第一篇：自转色彩小说《简爱》读后感
《简爱》是一部带有自转色彩的小说，它告诉人们一个人生的真谛。
《简爱》的作者夏洛蒂勃朗特温柔，清纯，喜欢追求一些美好的东西，尽管她家境贫穷，从小失去了母爱，再加上她身材矮小，容貌不出众，但也许就是这样一种灵魂深处的自卑，反映在她的性格上就是一种非常敏感的自尊。她描写的简爱也是一个不美的，矮小的女人，但是她有着极其强烈的自尊心。
简爱是一个孤儿，从小就出生于一个穷牧师家庭。父母患守丧伤寒，相继去世。从小寄养在舅父母家里。一次，由于反抗表哥的欧打，简被关进了红房子。肉体上的痛苦和心灵上的屈辱和恐惧，使她大病了一场。舅母把她视作眼中钉，并把她和自己的孩子隔离开来，从此，她与舅母的对抗更加公开和坚决了。以后，被送进了罗沃德孤儿院。
简爱的生活是不幸的。从小过着寄人篱下，任人驱使的悲惨生活中，使她过早的体会到了世态炎凉的滋味。为了逃避生活悲惨的现实，简□爱投入了书的怀抱。书向她展开了一个光辉灿烂，美妙无比的世界。书丰富了她的感情世界，让她懂得了爱，陶冶了她的性情，苦难又磨练了她，使她成为了一个倔强坚毅，外柔内刚的性格。这个个子矮小貌不惊人的少女身上，竟有着一个不去的灵魂和烈火一般热情。她是一个自强不息自尊自爱的少女，尽管社会地位卑微，却不自卑。因为，在她看来，上帝面前，人人平等。为了争取平等地位，为维护自己独立的性格，为自由而抗争，奋斗。
令我感动的是简□爱和罗切斯特先生那一段一波三折的爱情，在桑菲尔德府，简□爱和罗切斯特社会地位是天与地之间的差别，但简爱并没有因为社会的地位的差别自我贬低，而是勇敢的向自己和罗切斯特先生承认了内心的感情。在这一场身份地位悬殊的爱情中，简□爱表现的不卑不亢。对与世人来说，他们是多么不般配，但在上帝面前她和罗切斯特先生是平等的，正因为罗切斯特先生能够平等的对待她，所以简□爱才能把他当作一位朋友，一位知己。在爱情面前，简□爱的头脑始终都保持着清醒，从未变成爱情的奴隶，或陷入爱情的漩涡不能自拔。我十分欣赏简□爱为了保护爱情和尊严，毅然离开了罗切斯特先生，毅然弃开了爱情。她那种维护公道，维护爱情和尊严所做的不屈不挠的斗争，深深地打动了我。
这本书使我明白了：“命运掌握在自己手中，我们不是人们手中的提线玩偶，任人摆布。我们有自己的尊严！人人都是平等的！”
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第二篇：简爱小说的英文读后感
《简·爱》是英国女作家夏洛蒂·勃朗特创作的长篇小说，是一部具有自传色彩的作品。简爱小说的英文读后感，一起来看看。
简爱小说的英文读后感
1Jane eyer, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl.After we close the covers of the book, after having a long journey of the spirit, Jane eyer, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.We remember her pursuit of justice.It’s like a companion with the goodness.But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.We remember her self-respect and the clear situation on equality.In her opinion, everyone is the same at the God’s feet.Though there are differences in status、property and also in appearance, but all the human being are equal in personality.We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.简爱小说的英文读后感2
This is a story about a special and ueserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life.The story can be interpreted as a symbol of the independent spirit.It seems to me that many readers’ English reading experience starts with Jane eyer.I am of no exception.As we refer to the movie “Jane eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.Jane eyer was a born resister, whose parents went off when she was very young, and her aunt，the only relative she had，treated her as badly as a ragtag.Since Jane’s education in Lomon person, just the same as any other girl around.The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside.Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following
Rochester and led to his moodiness all the time----Rochester was also a despairing person in need of salvation.Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane eyer.The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned.After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words “Never in my life have I been awaken so happily.” For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person;for another, this should be what the audiences with my views hoped her to get.But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to eich the story, but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates, you never know what you would get.”(By Forrest Gump’s mother, in the film “Forrest Gump”)
What’s more, this film didn’t end when Jane left Thornfield.For Jane eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation?
The film gives the answer tentatively: Jane eventually got back to Rochester.In fact, when Jane
met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane.We can consider Rochester’s experiences as that of religion meaning.The fire by his frantic wife was the punishment for the cynicism early in his life.After it, Rochester got the mercy of the God and the love of the woman whom he loved.Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides.The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.Life is ceaselessly changing, but our living principles remain.Firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life.In the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.In this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance.We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness.It’s our spirit that makes the life meaningful.Heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life.In
dubitably, “Jane eyer” is one of them.
第三篇：小说简爱的英文经典读后感
《简·爱》是英国女作家夏洛蒂·勃朗特创作的长篇小说，是一部具有自传色彩的作品。小说简爱的英文经典读后感，一起来看看。
小说简爱的英文经典读后感(一)
Let me tell what I feel after reading the great work Jane Erye.I was really move by Jane Erye after closing the book.What a kind and good woman!
Mrs Eyre had a heart of gold.She really loved everyone around her,and gave others help sincerely.She respected herself and did her best to do everything.I really love her.She are both a great teacher and a good friend of mine.Sometimes when I am confuse,I will think of her.I will imagine what will she do if she is I.Why not read Jane Erye my friends!
小说简爱的英文经典读后感(二)
I first read “Jane Eyre” in eighth grade and have read it every few years since.It is one of my favorite novels, and so much more than a gothic romance to me, although that's how I probably would have defined it at age 13.I have always been struck, haunted in a way, by the characterscharacter traits that never waned in spite of all the oppression she encountered in life.Ms.Bronte brings to the fore in “Jane Eyre” such issues as: the relations between men and women in the mid-19 century, women's equality, the treatment of children and of women, religious faith and hypocrisy(and the difference between the two), the realization of selfhood, and the nature of love and passion.This is a powerhouse of a novel filled with romance, mystery and passions.It is at once startlingly fresh and a portrait of the times.Ms.Bronte will make your heart beat faster, your pulse race and your eyes fill with tears.小说简爱的英文经典读后感(三)
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl.After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.We remember her pursuit of justice.It’s like a companion with the goodness.But still, a virtuous person should promote the goodneon one side and must check the badneon the other side.We remember her self-respect and the clear situation on equality.In her opinion, everyone is the same at the God’s feet.Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.We also remember her striving for life, her toughneand her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it.And some others even thought that she was easy to look down on and to tease, so when MiIngram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’.But as the little governehad said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulleand heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind.God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain.Her idea of equality and self-respect impreus so much and let us feel the power inside her body.In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more.For a long time, only a person’s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’.I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.小说简爱的英文经典读后感(四)
Jane Eyre was published in 1847 under the androgynous pseudonym of “Currer Bell.” The publication was followed by widespread success.Utilizing two literary traditions, the Bildungsroman and the Gothic novel, Jane Eyre is a powerful narrative with profound themes concerning genders, family, passion, and identity.It is unambiguously one of the most celebrated novels in British literature.Born in 1816, Charlotte Bronte was the third daughter of Patrick Bronte, an ambitious and intelligent clergyman.According to Newsman, all the Bronte children were unusually precocious and almost ferociously intelligent, and their informal and unorthodox educations under their father’s tutelage nurtured these traits.Patrick Bronte shared his interests in literature with his children, toward whom he behaved as though they were his intellectual equals.The Bronte children read voraciously.Charlotte’s imagination was especially fired by the poetry of Byron, whose brooding heroes served as the prototypes for characters in the Bronte’s juvenile writings as well as for such figures as Mr.Rochester in Jane Eyre(2)。Bronte’s formal education was limited and sporadic – ten months at the age of 8 at Cowan Bridge Clergy Daughters’ School(the model for Lowood Institution in Jane Eyre)，eighteen months from the age of 14 at Roe Head School of Miss Margaret Wooler(the model for Ms.Temple)(Nestor 3-4)。According to Newman, Bronte then worked as a teacher at Roe Head for three years before going to work as a governess.Seeking an alternative way of earning money, Charlotte Bronte went to Brussels in 1842 to study French and German at the Pensionnat Heger, preparing herself to open a school at the parsonage.She seems to have fallen in love with her charismatic teacher, Constantin Heger.The experience seems on a probable source for a recurrent feature in Bronte’s fiction: “relationships in which the inflammatory spark of intellectual energy ignites an erotic attraction between a woman and a more socially powerful man”(Newman 6)。The Brontes’ efforts to establish a school at the parsonage never got off the ground.Still seeking ways to make money, Charlotte published, with her sisters, the unsuccessful Poems by Currer, Ellis, and Acton Bell.Her first effort to publish a novel, The Professor, was also unsuccessful.Jane Eyre, published in October 1847, however, was met with great enthusiasm and became one of the best sellers.As “Currer Bell” Bronte completed two more novels, Shirley and Villette.She married Reverend William Bell Nicholls in 1854 and died nine months later, at the age of thirty-nine in 1855(Nestor 4-5)。
The story of Jane Eyre takes place in northern England in the early to mid-19th Century.(“Jane Eyre” 151)It starts as the ten-year-old Jane, a plain but unyielding child, is excluded by her Aunt Reed from the domestic circle around the hearth and bullied by her handsome but unpleasant cousins.Under the suggestion of Mr.Lloyd, an apothecary that sympathizes Jane, Mrs.Reed sends Jane to Lowood Institution operated by a hypocritical Evangelicalist, Mr.Brocklehurst, who chastises Jane in front of the class and calls her a liar.At Lowood, Jane befriends with Helen Burns, who helps the newly arrived Jane adjust to the austere
第四篇：张爱玲小说色彩
张爱玲对颜色有良好的感觉，她的作品无论是人物刻画，还是气氛渲染，处处都点染出玄妙多姿的色彩，具有独特的绘画美。
她大量的使用基本颜色词“红”、“绿”“蓝”“白”“黑”“黄”“灰”“紫”“褐”等，不断扩展基本颜色词群的数量，凭借女性作家特有的细腻与敏感，感受颜色的细微的差别，对不同的颜色进行细致入微的描摹。
《张爱玲全集》中，对颜色的描摹是精确的，令人惊奇的。如
“红色”就有33种：朱红、大红、粉红、桃红、橘红、荔枝红、淡红、深红、银红、通红、虾子红、水红、微红、猩红、象牙红、枣红色、霁红、石榴红、玫瑰红、红棕色、肉红、暗红、嫣红、干红、燥红、杏子红、惨红、红焰焰、红通通、红喷喷、红隐隐、红拉拉、红剌剌；
如“绿色”就有30种：石绿、湖绿、明油绿、水绿、苹果绿、玻璃翠、橘绿、淡绿、苍绿、鹦哥绿、锈绿、葱绿、海绿、墨绿、棕绿、苔绿、翡翠绿、油绿、橄榄绿、浓绿、翠绿、豆绿、灰绿色、绿莹莹、绿阴阴、绿幽幽、绿黯黯、绿翳翳、绿油油、绿累累；
如“蓝色”就有16种：浅蓝，深蓝、孔雀蓝、淡蓝、浓蓝、翠蓝、宝蓝、烟蓝、品蓝、粉蓝、冰蓝、银蓝、瓷蓝、钢蓝色、蓝汪汪、蓝阴阴等，颜色描写上出奇地精确，走进她的文章犹如走进一条色彩斑斓、美不胜收的画廊，让人惊喜、流连忘返、浮想联翩。有人评说张爱玲笔下的颜色词“已不复是一种单色，那是一团会说话会表演甚至会吓人的生命，它能把作者掩映在色彩中的语言突兀而生动地表现出来”。张爱玲能如此准确地描绘出颜色的浓淡深浅，单单靠颜色词吗？不是。笔者带着这个问题，仔细阅读并研究了《张爱玲全集》精装本的文学作品，找到了答案。
颜色词是对客观世界色彩的再现和表现，具有概括性和抽象性，但是张爱玲行文时常常异想天开，灵活地采用了通感、移就、夸张、比喻、拈连、拟人等修辞方式，将抽象的颜色诉诸于具体的物象，实现了异乎寻常的感知与传达；同时在精心地点染色彩时运用修辞手法，让具体的物象成了与情境相吻合的意象。下面具体阐述张爱玲在摹色时如何创造性地运用修辞手法。
一、通感
通感即移觉，用形象的语言，将一种感官的感觉移到另一种感官上。人们通过眼摄取事物的外部形象，通过耳听取外界的各种声音，通过鼻闻到各种气味，通过舌尝到各种味道，通过身体触到身边的许多事物。由于生理的原因，这些感觉可以相互变通。
张爱玲运用通感来描绘颜色主要体现在词语层面和句子层面上。如在词语层面上 “干红、燥红、红润、红瘪”和“红嫩”分别以感觉中“干———湿”、“老———嫩”质感来描写红色，“惨红、寂寞红、红艳”则以内在感觉写红色。在句子层面上，或用其他知觉中的事物来感知颜色，或以颜色来表现其他知觉中的事物，具体表现在四个方面：
1、视觉与听觉相通
（1）呜咽声———寒冷赤裸，像一块揭了皮的红鲜鲜的肌肉。（《创世纪》）
（2）自嘲、荒诞意味的笑声———像一串鞭炮上面炸得稀碎的小红布条子，跳在空中蹦回到他脸上，抽打他的面颊。（《第二炉香》）
（3）黑夜里，她看不出那红色，然而直觉地知道它是红得不能再红了，红得不可收拾一篷篷一篷篷的小花，窝在参天大树上，霹雳剥落燃烧着，一路烧过去，把那紫蓝的天也熏红了。（《倾城之恋》）
上面几句以色彩表现声音，或以声音表现色彩。分别用“红鲜鲜的肌肉”来表现“呜咽声”的穿透力，用“小红布条子”抽打脸颊来表现自嘲的笑声，用燃烧的声音来表现红色至燃的浓度。
2、视觉与触觉相通
（4）她（川娣）的脸像骨架上绷着白缎子，眼睛就是缎子上落了灯花，烧成两只炎炎的大洞。（《花凋》）
（5）木槿树的上面，枝枝叶叶，不多的空隙里，生着各种的草花，都是毒辣的黄色、紫色、深粉红———火山的涎沫。（《沉香屑———第二炉香》）
（6）火油炉子烧得久了，火焰渐渐变成美丽的蓝色，蓝汪汪的火，蓝得像冰一样。（《半生缘》）
（7）走过金黄色的窗子，她和她的头发燃烧起来了。……（《沉香屑———第二炉香》）这四句中，以触觉来感知色彩。为了表现川娣遭受病魔的情形，用“炎炎的大洞”来描写眼睛的晦暗无光，用“火山的涎沫”来表现草花颜色的炫目毒辣，用冰的凝固感来表现火焰蓝色的程度，用燃烧的状态来描写颜色的“金黄”。
3、视觉与味觉相通
（8）乌沉沉的风卷着白辣辣的雨（《沉香屑———第一炉香》）
（9）地下摇摇摆摆走着的两个小孩子，棉袍的花色相仿，一个像碎切腌菜，一个像酱菜，各人都是胸前自小而大一片深暗的油渍，像关公颔下盛胡须的锦囊。（《中国的日夜》）（10）梁家那白房子黏黏地溶化在白雾里，只看见绿玻璃窗里晃动着灯光，绿幽幽的，一方一方，像薄荷酒里的冰块。（《沉香屑———第一炉香》）
雨是辣的，棉袍的花色像腌菜酱菜，让人感觉是陈年旧衣了，灯光与冰块相连，在这里，视觉与味觉完全相通。
4、视觉与感觉相通
（11）天是森冷的蟹壳青。（《金锁记》）
（12）这穿堂在暗黄的灯照里很像一节火车，从异乡开到异乡。（《红玫瑰与白玫瑰》）（13）薇龙一抬眼望见钢琴上面，宝蓝瓷盘那一颗仙人掌，正是含苞欲放，那苍绿的厚叶子，四下里探着头，像一窠青蛇；那枝头的一捻红，便像吐出的蛇信子。（《沉香屑———第一炉香》）
(14）童年的一天一天，温暖而迟慢，正像老棉鞋里面，粉红绒里子晒着的阳光。（《私语》）
上述四句中，赋色彩以心理感觉意义。天青得像蟹壳，让人感觉森冷；暗黄的穿堂让人恍惚迷离，遥远不可知；静态的叶子与花在薇龙眼里变成令人恐怖的蛇和蛇信子；童年的温暖像棉鞋晒着的阳光，视觉与感觉相通。
二、移就
移就即将描写甲事物情状的修饰语，移来修饰表现乙事物情状。《辞海》注：“甲乙两项相关连，就把原属于形容甲事物的修饰语移属于乙事物，叫移就。”移就是词语的异位和重新搭配，有较大的灵活性，分三种情况：一是移人于物，二是移物于人，三是移物于物，其中第一种情况又叫移用。
1、移人于物（15）娶了红玫瑰，久而久之，红的变成墙上的一抹蚊子血，白的还是“窗前明月光”；娶了白玫瑰，白的便是衣服上沾的一粒饭粘子，红的却是心口上一颗朱砂痣。（《红玫瑰与白玫瑰》）作为“红玫瑰”的王娇蕊精于情场，一技之长是耍弄男人，但最终被佟振保玩弄后抛弃，“变成墙上的一抹蚊子血”；作为“白玫瑰”的孟烟鹂，则以婚姻为生存手段，丧失了起码的人格，沦为丈夫的奴隶，最终“变为衣服上沾的一粒饭粘子”，把描写物的“蚊子血”和“饭粘子”移用于王娇蕊和孟烟鹂身上，形象生动。再看下面三句：（16）电车单剩下一辆，神秘的，像被遗弃似的，停在街心。从上面望下去，它在半夜的月光中坦露着白肚皮。（《公寓生活记趣》）
（17）草色已经转入忧郁的苍黄，地下找不出一点新鲜的花朵。（《秋雨》）（18）窗外就是那块长方形的草坪，修剪的齐齐整整，洒上些小露，绿得有些生气。（《沉香屑———第一炉香》）上述的“白肚皮”、“忧郁”、“生气”等描写人的词语用于事物的描写上，生动形象。
2、移物于人
（19）火光一亮，在那凛冽的寒夜里，她的嘴上仿佛开了一朵橙红色的花。花立时谢了，又是寒冷与黑暗……《沉香屑———第一炉香》（20）她低头看着自己雪白的肚子，白皑皑的一片。《红玫瑰与白玫瑰》（21）她中间露出长长一截白蚕似的身躯。《红玫瑰与白玫瑰》
花开在嘴上，注定要凋谢，葛薇龙把灵魂押给魔鬼，自甘堕落，再温热美丽最终毁灭，暗示了情节的发展；白玫瑰的肚皮与冰雪相连，身躯似“白蚕”，写出了白玫瑰已失去做人的尊严，像动物一样的活着，以及佟振保对孟烟鹂的厌恶，体现人物的思想感情。
3、移物于物
（22）我喜欢那时，那仿佛是一个兴兴轰轰橙红色的时代。
(《存稿))“橙红色”是一种具体可感的颜色，能使人产生热烈、温暖、快乐之感，以此来表现对那个时代的抽象的感觉。
（23）我们住着很小的石库门房子，红油板壁。对于我，那也是一种紧紧的朱红的快乐。(《私语》)“朱红”很喜庆，“我”的快乐就如同喜庆一般的感觉。
三、夸张
夸张就是有意强调事物色彩方面的特征，并对其加以渲染和扩大。
（24）黑夜里，她看不出那红色，然而直觉地知道它是红得不能再红了，红得不可收拾一篷篷一篷篷的小花，窝在参天大树上，霹雳剥落燃烧着，一路烧过去，把那紫蓝的天也熏红了（《倾城之恋》）。
作品中夸大红色的“红”暗示白流苏的命运就如同“野火花”一般,红过之后成了“黑色剪影”，“零零落落颤动着”，是不成腔的音符，“象檐前铁马的叮当”。（25）月光里，她的脚没有一点血色———青，绿，紫，冷去的尸身的颜色（《金锁记》）。夸大芝寿脚的颜色，是为了突出芝寿被婆婆折磨的临近死亡。（26）《封锁》里的老头子“红黄皮色，满脸浮油，打着皱，整个头像一个核桃。”夸张可以根据需要可以夸大也可以缩小，把老头子的头进行缩小性地描写，写出了他感觉生活是甜的，滋润的，可是没有多大的意思。上面三句对“红色”、“脚”、“头”的描写都用了夸张的修辞手法，产生了强烈的视觉效果。
四、比喻
比喻是张爱玲最常用的一种修辞方式，比喻有三种形式：明喻、暗喻、借喻。张爱玲喜欢用明喻、暗喻，用中介词“像”、“如同”、“是”等连接本体和喻体，形式明快简洁、直截了当，但它呈现的颜色内涵却深刻隽永。喻体的作用是把抽象的事物说得具体、明白，使人认识得格外清楚；把深奥得道理说得浅显易懂，使人易于理解；把陌生的东西说得如同亲身经历一样，把难以感知的东西说成熟悉的，因此比喻是增强言语形象、生动性的一种重要修辞手段，是修辞方式中最基本的方式。下面的比喻运用使得颜色表现的内涵丰富而耐人寻味。
（27）沿街化缘的道士：弯垂着一颗头，动作是黑色的淤流，像一朵黑菊花徐徐开了。（《中国的日夜》）
（28）女佣的菜篮里一团银白的粉丝，像个蓬头老妇人的髻。（《中国的日夜》）（29）檐前挂下了牛筋绳索那样的粗而白的雨。（《私语》）
（30）满头珠钻，严妆的贵族妇人，昂然立在那里像一座小白山。（《谈画》）
（31）她的脸黄而油润，像飞了金的观音菩萨，然而她的影沉沉的大眼睛里躲着妖魔。（《倾城之恋》）
（32）那堆在天上的灰白色的云片，就像屋顶上剥落的白粉。《秋雨》读到这样的句子，第一感觉就是新奇，（27）作者由“道士化缘的动作”想到“黑菊花徐徐地开放”，多么幽默地描写，像电影中的特写镜头。（28）“一团银白的粉丝”像“蓬头的发髻”，让静止的事物产生了立体感，一个沧桑、满头乱发的老妇人的后背像。
（29）看着檐下的雨想到粗而白的牛筋绳索。
（30）严妆死板的妇人与一座白山相联系，有生命的人看上去毫无生机、令人发寒。（31）把洋妓女萨黑彝铌公主比作“观音菩萨”，暗含讽刺。（32）把“天上的灰白色的云片“比作“屋顶上剥落的白粉”，感觉非常不爽。
五、拈连
利用上下文的联系，把用于甲事物的色彩词巧妙地运用于乙事物。这种修辞手法就叫拈连，又叫“顺拈”。运用拈连，可以使上下文联系紧密自然，表达生动深刻。如：
电梯上升，人字图案的铜栅栏外面，一重重的黑暗往下移，棕色的黑暗，红棕色的黑暗，黑色的黑暗……衬着交替的黑暗，你看见司机人的花白的头（《公寓生活记趣》）。
几个“黑暗”词语不断地重复，语义也不断地推进，时间在不断地推移，岁月不断地流逝，司机人的头发由黑变白。
六、拟人
把人以外的物当作人来描写，赋予它人的动作或思想感情，这就叫拟人。运用拟人，不仅可以使描写的事物生动形象，而且能鲜明地表现作者对所描写的事物的感情。拟人手法又可分为三种情况：把非生物拟人化、把有生物拟人化、把抽象概念拟人化。
如：桔红色的房屋，像披着鲜艳的袈裟的老僧，垂头合目，受着雨底洗礼（《秋雨》）。这是属于非生物拟人化，把“桔红色的房屋”看做是“披着鲜艳的袈裟的老僧”，“垂头合目，受着雨底洗礼”，拟人使得雨中的房屋像人一样有了生命，显得活灵活现；关键房屋的颜色是“桔红色”，虽然是恼人的秋雨，仍然给人暖暖的。如果不是“桔红色”而是“黑的”“绿色的”房屋，用拟人的手法就不会如此传神，表达的意境就不会这样和谐。
从以上例子可以看出，张爱玲对颜色的勾勒非常精细，运用的修辞方式非常贴切，表现的内涵含蓄隽永，尤其是把色彩描写和意象刻画结合起来，作者选择与人物主观情绪相吻合的色彩意象构造出一定的情境，并让某种颜色稳定地或临时地与人物的行为或某种心态相联系而产生。如：
（33）那是天色已经暗了，月亮才上来，黄黄的，像玉色缎子上，刺绣时弹落了一点香烟，烧糊了一小片。（《沉香屑———第一炉香》）
（34）十一月的纤月，仅仅是一钩白色，像玻璃窗上的霜花。（《倾城之恋》）
（35）整个的山洼子像一只大锅，那月亮是一团蓝阴阴的火，缓缓地煮着它……《沉香屑———第二炉香》
（36）大半个月亮，不规则的圆形，如同冰破之处的银灿灿的一汪水。（《沉香屑———第二炉香》）
就月的描写，作者独运匠心给予它金、银、白、黄、蓝等颜色外衣，运用比喻的修辞手法，有意偏离物象的常色态，造成不同的月色意象，这种不同颜色的月色意象正是作品中不同人物在不同心境下，关照物象的不同感觉所致。五颜六色的月实际上成了情愫的物化形态，情景中的月亮具有了鲜明的象征性。
结合作品看，（33）薇龙对乔琪有了模糊的爱意，情境中的月亮具有了抬头看见“烧糊了一小片”黄黄的月亮，象征朦胧的初恋。（34）流苏发现柳原对她有野心时看到霜花似的月亮，象征着伤感。（35）乔琪夜闯薇龙卧室时看到蓝阴阴的月亮，象征着一种欲望。（36）愫细初婚之夜从家里跑出来头上银灿灿的月亮，象征着寒冷。可见颜色词的象征含义是在形象的颜色词背后另埋进一层新义，引人品味、联想、开掘。综上所述，张爱玲作品中的颜色是五彩斑斓的，沾染颜色的物象是栩栩如生的，包含的意象是含蓄隽永的，修辞方式是灵活多变的，她选择的修辞方式看似随意，实则妙不可言，都是为体现作品的意象服务的。颜色词的数量繁多，避免陈词旧用，使摹色显得新颖、立体、丰满，而贴切地修辞更传神地表达色彩和意象，使得文章妙语连珠，精彩纷呈，显示了她独特的想象力，天才般的才情，细腻敏感地艺术感受力，单看摹色与修辞，就可以发现张爱玲独特的艺术气质，恰如窥一斑而知全貌了。
第五篇：小说《简爱》的英文简介
《简爱》是英国小说阿基夏洛蒂•勃朗特的作品，刻画了一个女性的成长历程。就让我们一起重温这部经典，来看看《简爱》的英文简介。
Jane Eyre is a novel by English writer Charlotte Brontë.It was published in London, England, in 1847 with the title Jane Eyre.An Autobiography under the pen name “Currer Bell”.The Penguin edition describes it as an “influential feminist text” because of its in-depth exploration of a strong female character's feelings.《简爱》是英国小说作家夏洛蒂•勃朗特的作品，1847年在英国伦敦出版，书名定为自传《简爱》，以笔名“库瑞尔•贝尔”署名。Penguin出版社的版次将小说誉为“具有影响力的女权主义文本”，因为小说深入探索了女主角的强烈情感。
The novel merges elements of three distinct genres.It has the form of a Bildungsroman, a story about a child's maturation, focusing on the emotions and experiences that accompany growth to adulthood.The novel also contains much social criticism, with a strong sense of morality at its core, and finally has the brooding and moody quality and Byronic character typical of Gothic fiction.小说融合了三截然不同的写作风格。小说文本是教育小说，讲述了一个小孩的成长过程，聚焦陪伴孩子成长到成人的情感和经历。小说同样含有不少社会批判的内容，强烈的道德感尤为突出。最后，小说还有哥特式小说特点，婉约曲折，人物嘲讽而浪漫。
It is a novel often considered ahead of its time due to its portrayal of the development of a thinking and passionate young woman who is both individualistic, desiring for a full life, while also highly moral.Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman.As she matures, she comments much on the complexities of the human condition.Jane also has a deeply pious personal trust in God, but is also highly self-reliant.Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing.For this reason, it is sometimes regarded as an important early feminist(or proto-feminist)novel.这部小说被认为走在时代的前面，因为小说刻画了一个有思想、有热情的年轻女子，她热衷个人主义，期望完整的生活，同时有着高尚的道德操守。简爱从一个清贫而平凡无奇的姑娘演变成一个富有同情、充满自信的完整女性。随着她的成熟，她开始对人性的复杂表达自己的见解。简爱极度忠诚于上帝，但又非常独立自主。虽然简爱经历许多苦难，她给人的印象从来不是一个需要救赎的可怜姑娘。因为这些原因，这部小说被认为一部重要的早期女权主义（或原始女权主义）小说。
浪漫小说《简爱》不知道激励了多少女生成为独立的女性。从《简爱》的英文简介中我们也多少可以感受到它的力量。
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