王力宏_cnn_专访_中英文稿

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第一篇:王力宏_cnn_专访_中英文稿

Host: Hi, I'm Anjali Rao, at the Hongkong cultural centre.嗨,我是安姿丽 劳位于香港文化中心。My guest today is taking to the stage to conduct the Philharmonic Orchestra,我今天的来宾将站上台指挥管弦乐团,but he’s better known as a pop superstar with millions of adoring fans right across Asia.但他更为人知的是他流行乐超级巨星的身分,全亚洲有千百万爱慕的歌迷。

He’s Wang Leehom and this is TalkAsia.他是王力宏,欢迎收看《亚洲名人聊天室》。

Classically trained and maulti-talented, Wang Leehom is one of the Asia's leading songwriters.正规培训的多才多艺的王力宏是亚洲顶尖作曲者之一。

Credited with revolutionizing Chinese language music.他以华语音乐上的革新成绩著称。But he's more widely recognized like this.但他更广为人知的还是象这样的表演。

At the age of 32, US born singer, one of the few artists with real Pan-Asian appeal on the ten years of the top,32岁美国出生的歌手,他跻身于少数几名风靡亚洲10年的顶级艺人之一。he sold some 15 million albums.他的唱片达到1500万的销量,Blending R&B with classical,soft chirm, tribal influence, he comes with music “chinked out” and continually evolved his styles.混合蓝调音乐与古典音乐,以及部落音乐的影响,他创造出自己独特的音乐“chinked out“发展自己的风格。

His latest album feels move toward rock guitar music.他的最新专辑感觉向摇滚吉他音乐靠拢。

He also recently started Ang Lee's erotic thriller ”Lust caution“.最近他还开始在李安导演的情色惊险电影”色戒“中出演角色。

Later in the show,we chat his progress debut on the new project---conducting a Philharmonic Orchestra,在节目最后部分我们聊到了他最新事业的进程——交响乐团指挥 and following of footstep of Leonard Bernstein, a key influence.他沿袭了莱昂纳多 伯恩斯坦的足迹,并受到他风格的关键性的影响。We first meet on the sidelines of a rehearsal.我们首先在彩排的舞台旁见面。

Now, you are a fabulously wealthy and much-loved star here in Asia.Do you ever have those days where you go, how did I get here?

你现在在亚洲是个收入可观又备受喜爱的明星。你是否曾经想过:我是怎么走到这一步的? Wang Leehom :I guess I ask myself, how do I...what do I do next.I guess...我想我会自问,我怎么…我接下来要做什么。我想…

I don’t spend that much time dwelling on, you know, the past, but I spend a lot of time thinking about what I want to do next.我不会把那么多时间用在沉缅过去,而是花很多时间思考接下来要做什么。

Like here we are in the cultural centre in Hongkong, go to Hongkong Philharmonic Orchestra, 譬如说现在,我们在香港文化中心,跟香港交响乐团一起。

This is predict that I always wanted to do, but definitely not in a typical agenda for a pop singer singing career gate.这是一个我一直都很想做的企划,但是(这种企划)不会出现在一个流行歌手的事业生涯。I like to do things a little differently, I like to kind of break them all, then keep challenging myself.我喜欢用不同的方法做事,不断地挑战自己。

Host: You were telling us when we off camera that you finished your latest album last night.刚刚录影前你有告诉我你昨天晚完成了你最新的专集。Wang Leehom :Off camera? that was nice.录影前?我以为那个不会.Host:(laugh), finishing last night.哈哈哈,昨晚完成的?

Wang Leehom :Yeah, I finished the album last night, so I have so much coffee in me right now.是的,我昨天晚上完成了。我现在身里有很多咖啡。

Host:How can it take you such a long time to do? 为什么用了这么长时间在这张专辑上面呢? Wang Leehom :I think this album is quite personal, a lot of the inspiration for compositions comes from my own life, experiences.and very close to home.我想,因为这张专集比较私人。很多的创作灵感来自我的生活经验,很接近内心。So I wanna make it just right.所以我想把它做好。

and it has spending like, almost a year and half, just, you know, rearranging, remaking...它花了我将近一年半,不断重新安排,制作。I was never done.我总是完成不了

Host:You sold, what 15 million records or somrthing like that now.你卖了大约15,000,000张专辑。

Wang Leehom :Oh, there're lot of Chinese people.哦,中国人口很多。

Host:Exactly, you know the countless, millions of people in mainland China, you know, just adore your work.是的,中国内地无数的人喜爱你的作品。What it's like to have...那是一种什么感觉......Wang Leehom :Thank you!Mostly my pirated.谢谢,大部分卖的都是盗版的。

Host:Yes,(laugh), you never see the spoils of your labor.是啊,哈哈,你永远看不到你应得的劳动成果。

Um, what it's like have that much influence over that many people, coz of course you got all your endorsements as well.嗯,对于对这么多人有影响力,你有什么感觉。当然你同时受到了很多支持。

Wang Leehom :Um, I think that, to be use in a positive way, like my last album”change me“ actually try to connect with the Chinese youth about living or responsibly, 我想,积极的利用这种影响力,譬如我上一张专集《改变自己》,鼓励华人青少年增强对环境的责任感。

as far as the environment is concerned, I think that's big issue in China.只要环境被关心,我想在中国(环境问题)这是一个很大的问题。

I think that's not taught enough to the kids, and they'll really quick to pick it up.我觉得小朋友没有被很好的教育关于环保问题。小孩子很快就能接受这样一个主题。

I think that the kids has er...they readily picking up garbage everywhere like cleaning up squares,there local cities at fan clubs get together and do this kind of activities on their own.我觉得孩子们嗯,他们很乐意拾起干净的广场上或者他们居住的城市的垃圾,歌迷会组织垃圾清理活动。

and then post picturesof what they did on website, it feels great.并且把他们做了什么的照片发表在网站上,我觉得这样真的很棒。

Host:How can we decide to take on, you know, heavy weighty issue like that, Won't that just be easy to do a fluffy pop?

你为什么要呈现这麽严肃的一个议题呢?做一张没有意义的流行音乐专集不会更容易吗? Wang Leehom :Um, not for me, I think that's the hardest thing for me to commit myself do this fluffy pop.嗯,对我来说不会。我想最难说服我做的事情就是做一张没有意义的流行音乐。Like if next day wake up, just sick, look myself in the mirrior, um, don't feel so good.转天醒来,看看镜子里的我,嗯,会觉得很不舒服。

Host:You've been very much in the public eye here in Asia since you were twenties, how has fame changed you as a person?

从你20几岁开始,你就一直活在公众的视线里。名誉怎样改变了你的为人呢? Wang Leehom :I think fame and living in the public eye meaning a lot of private, 我想名誉让我变得更重视隐私。

and I'm sure that's because I ,kind of, try to pry the balance to let balance out, you know, 我想这是因为我想要有一个平衡。

or, it because I feel kind of frightened a lot of times, you know, by the media or by people who kind of have preconceived notions about mirrior, who might want something from me,或者是因为,我常常有被威胁的感觉,被媒体,被那些从没接触过我就对我有偏见的,那些我不认识又想从我身上得到利益的人。

you know, I don't know, it's a kind of defense mechanism I guess.我想这是我的一种自我保护吧。

Host:You mentioned that the media and the TV...你刚才说到媒体还有电视......Wang Leehom :I didn't mean any...我没有特指哪家媒体......Host:I know, I don't take personally at all, 我知道,我根本没有具体到哪一家。

but you know something that, there are plenty of celebrities feel exactly the same way about that.但是你知道,很多名人有跟你完全一样感受。They do seem to focus a lot on your relationships.他们的确非常关注你们的交往圈。Wang Leehom :Oh, yeah.噢,是的。

Host:But obviously that the public demand for it, you know, there always ask questions about sexuality, what do you think about that?

但显然是公众的需求造成的,总有关于性取向的问题,你是怎么想的? It's not exactly genteel.这不是个很高层次的问题。

Wang Leehom :Um,yeah, Thank you for mention it.I think it's just nosiness in general… 嗯,是的,谢谢你提起这事。我觉得这就是个一般的好打听事。But I don't think that's true.and I think it's a real irresponsible mentality.但是我不认为这是真的,我认为这是种很不负责的态度。So it's very irresponsble stance to take.所以那只是个不负责任姿态。

Host:You came from a family of doctors in the United States.Yeah.你来自美国一个医生的家庭,是的。Thinks a picture of your childhood.形容一下你的童年。

Wang Leehom :Um, it's all academic and...um, 呃,我想(我的童年)是很学术的。

I kind of broke them all and I don't think it's very easy either, take a lot of time convincing my parents that I wasn't going to be a doctor.我觉得(完成这些事情)并不容易。我花了很多时间去说服我的父母我不会成为一个医生。Growing up in United States, I think a lot of pressure in school, 在美国长大,我觉得在学校里有很大的压力。

and parents are always giving their kids pressure that to get into grades, to perform well in SATs, to get in nice school, and to become a successful , maybe doctor.父母总是会给小孩很多压力,一定要拿好成绩。拿好的sat成绩,去一间好大学,成为一个成功的。。譬如说,医生。

I mean I didn't like the typical style too much.我不很喜欢传统的方式。

Host:But it sounds like you well prety much, you like, you know, the practical sum you got 1600 on your SAT, it's something freakish amazing like that.但据说你非常棒的,你的SAT成绩总分1600分,那是非常惊人的好成绩。Wang Leehom :No no, 不是的,不是的。Host:so that's a rumor? 那是谣传了?

Wang Leehom :That's a rumor.There are a lot of rumors.The gay rumor is gay rumors.This rumor is one as well.那是谣传,同性恋的谣传是谣传这个也是谣传。

I mean I almost feel disappointed, I just kind of one be lazy to clean up these rumors, 我是说,我几乎失望了,我都懒的去澄清谣言了。

because there are so many of that, and, it's a lot of informations on the web about me, and a lot of different celebrities there.因为谣言太多了,网络上有很多关于我的不实信息,也有很多其他名人的。

and I go through and say”No, I don't have six toes on my left foot“ something like that, every time something strenge,it seems so ridiculous.每次奇怪的谣言出现,去做“我左脚没有6个脚趾”这样的澄清,我觉得是很荒谬的。Host:What happen when people mess up? 人们是怎样起哄的?

Wang Leehom :In the pop world, when people mess up just like ” Yeah!" 在流行世界里人们起哄时就像“Yeah!” When in classical world mess up just like...在古典音乐世界就像......

第二篇:09年CNN采访王力宏中英字幕

语言文字政策法规知识测试

姓名成绩

一、填空(每空格1分,共33分)

1.江苏省第十届人民代表大会常务委员会第二十次会议通过的《江苏省实施〈中华人民共和国国家通用语言文字法〉办法》从年月日起实施。

2.和是国家通用语言文字。

3.地方各级人民政府对在国家通用语言文字和管理工作中做出显著成绩的和应当给予表彰和奖励。

4.国家机关、社会团体、企业事业单位以 和为公务用语用字。

5. 爱国主义教育和的重要内容。

6.学校以及其他教育机构在话为基本用语;在 用字。并应当把学生使用国家通用语言文字的能力纳入培养目标,把列为学生。

7.国家机关工作人员的普通话水平应达到;学校教师应达到二级水平,其中语文教师、幼儿园教师应达到。

8.经国务院批准,每年关单位应当积极开展宣传活动。

9.教育部门应当对学校以及其他教育机构的进行管理和监督,将国家通用语言文字的规范化使用列入对学校进行、、和考核的内容。

10.国家通用语言文字以

二、单项选择题(每题3分,共33分)

1.2000年10月31日,九届全国人大第十八次会议通过的《中华人民共和国国家通用语言文字法》从()起施行。

A.2000年11月1日B. 2000年12月1日C.2001年1月1日

2.国家通用语言文字的使用应当有利于维护国家主权和民族尊严,有利于国家统一和民族团结,有利于社会主义()。

A.法制建设B.现代化建设C.物质文明和精神文明建设

3.依据《中华人民共和国宪法》和《国家通用语言文字法》的规定,各民族都有()

自己的语言文字自由。

A.使用B.发展C.使用和发展

4.公民有学习和使用国家通用语言文字的()。

A.义务B.权利C.责任

5.国家为公民学习和使用国家通用语言文字提供()。

A.便利B.条件C.培训

6.普通话和规范汉字是()。

A.国家法定语言文字B.国家通用语言文字C.国家通行语言文字

7.依法对企业名称、商品名称以及广告的用语用字进行管理和监督。()

A.县级以上各级人民政府 B.县级以上各级人民政府语言文字工作部门C.县级以上各级人民政府工商行政管理部门

8.城市公共场所的设施和招牌、广告用字违反《国家通用语言文字法》规定的,由有关行政管理部门责令改正;拒不改正的。()

A.予以警告,并督促其限期改正 B.督促其改正,并处以罚款 C.由有关部门处理

9.国务院()颁布普通话水平测试等级标准。

A.新闻出版部门 B.语言文字工作部门 C.广播电视部门

10.违反《国家通用语言文字法》规定,干涉他人学习和使用国家通用语言文字的,由()责令其改正,并予以警告。

A.有关行政管理部门 B.司法部门 C.教育部门

11.凡以普通话作为工作语言的岗位,其工作人员应当()。

A.会说标准的普通话B.会说流畅的普通话C.具备说普通话的能力

三、简答题(第1题14分,第2题20分,共34分)

1.新时期推广普通话的方针是什么?

2.对违反《江苏省实施〈中华人民共和国国家通用语言文字法〉办法》,未使用或者未规范使用国家通用语言文字的单位;国家机关工作人员和特定岗位的公共服务行业从业人员、教师、播音员、主持人等作如何处理?

答案:

本测试卷答案来自《中华人民共和国国家通用语言文字法》、《江苏省实施〈中华人民共和国国家通用语言文字法〉办法》。

一、填空题

1.2006年3月1日(《江苏省实施办法》第二十三条)

2.普通话和规范汉字(《江苏省实施办法》第二条)

3.推广、研究 ;单位、个人(《江苏省实施办法》第五条)

4.普通话和规范汉字(《江苏省实施办法》第七条)

5.推广普通话、推行规范字、精神文明建设(《江苏省实施办法》第三条)

6.教育、教学、会议;校刊(报)、讲义、试卷、板报、板书;规范使用国家通用语言文字、学生日常行为准则(《江苏省实施办法》第八条)

7.三级甲等以上水平;二级甲等以上水平(《江苏省实施办法》第十一条)

8.九、三(《江苏省实施办法》第三条)

9.用语用字;督导、检查、评估(《江苏省实施办法》第十七条)

10.《汉语拼音方案》(《国家通用语言文字法》第二章第十八条)

二、单项选择题

1.C 《国家通用语言文字法》第四章第二十八条

2.C《国家通用语言文字法》第一章第五条

3.C《国家通用语言文字法》第一章第五条

4.B《国家通用语言文字法》第一章第四条

5.B《国家通用语言文字法》第一章第四条

6.B《国家通用语言文字法》第一章第二条

7.C《国家通用语言文字法》第三章第二十三条

8.A《国家通用语言文字法》第三章第二十六条

9.B《国家通用语言文字法》第三章第二十四条

10.A《国家通用语言文字法》第三章第二十七条

11.C《国家通用语言文字法》第二章第十九条

四、简答题

1.答:大力推行,积极普及,逐步提高。

2.答:对违反《江苏省实施〈中华人民共和国国家通用语言文字法〉办法》,未使用或者未规范使用国家通用语言文字的单位,县级以上地方语言文字工作部门或者其他有关部门应当按照本办法规定的监督管理范围,责令其改正;拒不改正的,予以警告,并督促其限期改正。国家机关工作人员和特定岗位的公共服务行业从业人员、教师、主持人等,由其所在单位给予批评教育;拒不改正的,所在单位应当作出处理。(《江苏省实施办法》第二十、二十一条

第三篇:王力宏演讲

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全开 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.

第四篇:花田错 王力宏 歌词

花田错 歌词 夜好深了 纸窗里怎么亮着 那不是 彻夜等候 你为我点的烛火 不过是 一次邂逅 红楼那一场梦 我的山水 全部退色 像被大雨洗过 杯中景色鬼魅 我忘了我是谁

心情就像夜凉如水

手里握着蝴蝶杯 单飞 不醉不归

花田里犯了错 说好 破晓前忘掉 花田里犯了错 拥抱 变成了煎熬 花田里犯了错 犯错...像迷恋镜花水月的无聊

花田里犯了错 请 原谅我多情的打扰 醉 怎么会喝醉 美 因为你的美 爱匆匆一瞥不过点缀 点缀 飞 看大雪纷飞 却再也找不回

被白雪覆盖那些青翠

当 时空成为拥有你 唯一条件 我....又醉 琥珀色的月 结了霜的泪 我会记得这段岁月

花田里犯了错 说好 破晓前忘掉 花田里犯了错 拥抱 变成了煎熬

花田里犯了错 犯错像迷恋镜花水月的无聊

花田里犯了错 请 原谅我多情的打扰 我的山水 全部退了色 多情的打扰 请原谅我 不是彻夜为我点的火

(在那花田 在那花田)在那花田里 我犯了错

我的山水 全部退了色 多情的打扰 请原谅我 不是彻夜为我点的火

(在那花田 在那花田)在那花田里 我犯了错

花田里犯了错 说好 破晓前忘掉 花田里犯了错 拥抱 变成了煎熬 花田里犯了错 犯错...像迷恋镜花水月的无聊

花田里犯了错

请 原谅我多情的打扰

第五篇:王力宏经典歌曲歌词全集(xiexiebang推荐)

王力宏经典歌曲歌词全集(完整版)

你不知道的事:

蝴蝶擦几次眼睛 再学会飞行 夜空洒满了星星 但几颗会落地

我飞行 但你坠落之际 很靠近还听见呼吸

对不起 我却没捉紧你

你不知道我为什么离开你 我坚持不能说放任你哭泣 你的泪滴像倾盆大雨 碎落满地 在心里清晰

你不知道我为什么狠下心 盘旋在你看不见那高空里 多的是 你不知道的事

蝴蝶擦几次眼睛 再学会飞行 夜空洒满了星星 但几颗会落地 我飞行 但你坠落之际 很靠近还听见呼吸 对不起 我却没捉紧你

你不知道我为什么离开你 我坚持不能说放任你哭泣 你的泪滴像倾盆大雨 碎落满地 在心里清晰

你不知道我为什么狠下心 盘旋在你看不见那高空里 多的是 你不知道的事

我飞行 但你坠落之际

ho~oh~~

你不知道我为什么离开你 我坚持不能说放任你哭泣 你的泪滴像倾盆大雨 碎落满地 在心里清晰

你不知道我为什么狠下心 盘旋在你看不见那高空里

多的是 你不知道的事

脚本:

你爱得好有趣 就像一个编剧 你的一举一动都谱写着未来 世界也太乏味 更需要编的很美 像第一次见面的场景

从来不曾怀疑 牵你渡过了瓶颈 多希望创造一个美好的结局 用最真的感觉 慢慢一页一页写 我只期待你陪我演完

我们的脚本 要写的好认真 我已经看过太多的悲剧

能给一点点笑 就算是笑中带泪 我也无所谓 无所谓...你的一颦一言都谱写着未来 思念也太乏味 更需要编的很美 像第一次分手的场景 我也无所谓

看完这个脚本 陷得好深好深 要我如何演好爱你的人

故事里男主角 剧终时泪中带笑 而他知道 这最好

需要人陪:

打开窗户让孤单透气 这一间屋子 如此密闭 欢呼声仍飘在空气里 像空无一人一样华丽 我 渐渐失去知觉 就当做是种自我逃避 你 飞到天的边缘 我也不猜落在何地

一个我 需要梦想 需要方向 需要眼泪 更需要 一个人来 点亮天的黑

我已经 无能为力 无法抗拒 无路可退 这无声的夜 现在的我 需要人陪

闭上眼睛 就看不清 这双人床 欠缺的 温馨 谁能 陪我 直到天明 穿透这片 迷蒙寂静

我 渐渐失去知觉 就当做是种自我逃避 你 飞到天的边缘 我已不猜落在何地

一个我 需要梦想 需要方向 需要眼泪 更需要 一个人来 点亮天的黑

我已经 无能为力 无法抗拒 无路可退 这无声的夜 现在的我 需要人陪

一个我 需要梦想 需要方向 需要眼泪 更需要 一个人来 点亮天的黑

我已经 无能为力 无法抗拒 无路可退 这无声的夜 现在的我 需要人陪

我已经听了一百遍

怎么听都不会倦

从白天唱到黑夜

你一直在身边(一直在身边)

如果世界太危险

只有音乐最安全

带着我进梦里面

让各自都实现

无论是开心还是难过

我的爱一直不变

不论是HIPHOP还是摇滚

我的爱一直不变

所有美好回忆记录在里面

这张FOREVER LOVE那么深

们的歌: 我们的歌那么真

不过界 跨时代

再不会叫KISSGOODBEY 有没有一句能够动人心弦

YE YE 情人总分分合合可是我们却越爱越深

认识你让我的幸福

如此悦耳

能不能不要记得

继续唱我们的歌

让感动一辈子都记得

王力宏-我们的歌

已经听了一百遍

怎么听都不会倦

从白天唱到黑夜

你一直在身边(一直在身边)

如果世界太危险

只有音乐最安全

带着我进梦里面

让各自都实现

无论是开心还是难过

我的爱一直不变

不论是HIPHOP还是摇滚

我的爱一直不变

所有美好回忆记录在里面

这张FOREVER LOVE那么深

我们的歌那么真

不过界 跨时代

再不会叫KISSGOODBEY 有没有一句能够动人心弦

YE YE 情人总分分合合可是我们却越爱越深

认识你让我的幸福

如此悦耳

能不能不要记得

继续唱我们的歌

让感动一辈子都记得

专辑:改变自己

王力宏-我们的歌

情人总分分合合可是我们却越爱越深 认识你让我的幸福

如此悦耳

能不能不要记得

继续唱我们的歌

让感动一辈子都记得

(女):是否很惊讶讲不出说话 没错我是说你想分手吗 曾给你驯服到就像绵羊 何解会反咬你一下你知吗(男):也许该反省不应再说话 被放弃的我应有此报吗

如果我曾是个坏牧羊人能否再让我 试一下抱一下

(女):回头望伴你走从来未曾幸福过(男):恨太多没结果往事重提是折磨(女):下半生陪住你怀疑快乐也不多(男):被我伤让你痛(女):好心一早放开我

从头努力也坎坷统统不要好过(男):为何唱着这首歌

为怨恨而分手问你是否原谅我(女):若注定有一点苦楚 不如自己亲手割破(男):回头吧不要走 不要这样离开我

恨太多没结果往事重提是折磨(女):下半生陪住你怀疑快乐也不多 没有心别再拖 好心一早放开我 从头努力也坎坷 统统不要好过

(男):为何唱着这首歌

为怨恨而分手问你是否原谅我

(女):若勉强也分到不多不如什么也摔破(男):好心分手每天播(女):可知歌者也奈何(女):难行就无谓再拖

好心一早放开我从头努力也坎坷 统统不要好过

(男):为何唱着这首歌

为怨恨而分手问你是否原谅我(女):若注定有一点苦楚 不如自己亲手割破

唯一:

我的天空多么的清晰

透明的全都是过去的空气

牵着我的手是你 拌你的笑容 却看不清

是否一颗星星变了心

从前的愿望 你全都给抛弃

最近我无法呼吸

连自己的影子 都想逃避

oh baby 你就是我的唯一

两个世界都变形

回去谈和容易

确定你就是我的唯一

独自对着电话说我爱你

我真的爱你 baby 我已不能爱你多一些

是否一颗星星变了心

从前的愿望 你全都给抛弃

最近我无法呼吸

连自己的影子 都想逃避

oh baby 你就是我的唯一

两个世界都变形

回去谈和容易

确定你就是我的唯一

独自对着电话说我爱你

我真的爱你 baby 我已不能爱你多一些

其实早已超过了爱的界限

oh baby 你就是我的唯一

两个世界都变形

回去谈和容易

确定你就是我的唯一

独自对着电话说我爱你

我真的爱你 baby 我已不能爱你多一些 心跳:

想跟我吵架 我没那么无聊

不懂得道歉 我没那么聪明

好想要回到我们的原点

你又在哭泣 我给不了安慰

我又在摇头 有那么点后悔

爱情的发展已难以回头 却无法往前走

但身不由己出现在胸口

两颗心能塞几个问号

爱让我们流多少眼泪

你的眼神充满美丽 带走我的心跳

你的温柔如此靠近带走我的心跳

逆转时光到一开始 能不能给一秒

等着哪一天你也想起

那悬在记忆中的美好

想跟我吵架 我没那么无聊

不懂得道歉 我没那么聪明

好想要回到我们的原点

但身不由己出现在胸口

两颗心能塞几个问号

爱让我们流多少眼泪

你的眼神充满美丽 带走我的心跳

你的温柔如此靠近带走我的心跳

逆转时光到一开始 能不能给一秒

等着哪一天你也想起

那悬在记忆中的美好

你的眼神充满美丽 带走我的心跳

你的温柔如此靠近带走我的心跳

逆转时光到一开始 能不能给一秒

等着哪一天你也想起

那悬在记忆中的美好

另一个天堂:

L:你取代 这一秒我生命的空白 问题忽然找到答案 不用解释也明白

Z:你的微笑是一个暗号 我们绝度那段美好 梦想不到

想永远停留在这一秒

L:你为我的世界

合唱:重新彩绘 O~~~

Z:是你带我找到另一个天堂 远比想象中的美

L:我们怀抱里的这一个天堂 另一个梦想 有无限的快乐

合唱:相信你是我的另一个天堂 给的爱多么纯粹

因为你而存在这一个天堂 爱是直达的路线

L:因为你而存在这一个天堂 Z:只想陪在你身边

L:我等待

下一刻再相遇的精彩 踢开每天越来越爱 多急就这么简单

Z:生命转到同一个频道 因为我的幸福坐标 我多渺小

能爱着你才最重要

合唱:O~~想把你的明天仔细翻阅O~

Z:是你带我找到另一个天堂 远比想象中更美

L:我们怀抱里的这一个天堂 另一个梦想 有无限的快乐

合唱:相信你是我的另一个天堂 给的爱多么纯粹

因为你而存在这一个天堂 爱是直达的路线

合唱:O~~ Z:是你带我找到另一个天堂 远比想象中更美 L:我们怀抱里的这一个天堂 Z:另一个梦想

合唱: 有无限的快乐 相信你是我的另一个天堂 给的爱多么纯粹

因为你而存在这一个天堂 爱是直达的路线

L:因为你而存在这一个天堂

大城小爱:

乌黑的发围盘成一个圈 缠绕所有对你的眷恋 搁着半透明的脸

嘴里说的语言完全没有欺骗 屋顶灰色瓦片安静的画面 灯火是你美丽那张脸 终于找到所有流浪的终点 你的微笑就输了疲倦 千万不要说天长地久 免的你觉的我不切实际 想多么简单就多么简单 是妈妈告诉我的哲理 脑袋都是你心里都是你 小小的爱在那城里好甜蜜 念的都是你全部都是你

小小的爱在那城里只为你倾心 让我大声的对你说 i'm thinking of you 那回城的票根你留做纪念 不必害怕面对离别

剪掉一丝头发让我放在胸前 走到那里都有你陪 相随

oh~~念的都是你全部都是你 拉拉拉拉拉~~~~~拉拉拉拉拉 那一种寸步不离的感觉 我知道就叫做缘

你是我心内的一首歌:

王:你是我心内的一首歌 王:心间开启花一朵 s:你是我生命的一首歌 s:想念汇成一条河

王:点在我心内的一首歌 王:不要只是个过客 s:在我生命留下一首歌 s:不论结局会如何

合:好想问你

合:对我到底有没有动心 合:沉默太久

s:只会让我不小心犯错 王:不小心犯错

s:点在我心内的一首歌 s:不要只是个过客

王:在我生命留下一首歌 王:不论结局会如何

合:你是我心内的一首歌 合:心间开启花一朵 合:你是我生命的一首歌 s:想念汇成一条河 王:想念汇成一条河

s:好想问你王:好想问你 s:对我到底有没有动心 王:对我到底有没有动心 s:沉默太久王:沉默太久 s:只会让我不小心犯错 王:不小心犯错

合:点在我心内的一首歌 合:不要只是个过客 合:在我生命留下一首歌 合:不论结局会如何

伯牙绝弦:

知人知面 知己知彼 又知心 古人说 这就是所谓知音 相知相惜 相亲相爱 也相忆 朋友你 会不会常把我想起 何年何月 何日何时 再相聚 何时能 把酒言欢畅回忆 很多很多 很深很深 的回忆 很多歌 我只想要为你唱起

春秋时期 远近知名伯牙琴艺 沈鱼也出水 马儿仰秣聆听 聆听 寂寞 的声音 举世知名 不如 一个知音

直到子期 闻琴解开伯牙心境 高山流水 风景似有灵悉 高山青 流水静 如镜 无言却胜过有言的天地

听 宫商角征羽

那歌词未写上的是那份 弦外的延长音 斟一杯酒 一抱拳 一句关心 在千年之后 再延续 不变的旋律 当 春雪融夏景

秋风为我捎封信

冬 冬锣隆冬墙

冬冬锣隆隆冬墙墙

又是思念的四季

知人知面 知己知彼 又知心 古人说 这就是所谓知音 相知相惜 相亲相爱 也相忆 朋友你 会不会常把我想起 何年何月 何日何时 再相聚 何时能 把酒言欢畅回忆 很多很多 很深很深 的回忆 很多歌 我只想要为你唱起

某年某月 某天伯牙再访子期 风景依旧绿 子期却已归西 触景 触琴 即伤情 伯牙绝弦 只因再无知音

千年过去 当我再度拨弄琴韵 更多冷箭 更多冷言冷语 请你听 请轻轻 倾听 唱给我永远不离弃的知音

宫商角征羽

那歌词未写上的是那份 弦外的延长音 斟一杯酒 一抱拳 一句关心

在千年之后 再延续不变的旋律 当

春雪融夏景

秋风为我捎封信

冬 冬锣隆冬墙

冬冬锣隆隆冬墙墙

又是思念的四季

知人知面 知己知彼 又知心 古人说 这就是所谓知音 相知相惜 相亲相爱 也相忆 朋友你 会不会常把我想起 何年何月 何日何时 再相聚 何时能 把酒言欢畅回忆 很多很多 很深很深 的回忆 很多歌 我只想要为你唱起

改变自己:

今早起床了 看镜子里的我

忽然发现我发型睡的有点kuso 一点点改变有很大的差别 你我的力量也能改变世界 最近比较烦 最近情绪很d

每天看新闻都很想大声尖叫 但脏话没有 大家只会轻松

我改变自己发现大有不同 新一代的朋友 我们好好的加油

大家一起大声的说no no no no no

我可以改变世界 改变自己

改变鼓膜,改变小气

要一直努力努力永不放弃 才可以改变世界 come on 改变自己

今早起床了 觉得头有点痛

可能是二氧化炭太多氧气不足 一点点改变 有很大的差别

你我的热情也能改变世界 只要代表自己 没有政治立场

其实这世界让我看的十分紧张 要调整自己

没想到一点就能画龙点睛 新一代的朋友 我们好好的加油

大家一起大声的说no no no no no

我可以改变世界 改变自己

改变鼓膜改变小气

要一直努力努力永不放弃 才可以改变世界 come on 改变自己

can you feel my world:

打印预览 你只喜欢我微笑

你决定我的需要

我要怎么说才好

我不是为你制造

关心像是泥沼

拉住我往下掉

还是漂亮口号

诱惑你的视角

你把我的喜欢好随便删掉

变成你要的调调

你为我好我知道我都知道

我的烦恼我的骄傲你却不明了 怎样爱你才好

毕竟黑豹需要自由奔跑

不能满足于拥抱

can you feel my world 真实的我没办法伪造

can you take my hand 真诚你会感觉到

can you feel my world 真实的我没办法伪造

并不想讨好

你才觉得我重要

你只要我有礼貌

其它假装看不到

我要怎么说才好

当我的情绪低潮

关心像是泥沼

拉住我往下掉

还是漂亮口号

诱惑你的视角

你把我的喜欢好随便删掉

变成你要的调调

你为我好我知道我都知道

我的烦恼我的骄傲你却不明了

怎样爱你才好

毕竟黑豹需要自由奔跑

i keep coming back for more rap:

日日夜夜我闭着双眼祈祷

为什么只有我的音乐能够让我依靠

我知道我的世界已经变得越来越小

跑不掉逃不了

怎么面带着微笑

怎么面对着你才好

怎么眼泪都在掉

怎么嘴嘟著好严肃这不是哭著就好

什么旋律在我的脑袋一直转一直绕

意志力一直撑著我再一次祷告

帮助我

爱的就是你:

在爱的幸福国度 你就是我唯一

我唯一的爱的就是你 我真的爱的就是你 失去才会懂得珍惜 但我珍惜你

伤越痛就是爱越深 我不相信

你和我同时停止呼吸 每一次我们靠近你让我忘了困惑 忘了所有烦心

我把你紧紧拥入怀褃

捧你在我手心

谁叫我真的爱的就是你 在爱的纯净世界你就是唯一 永远永远不要怀疑 我把你当作我的空气

如此形影不离我大声我爱的就是你 在爱的幸福国度 你就是我唯一

我唯一爱的就是你 我真的爱的就是你

就是你……唯一爱的就是你!!爱!!~~~~的····就****是(((你)))十八般武艺:

是 我是不是 又 站上了舞台 是不是 我又在 让情绪更 high 带动全场 的观众朋友? 是 是不是 还在不断 学习

无论 什麼 民族 或什麼 阶级 继续 让我 灵感 源源不绝? 是

唱 最动听的旋律给你 让你 所有的烦恼 所有的单调 往你 的 背后 扔掉

是 这是 chinked-out 交响乐 送到全世界 又更新一遍 什麼时候歇 到你精疲力竭 嘿 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你

看傻 为你 得来多麼不易的十八般武艺 期盼你能 点头 来肯定我的努力 是 我是不是 又 站上了舞台 是不是 我又在 让情绪更 high 带动全场 的观众朋友? 是 是不是 还在不断 学习

无论 什麼 民族 或什麼 阶级 继续 让我 灵感 源源不绝? 是

唱 最动听的旋律给你 让你 所有的烦恼 所有的单调 往你 的 背后 扔掉

是 这是 chinked-out 交响乐 送到全世界 又更新一遍 什麼时候歇 到你精疲力竭 嘿 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你

看傻 为你 得来多麼不易的十八般武艺 期盼你能 点头 来肯定我的努力 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你

看傻 为你 得来多麼不易的十八般武艺 期盼你能 点头 来肯定我的努力 龙的传人:

遥远的东方有一条江它的名字就叫长江 遥远的东方有一条河它的名字就叫黄河 古老的东方有一条龙它的名字就叫中国 古老的东方有一群人他们全都是龙的传人 巨龙脚底下我成长长成以后是龙的传人 黑眼睛黑头发黄皮肤永永远远是龙的传人 遥远的东方有一条江它的名字就叫长江 遥远的东方有一条河它的名字就叫黄河 它的名字就叫黄河

虽不曾看见长江美梦里常神游长江水 虽不曾听见黄河壮澎湃汹涌在梦里 古老的东方有一条龙它的名字就叫中国 古老的东方有一群人他们全都是龙的传人 他们全都是龙的传人他们全都是龙的传人(rap)多年前宁静的一个夜我们全家人到纽约 野火呀烧不尽在心间每夜每天对家的思念 每夜每天对家的思念

别人土地上我成长长成以后是龙的传人 巨龙巨龙你擦亮眼永永远远的擦亮眼 巨龙巨龙你擦亮眼永永远远的擦亮眼

心中的日月:

你是我心中的日月光芒

手中握着格桑花呀

美的让我忘了摘下

你的真 带着香 你的香 会说话

你的话 好像只 对我说

我的专长叫做流浪

你注定要为我绽放

我的心 寻找家 我的家 没有花

我的花却在这山谷等着我

若一开始 没有上帝 暗中偷偷的怂恿

我们怎知选择相逢

你是心中的日月 落在这里

旅程的前后多余 只为遇到你

多么想幻化成为你脚下的泥

此刻的无人山谷 仿佛听见说爱你

你是我心中的日月光芒

我的漂泊不懂泥巴

你的美丽不堪动荡

你单纯 我迷惘 你恋家 我流浪

山谷中 这一切 带不走

你爱抬头拥抱阳光

我得眺望下个前往

我走开 你留下 我回忆 你升华

至少我们会仰望同一片天空

若一开始 没有上帝 暗中偷偷的怂恿

我们怎知选择相逢~喔

你是心中的日月 落在这里

旅程的前后多余 只为遇到你

多么想幻化成为你脚下的泥

那天的无人山谷(那一天)仿佛听见说爱你

置身在 传说中 人间天堂

你是我 心中的 日月光芒

带领我 找到你 的芬芳

放不下

你是心中的日月 落在这里

旅程的前后多余 只为遇到你

多么想幻化成为你脚下的泥

那天的无人山谷 仿佛听见说爱你

那天听见说爱你 春雨里洗过的太阳:

分开之后另一年的春天 记忆也像下雪一样溶解 那些有你在身边的影片 呼的一声飞得老远老远

爱在夏天过完之后 锁在秋天 当爱过多年之后的我 好了一些

雨后的天上 彩虹出现 衬出一片蓝天

我在淋过一场大雨之后的晴朗 那是春雨里洗过的太阳 每个冬季带来失落 伤得多深 然后忽然看懂云的形状

If you listen to the rhythm of the pouring rain 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 每个呼吸都是新的芬芳

分开之后另一年的春天 记忆也像下雪一样溶解 那些有你在身边的影片 呼的一声飞得老远老远

爱在夏天过完之后 锁在秋天 当爱过多年之后的我 好了一些

雨后的天上 彩虹出现 衬出一片蓝天

我在淋过一场大雨之后的晴朗 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 然后忽然看懂云的形状

If you listen to the rhythm of the pouring rain 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 每个呼吸都是新的芬芳

流下的眼泪 留下了智慧 爱情会天亮 也一定会黑

世界会等我 它问我冬天过去没

我在淋过一场大雨之后的晴朗 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 然后忽然看懂云的形状

If you listen to the rhythm of the pouring rain 那是春雨里洗过的太阳(春雨你的太阳)每个冬季带来失落 伤得多深(伤得多深)每个呼吸都是你的芬芳 春雨里洗过的太阳

花田错:

夜好深了 纸窗里怎么亮着

那不是 彻夜等候 你为我点的烛火

不过是 一次邂逅(注:台湾人都念此字为gou四音)红楼那一场梦

我的山水 全部退色 像被大雨洗过

杯中景色鬼魅 我忘了我是谁

心情就像夜凉如水

手里握着蝴蝶杯 单飞 不归不醉

花田里犯了错

说好 破晓前忘掉

花田里犯了错

拥抱 变成了煎熬

花田里犯了错 犯错...像迷恋镜花水月的无聊

花田里犯了错

请 原谅我多情的打扰

醉 怎么会喝醉 美 因为你的美

爱匆匆一瞥不过点缀

飞 看大雪纷飞 却再也找不回

被白雪覆盖那些青翠

当 时空成为拥有你 唯一条件 我....又醉

琥珀色的月 结成了霜的泪 我会记得这段岁月

我的山水 全部退了色

多情的打扰 请原谅我不是彻夜为我点的火

(在那花田 在那花田)在那花田里 我犯了错

Forever love: 爱你, 不是因为你的美和影 我越来越爱你, 每个眼神触动我的心 因为你让我看见forever 才了解自己, 未来这些日子 要好好珍惜

爱我

有些痛苦有些不公平如果真的爱我

不是理所当然的决定 感到你的呼吸在我耳边 像微风深情 温柔的安抚, 我的不安定 所以我要

每年研究你的笑容 wo~~ 多么自然

forever love forever love 我只想用我这一辈子去爱你 从今以后, 你会是所有 幸福的理由

爱情, 是场最美最远的旅行 沿途遇经泥泞

偶尔阻碍我们的前进 感到你的体温在我怀里 像阳光和煦 巧妙的熔化 我的不安定 不可思议

证明我爱你的理由 wo 多么自然

你感动的眼睛, 我沉默的声音, 仿佛就是最好的证明 就让我再说一次 ilove you ~~ 直到永远 oh

forever love forever love forever love

两个人不等于我们:

醒来只有我一个人 分不清黄昏或清晨

空气微冷有甚么在流失慢慢降温 一颗心往下沉

毕竟只是太短的梦 彼此终于退回陌生

我加上你两个人并不等于我们 你想我吗 会偶尔想我吗 是这样吗 飞扬的会落下 你爱我吗 如果诚实回答 可是爱也不是解答 空屋子里没有回声 但我记忆有你指纹

我加上你两个人却并不等于我们 你想我吗 会偶尔想我吗 是这样吗 飞扬的会落下 你爱我吗 如果诚实回答 可是爱也让人疲乏

你知道吗 我心快要溶化 是这样吗 压抑的会爆发 你爱我吗 爱我就懂我吗 告诉我善意的谎话 告诉我善意的谎话

好让我相信我不是太傻

星座:

山羊水瓶双鱼牡羊座 金牛双子巨蟹座

狮子处女天秤天蝎射手座 女人的心千变万化

如果说女人才十二种不同 爱情不会让男人那么的头痛 那么心动之前记得开口 问一问星座才能进攻 可惜感情远比星星复杂 身在其中换做谁都无法自拔 一肚子的疑惑谁能回答 爱情印正在星座神话 信不信心诚则灵

天空把答案都藏的好美丽 倒可以多点信心

我为了了解爱的神秘下定决心 谁中意星座话题

快告诉我哪一颗星应该怎么搞定 可惜天气阴晴不定

bala bala bala now dance 古老的发明如今疯狂流行 是否因为太多人曾为爱伤心 不期望爱只是需要幸运 宁可相信一切都是命 努力研究星座找寻线索

该怎么说该怎么做该怎么掌握 像个学生一样努力用功 下次爱情能一路顺风 就好像你捉摸不定 ok 大家会了吗 其实很简单

所有的星座从一到十二月这样子 预备山羊水瓶 没有了 what 结束了 但是

no no no 我们还有一次

come on 大家一起来唱 come on 山羊水瓶双鱼牡羊座(oh)金牛双子巨蟹座(我不懂这些星座问题女人的话题)金牛双子巨蟹座(金牛座是我的星座女人的心千变万化)

盖世英雄:

ye come on come on 大家一起说一次 盖世英雄到来

力宏项羽 my homboy jin u 迫不及待看见我的未来对 什么都看开盖

世英雄真的到来盖世英雄到来 什么都期待盖

世英雄站上舞台世界是舞台 我出门儿了载四个哥儿们儿 读落轮框约四寸 今晚我的目的明确

带chinked-out到全世界 加入了京剧昆曲

hip-hop进入新的格局 新的突破新的曲风 才有新的盖世英雄 把收音机开最大声 听见的声音又是武生 道白的共鸣又最流行 要模仿他真的是不容易 他的唱法独一无二 这种艺术属一属二 希望帮全世界的华人 唱出大家的心声(霸气傲中原)(王者扬烽烟)(力拔山河天)(宏威征凯旋)世英雄真的到来盖世英雄到来 迫不及待看见我的未来盖

什么都期待盖(一位英雄要上台了)世英雄站上舞台世界是舞台(欧阳先生在那?)yo,it`s jin and leehom it feels good to be home i got the skills to be know so i`m a chill on my throne yes ,i keeps it blazing n from shanghai out to beijing stop in taiwan back to hong kong where they stay don`t they thing this something special  my coach is so contagious they wanna kown about us we been around for ageas a couple thousand years a bunch of pioneers just artists and scholars making noise it was loud and clear hey yo,the future`s here the revolution`s near jin got the solution for pullution in your ear 不用问你得同意做英雄是不容易

you'll got see from me just listen close to 李老师 let's go

盖世英雄到来… 世界是舞台 yo 世英雄站上舞台 在那遥远的地方:

你是否和我一样 去了很多地方 住了很多旅馆

为工作为理想为了她 心爱的人

却始终不在身边 脚步越走越远 行李塞满了思念 说真心相爱

就不怕距离遥远 在北京那个晚上 一张陌生额床 你是否和我一样 看着同一个月亮 我记得你说的话 你说你不会害怕 但心里总是牵挂 他孤单送你回家

dance with me dance with me come on dance me 分手的节奏已播放在电话里 start with me start with me come on start with me 跟我一起唱就拉近了距离 say: 在那遥远的地方 有位好姑娘

人们走过她的帐篷 都要回头留恋的张望 她那粉红的小脸 好象红太阳

她那活泼动人的眼睛 好象晚上明媚的月亮

ye在那遥远的地方,没有半夜 纽约的美丽的夜色 显得那么的苦涩 空无一人的电车 就像你陪我坐着 我哼着你爱的歌 突然觉得快乐 知道你一直等着

我的心里忽然变得温热 不知名的码头 心里有一点痛 东方吹来一阵风 有你的梦

说过的我不会忘 距离只是想象 世界让我们忙 但爱能跨过海洋 right it's my story.dance with me dance with me

start with me start with me come on

竹林深处:

把黑与白舞成一幅泼墨

哀与愁在幽篁里寻找解脱 把光与影布置成你与我情由我定夺 下笔浓淡在我 Oh oh 哪里还有地方

Oh oh 能够自在飞翔 Oh oh 疑有乐音悠扬

Oh oh 心灵自有天堂 多么美丽的竹林深处

在这里我会等

诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会(Come on)世外桃源的竹林深处

找回原始的我和你 ※ 这凡间有太多因果

任凭岁月洗去对错 时空轮回惟独有我把情感写下清晰轮廓 Oh oh 哪里还有地方 Oh oh 能够自在飞翔 Oh oh 疑有乐音悠扬

Oh oh 心灵自有天堂 多么美丽的竹林深处

在这里我会等

诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会.e on)世外桃源的竹林深处

找回原始的我和你

隐士墨客 用一节一枝一梢一叶一笔一画 挥毫将高风亮节人生态度全都写下 提耐之间已作了文人雅士沉默的表达 千年之后依旧等待明月的回答 弹一曲小调吟唱忘掉所有的奢华 飘泊落幕以后哪里才是最后的家 只有在竹林深处里能够找到解答 多么美丽的竹林深处

在这里我会一直等你 诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会(Come on)世外桃源的竹林深处

找回原始的我和你 Zing Zing...Zing Zing...Zing Zing...多么美丽的竹林深处

在这里我会等

诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会.e on)世外桃源的竹林深处

找回原始的我和你

星期六深夜:

星期六晚上 哪都不想去 也无法入睡 看着电视机 持续在发呆 喝了七分醉 闭上了眼睛 试着不想你 但已来不及 忘了如何

让眼泪停止流下 还好没人看到 还好没人看见 没人会说话 星期六深夜 我想起了你 没什么特别 只是回忆 你让我自由

我很感激 星期六深夜

永远不会有任何人 能代替你

这就是遗憾的滋味 陪着我形影不离 明天我会面带微笑 但无法忘记你

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