第一篇：安娜卡列尼娜影评
Different Criterions of Love
—simple analysis of Anna Karenina
Abstract：Anna Karenina’s love is stirring and tragic.Levin’s love is seemingly happy but insipid.Love is different when criterions are different.Why Anna’ fate is tragic and how to get true love are also analyzed in this paper.Mutual respect and consideration are the basics of love and never lose ourselves in love.Key words: noble, tragic, love, free, happiness, respect
The late 19th century of Russia, not long after the reform of serfdom in 1861, was a time of coexisting of both relic force and neonatal capitalism.It was such a particular time and situation that it tended to provoke the reflective thoughts of some great men of their day.They began to think the position of class and revolution, the fate of aristocrat and civilian, the meaning of family and marriage, the value of life and death, the belief of religion and other social problems.Tolstoy was just one of them.His Anna Karenina was based on these two main plots, the story of Anna and the story of Levin, to illustrate his view of the society.Levin, to a large extent, mimics and represents the author himself, who is a noble but loves pastoral nature and tends to live a simple country side life, and whose story reaffirms the writer’s view of life.Anna, a fairly beautiful, dignified and elegant, purity, honest and kind-hearted noble woman, whose inner world is full of romance and enthusiasm, lives an apparently happy and people envious life but finally ends up her life in a tragic way.The film begins with an unhappy family.Anna’s brother Stiva has been caught cheating on his wife, Dolly.And Anna is invited to persuade Dolly to forgive Stiva.Anna herself is married to the high-ranking, upper class Karenin, and has a lovely eight-year old son, whose marriage seems stable and united from the start.But she never knows that her coming of this time will completely change her whole life.Upon arrival at the railway station, she meets the handsome and energetic Count Vronsky, who falls in love with Anna at first sight.No matter how she tries to escape his stares, to avoid meeting him, she can never get rid of him for his love is so crazy.Finally, she can no longer control herself and resist his flooded love.Then, they become intimate, and their affair is quickly spread in the up class.What triggers the conflict between Vronsky and Karenin is Anna’s pregnant, and it is this event that let Anna make a determination to divorce Karenin and desert her beloved son.But things never go that easily.Karenin values his social pride and honor so much that he will never agree to divorce for fear that this may have a bad influence on his career.He just pretends that nothing has happened.Yet Anna cannot let go of Vronsky—she continues to see him quite often.Later, Karenin discovers how serious the affair is and then he considers divorcing Anna.It is just what Anna has long expected, so at the same time Anna and Vronsky become even closer.After having Vronsky’s baby, Anna becomes seriously ill.Anna thinks herself is going to die, and she asks Karenin to forgive her completely.At the same time, Vronsky is at her side.Though Karenin decides to revenge Anna and Vronsky at first, upon seeing Anna, he forgives her for everything she did and does not criticize Vronsky either.Vronsky seems to be humiliated by what he did and by Karenin, so he tries to commit suicide by shooting himself.But he finally gives up for he still loves Anna so much.Yet Anna recovers and forgets what she said to Karenin, once again come into Vronsky’s arms and run away with the count to Italy.Their elopement really infuriates Karenin, and he is resolute in refusal of divorce.In Italy, Anna and Vronsky indeed have a transitory happiness.But contradiction appears soon after, because Vronsky is an aggressive man after all, just like he himself says “I can do nothing here.I need a purpose”.So they come back to Russia.Here, Anna’s life becomes terrible.She is refused to see her own son, Seriozha.Her friends abandon her, ashamed of her behavior.She cannot go out in public with Vronsky, to the theater or the opera, because they would be subjecting themselves to the rumor mill.As a gentleman and a count of up class, Vronsky is unable to do without social intercourse essentially.And the key point is that he is free to go anywhere he likes and he is free to do anything.Naturally, the time he accompanies Anna becomes less and less.So Anna becomes horribly insecure, thinking that Vronsky goes out so much because he is in love with someone else.Actually, Vronsky has never changed his love towards Anna, but they just fight often because the unspoken tension that exists between them.Anna is tortured so much mentally.When she quarrels with Vronsky, she says desperately “why can’t I go out? I love you and nothing else matters to me”.Though he still loves her, she becomes doubtful.She isn’t Vronsky’s wife, but she is more than just his mistress.She depends entirely on him for internal peace and love.But what she finally realizes is that no one has the power to satisfy her emotional desires, not Vronsky nor anyone else.She was woven a complex web for herself, one she feels she can only escape by killing herself.That is what she does, jumping in front of a train.The development of Anna’s story is promoted mainly by five conflicts.These fives conflicts push the plot to another and yet another climax step by step, from which we can see how Anna put herself to a tough situation that can never be changed.The first conflict between Anna and Karenin took place when Anna went home one deep night after dating with Vronsky.She didn’t know that what is waiting for her is her husband Karenin’s warning.At that time, he only heard some rumors about her wife’s love affairs and she didn’t go that far.As a husband, he has the right to point out this and express his dignity and disaffection.However, Anna just denies it and ignores.And she also takes this chance to express her resentment, “You are always like that.You don’t like me to be dull, and then you don’t like it when I go out and enjoy myself.Stop it, you know I cannot stand it and I would like to know what all this is about”, which has lasted for long time.She pretends that she doesn’t know what has happened and just walks through Karenin that she is desperately sleepy, which let Karenin down.Though Anna’s thoughtlessness behavior and indiscretion cause herself to be talked about in society and begin to attract attention and it may disgraces Karenin’s reputation, Karenin still keeps his genteel and cultivation by saying “Anna, for God’s sake, don’t speak like that, perhaps I am mistaken.But believe me, what I say as much for my sake as for yours.I am your husband, and l love you.”
As time goes by and the love between Anna and Vronsky becomes increasingly intense, they are at the threads of their social lives when Anna becomes pregnant.She must, obviously, tell Karenin the news, thus initiating the second conflict between Anna and Karenin.Once Anna and Karenin seeing a horse racing together, Anna is unable to hide the despair when she sees one of the riders, Vronsky, fall.Once again, Karenin feels he has the duty to oblige Anna.However, he receives the unexpected answer that Anna just confesses to him everything about the love with Vronsky.It really exacerbates Karenin.Not any husband can tolerate such thing, neither does Karenin.He decides to divorce Anna and takes their son, Seriozha, away as a punishment for her adultery.From then on, their relationship is cut up completely until Anna is dying.The next three conflicts are all occurred between Anna and Vronsky when they live together.Once people get what they want, they will become empty and contradictions present.Anna is just the case.Carrying a bad name, Anna cannot go out in public with Vronsky, to the theater or the opera, which I have mentioned above.What makes Anna angry is Vronsky’s frequent going out, which is a signal of not loving anymore in her eye.She becomes unbelieving and complaining and she always fights with Vronsky for something trifling, which makes Vronsky tired.Vronsky’s love for Anna is not as hot as before.Among these three fights, the second time is the sharpest one.Here’s the thing.Vronsky went back home seeing Anna packing luggage one day.Anna told him that she wanted to live in the country.Actually, it is a good sign for a woman who has constrained and depressed so long.No one can imagine how terrible the life was and how much mental torment she suffered the days just passed.She just cooped up in those rooms all day long and day by day, and conceived her only mental support, Vronsky, spending nights with other pretty young women.It is not easy for such a woman to make up her mind to change.“You know it came over me like an absolute inspiration.Why should we go on waiting here for the divorce? I’ve made up my mind that it shan’t influence my life anymore.” From her words, we can see the desire she wants to change, and that she can’t wait even another minute.So, if someone doesn’t do as what she wishes this moment, she will be hysterical and hopeless.And Vronsky just did such thing.He was also delight to see Anna’s change, and planned to go with her after getting things in order.But Anna saw this as a purpose to delay their departure and an excuse to stay.She associated Vronsky’s words and behavior with his changing of love for her.She was stubborn to think that he cares nothing for her.She depends entirely on him for internal peace and love.But what she finally realizes is that no one has the power to satisfy her emotional desires, not Vronsky nor anyone else.Her spiritual pillar begins to collapse.Just like she says” what I want is that you should not desert me as you are thinking of doing.No, I don’t want that.What I want is your love.But it has gone, so it is all over”.Upon this, Vronsky feels it unreasonable.What he meant was just put off their departure for a matter of 3 day while Anna accused him of lying and being dishonorable.He said that there is a limit to his endurance.It is the very fight that makes Anna have an idea to die.“Why didn’t I die?” she said to herself after fighting with Vronsky.Happy families are all alike;every unhappy family is unhappy in its own way.Running side by side with Anna’s story is Levin’s, which can be said a happy one, though at first was not that happy.Levin’s story, I’ve mentioned earlier, is one that mimics the life and interests of the novelist himself.Levin, a landowner and country man comes to the city to propose to Kitty, a pretty young lady who is indulged in instead by Vronsky.She rejects Levin’s proposal and keeps her eye on the count Vronsky, however, is smitten with Anna.Levin is crushed.He goes home to the country and immerses himself totally in his relationship with the land.He writes a book about farming practices in Russia, revealing his belief that landowners should split the land with their peasants so the peasants have an incentive to work harder.This is a controversial plan as Russia becomes more industrialized.Kitty, too, is crushed by Vronsky’s disinterest.She becomes ill, and her family takes her to a spa in Germany, where she recovers and realizes that she has truly loved Levin all along.They meet again shortly, and Kitty accepts Levin’s second proposal.They marry happily and have a boy named Mitya.Kitty is a huge force in Levin’s life, helping him to come to grips with his lifelong struggle with faith and religion.She also helps Levin cope with the death of his brother Nicholas.In Tolstoy’s eyes, the two have the ideal marriage and love.Though Anna and Levin’s plot lines connect at times, Tolstoy dares only the briefest encounter between the two, near the end of the book.Levin is temporarily swept into Anna’s world, proving to Tolstoy how dangerous a character like Anna is to Levin’s world.As Anna and Levin’s stories are contrasted, Tolstoy makes a thematic case, though Levin, for pre-industrial societies as the major source of happiness, wealth and sustenance.He advocates the idea of caring for the land as if it was the wealth of the world, and he labels the land as the only mutual association which can bind societies and families together.Tolstoy shows us the valuable role of rural society in preserving the family.Through Anna, Tolstoy associates city life with vice.That Anna is a creature of the social, urban world makes her character revolve less around virtue, and more around romance sex, and societal affirmation.So, what on earth contributes to Anna’s tragedy? Identifying the reasons for a social phenomenon which involves several complicated factors is far from an easy task.But achieving some is still within possible.Among all the reasons, I should put first the evil value, religion doctrine and moral law of up class which maintains the aristocracy.Actually, there were many noblewomen having affairs with other men and they were proud of this.They won’t be criticized and punished as long as they don’t make it public and their husbands’ name is not disgraced.However, Anna is above the noble society and she is not willing to be a mistress.She is faithful to her own heart and pure torrid love.She is brave enough to make it public and defy the inveracious noble society.But how could she, a petit woman, fight against the predominant aristocracy.She has no choice but to be expelled out of the circle.Then, Karenin is also responsible for her death.He is 20 years older than Anna, and his only interest is his position and honor.Have been living in officialdom for so long, he becomes indifferent and vapidness.Living with such a dull man for 8 years, Anna becomes lonely and eager to be free.So when she meets the dashing count Vronsky, she can no longer resist the temptation.Comparing two of them, Anna chose Vronsky stoutly.Though she hesitated at first and ever tried to maintain the harmonious family, she was smitten by the unprecedented happiness completely.And for such happiness, Anna abandoned everything, reputation, position, wealth and beloved son.What she did was unforgivable in the noble’s eye and she had no chance to turn her head back.And then, Anna herself is liable for her own tragedy.First, her class origin determines her fate.She was born noble, but what she chases is individual liberation of bourgeois.Though her pursuing of happiness is human nature, her cost is so high.She didn’t think about it that her chasing of pure love would hurt her husband at the same time, which would lead to her husband’s revenge.And having a son and setting a foothold on the up class is the mainstay of her existence.But she just ignored all of this and her levity brought her heavy price.Second, her value of love is illiberal.She set her all happiness upon Vronsky, so once she lost his love, she lost everything including herself.This can be illustrated by Byron, “Love is just a part of life of a man, but all the life of a woman.” She loves him so much that she fears to lose him one day.And she becomes complaining and skeptical, thus losing Vronsky’s love finally.From Anna’s and Levin’s story, what can we learn? There is Levin’s monologue at the beginning of the film “The fear of dying without ever knowing love was greater than the fear of death itself”.To someone, it is yes.But what should we keep in mind when we handle our love things? Anna’s spirit, her sacrifice of everything for love, her listening to her own heart, should be admired, because it is a flame of humanity, but when facing reality we have to consider more.After all, we are live in a society, and it is not a Utopia.When we chase our rights and happiness, we should make sure that others’ legal rights are not harmed, especially those who love us so much.Only caring about ourselves and don’t even think about the feelings of the people around us is not only an action of selfish, but also a behavior of immaturity.Mutual respect and consideration are the basics of love.Levin’s story has proved this point.Though he has a plain face, maybe ugly, and 16 years older than Kitty, he gets her true love in the end.Another important doctrine should be born in our mind is that love is just a part of our life.If we have it, we thank God.If not, we are still ourselves and we still can make our life prosperous.Anna, to some extent, gets what she wants, living with Vronsky, but she is over caring about him.She can’t live without his love.She fears too much, and doesn’t know how to handle.She just complains and gets angry, thus leading to Vronsky’s loathing.So, believe in love but never lose ourselves in it and never complain, our life will be bright.References: 1.期刊论文 张会艳 简析安娜•.卡列宁娜的悲剧根源—理论界 2008，””(5)2.杜宗义 俄国资本主义发展时期的社会活动的生活画卷 1979 3.期刊论文 卢丽萍 悲剧的艺术—论《德伯家的苔丝》中的悲剧及艺术根源—安徽文学（下半月）2009，””(4)4.期刊论文 荆煜君 安娜•卡列尼娜悲剧成因分析—文学教育（上）2009，””(3)5.期刊论文 郑舒婷 关于《安娜•卡列尼娜》爱情描写的现代思考
2006，””(4)6.期刊论文 孙少佩 浅析《安娜•卡列尼娜》中安娜的爱情悲剧—时代文学（双月上半月
2010，””(2)7.[俄] 列夫•托尔斯泰 安娜•卡列尼娜[M] 杨楠.北京燕山出版社.2002年8月第一版 8.刘艳萍 从俄朝明族文化心理和春香爱情追求之差异[J].外国文学研究.1996年第四期 9．.期刊论文 刘小莉 浅谈安娜•卡列宁娜的爱情-安徽文学(下半月)2009第十期 10．期刊论文 冷和平论安娜•卡列宁娜的悲剧心里-江南社会学院学报 2006年4期 11．期刊论文 刘晴 《安娜• 卡列宁娜》中的死亡意识
12．期刊论文 管雨红 浅析《安娜•卡列宁娜中安娜病态行为的主观原因》-华章2010年11期
13．期刊论文 王华锋 幸福的标尺—浅析《安娜•卡列宁娜》-现代语文（文学研究）2009年第12期 14．《外国文学名著导读》武汉大学出版社2005 15．《世界文学名著欣赏》杭州—浙江大学出版社2005 16．.http:// 19．http://
第二篇：安娜卡列尼娜影评
《安娜卡列尼娜》影评
年少时我没有拜读过托尔斯泰先生的《安娜卡列尼娜》原著，但是大概知道是怎样的故事，那是那个年纪的我不敢触及的。这次看电影版的，我查了一下共有四个版本——几番斟酌后选择了最老的一版，我想这一版应该是最忠于原著的吧。
影片开始时，我还抱怨怎么选了个黑白版本的呀，后来在火车站，沃伦斯基初见缭绕热气中的安娜，惊为天人，我亦然。想想那一幕还挺搞笑的，沃伦斯基在车门前等待的时候，肯定期待的明明是自己的母亲——老态龙钟的老妇人，结果出来的是一个如斯美妇人，前后的落差，加上安娜本身的魅力，风流如沃伦斯基被她俘获也是在情理之中的。
安娜此次来是为了哥嫂调解关系的，安娜的哥哥儿女双全，家有贤妻，却还在外拈花惹草，在家与家庭教师搞暧昧，老婆不与他闹翻 才奇怪呢，安娜顺利调解了哥嫂关系。
在接下来的舞会上，几乎每个女孩都把自己打扮的纯洁如天使，只有安娜一袭黑色天鹅绒长裙，也真的宛如一只高贵的天鹅。察觉到沃伦斯基对自己的爱意，处于对家庭的考虑，同时也不想让吉蒂伤心，安娜很快结束了自己的旅程，没想到沃伦斯基那厮竟然紧追不舍，多次舞会，聚会后，安娜芳心被打动，俩人形影不离。但纸是包不住火的，流言蜚语渐渐传开。渐渐地也传到了安娜的丈夫耳中，可安娜的丈夫卡列宁是怎样的一个人呢—— 其貌不扬，在官场中却是个地位显赫的人物，是一个“完全醉心于功名”的人物。他根本不懂
什么是倾心相爱的情感，他认为：他和安娜的结合是神的意志。他责备妻子行为有失检点，要她注意社会性的舆论，明白结婚的宗教意义，以及对儿女的责任。他并不在乎妻子和别人相好，“而是别人注意到才使他不安”。
没看错的话，安娜和卡列宁结婚已经十年了，我敢说他们二人初始时是有过爱情的，只是时间磨平了热情的痕迹，他们失去了沟通的能力，关系日渐冷淡。他们俩人的结晶——谢尔盖，那个可爱的男孩是安娜最大的牵挂。
花园里，沃伦斯基表示愿意抛弃一切和安娜远走高飞，因为谢尔盖，安娜拒绝了，沃伦斯基伤心欲绝。藤架下安娜站在十字路口,一边是情人的愤然离去，一边是谢尔盖声声呼唤自己的母亲看自己的马术，几经挣扎后，安娜还是选择奔向了自己的儿子。
马场，沃伦斯基的坠马，安娜的失态，丈夫的告诫，让她对自己的丈夫更加厌恶，从而奔向浪漫英俊的沃伦斯基的欲望如气球般膨胀到濒临破裂的地步，她如飞蛾扑火般奔向沃伦斯基的环抱。他们沉浸在爱河之中，畅游意大利，然而旅途中偶遇的小男孩，让安娜想到了自己可爱的谢尔盖，于是决定回归故里。然而，当初她的不顾一切，付出了代价，卡列宁禁止母子相见，安娜无比伤痛，谢尔盖生日那天母子的相见，催人泪下。
而另一方面，沃伦斯基对自己的军队和战友有着无法割舍的感情，渐渐地他们之间也出现了隔阂与猜忌。剧场安娜受到的羞辱，在沃伦斯基母亲身边的年轻女子，加上无法见到爱子的苦闷
让安娜几乎歇斯底里。当沃伦斯基提出要去塞尔维亚参战时，安娜认为是沃伦斯基厌倦了和她在一起的生活而想躲开她。俩人不欢而散，沃伦斯基再次夺门而出。
其实，我想说，安娜爱的也许是军官身份的沃伦斯基，而沃伦斯基爱的也许是卡尔宁夫人身份的安娜，脱离了这种背景，光环。俩个人的爱情也许就不像之前那般了。并且沃伦斯基也明确表达了自己终日呆在乡下的不甘与无趣，他注定是热爱军队的生活。失去了军官的光环，他整个人也就不似从前了。
安娜疯狂的寻找沃伦斯基，她只剩下他了，可是沃伦斯基却拥有更多。当火车站，意气风发的沃伦斯基与母亲，以及那位可能成为正牌沃伦斯基太太的女孩依依惜别时，安娜的整个天空就塌了。最终在寒冷的夜晚，带着对世界的眷恋与恨意，走上了不归路。
而沃伦斯基注定会生活在内疚中一辈子，但是这又怎样，他也许就像《雷雨》中的周朴园一样，照样结婚生子，只是在某个特定的日子里缅怀一下这位已逝佳人。
爱情真的不是一切。
第三篇：安娜卡列尼娜影评
风絮飘残以化零，泥莲刚倩藕丝萦，珍重别拈香一瓣，记前生。人到情多情转薄，而今独个悔多情，又到断肠回首处，泪偷零。
——————纳兰性德
总忘不了的是安娜那双忧伤迷离满是剪不断理还乱莫名情思的眼睛。也从此知道，额前留头帘的女子一定要有一双大而不空洞的眼睛。所以当安娜倒向铁轨的那一瞬间，我分明看到她褐色的眼睛里有一种绝望随着睫毛的抖动而向四周扩散，就像沾了水的旧信笺，蔓延的不可抑制。
那是一种对爱情的绝望。
罗曼罗兰说，爱情是一件很无奈的事，你喜欢别人，别人不一定喜欢你；别人喜欢你，你又不喜欢别人；两个人互相喜欢又未必能在一起。可是，最无奈的莫过于，红地毯已经走过，乐曲也已经奏罢，两情相悦的王子公主终于牵了手，日后的生活却并非想象的那样童话般美妙。
安娜纵是铁了心，不要名誉，不要富贵，抛夫别子，甘受千夫所指；渥沦斯基即便豁出去，不要前途，不要门当户对，可是当两个人真的住在了一起过起了貌似夫妻的生活，曾经的山盟海誓的爱却刹时成了伤人的利器，彼此中伤，彼此误会，甚至彼此厌恶。
也许他们真的后悔了。发现除了爱情，除了身边这个女人，身边这个男人，生活中还有那么多诱惑，那么多欲望，得到的东西毕竟是最不值得珍重的东西。亦或着爱真的是有极限的，“人到情多情转薄”，取一个最大值后就只能规律的陷入低谷？
也许爱情真如流星，开始总会冲破黑暗闪耀于天野，最后又重新坠入黑暗，成为废墟中的瓦砾。从天上到地下，从星星到石头，大概是爱情潮起潮落的过程。
爱比恋更冷。这个译名告诉我们情爱原是一种温度，燃烧到顶点结局也只是灰烬。想起另一部电影---《爱的蹦极》，爱把我们逼至悬崖，又逼至我们纵身跃下，形成一个令人心上的弧度。
有个词组叫做fade out ,逐渐淡出。一个日本女作家用它来形容男女之间退色的关系，准确无比，一语中的。所有的颜色都会退色，但红色最能显现退却的程度，因为它是极致的绚烂鲜 艳，稍有差池便失去色泽，“每到红处便成灰，”红色原是最经不起摔打的颜色。爱情就是红色，玫瑰的红，血红，浓烈的那么容易颓败而灰头土脸。
而彼时的爱情和曾经的炽热已经让他们骑虎难下，过去的刻骨铭心成为一种束缚，若是分开，别人会说爱不过是他放浪形骸的借口，不过是她难耐寂寞的掩饰。他们必须在一起，以次证明这是段爱情而不是众人口中的通奸，只是，在一起又真的痛苦。
要是安娜没有自杀，而是沉溺于酒精或鸦片直至焦虑而死，渥沦斯基只会耗尽了爱意，用一种居高临下的怜悯埋葬了她，然后继续莺莺燕燕，歌舞升平，信步周旋于淑女名媛之间，但安娜死去的方式让他良心上的愧疚弥补了爱情上的缺陷，于是，一个人死去了，另一个人在追悔中了却残生，难道爱情一定要以悲 剧来升华？而这又真的是爱吗？也许仅仅是对失去的东西人人固有的痛彻肺腑的追悼？如果不爱那么深，结局是不是就不会那么伤人？曾经情深几许，到最后，竟只能“独个悔多情”。
也只好，“又到断肠回首处，累偷零”。哭那一地的落红，哭那曾经水分和阳光充足的爱情。
当安娜与渥伦斯基在火车站台第一次相见时，“但是感到他非得再看她一眼不可„当他回过头来看的时候，她也掉过头来了，她那双在浓密的睫毛下下面显得 阴暗了的、闪耀着的灰色眼睛亲切而留意地盯着他的脸、似乎是在寻找什么人似的”一见钟情固然以悲剧结尾，可浪漫的邂逅却让我沉醉在美妙的、沉静的境界中。赛马场上安娜的失控表露了他们的恋情，安娜生下了他的孩子，卡列宁的宗教宽容让安娜感谢又愤怒，安娜与渥伦斯基出国了，又回来了，安娜遭到了社交界以及家 庭的抛弃，而渥伦斯基却重新踏进社交圈，醉心于自己美好的前途，悬而未决的离婚协议、肝肠寸断的念子之情、自私深沉的爱情独占心理，这一切既让安娜体会到 了八年的无爱婚姻里丧失已久，又让她平静的心灵经历了一场喜怒哀怨的风暴。而我也随着安娜的故事沉浮时而兴奋，时而忧伤，时而挣扎。尤其到了后面，安娜被 孤独与嫉妒折磨得生不如死，没有人倾述、没有人理解时，我终于能稍微明白为什么安娜选择死亡，她太痛苦了，死亡才能摆脱一切。
渥伦斯基 爱安娜，而且他的爱并不肤浅，也许刚开始他对安娜的爱恋有着虚荣的成分，但安娜患上产褥热即将死往时，“他在她患病期间真正熟悉了她，了解了她的心灵，所 以他觉得以前就似乎从来没有爱过她，现在，在他了解了她，真正爱上她的时候，他却在她眼前显得非常低下”甚至列文也为她倾倒，由于“她除了聪明、文雅、美 丽之外，她还非常老实„”我也爱安娜，从书中瞥见她的第一眼，我便爱上了这个“仿佛有一种过剩的生命力洋溢在她整个的身心，违反她的意志，时而在她的眼睛 的闪光里，时而在她的微笑中显现出来”的生气勃勃的女人，而她鼓起勇气与情人远走高飞时，我更是不可抑止的迷恋上了她，这种迷恋不在是站在读者的角度喜欢 她、欣赏她，我甚至想自己就化身为她，让我能分享她生命力的一切迷人品质。
可爱的安娜还是自杀了，当看到她在自我折磨中苦度人生时，我 甚至希看她早点结束生命。她的死亡始终是一个悲剧，吉蒂获得了幸福，多丽依旧安稳度日，卡列宁照样平步青云，可只有安娜，由于她选择了自由，选择了真诚，选择了勇敢，最后却不得不死亡，她违反了贵族社会的游戏规则，做了冷酷自私者中的一个叛逆者，由于“我只是想活，除了自己，不会伤害任何人，我有权利这 样”。这是她的咎由自取吗？这是她成为一个所谓的堕落的贵族妇女而理应遭到的报应吗？安娜在姑母的安排下，嫁给了年长的、迂腐的、虚伪的卡列宁，八年时间 里，他压抑了她一切的热情和生气，当我们知道排除了爱情以权力地位为基础的婚姻是不公道的，分歧人性的，当我们肯定了个人追求自由与幸福的价值，又有何权 利指责她的选择呢？
然而安娜的死亡是必然的，这并非由于她道德败坏，自私善妒，只是由于她是女人，是一个真诚的女人，是一个贵族社会真 诚的女人，是一个男权社会下贵族社会里还保持着真诚的女人，因此她只能自杀。假如她是多丽，忠信老实地守着家庭，在怀孕生子，再怀孕生子中耗费青春，而且 不得不苦咽下风骚丈夫到处拈花惹草带来的痛苦，她就会继续如困兽般维系无聊的婚姻，假如她是培特西夫人，私下放荡荒淫但表面道貌岸然，她就不会在赛马 场上失声而起，而且随着渥伦斯基离开了家庭，或者假如她能有一份自己的事业，她就能发挥自己的才智，充实自己的生活，不再是只要爱情，一切都不重要的小女 人。但她的命运注定她无法生存。
电影以人物康斯但丁列文的角度来讲述故事，康斯但丁列文的真实身份是列夫.托尔斯泰，然而他仅仅是一个讲述者，真正的主人公是安娜、伏伦斯基、卡列宁——三个生存在同样社会上不同性格的人。
安娜给予我的感触最多，让我从根本上改变了对一个人的看法。“死时还没懂得爱的真谛，那就比死亡本身更可怕了。”刚开始的这句话我是一直不能理解，或 许是因为这话我本身并不曾体会过，然而，俯观了安娜的一生，看着她走过的日子，感受过她的内心想法，到后来完全懂了这句话的含义：这是一种对爱的追求的精 神，这是一股为爱牺牲一切的力量，也正是这种力量精神促使了安娜的死亡。
到结局我始终不肯相信安娜会死去，而且是自杀，因为这种做法对一个明智的人来说本
身是愚昧的，但是当时的社会却逼得她去死，安娜实在是太可怜了。
可怜的安娜是个很真诚勇敢的人，但只能从她追求爱情方面来衡量，正如安娜本人说：她不是一个好妻子和好母亲。我并不想抨击安娜的出格，但是她相爱的方式确实很另类，所以难以避开世俗眼光的看法。
我觉得在追求爱情这个问题上，一切随心是最重要的，如果呆在一个自己不喜欢的人身边过日子，心里却在想着另外一个人，这样的日子无论如何也没办法让我 接受，当然，安娜也不会接受，所以她选择了一个正确的爱情。关键是她选对了，却没有做对，她是以一个非常愚昧的做法开始她新的爱情，当了别人的情妇，红杏 出墙，那她的死很有可能就是因果报应了。何况安娜本身太执着了，对爱情的追求蒙蔽了她的眼睛，使得她不但抛夫弃子，甚至怀疑自己的情人，跟伏伦斯基没有很 好的沟通，便断绝了自己的出路。
总体上来说，安娜是一个可敬又可怜、勇敢有冲动的女人，她的性格注定了她悲惨的一生命运。
伏伦斯基是一个很有魅力的男人，古语说，爱江山更爱美人，伏伦斯基的一生证实了这句话。一个英俊潇洒、事业有成的男人，一旦为了一个有夫之妇夜夜不能 眠，这种情况确实很容易断送他的一生。然而，伏伦斯基豁了出去，为了安娜，他确实曾经放下一切。伏伦斯基本来就是很聪明的人，他的想法并不像安娜那样单 纯，他想拥有安娜，也想拥有自己的事业和生活，跟安娜仅仅拥有爱情的想法是不一样的，所以他跟安娜私奔后再次回到圣彼得堡去以法律手段来解决安娜的婚姻问 题。
伏伦斯基给了我希望，我一直以为结局会很完满，只要安娜等着离婚的消息就行了，多简单一切就柳暗花明，转机可是存在时时刻刻、分分秒秒，前提是安娜不 死的话。可是安娜却断掉了我的希望，也断送了伏伦斯基的一生。伏伦斯基本身就是一个非常好的男人，我认为安娜真爱他就不应该怀疑他，真爱他就应该在背后默 默支持他，而不是盲目去占有他，所谓物极必反正是安娜的做法体现。用伏伦斯基的话来说，安娜确实不可理喻。
我想，安娜是一个好女人，我却不会爱上这种女人，人生活在世上本应该快快乐乐的，而安娜却追求烂漫和昙花一现，甚至为此牺牲性命，实在是太无知了。你 看，以安娜的做法面对人生，身边的人都得到了些什么，丈夫没了妻子，孩子没了母亲，情人没有了活着意义，那岂是她一个人的事，一死了之还真是自私。安娜常 常让我惋惜，伏伦斯基却一直让我感动，做男人就得像他一样。
卡列宁这个人一看就知道是很传统的人，脚踏实地，事业有成，应该是个好男人。然而，越是深入了解我就越怀疑这个人，可能是日久见人心吧。我在想，也许 是他伪装得太好的缘故，所以身边的人都说他是一个好人，事实并非如此。一个好人会不让一个想见孩子想得痛彻心扉的母亲见见自己的孩子?一个好人会让一个自 己爱着的女人得不到自己的幸福？答案是，不会。
所以，由此至终，卡列宁把自己包装起来，满口经文信仰，在基督信徒的伪装面具下展开他劣质的行为，他内心本来就是一个小人。他自大，所以要占有一切，他自私，所以容不得别人幸福；他无情，所以折磨妻子，他无义，所以不理睬孩子。我一直搞不懂卡列宁到底有什么追求，看得出他并 不爱享受生活，难道他所做的一切仅仅是为了满足自己的虚荣心吗？真为这样的人感到可悲。
看完电影我才发觉生活中我们也有他们的影子，为人处事存在他们的痕迹，我只希望不要有人重复他们走过的路，快快乐乐活在当下不是更好吗？
第四篇：安娜卡列尼娜影评
毁灭之前
——看《安娜卡列尼娜》有感看完电影《安娜卡列尼娜》，有种很复杂的感触，震撼、感动、悲伤抑或是无奈，太多感受，让人来不及咀嚼。
安娜的眼神一直如此专注的向前方凝视，直到她的眼神开始闪烁，她爱上了沃伦斯基，于是她将自己凝聚已久的渴望爆发出来，毅然地从没有爱情的婚姻中走出，那一刻，她彷佛一下子变得年轻有活力起来，原本自信而平稳的步伐显然有些乏味，然而，当她真的勇敢地拎起裙子向自己要的自由奔去时，她像极了一个可爱的天使。但是最后他们的爱情又怎样呢？这种终极的追问使那些宣扬爱情自由的作家们有些尴尬，就像格林童话的结尾，往往是“王子和公主过上了幸福的生活”，但这只是他们的斗争取得了阶段性的胜利，他们建立了家庭之后又是怎样呢？真是幸福吗？看看安娜和沃伦斯基就知道了。他们闹得满城风雨，终于生活在了一起之后，他们并不快乐。沃伦斯基要忙公事，要尽自己“对于社会的责任”，但是安娜却不依不挠，认为他背叛了自己。最终换来的只是争吵和泪水。安娜要的是纯粹的爱，她既没有工作，又没有社交，这对于女人看似是自由，其实却是深深的牢笼。她得不到她想要的爱，最终，安娜只能走向毁灭。结尾安娜去自杀，她坐在车上，玻璃中流动的街景和安娜的脸部
重叠，虚实结合，明暗结合，加上安娜心理活动的画外音，准确的反映了当时的气氛和心境，称得上经典。
电影里面的人物各有特色。花心的奥勃朗斯基和隐忍的太太，他们的生活也许是真正的世俗生活；耽于思考的列文和纯真的基蒂，他们过的是令人向往的田园式的精神生活；卡列宁，一个脱离了低级趣味的官僚机器，一个可悲的“圣人”。
所有人里面，列文和基蒂算是最幸福的，也是我最喜欢的一对。基蒂是一个简单的女孩，像所有女孩一样向往着自己能嫁给自己心中的白马王子，到后来一切并非如她所愿，可是，她最后还是选择了一个感动自己的人，并且满足的和列文在一起。列文是一个喜欢乡村生活的人，也许少了城市人之间相互交流的高贵与儒雅。就像影片中他与可沃伦斯基关于乡村与城市的对话，虽然，对话的结果，好像列文略逊一筹，可是，其实到最后我们才知道，真正的赢家是列文。他勇敢的爱着、并且坚持着，朴实的他却是一个细腻而让女孩感动的人，真因为他的真诚，他最后得到了他心爱的女子。他一直坚信着的，乡间的生活才是从物质到精神上最自由的生活。
对于沃伦斯基和安娜，我只是想用凄美来表达他们的爱情。他们都是深爱着对方的，原本，他们觉得，他们可以抛开世俗的一切去爱。但是，当他们觉得已经跨过最难的那关时，安娜已经很累很累，所以，他们的步调无法一致。最后，安娜结束生命。
沃伦斯基说，战争对于他来说，也许是上天对他最后的恩赐。他剩余的生命好像没有了其他的意义，所以，它决定将生命献给战争。沃伦斯基看着窗外，一个男人的流泪比起女人更让人心酸，火车驶向远方……
电影当中还有几个让我觉得特别精彩的镜头。一个是沃伦斯基赛马一段的镜头运用，赛马的人、观众的反应、安娜和卡列宁的反应交替剪辑，有远景、近景、特写，有俯拍、仰拍，飞驰的马蹄、马背上的人、赛马人眼中的观众，令人目不暇接，绝对一场拍摄赛马（比赛）运动的好戏。其二是卡列宁家的房间设计也别出心裁，镜头在其中穿堂入室，令人想起《俄罗斯方舟》，人物对话不用正反打，前后景和变焦镜头的使用也恰到好处。其三是安娜和沃伦斯基在意大利游玩的一段，剪辑和配乐很好的体现了安娜的欢快心境。还有安娜回家看儿子的一段，她抱起儿子在房间内旋转，用主观镜头来表现，一圈、两圈，突然镜头停住，固定在门口的卡列宁身上，欢快戛然而止。关于电影，没有过多想去表达的东西，更多的是内心无法用言语来表达的体会。我只是觉得生活中有很多东西使我们无法得到的，但是如果坚持去做了，那么一定要做好充分的准备。从物质到心理都必须去承受最后的结局，无论喜与悲。也许，更多的时候，我们可以选择隐忍，关于生命的精彩，你可以放弃，只是做简单的事。我们要学会知足，至少要知道什么是自己要的，什么时候该停止。有很多时候，我们总是不得不把事情想得很复杂，有很多东西确实也很复杂。但是，面对人生，很多时候是心态的问题。人生的旅途中，我们追寻的幸福并非在终点，而是，你一路应该有的态度。
又有很多时候，我们知道要如何去做，却偏偏做不到，那么究竟该怎么办呢？生命就是如此，有很多东西需要你一路不断去克服的，整个世界都太复杂了，包括个人。人生的长度不由我们控制，但是它的宽度完全可以由你来决定。
很多事情是没有对与错的绝对标准的，所以，《安娜卡列尼娜》里究竟是谁酿造了这样一个结局。很难去回答这个问题，也许，正是因为这个故事最后的结局，让我们更多的去回头看这个故事。
如果直到发现自己困在一个接近死亡的洞穴时才寻求出口，那么，或许，唯一痛快的方法就是尽快结束这种痛苦的煎熬。又或者，你该换个角度去思考这个问题，也许问题不能立马解决，但是，一定要尽快摆脱这种境遇，无论用什么方法，否则，结局只有毁灭。
学会换个角度去面对问题，或许，眼泪就不会那么苦涩。
第五篇：安娜卡列尼娜 影评
折磨古琳馨
——读《安娜卡列尼娜》有感
一曲爱情的悲歌举世无双；一颗受情感与理智折磨之至的心绝望地凋零；一段注定悲剧的情缘仍然执着再续。安娜卡列尼娜，一个令人扼腕叹息的名字。
风雪中的安娜，一展绝望和痛楚的笑颜，终于卧在冰凉的铁轨下，解脱了充满忧虑、欺诈、悲伤和罪恶的人生。生命的最后一刻，安娜以“上帝，请饶恕我的一切”作为对人世的诀别，这是她的理智和良心对自己行为最真实的批判。抛夫弃子脱离家庭，她执着勇敢地追求着真挚的爱情，却因旧社会的道德法律，让可耻、堕落与负罪等邪恶的意识相继注入了安娜脆弱无助的灵魂。令她灵魂丰满不竭的源泉——人生之烛，也在生命的尽头，闪了一下比任何时刻都明亮的光芒，为她照亮了原来在黑暗中的一切，就“咣波”一声昏暗下去，永远熄灭了„„
远望着安娜血淋淋的尸体，孤独冰凉地躺在车站，脸上还残留了令人恐怖的绝望神情，安娜和弗伦斯基的爱情不忍回缅„„
一、车站偶然邂逅
薄薄的蒸汽缓缓升腾，震住了彼此的呼吸，面纱下的安娜独具风韵。四目相对的瞬间 安娜已悄然在内心做出了神秘的选择，情愫暗生。
“这短短的一瞥中，弗伦斯基发现有一股被压抑着的生气，闪现在她的脸上，荡漾在她那明亮的眼睛和弯了弯朱唇的微微一笑中。仿佛她身上有太多的青春活力，以至于由不得她自己，忽而从明亮的目光中，忽而从微笑中流露出来。她有意收敛起眼睛里的光彩，但那光彩却不听她的，又在微微一笑中迸射出来。”
安娜最具魅力的从来都不是华贵的服饰，也不是清丽的相貌，而是那“一股被压抑的生气”和“她身上太多的青春活力”。弗伦斯基敏锐地觉察到了这点。这魅力来源于8年同丈夫卡列宁官僚机械般的生活，内心被压抑已久的爱欲形诸于色。不言而喻，安娜不可抗拒的生命本能使其魅力任意流淌，挑动了弗伦斯基的心。
同时，突如其来的看道工意外惨死于车轮之下，安娜大惊失色，认为这与她有必然联系，不由道出了“不祥之兆”。这四个字令人毛骨悚然，但也暗示了她内心的情爱之欲和所谓的社会道德理性的人生天平已被打破，开始倾斜。但安娜是旧社会的贵族一手造就的，这让她也不得不“理性”地恪守旧社会的伦理道德。因此，爱欲一闪际于脑海时，安娜既感幸福，又深感可怖。她已用社会意识筑了一道高墙，竭力地控制着自己。
可知，当爱欲泛滥成灾，生命的本能便爆发出了不可抵挡之势。
二、舞会再遇
安娜与弗伦斯基再度在舞会上相逢。
这一次，激情的洪流瞬间击垮了安娜用理性苦心构筑的防线，因为那理智是如此的软 无力。
安娜在与弗伦斯基对舞时，第一次大胆地用含情脉脉的双眼传递着无限的风情之球。眼睛里闪动着抑制不住的激动，朱唇上浮现着难以掩饰的幸福。“安娜醉了，饮的是男人的倾慕之酒。”但在我眼里，她的陶醉不仅因弗伦斯基表现出的倾慕与敬重，更是由于安娜的一身情欲被弗伦斯基激活了。被弗伦斯基冷落的吉娣，一直都很敬重安娜，因为她认为安娜身上有一种“崇高的、她吉娣无法理解的复杂的、诗意的境界”，但她现在觉得安娜有一股“与众不同的、妖魔般的、格外迷人的力量”。安娜直到看见吉娣失望的脸庞时，才重回现实，感到既幸福，又内疚。于是理性重新规束自己。她提前回到了莫斯科，回到丈夫身边，以此平复跌宕不宁的心。
那境界，那力量，寥寥几笔，却让我看见了安娜完全挣脱了社会道德伦理的枷锁、不顾
一切地享受自己作为一个活生生的人的喜悦。只有那一刻，安娜不用像一个戴着面具的人活着。
三、归途重逢
归途中，安娜浮想联翩着舞会的种种美好，脑海里依然飘荡着弗伦斯基深情的眼睛。幸福的时刻让她与残酷的现实挣扎起来，就像她的情感与意识一样纠结。
“您的每一句话，您的一举一动，我都永远不会忘记，也无法忘记„„” 弗伦斯基执着地追在安娜身边并再一次热烈而真挚地表白。安娜的心震撼了。
她内心虽有热情之海澎湃万千，但仍口是心非：“求您，别说了，请同我一道忘记这次邂逅吧。”
心海泛滥，注定这场情缘再续。安娜终于不再拒绝，如饥似渴地享受着弗伦斯基的爱情。本以为会天长地久，不知如此盲目的爱情终会凋零。
岁月流逝，安娜终于在弗伦斯基的厌倦、上流社会的驱逐、自身对爱情的猜忌和对丈夫的负罪感中丢下了头。弗伦斯基，他是带给安娜幸福和真正爱情的天使，但也是他浅薄的爱情，令安娜的人生陷入了无限的苦痛，将她推入了地狱般纠结的生活。在他的爱情做不到对安娜专有时，安娜反抗旧社会的精神动力也日渐枯竭，她本已支离破碎的心在旧社会道德伦理这条四面楚歌的道路上彻底崩溃。
人性已被扭曲，再没有勇气追求正当的爱情。浅薄的爱情，让她失去了一切，被她赋予了罪恶感的爱情不能填补失落生活的空虚。
走向毁灭，成了必然的事实。
这个由上流社会一手造就、又由上流社会推向灭亡的安娜陨落了，陨落在一个吃人的旧社会里。敌对的意识和守护旧社会的观点，让像安娜一样的女性忍受着无尽的痛苦与折磨。
小说里还有的一条线索，就是列文。尽管最初他对爱情有像安娜同样的迷惘，他们都不愿与贵族同流合污，但是他未选择爱情，而是投身农民事业，种种经历，让他探索了生命的真谛。但是我的心里已容不下列文，执著地、只想让安娜的悲剧震撼我的心。一切深刻的体会都源于悲剧。因此，安娜的悲惨爱情也有着强烈的现实意义：自古妇女便是男人情欲的玩物，但当她们勇敢追求爱情与幸福的权利时，却要被冠上背离社会道德、法律和正义的罪名，驱逐她们，从而逼迫她们就范甚至置于死地。
香消玉殒的茶花女，早夭的林黛玉，卧轨的安娜„„多少想要逾越鸿沟的血性女子用鲜血把文学史染得血迹斑斑。
我厌恶托尔斯泰于作品中流露出的对安娜的鄙弃和几分嘲弄，我也自始自终不认为她是个不忠贞的妻子，事实上，我爱着安娜。情欲的确是使人堕落的最大力量，但一旦跨越了欲望，人的灵魂也就没有了意义。
“我若是战胜情欲
称得上伟大圣贤
但若是一败涂地
倒也得艳福不浅”
人人都向往柏拉图式纯洁无暇的爱情，以为它完美无缺，却不知非柏拉图式爱情本身就可悲而不可悲：“谢谢你满足了我的欲望，再见吧。”
“伸冤在我，我必报应”。卷题辞在我看来是最不经意但却是最珍贵的神来之笔。仅以此文讴歌安娜的悲剧，因为这痛苦震撼了我幼小的心灵，也因它唤醒了人世对“性”与“情”的审视和对爱情的重新理解。
一切折磨和痛苦才能换来思想的进步，智慧的源泉也始自一刻纠结而慧敏的心。
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