大家在听了我的讲解之后能够对佛教的文化底蕴 有一个深层次的了解，俗话说天下没有不散的宴席，但我相信只要有缘，我们还会再聚，在 这里呢，我祝大家每天开开心心，合家幸福，前程似锦。谢谢！

第五篇：归元寺导游词

“上有宝光，下有西园，北有碧云，中有归元。”归元禅寺位于武汉汉阳翠微峰下的翠微路西侧，与古琴台相邻。言“归元无二路，方便有多门。”归元寺寺名即来源于此。归元寺原址为明代的私人花园，到一六五八年，由园主布施给化缘和尚在此修造了三座小塔，塔中掩埋无主的尸骨。后来蜕薪邓财物修建寺庙，又经历代陆续重建，遂成为今日的格局。现归元寺建筑面积二万多平方米?

主体建筑分内外两院。外院主要由门楼、庭院、池塘组成;内院由北院藏经阁、中院大雄宝殿及南院罗汉堂三个主体建筑，以及天王殿、地藏王殿等组成。归元寺给人的一个突出印象是它的建筑风格与其他寺院不大一致。它不具有整齐对称的宏大格局，却略显杂乱。原来，初建寺院时，化缘的和尚无法在短期内凑聚足够的钱财做整体安排。有钱时就赶快买地抢修，否则等到钱筹集足够时，周围构想中的地方则已被别人抢先买了。和尚们不得已，只能够有一笔钱就修一处。山门朝东，建筑物却由南向北逐次侧进。与一般大丛林相比，归元寺“百尺茂林，千杆修竹，红分日刹，绿绕云房”，多彩多姿，秀丽宜人。

经过荷叶滴绿、莲花盛开的莲池，就是大雄宝殿，殿内释迦像两旁是海岛观音，以及二十四诸天等像，放置在一个倾斜的面上，工艺水平极高。尤为值得注意的是，释迦像前供桌的垂帘，它不是一般的纺织物，而是木刻而成的木质垂帘。垂帘古朴典雅造型独特，有较高的欣赏价值，是一件不可多得的艺术珍品。

向北而行可到藏经阁，其建筑壮丽，装饰典雅，是归元寺收藏文物的宝库。阁内藏有清一套和贝叶真经、牙雕或铜铸佛像，俱为珍品，此外尚有国外赠送的佛事文物若干。正厅陈列了一座缅甸玉雕释迦佛像，十分精美。

藏经阁向西，绕过大士阁，南行至南院的罗汉堂，进入内室，可以看见呈”田”字形排列的五百罗汉。它们起伏坐卧，喜怒哀乐，各具姿色，各富特色，或盘腿端坐、或抱石问天、或研读佛经、或驱除邪魔，动作各不相同，有的勇武、有的温和、有的天真憨坦、有的饱经沧桑，表情个个有异，有的在怡然自得地掏耳朵，有的在百无聊赖地打着呵欠，使人忍俊不禁。罗汉制作的工艺水平很高，为十九世纪末清光绪年间黄陂县王氏父子费时九年制成。工艺上采用了漆布脱胎漆型的特殊方法:先用泥胎塑制模型，再用厚布、生漆逐层粘贴套塑，并使每座罗汉的头部、两肩、肋骨、腿骨等各自形成一个倾向，从而用艺术的线条形象勾勒出一个大的面，使动作、表情各异。这种工艺方法既利于固形，经久不变，又能够防腐，经久不坏，此法为中国独有。一九五四年武汉发大水，五百罗汉满堂飘浮，水退之后却完好无损，因此武汉民间又有了“五百罗汉洗过澡”的说法。

归元寺也是近代佛学复兴的发源地之一。一九二二年间春，太虚法师在归元寺讲经弘法，时听者甚众，激发太虚弘法志愿，与两湖听讲的名流商议，为更好地弘法利生，必须设立佛学院，广泛培养佛学人才，此是武昌佛学院得以兴办的缘起之一。