湖南长沙博物馆三国吴简导游词

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第一篇:湖南长沙博物馆三国吴简导游词

the exhibition of inscribed bamboo tablets of wu kingdom of the three kingdoms at changsha ladies and gentlemen, 长沙世界之窗: 浏阳河大桥东 湖南第一师范: 书院路妙高峰下 刘少奇故居: 宁乡花明楼镇

长沙海底世界: 浏阳河大桥东 岳麓公园: 河西岳麓山南郊公园: 新开铺79号

雷锋纪念馆:望城县雷锋镇烈士公园: 东风路1号 石燕湖旅游风景区:长沙县跳马乡

贾谊故居: 太平街19号开福寺:福寺路樱花温泉:机场大道距黄花机场1.5公里处

长沙世界之窗 长沙世界之窗文化旅游景区位于长沙市东北郊浏阳河畔,占地40万平方米,投资3亿

元人民币,是迄今为止湖南省最大的文化旅游项目之一,也是湖南省重要的精神文明建设基地。

长沙世界之窗由湖南广播电视发展中心,香港中旅集团,深圳华侨城实业发展股份有限公司共同投资兴

建。

长沙世界之窗将世界奇观、历史遗迹,古今名胜以及世界居民、民俗风情、世界歌舞艺术表演汇集于一

园,再现了一个美妙的世界!它是一座以人类文明史为主线,高层次、高享受、高品味的大花园;一座集世界风情精粹、形象逼真的全国一流的影视拍摄基地。它休现了自然与人文并重,历史、现实与幻想共存的精神,是集愉悦性、趣味性、刺激性与深刻的文化内涵完美结合的经典之作,同时也是我们奉献给每一位游客精心制作的精神文化产品。

长沙世界之窗在各景区的设计上,可谓是独出心裁而又各具魅力。欢乐谷欢愉狂烈,爱情谷甜蜜温馨、神秘谷神秘莫测、谐趣园幽默风趣、儿童乐园诱发童心、国际街热闹繁华......无处不引人入胜,无处不流连忘返。

长沙世界之窗的室内环境,民居陈饰、民俗风情、体育竞技、中外民间杂耍、歌舞、驯兽表演以定点表

演、流动表演、广场巡游等多种表演形式在游人面前。高科技的动感电影、水幕电影、激光音乐喷泉、探险漂流河和即将推出的三环过山车、太空滑车、荡龙船、卡丁车等游乐项目,更使您流连忘返。

长沙世界之窗汇五洲奇景,容四海风情。地址:长沙市浏阳河大桥东 乘车线路:

电话:(0731)4256731、4256737136路 火车站-袁家岭-世界之窗

邮编:410003 132路 新民路-湘江二桥-世界之窗

海底世界的嬉水乐园,给您一个娱乐、休闲、健身的胜地。这里有惊心动魄的高台水滑梯;驾筏擎浪的

漂流河;轻舟荡浪的环流河;汹涌澎湃的海浪地;椰林白沙滩;难攀登的奇峰;竞技展美的大游泳池;童话般的儿童戏水池;迷宫;摸鱼池。这里是儿童欢乐的天堂;青少年表现勇敢的刺激世界;中老年人健身休闲的最佳去处。园内还设有玩鱼街、美食广场;商场及儿童嬉沙池等,是都市人开阔眼界、休闲度假的文化旅游胜地。

地址:长沙市浏阳河大桥东 乘车路线:

电话:(0731)4256005、4256002136路 火车站-袁家岭-海底世界

传真:(0731)4122526 邮编:410003 132路 新民路-湘江二桥-海底世界

名人故里――韶山 韶山,一代伟人毛泽东同志的故乡,距长沙104公里。韶山凭借独特的政治优势,现已开发成为一个新兴的旅游城市。主要景区有毛泽东同志故居,主席曾在这里度过了17个春秋,故居内陈列着主席当年用过的物品。1993年中央电视台经念主席诞辰一百周年文艺晚会“人间正道是沧桑”正是在这里举行;滴水洞,1996年主席最后一次回到韶山,于6月17日-6月28日在滴水洞一号楼住了十一天,他在给江青一封信中谓这为“西方的一个山洞”。滴水洞景区地形为一峡谷,风景秀丽,山青水秀,北为虎歇坪,南为龙头山,一股清泉自山顶泻流而下,的确让人感汉风水不凡;铜像广场,为纪念主席百年诞辰而建,铜像高10.1米,重3.7吨,取自主席在开国大典上的形象,底座上有江泽民同志的亲笔题词。

烈士公园 该园建于1950年。园中央的烈士纪念塔高耸挺拔,雄伟壮观;塔内奠堂庄严肃穆,四周苍蓊翠柏,郁郁葱葱。园内建有各种楼台亭阁、湖园、水榭。湖南民俗村汇集我省土家族、苗族、侗族、瑶族、白族等少数民族的村寨景点,建筑精湛,景色迷人,风景奇特。

贾谊故居为湖南省省级文物保护单位,位于长沙市解放西路与太平街口交汇处。公元前177年至公元前174年,西汉著名政论家、思想家和文学家贾谊就住在这里,时任长沙王太傅。

地址:长沙市太平街19号 电话:(0731)2272799 爱晚亭 系清代建古亭,正面额悬朱色鎏金“爱晚亭”匾,系1952年毛泽东同志题。是岳麓山有名的景观区,也是重要的革命纪念地。毛泽东、蔡和森等年轻时代常来此进行革命活动。爱晚亭在海内外均负有盛誉。被誉为全国四大名亭之一。

岳麓书院是我国四大书院之首,又名千年学府,座落于岳麓山下,书院中轴线上依次为前门、赫曦台、大门、二门、讲堂和御书楼,北有半学斋、文庙、湘水校经堂、船山祠,南侧有学习斋、百泉轩、麓山寺碑亭等。书院建筑多为清代遗迹。

长沙黑麋峰森林公园 长沙黑麋峰森林公园位于望城县桥驿镇,距长沙市区仅19公里,以洞阳古刹而闻名,是长沙佛教四大名山之一,道家列入“三十六洞天福地”之中。公园方圆近41平方公里,风景秀美,气候宜人,是集旅游、避暑、疗养于一体和休闲旅游胜地。

旅游热线电话:8430038 订房热线:8430068 长沙三国吴简暨历年出土文物精品展1996年出土的长沙三国吴简,被誉为“世纪性”考古新发现。本展览被评为全国97年全国十大文物精品展。

火宫殿又名“乾元宫”,始建于清乾隆12年(公元1747年)距今已有250余年,是长沙乃至湖南的集民俗、宗教、饮食文化于一体的具有代表性的大众场所,火宫殿的风味小吃享誉三湘,毛泽东等伟人都曾到此品尝。

家 润 多 超 市 有 限 公 司

家润多朝阳店(营业面积22000平方米)已于2000年9月28日开业,位于阿波罗商业广场一楼车站店(营业面积6000平方米)于2000年12月开业。

家润多80%货品从生产厂家直接进货,并且每隔15天推出多种dm特价商品,真正低价。家润多拥有最先进的面包、熟食、水产、冷冻冷藏设备,有如工厂,绝对新鲜。家润多拥有20000多种商品,并且有休闲、银行等配套设施,让顾客一次来采足,尽兴消费。

公司站在战略发展高度,确立了五年内在全国部分地区设立15家分店,年营业额超50亿元的战略规划。朝阳店地址:长沙市人民路九号 车站店地址:长沙火车站阿波罗商业广场一楼

热线电话:0731-4157408 传真:0731-4157406 招商热线:0731-4137448 4138448(转)

开福寺

开福寺位于长沙城北新河凤嘴,离湘江二桥不远,邻近紫凤公园,占地面积约1.6万平米,建筑面积6300多米。殿宇巍峨,规模壮观,是我国佛教重点寺院之一,佛教禅宗之临济宗杨岐派著名寺院。历时已千余载。

五代时国时期,楚王马殷建楚国小朝廷,建都长沙。马氏父子沉湎于声色,其子马希范更是穷奢极侈,大兴土木,于城四区兴建宫院园林,城北则建会春园以为避暑地,建各种堂、殿、亭、池,疏浚碧湖,堆筑紫微山。马希范笃信佛教,乃于后唐天成二年(927),将会春园嘉宴的一部分施舍给沙门保宁,始建开福寺,一时寺院兴旺,住僧千余人。宋微宗时,潭州地方官席震,请著名禅师开福道宁主持,成为开福寺的中兴祖师。他的临济宗杨岐派禅法五传至日本人宋求法僧人法灯觉心(又称心地觉心)。觉心归国后,收门徒15人,后来都成为名僧,使临济宗禅法在日本广为传承,影响深远。

北宋末年,开福寺规模日渐扩大,寺内外成为风景区。有紫微山、碧浪湖、风嘴洲、木鱼岭、祓禊亭、嘉宴堂、回步桥、龙泉井、放生池、鸳鸯井、舍得塔、千僧锅、舍茶亭、清泰桥、白莲池、会春园等16景,现在有遗迹尚存。

现在的开福寺,临马路有山门,为五间七柱三门之牌楼式山门,雕塑精美。清嘉庆十一年(1806),书法家韩葑为山门书联:“紫微栖凤,碧浪潜龙。”光绪十七年(1891),江南福山镇总兵陈海鹏题“古开福寺”横额,一并泐石,门前有石象,石狮各一对,颇具特色。进山门至三圣殿前。为放生池,原碧浪湖之一角,一泓清池,碧波涟漪,池边垂柳丝丝。在中轴线上,佛殿三进,前为弥勒殿(三圣殿),面阔三间,进深三间,花岗石柱,木架单檐歇山顶,黄琉璃瓦,匾书“功德山高”。中进大雄宝殿,面阔进深俱三间,周回廊,石柱木架,单檐歇山顶,黄间绿琉璃瓦,翼角起翘,饰以龙凤,作凌空飞舞状。后为毗卢殿,为三开间硬山大殿,除明间两金柱用木外,俱为砖砌空斗墙,辟以拱门为廊,东西厢房为客堂、斋堂、摩尼所、方丈、藏经楼、禅堂、念佛堂等。

开福寺颇多佳联,广为传诵者是:“斋鱼敲落碧湖月,觉、觉、觉、先觉后觉、无非觉觉;清钟撞破麓峰云,空、空、空、空,色空相空,总是空空。”

天心阁

在长沙旧城东南隅,现今的城南路和天心路交会处,有一段呈弧形的旧城墙。到了这儿,抬头一望,便见雄伟的明代城垣上面,高客凌云,岩晓百尺。这就是作为长沙这座历史文化名城标志之一的天心阁。

现在的天心阁,重建于1983年,1984年12月落成,城垣高32米,阁高17.5,地势海拔60米,高出市区30余米,居高临下,俯瞰万家。主阁三层,两翼各有两层副阁,间以长廊,呈弧状布局,左右映带,如鸟张翼,浑然一体。黄瓦飞檐,翼角高翘,32副阁角悬挂着铁马铜铃,风摇铃响,悠扬清越。主阁前后台基均为花岗石栏杆,狮子望柱,各具神态,栏板雕以楚汉兵马战车,纯朴古拙。主阁东南向额“天心阁”,集清著名书法家黄自元字;西北向额“楚天一览”,为当代著名书法家舒同所写。阁西北前留有广庭,供人游憩摄影,庭之东西筑以拉弓山墙及腰门,两座腰门一方嵌“雄镇”、“壮观”,一方嵌“居高明”、“远眺望”。主阁下面的明代城垣、雉堞、炮洞都加以修葺,显示出古城嵯峨,阁楼高耸的壮观。登临远望,有“举头红日近,极目楚天舒”(阁联,赵家寰集句)之气派。清诗人李绍隽《秋日登天心阁远眺》云:“城南耸高阁,直与丹霄薄。插顶上天门,扪着星半落。我今一登临,极目真寥廓。物色卷横空,烟霞飞漠漠。湘水作带环,麓屏为扃钥。远浦送帆来,晴岚凝翠幔。雁字写长天,渔叟沿江泊。塔峰指顾间,万户倚楼脚。举目白云低,风动响铃铎。胜迹昭古今,纵笔摇山岳。”今日登临,当有同感,只是时代不同了,眼前展现的是新长沙雄伟壮观的四化宏图。

在主阁和城垣下的广庭中间,耸立着《太平军魂》群雕,高约6米,基座占地54平方米,选用四川优质“将军红”花岗岩制成,以太平军西王萧朝率军攻打长沙城的史实为题材,生动地再现太平军将士在天心阁下顽强攻城的情景。萧王飒爽英姿,战马昂首奋蹄,战士勇武有力。整个群雕展示了一曲农民革命的悲壮颂歌。天心阁、明城垣及其附近2.5公顷范围现辟为天心公园,闹市高处,凿池蓄水,堆土成山,亭台楼榭,布置有序,花木葱茏,芳草如茵,晨则可观云间日出,夕则可赏万家灯火,游人如强,人皆赞美。

天心阁创建年代约在清康、乾年间,原来不叫天心阁,而叫天星阁,楼址在今凤凰台的城垣上。它只是一卒东西向的单檐小阁,兴建的目的是“所以察灾”,“凡省中(指长沙市区)回禄(火灾)闻钟声叩报,到处咸知”,起一个火警楼的作用,所以它有一副这科的六联:“四面云山都入眼,万家烟火总关心。”现在天心阁的阁址上,原来是乾隆十一年巡抚杨锡绂新建的城南书院的文昌阁,当时亦为单檐小阁,规模略大于当时的天星阁,建阁的目的是“以倡文运”,求“文冶之祥也”。到了清乾隆四十二年,李汪度写《重修天心阁记》中说:“后乃额天心于文昌而省其一焉。”“省其一”是省了当时的天星阁,大概是天星阁已毁,不必再重修,而文昌阁易名天心阁,想是因书院乃儒学之林,“为孔孟传道,为天地立心”之帮。咸丰二年,太平军攻长沙,天心阁受创颇重。咸丰八年,大修城垣,加强防御。城垣扩大后,上建两阁,一前一后,前者为天心阁,后者为文昌阁,两阁并存。辛亥革命后,1914年长沙拆城墙,曹典球力主将天心阁及其一段城垣保留下来,1924年辟为公园,1938年文夕大火,阁楼全部焚毁,后盖一简易茶室,至1984年才彻底改观,“护文昌阁以为广庭,建两副阁以为衬托”,更加雄伟壮丽。

天心阁重建落成,许多名家为阁楼撰联书匾,增光不少。有叶圣陶书、曾光炎集句的“天高地迥,心旷神怡”;有夏承焘书,萧长迈、陶晋圭集句:“潇湘古阁,秦汉名城”;有曹瑛书、潘基句:“高阁出重霄,揽衡岳、抚湘流,纵几度沧桑,卷雨飞云终如人愿;古城多胜迹,缀珠玑添锦绣,系万家忧乐,鞠躬俯首毋愧天心”;有陶峙岳撰书的“萧王碧血,彭总英风,长留在三湘胜境;岳麓晴岚,天心朗月,好装点四化宏图”;有李锐撰书的“身在最高层,一鉴万家忧乐;心中无限事,常思百代兴亡”;异彩纷呈,意义深远。

岳麓山

岳麓山是长沙著名名胜区,是最佳游览胜地,自然景观、人文景观兼备,旧志上也说“诚一郡之大观也”。它位于长沙的湘江西岸,过了湘江一桥,就到了岳麓山风景区。它现在的景观中心离城市中心的五一广场也不过5公里,交通方便,可朝发夕返,既有临近城市之便,又有深山幽野之趣,进得山里,顿扫城市嚣扰,有超尘脱俗之感,如此景观,实为国内诸大城市所少有。

岳麓山又称麓山,或名灵麓。六朝时的《南岳记》说:“南岳周围八百里,回雁为首,岳麓为足。”“麓”,就是山足的意思。“岳麓”,就是南岳衡山之足,列为南岳72峰之尾。其实,就地质学而言,岳麓山与南岳毫不相干,属于长浏盆地西缘丘陵一部分。岳麓山范围约为31平方公里。现在游览的景观中心约8平方公里,南北长约4公里,东西宽约1.5-2.9公里。中部高峻,南北渐低;东坡平缓,西坡陡峻,海拔200米左右,最高峰为禹碑峰海拔300米左右。过云人们赞美岳麓山“高明广大,具岳之体”,就是因为它的周围有群山簇拥,诸峰对峙,山虽不高,却气势磅礴,有南岳之气魄,似南岳之缩影。天马、凤凰、玉屏诸山横秀于前;桃花、绿峨诸岭衬托于后;南列金牛、金盆,北陈云母、主峰,正如唐朝诗人刘禹锡描述的“群峰朝拱如骏奔”。山中古木参天,植被盖地,层峦叠翠,长岭含黛,形成长沙市的天然屏障,加之湘江北去,碧波粼粼,山光水色,相映成趣,所以又说岳麓山“碧障屏开,秀如琢玉”。山中景色,因时而异,变化万千。“乍晴则岩壑分明,欲雨则烟云郁”,四季各具的特色:春天,杜鹃红遍;夏天,浓荫匝地;秋天,层林尽染,冬天,乔木常青。如有瑞雪,则琼瑶满地,琉璃满枝,亭台楼阁,银装素裹;如登山夜眺,则万家灯火,影落湘江,群星灿烂,交相辉映。“岳麓之胜,甲于湘楚”,这一点也不夸张。

岳麓山不仅风景优美,而且遍地名胜古迹,留下古往今来诸多名人足迹。经过历代经营辟划,道观佛寺、精舍庐庵、碑碣石刻,装点名山,大有可观。及至近代,“青山有幸埋忠骨”许多烈士长眠于此,引人景仰。

1957年,岳麓山正式辟为公园,精心经营管理,一方面修复名胜,一方面规划开辟新景观,扩大游览容量。游客登山,有一条线路是从湘江一桥桥西步行约1公里,即可达岳麓公园北大门,此处有登山缆车直达尖峰,再步行数百米,到达长沙电视台的电视发射塔,可登塔一览麓山全景和城市远景,再沿山而下。目前,大多数的游客仍走另一条线路,即从城中乘车到湖南大学东方红广场,进岳麓公园大门,很快即可到达岳麓山景观中心,沿山而上,登至绝顶,再乘缆车下山。

现在,让我们从湖南大学东方红广场开始登山,前方有许多景观在等待我们:

爱晚亭

爱晚亭建在青枫峡小山阜上,面对青枫峡口。现在的亭为1952年重建,把原来单檐青瓦攒尖方亭,改为重檐琉璃碧瓦,金柱圆木朱漆藻井,四角檐柱为花岗石方柱。毛泽东应当时湖南大学校长李达之请,为亭题额,花岗石柱上仍刻罗典题亭联:“山径晚经舒,夭桃新种得;峡云深翠滴,一双驯鹤待笼来。”

爱晚亭,为清乾隆五十七年(1792年)岳麓山院山长罗典建,原名红叶亭,后湖广总督结沅以杜牧《山

行》诗“停车坐爱枫林晚,霜叶红于二月花”的意境,改为爱晚亭,使亭名更富诗意。这一改竟改出一段故事:说江南才子袁枚(随园)到了长沙,游了红叶亭,想拜见岳麓山院长罗典,而罗黄嫌其“少有德行”,拒之门外。袁枚临行抄录了杜牧的《山行》诗,故意将第三句写成“停车坐枫林”,托人送给罗典。罗典一看,袁枚竟少写了“爱晚”两字,思之再三,连说“惭愧、惭愧”,立即摘了红叶亭的匾额,挂上“爱晚亭”的匾额。这个故事纯属杜撰,只是表达了人们对于毕沅所改亭额的欣赏,竟有人以讹,当起真来。

原来爱晚亭中置《二南诗刻》。宣统三年(1911年)程颂万以罗典调鹤的逸事,书“放鹤”二字,又录张南轩(张)《青枫峡诗》及钱南园(钱澧)《九日岳麓诗》并刻于石。石呈方形,文刻四周。张 的《青枫峡诗》:“扶疏古木矗危梯,开始如今几摄提?还有石桥容客坐,仰看兰若与云齐。风生阴壑方鸣籁,日烈尘寰正望霓。从此上山君努力,瘦藤今日得同携。”钱澧的《九日岳麓诗》:“雨歇江平政亦闲,相寻故事一登山。红萸黄菊有深味,碧涧丹崖俱净颜。北海碑看落照里,南轩座接清风间。归欤且住穷幽兴,细数林鸦几队还。”现《二南诗刻》移存在爱晚亭西北侧之青枫亭内。

爱晚亭一带还留下了老一辈无产阶级革命家的足迹。林伯渠1906年曾游爱晚亭,写下一首诗:“到处枫林压酒痕,十分景色赛天荪。千山遍洒杜鹃血,一缕难招帝子魂。欲把神州回锦绣,频将泪洗乾坤。兰成亦有关河感,愁看江南老树村。”解放后,他又重游爱晚亭,写道:“重来不是旧山村,耳目一新爱晚亭。”青年时代的毛泽东在一师求学时,常和挚友蔡和森、张昆弟在爱晚亭读书研讨,“指点江山,激扬文字”,而且有时在山中露宿,进行风浴、雨浴,锻炼身体。1954年,他们的同学、老新民学会会员周世钊曾写《踏莎行.秋日游爱晚亭》,赞他们:“身在山中,心忧天下,凭栏熟计连朝夜。菜根为饭草作鞋,要将历史从头写。”

烈 士 墓 群

青山埋忠骨,松枫伴忠魂。岳麓山上,安息着许多辛亥革命前后以来为国捐躯的湘藉烈士,除黄兴、蔡锷墓外,都比较集中在爱晚亭以上,半山亭、麓山寺以北,黄兴墓以下。

蔡锷墓.蔡锷墓庐 蔡锷墓在麓山寺和白鹤泉的后上方,在黄兴墓的正下方,占地面积1620平方米,为岳麓山大型墓葬之一。墓地围有石墙,四周广种松柏,庄严肃穆,令人起敬。墓为圆形石墓,上竖方碑,通高9.1,碑的东向嵌有紫铜镌刻的碑文:“蔡公松坡上墓”。墓塔四周砌石栏,嵌有汉白玉石或青石栏板,镌刻有当时湖南、湖北、江西、贵州、广西、广东、热河、察哈尔等省省长兼督军所献铭文。

蔡锷(1882-1916)原名 寅,字松波,湖南邵阳人,13岁中秀才,15岁入时务学堂,深得梁启超器重,得梁教益甚多,积极参加南学会活动。1898年被选拔赴日学,因戊戌政变未能成行,后以梁启超荐入东京大同学校,习政治和商务。1900年,唐才常组织自力军,发动反清起义,蔡锷辍学回国相助。起义失败,唐才常罹难,蔡锷写下“前后谭唐殉公义,国民终古哭浏阳。湖湘人杰销沉未,敢谕吾辈尚足匡”的诗句,再次渡日深造,决心习军事以推翻帝制,并改名锷,以示投笔从戎之志,乃进成城学校、陆军士官学校习陆军。1904年学成回国,在江西、湖南任教练处帮办、教官。1905年登岳麓山,写下“苍苍云树直参天,万水千山拜眼前。环顾中原谁是主,从容骑马上峰巅”的诗句。1905年夏,任广西协统,后至云南。辛亥武昌起义,蔡锷立即响应,领导云南“重九起义”,被推为云南军政府都督。袁世凯窃国,调蔡至京委以高民,拉拢腐蚀。蔡不为所诱,逃出京都回云南,组织“护国军”,通电独立,发动讨袁,为粉碎袁氏“洪宪”皇帝迷梦作出了卓越贡献。蔡锷久患喉疾,转战中不及治疗,乃至恶化,1916年11月8日病逝于日本福冈,年仅34岁。蔡锷灵柩于1917年元旦运回长沙,4月12日国葬于岳麓山。

蔡锷墓庐在白鹤泉、麓山寺侧,为一三合院,陈列蔡锷生平事迹,有孙中山先生挽联:“平生慷慨班都护,万里间关马伏波。”

黄兴墓 黄兴墓们于岳麓山云麓峰北侧小月亮坪,沿云麓宫后东侧支路北行可直达墓前半圆坪,亦可由蔡锷墓上山。黄兴墓为岳麓山上最大的墓葬,占在面积1913.6平方米,在蔡锷墓正上方,地势高亢,视野开阔,雄风独占。由墓前的半圆坪登200余石级可达墓区,墓区四周以石柱、铁栏围护。墓上建有方形墓塔、墓碑,墓碑以整块花岗岩琢成四棱形,通高11米,昂然矗立,似利剑一柄直插云天,象征黄公的伟大。墓碑东向镶嵌紫铜墓碑,镌刻“黄公克强之墓”碑文。登岳麓山者无不到此瞻仰。

黄兴墓庐 黄兴墓右下0.5公里处有黄兴墓庐,为一曲尺形琉璃瓦楼房,依山临池,有围墙大门。门联:“血染黄花,魂归岳麓;名垂青史,首建中华”。墓庐设陈列室,门联曰:“一代勋名昭国史,千秋浩气壮名山。”厅内陈列黄兴生平事迹,墓庐陈列室侧有茶馆,可供游人休憩。

第二篇:湖南长沙博物馆三国吴简导游词

The Exhibition of Inscribed Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha

Ladies and gentlemen,Welcome to Changsha museum.We’ll be here to visit “The Exhibition of Inscribed Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha and The Years of Unearthed Most Valuable Cultural Relics”.I hope my explanation can satisfy you!

Now, we are in the first exhibition hall.Here, it adopts panoramic technique, and restores the site of unearthing Bamboo Tablets of Wu Kingdom.In 1996, during July to November, in the southeast of Wu Yi square, team up with ping He Tang Department.The exhumations were carried on by Changsha relics work teams.They unearth 61 archaic wells during the Warring States period and the Ming and Qing Dynasty, and found out 3000 kinds of relics, like copper, iron bamboo, wood, ceramics, and so on.To people’s astonishment, in the No.22 archaic well, they found lots of bamboo tablets and wooden slips.After confirming, they are the relics of Sun Wu in Three kingdoms 1700 years ago.These patches of relics would replenish the lacked historical materials of three kingdoms exactly.Our country once had four discoveries: The oracle bone inscription of Yin, bamboo tablets and wooden slips of Tunxu in northwest China, Cultural books of Dunhuang stone room, Files of Qing cabinet.Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha can be mentioned in the same breath with the four discoveries, and become the searching subject of international academia.Everybody!please look at the cross section reconstruction of the NO.22 archaic well.Its upper part of opening was damaged when it was excavating.This is an irregular circular shape vertical shaft;the bottom has a bag form likely.The opening of the well has a length 3.5 m from south to north, 3.1 m from east to west, and 5.6 m in depth.The opening is covered with pure red brown color clay, 1.5 m deeper of which is the bamboo tablets and wooden slips layer.The bamboo tablets and wooden slips layer is 50 cm thick in center and 20 cm thin on all sides, piled up with slope form.The ropes tied the bamboo tablets and wooden slips have become rotten, but we can see they were buried by bundles at that time.There are more than 10,000 pieces of bamboo tablets and wooden slips by the initial statistics.The second layer is the gray brown clay layer of 3.1 m thick, among them mix up with lots of bamboo wood scrapes, grass scrapes, leaves, fragmentary bricks, pottery and porcelain and so on.At the bottom of the well is another small well, which has square wooden frame.The four corners are nailed by a stick of spile inlayed with two wooden boards as the well wall.The circle of the well is 93 cm long, 58 cm tall.The function of this small well is probably for gathering the groundwater from all sides of the well, and then put forward to pour out with water pitcher and other tools in order to maintain the well space dry.This is the living photo taken by the time of excavating.Analyzing the structure and relics of the well NO.22, it is an ancient well for storing food.The climate of Changsha is so hot, wet and rainy that the food is easy to be rot, but the circumstance under the ground of 10 m depth is just like as a modern refrigerator.The archaeological discoveries approved that people had used this storing method from the time of Shang dynasty.You may ask that, why were the bamboo tablets of Wu Kingdom buried in the well? There are two statements.The first one considered that in the period of Three Kingdoms, there were so many wars, the suddenly burst-out war made people bury them here in a hurry.The other considered that to bury them in the well may be a way of dealing with the records in the past.Now please look at the photo.This is the photo of unearthing the No.22 well.We can see that the bamboo tablets and wooden slips were soaked in the mud.Why can they be kept intact for over 1700 years? One of the important reasons is that the ground water level in Changsha was very high, and the bamboo tablets and wooden slips were soaked in the water.Besides, they were buried deeply;they can be sealed up wall.With these, they can be kept intact for over 1700 years.Next, let's visit the second exhibition room.In this room we can get the detailed introduction of the bamboo tablets and wooden slips.Before we visit, I have a question to ask.Do you know whether the words on the bamboo tablets and wooden slips were written or carved on them? With the question, let's look at the photo of the pottery figurine.This pottery figurine was unearthed in a Western Jin tomb in Jinpenling in Changsha in 1950s.On the left of the photo there is a man handing a wooden slip and reading something, the man on the right who were holding a hair pencil in a hand and a wooden slip in the other was writing something.The pottery figurine shows us the condition of ancients writing on the bamboo tablets and wooden slips.Now, we can say, the word on the bamboo tablets and slips were written on them.Did you guess it?

To see another set of photos.This is a hair pencil unearthed from one of the tombs of the Warring State at Zuojiagong Mountain of Changsha in 1954.Its shaft is long and small but easy to be broken.On the side of it there is a bamboo pipe used for containing the pen when it is collected and preserved.This is an ink stone with little ink blocks near it.Here also remains a bronze chopping knife which is used for the calligrapher to make inscribed bamboo and wooden slips and correct writing mistakes.This is a set of photos of calligraphy tools discovered in No.168 Tomb in Jinan city of former capital of Chu State.In addition to this, there are 6 pieces of wooden slips without character.This is also the most complete and most typical set of Han Dynasty’s stationery ever seen up to now.Uniting our ancient people calculates the number of the inscribed bamboo tablets and wooden slips are not “slice”, but “jin”.It is recorded in history that the 1st emperor of Qin Dynasty did not have a rest until he finished reading over 120 jin of memorial to throne and inscribed bamboo and wooden slips.please notice the following brief tablet about information of the inscribed bamboo and wooden slips unearthed from all parts of the nation from this century.Among this, the column in red character is the number of the inscribed bamboo and wooden slips excavated from Changsha this time.The number this time has exceeded the total amount of that unearthed from all parts of the nation these years.Therefore, it is named as “the surprising wonder of the world”and “one of the most important archaeological discoveries of this century.”

It is well known that document history in the Three Kingdom period handed down is very rare.”The Annals of Three Kingdom”by Chenshou in Xijin has 65 volumes, among which there are 30 volumes of Wei Book, 15 volumes of Shu Book, 20 volumes of Wu Book with total of more than 1 million characters.Over the years, the unearthed inscribed bamboo slips and wooden tablets in nationwide archaeology is also rarely seen and only exist tens of pieces in Anhui, Jiangxi and Hubei.But nowadays in Changsha, the total number of the excavation of the inscribed bamboo from Wu State in Three Kingdom period reaches 10 thousand pieces for just one time and the total wordage reaches more than 3 million if counted with 20 words in each piece.These character materials greatly surpass the total wordage in that of the “Annals of Three Kingdom”, which offers abundant material for the study of social economy, political system, inscribed bamboo and volume system, history and geography and also fill the vacancy of historic works.We can forecast that the discovery of inscribed bamboo slips from Wu State in Changsha will surely influence many aspects of the Chinese historic study and anew examining and verifying the past final conclusion.Well, let us have a look at this map.Though the series archaeological excavation around the “Wuyi square ”by our archaeological workers, we have preliminarily defined the region of the ancient Changsha.It extends northward to “Lao Zhaobi ”, southward to “pozi Street”, eastward to “Cai’e Road”and westward to “Shanghe Street”which shaped rectangle.And the center of Changsha is today’s “Wuyi Square, which, we can say, hasn’t changed basically nearly 3000years.The unearthed inscribed bamboo slips and wooden tablets for this time, if according to their shape, they can be distributed to big and small inscribed bamboo slips, wooden tablets and so on;if according to their use, they can be distributed to five kinds:

The first kind is document.It can be subdivided into two parts.One is the land rent document with 0.5m long, 2.5cm wide and 100 to 200 Chinese characters on.The other is the official document which recorded the distribution and exchanging of money, crops, and goods among different governmental setups.please look at this smaller slice.It is a classified label.It shows us a monthly report recorded by two officials named Huang Wei and pan lv in the first year of Jia He period.Second, about judicature, which recorded some detail contents and economic cases, such as the trying, appealing and reexamining? What's on this wooden tablet is an individual case about a Du You.Du You is a kind of government official.He was sentenced to death for his corruptness of salt, but he was not convinced and appealed to a high court.However, the reexamining did not make the judge change.So he had nothing to do but accept.The third kind is directory, somewhat like the household and registered books today.Let's look at this slice.Here the Chinese character “Rong Li”was a name of some place in Changsha.This whole sentence means there is a man named He Qin, 55 years old, lived in Rong Li.His dukedom is Gong Cheng.And here “Suan Yi” means can be counted as one of a taxpayer;“ Xing Liang Zu” refers to whose legs had been cut off.The directory served as a registered permanent resident, which put down people's name, age, position and something we can't find in our registered permanent resident---physical condition.The fourth one is calling card.It mainly referred to paying respect, giving gift and administrative affairs, as visiting cards we use today.The last kind is the wooden tablet on account which recorded the managing account of departments belongs to Changsha government.please look at these historical relics again.This blue and green porcelain in the Three Kingdoms and Tow Jin Dynasties were discovered in ZouMalou ancient well.Look, their glazed colors is sparking and crystal-clear, the decorate are simple and element.The second among them is called “Chichen-Head potting”, the potting is coronal form, guides the neck and proceeded high, and the modeling of it is very beautiful.These potting were very popular in Jin Dynasty.They were used as pitcher and chalice.Everybody has seen many photos, has listened to so much explanation, now we come to see the original of the bamboo slips, wooden tablets or slips for writing.Now, you see in the pyramid shape exhibition cupboard, it is a bamboo slips and wooden tablets or slips original that explored in Zoumalou in the ancient well of the building this time.The bamboo slips and wooden tablets or slips are the material that the ancient remains of our country come down to write.Among them the narrow and long bamboo, the wood chips are called “Jian”, the generous wood chips called “Du”.You must distinguish one from the other, not wood make are named “Du”, what bamboo make named “Jian”.Jian has the wooden one, too.Ok, the right side of I there set some inscribed wooden tablets, the middle are heavy inscribed wooden slips.In the left, they are bamboo slips that pressed under the transparent glass.The characters on the bamboo slips and wooden tablets or slips are simple and clear.It's easily can be distinguished.The script is the transition from Lishu to Regular script.These kinds of inscribed wooden slips and inscribed wooden tablets are made in shirt woods.The quality of these trees is pre-pressing.It is intact to keep.The raw materials of inscribed bamboo slips is bamboo whose quality is loose, apt and crooked and out of shape, so it in displaying and need press when exhibiting.The ancients have several procedures to make the bamboo slips.First, they cut the bamboo into bamboo slips, and then burnished them in order to make them smooth, these smooth slips called “Jian”.But people could not write on the wet bamboo slips.Then, they roasted dry the wet bamboo slips.While roasting, there was some water steaming out.The water looked like sweet, so people called those “Sweet Qing”or “Sha Qing”.The “Guo Ling Ding Yang”of Wen Tianxiang said that “Since ancient times, who has no death? Remaining sincere heart to finish ‘Sweet Qing’.Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha has very strong historical value, article value and scientific value, so the provincial leaders, city leaders and related experts decided to set up an exhibition of bamboo tablets and wooden slips.

第三篇:湖南长沙博物馆三国吴简英文导游词

The Exhibition of Inscribed Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha Ladies and gentlemen,Welcome to Changsha museum.Well be here to visit “The Exhibition of Inscribed Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha and The Years of Unearthed Most Valuable Cultural Relics”.I hope my explanation can satisfy you!

Now, we are in the first exhibition hall.Here, it adopts panoramic technique, and restores the site of unearthing Bamboo Tablets of Wu Kingdom.In 1996, during July to November, in the southeast of Wu Yi square, team up with ping He Tang Department.The exhumations were carried on by Changsha relics work teams.They unearth 61 archaic wells during the

Warring States period and the Ming and Qing Dynasty, and found out 3000 kinds of relics, like copper, iron bamboo, wood, ceramics, and so on.To people’s astonishment, in the No.22 archaic well, they found lots of bamboo tablets and wooden

slips.After confirming, they are the relics of Sun Wu in Three kingdoms 1700 years ago.These patches of relics would replenish the lacked historical materials of three kingdoms exactly.Our country once had four discoveries: The oracle bone inscription of Yin, bamboo tablets and wooden slips of Tunxu in northwest China, Cultural books of Dunhuang stone room, Files of Qing cabinet.Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha can be mentioned in the same breath with the four discoveries, and become the searching subject of international academia.Everybody!please look at the cross section reconstruction of the NO.22 archaic well.Its upper part of opening was damaged when it was excavating.This is an irregular circular shape vertical shaft;the bottom has a bag form likely.The opening of the well has a length 3.5 m from south to north, 3.1 m from east to west, and 5.6 m in depth.The opening is covered with pure red brown color clay, 1.5 m deeper of which is the bamboo tablets and wooden slips layer.The bamboo tablets and wooden slips layer is 50 cm thick in center and 20 cm thin on all sides, piled up with slope form.The ropes tied the bamboo tablets and wooden slips have become rotten, but we can see they were buried by bundles at that time.There are more than 10,000 pieces of bamboo tablets and wooden slips by the initial statistics.The second layer is the gray brown clay layer of 3.1 m thick, among them mix up

with lots of bamboo wood scrapes, grass scrapes, leaves, fragmentary bricks, pottery and porcelain and so on.At the bottom of the well is another small well, which has square wooden frame.The four corners are nailed by a stick of spile inlayed with two wooden boards as the well wall.The circle of the well is 93 cm long, 58 cm tall.The function of this small well is probably for gathering the groundwater from all sides of the well, andthen put forward to pour out with water pitcher and other tools in order to maintain the well space dry.This is the living photo taken by the time of excavating.Analyzing the structure and relics of the well NO.22, it is an ancient well for storing food.The climate of Changsha is so hot, wet and rainy that the food is easy to be rot, but the circumstance under the ground of 10 m depth is just like as a modern refrigerator.The archaeological discoveries approved that people had used this storing method from the time of Shang dynasty.You may ask that, why were the bamboo tablets of Wu Kingdom buried in the well? There are two statements.The first one considered that in the period of Three Kingdoms, there were so many wars, the suddenly burst-out war made people bury them here in a hurry.The other considered that to bury them in the well may be a way of dealing with the records in the past.Now please look at the photo.This is the photo of unearthing the No.22 well.We can see that the bamboo tablets and wooden slips were soaked in the mud.Why can they be kept intact for over 1700 years? One of the important reasons is that the ground water level in Changsha was very high, and the bamboo tablets and wooden slips were soaked in the water.Besides, they were buried deeply;they can be sealed up wall.With these, they can be kept intact for over 1700 years.Next, let’s visit the second exhibition room.In this room we can get the detailed introduction of the bamboo tablets and wooden slips.Before we visit, I have a question to ask.Do you know whether the words on the bamboo tablets and wooden slips were written or carved on them? With the question, let’s look at the photo of the pottery figurine.This pottery figurine was unearthed in a Western Jin tomb in Jinpenling in Changsha in 1950s.On the left of the photo there is a man handing a wooden slip and reading something, the man on the right who were holding a hair pencil in a hand and a wooden slip in the other was writing something.The pottery figurine shows us the condition of ancients writing on the bamboo tablets and wooden slips.Now, we can say, the word on the bamboo tablets and slips were written on them.Did you guess it?

To see another set of photos.This is a hair pencil unearthed from one of the tombs of the Warring State at Zuojiagong Mountain of Changsha in 1954.Its shaft is long and small but easy to be broken.On the side of it there is a bamboo pipe used for containing the pen when it is collected and preserved.This is an ink stone with little ink blocks near it.Here also remains a bronze chopping knife which is used for the calligrapher to make inscribed bamboo and wooden slips and correct writing mistakes.This is a set of photos of calligraphy tools discovered in No.168 Tomb in Jinan city of former capital of Chu State.In addition to this, there are 6 pieces of wooden slips without character.This is also the most complete and most typical set of Han Dynasty’s stationery ever seen up to now.Uniting our ancient people calculates the number of the inscribed bamboo tablets and wooden slips are not “slice”, but “jin”.It is recorded in history that the 1st emperor of Qin Dynasty did not have a rest until he finished reading over 120 jin of memorial to throne and inscribed bamboo and wooden slips.please notice the following brief tablet about information of the inscribed bamboo and wooden slips unearthed from all parts of the nation from this century.Among this, the column in red character is the number of the inscribed bamboo and wooden slips excavated from Changsha this time.The number this time has exceeded the total amount of that unearthed from all parts of the nation these years.Therefore, it is named as “the surprising wonder of the world”and “one of the most important archaeological discoveries of this century.”

It is well known that document history in the Three Kingdom period handed down is very rare.”The Annals of Three Kingdom”by Chenshou in Xijin has 65 volumes, among which there are 30 volumes of Wei Book, 15 volumes of Shu Book, 20 volumes of Wu Book with total of more than 1 million characters.Over the years, the unearthed inscribed bamboo slips and wooden tablets in nationwide archaeology is also rarely seen and only exist tens of pieces in Anhui, Jiangxi and Hubei.But nowadays in Changsha, the total number of the excavation of the inscribed bamboo from Wu State in Three Kingdom period reaches 10 thousand pieces for just one time and the total wordage reaches more than 3 million if counted with 20 words in each piece.These character materials greatly surpass the total wordage in that of the “Annals of Three Kingdom”, which offers abundant material for the study of social economy, political system, inscribed bamboo and volume system, history and geography and also fill the vacancy of historic works.We can forecast that the discovery of inscribed bamboo slips from Wu State in Changsha will surely influence many aspects of the Chinese historic study and anew examining and verifying the past final conclusion.Well, let us have a look at this map.Though the series archaeological excavation around the “Wuyi square ”by our archaeological workers, we have preliminarily defined the region of the ancient Changsha.It extends northward to “Lao Zhaobi ”, southward to “pozi Street”, eastward to “Cai’e Road”and westward to “Shanghe Street”which shaped rectangle.And the center of Changsha is today’s “Wuyi Square, which, we can say, hasn’t changed basically nearly 3000years.The unearthed inscribed bamboo slips and wooden tablets for this time, if according to their shape, they can be distributed to big and small inscribed bamboo slips, wooden tablets and so on;if according to their use, they can be distributed to five kinds:

The first kind is document.It can be subdivided into two parts.One is the land rent document with 0.5m long, 2.5cm wide and 100 to 200 Chinese characters on.The other is the official document which recorded the distribution and exchanging of money, crops, and goods among different governmental setups.please look at this smaller slice.It is a classified label.It shows us a monthly report recorded by two officials named Huang Wei and pan lv in the first year of Jia He period.Second, about judicature, which recorded some detail contents and economic cases, such as the trying, appealing and reexamining? What’s on this wooden tablet is an individual case about a Du You.Du You is a kind of government official.He was sentenced to death for his corruptness of salt, but he was not convinced and appealed to a high court.However, the reexamining did not make the judge change.So he had nothing to do but accept.The third kind is directory, somewhat like the household and registered books today.Let’s look at this slice.Here the Chinese character “Rong Li”was a name of some place in Changsha.This whole sentence means there is a man named He Qin, 55 years old, lived in Rong Li.His dukedom is Gong Cheng.And here “Suan Yi” means can be counted as one of a taxpayer;“ Xing Liang Zu” refers to whose legs had been cut off.The directory served as a registered permanent resident, which put down people’s name, age, position and something we can’t find in our registered permanent resident---physical condition.The fourth one is calling card.It mainly referred to paying respect, giving gift and administrative affairs, as visiting cards we use today.The last kind is the wooden tablet on account which recorded the managing account of departments belongs to Changsha government.please look at these historical relics again.This blue and green porcelain in the Three Kingdoms and Tow Jin Dynasties were discovered in ZouMalou ancient well.Look, their glazed colors is sparking and crystal-clear, the decorate are simple and element.The second among them is called “Chichen-Head potting”, the potting is coronal form, guides the neck and proceeded high, and the modeling of it is very beautiful.These potting were very popular in Jin Dynasty.They were used as pitcher and chalice.Everybody has seen many photos, has listened to so much explanation, now we come to see the original of the bamboo slips, wooden tablets or slips for writing.Now, you see in the pyramid shape exhibition cupboard, it is a bamboo slips and wooden tablets or slips original that explored in Zoumalou in the ancient well of the building this time.The bamboo slips and wooden tablets or slips are the material that the ancient remains of our country come down to write.Among them the narrow and long bamboo, the wood chips are called “Jian”, the generous wood chips called “Du”.You must distinguish one from the other, not wood make are named “Du”, what bamboo make named “Jian”.Jian has the wooden one, too.Ok, the right side of I there set some inscribed wooden tablets, the middle are heavy inscribed wooden slips.In the left, they are bamboo slips that pressed under the transparent glass.The characters on the bamboo slips and wooden tablets or slips are simple and clear.It’s easily can be distinguished.The script is the transition from Lishu to Regular script.These kinds of inscribed wooden slips and inscribed wooden tablets are made in shirt woods.The quality of these trees is pre-pressing.It is intact to keep.The raw materials of inscribed bamboo slips is bamboo whose quality is loose, apt and crooked and out of shape, so it in displaying and need press when exhibiting.The ancients have several procedures to make the bamboo slips.First, they cut the bamboo into bamboo slips, and then burnished them in order to make them smooth, these smooth slips called “Jian”.But people could not write on the wet bamboo slips.Then, they roasted dry the wet bamboo slips.While roasting, there was some water steaming out.The water looked like sweet, so people called those “Sweet Qing”or “Sha Qing”.The “Guo Ling Ding Yang”of Wen Tianxiang said that “Since ancient times, who has no death? Remaining sincere heart to finish ‘Sweet Qing’.Bamboo Tablets of Wu Kingdom of the Three Kingdoms at Changsha has very strong historical value, article value and scientific value, so the provincial leaders, city leaders and related experts decided to set up an exhibition of bamboo tablets and wooden slips.

第四篇:长沙博物馆导游词

湖南省博物馆

各位游客:

大家好!欢迎来到湖南省博物馆。我们将在这里参观马王堆汉墓出土的三千余件珍贵文物和一具保存完整的汉代女尸。它们都是中华民族的历史瑰宝,对于研究西汉初期的政治、经济、文化、军事和科学等都具有重大的价值,被学者誉为“世界奇观,中华伟绩”。

马王堆汉墓位于长沙市东郊。原来这里有两个土冢,相传是五代,就是公元907?960年时楚王马殷的墓地,所以名叫“马王堆”。1972年初到1974年初,我国文物考古工作者相继对它们进行了科学发掘,发现地下有一、二、三号三座墓葬。根据二号墓中出土的“长沙丞相”、“软侯之印”(均为龟纽铜印)和“利苍”(玉印)三颗印章,证明这里是汉初诸侯长沙国的丞相??软侯利苍及其家族的墓地。据记载,利苍死于吕后二年,即公元前186年;三号墓墓主是利苍的儿子,死于公元前168年;一号墓墓主是利苍的妻子,根据出土印章,死者名辛追。从地层关系以及随葬物等情况分析,一号墓略晚于三号墓,故辛追约死于公元前2世纪60年代。一号墓保存最完好,这里陈列的文物大都出土于一号墓。下面我大致按陈列的次序为大家讲解。

钱币这里出土的钱币,基本上都是“明器”,即神明之器,是专为陪葬制作的。因此,它只具有象征性意义,而无实用价值。它的种类主要有“郢称”和“半两”。“郢称”是楚国通行的货币,一直沿用到汉初;“半两”多属于汉文帝时期的四铢半两。

木俑这是木俑。一号墓出土162件,三号墓出土104件。计有侍俑、乐俑、杂役俑等。这些木俑,无疑是软侯家奴婢的替身,反映了软侯家役使着众多的奴婢,过着剥削寄生生活的情况。这批木俑在制作上大量采用了半肉雕技法,造型生动,形态逼真,显示出当时雕刻工艺的高超。

乐器下面请大家参观出土的乐器。一号墓中出土有完整的25弦的瑟,22管的竽和12支竽律管。三号墓除了出土的瑟、竽之外,还出土了七弦瑟和竹笛等。下面我重点介绍一下竽和竽律两种乐器。一号墓出土的竽用竹木制成。由竽斗、竽嘴和22根竽管所组成。竿斗和竽嘴用木制;竽管由刮去表皮的竹管做成,长短不一,分两排插在竽斗内,并用多道篾箍固定。它是专为死者制作的明器。各位游客请看,与竽同出土的还有竽律一套,共12管,用竹管制成。均装在一个用乘云绣和黄绢缝制的长方形竽律袋内,每管一个小袋。各管均中空无底,律管下部书有十二律吕的名称。它也是明器。竽律在古代文献中没发现有记载。它的发掘,使我们首次看到了古代竽律的形制,是很有意义的。朋友们再请看,三号墓中也出土有一件竽,是实用器。它尚有四种折叠管,共23支。每支管上有出气孔和按孔,管内有簧片,簧片上还有银白色的“点簧”,以控制音高。这是世界管乐器中使用簧片最早的实物之 一,为我国古代音乐史的研究提供了可靠的史料。竽的出土,使我们很自然地想起了历史上有名的“南郭处士吹竽”的故事和由此而形成的“滥竽充数”著名成语。

博具这里展示的是一套博具。博具是一种娱乐用具,它是我国目前发现的惟一一件汉代完整的博具。博戏在汉代是十分受人喜爱的一种娱乐活动,但自晋代以后逐渐衰落并开始演变,到唐宋时由象棋取代。兵器这里陈列的是兵器。三号墓出土的兵器有38件。包括弓、弩、箭、剑等。弩,它利用了杠杆的原理,使箭射得更远、更准;加上铜廓,更为坚固,成了名副其实的“强弓劲弩”。

农副畜产品各位朋友都知道,中国是一个农业大国。而远在两千一百多年前的西汉长沙国就已经有了较发达的农副畜牧业。下面请看,出土的大量产品有稻、小麦、大麦、麻籽、菜籽、枣、梨、杨梅、鹿、黄牛、山羊、绵羊、鲤鱼、鲫鱼、鸡蛋等等。其中稻谷有籼、粳、黏、糯四大品种,对于研究我国古代稻谷品种和类型的演变发展,是不可多得的资料。

漆器请看,这么多漂亮的漆器,简直是太美了。数量很多,一号墓出土184件,三号墓出土316件,二号墓的漆器多已破损。器形有鼎、钟、方壶、圆壶、厘、耳杯、几、勺等。其胎质多为木胎,也有竹胎和麻布胎。纹饰有漆绘、粉彩和锥画多种,线条流畅,色彩绚丽,有的还记有容量。请看,这是

一件云纹漆鼎,在一号墓出土时,考古人员发现漆鼎中的水面上漂浮着一层莲藕片。挖掘时 满片因遇空气加上在起取过程中不可避免地荡动,藕片已全部溶解于水中了。地质工作者认为:这一现象说明二千一百年以来,长沙地区没有发生过大的地震。否则,藕片会被震荡,早已沉于水中了。在这里陈列的很多盛食器具中,您可以看到吉祥颂语,如“君幸酒”、“君幸食”等,意思是请您喝酒,请您享用美食。各位游客,至此我们看完了一展厅的周围部分,现在请大家进入中心处的内厅。

丝织品一、三号墓出土的丝织品,名目繁多。服饰有丝绵袍11件、夹袍1件、素纱禅(单)衣l件,以及裳(裙子)、手套、纱帽、鞋、袜等40余件;还有整幅的丝织物63件,品种有绢、绮、罗、纱、锦、绣等。起绒锦是我国目前发现最早的起绒织物,说明当时已经掌握了复杂的提花技术。它的发现,把我国起绒技术的创始时间,至少提早了数百年。大家看到的这件素纱禅衣的确是一件令人惊叹的稀世珍品。它身长128厘米,两袖通长190厘米,其重量包括厚实的衣领和袖口锦边在内,还不到现在的1两,仅49克。真是“薄如蝉翼”、“轻若烟雾”。它是目前世界上现存年代最早、保存最完好、制作工艺最精和最轻薄的一件丝绸衣服。可见当时的纺织技术已达到了相当高的水平。

帛书请大家往前看:三号墓中出土的十多万字的帛书,是我国历史上极为罕见的重要发现。这批帛书,为研究我国古代历史、哲学思想、科学技术等提供了极其丰富的新的资料。帛书中有《老子》甲、乙两种抄本,甲本卷后、乙本卷前各有古佚书四种;还有新的春秋战国史料《春秋事语》、《战国纵横家书》,以及《五星占》、《相马经》、《医书》数篇,共计20多种。《五星占》记载了秦始皇元年至汉文帝三年共七十年间木星、土星、金星在天空运行的位置,其中的数据资料与现在的计算数据十分接近,反映了当时我国天文学已达到了很高的水平。

帛书中有三幅地图。一幅是汉朝诸侯长沙国南部地形图。主区的范围相当于现在广西全州、灌阳一线以东,湖南新田、广东连州市一线以西,北起新田、全州一带,南界直达广东珠江口外的南海。所示的河流流向和弯曲轮廓、山脉走向、城镇方位与实际情况基本相符。第二幅为汉代诸侯长沙国南境驻军图。图中标有部队名称及驻地、工事、烽火台等军事情况。第三幅是一个县城的平面图。这些地图的出土,证明早在二千一百多年前的汉初,我国的地理科学已经达到了惊人的水平,它给我国地图学史增添了宝贵的一页。帛画请大家注意,这里是两张覆盖在一、三号墓内棺上的彩绘帛画,内容大致相似。帛画呈“T”形,画面从上至下画的是天上、人间和地下的景象。上部画有日、月、星、扶桑树、天神及天国守门神等;中部画的是墓主人出行及祭祀的场面;下部画有一巨人站在两条鳌鱼背上,托举着大地。画中神话与现实和谐地交织在一起,构思、布局精妙有致。就其绘画艺术而言,帛画堪称古代艺术品中的杰作。从帛画的形制、内容及摆放位置等情况来看,它应属于丧葬礼俗中“铭旌”一类的旗幡,用以“引魂升天”。三号墓棺室的东、西两壁悬挂有两张长方形帛画。西壁的帛画画面上有百余人,数百匹马和数十乘车。从其内容、布局分析,表现的是墓主人登临高坛检阅出征部队场面。因此这幅帛画可以叫做“出征图”。东壁的帛画由于残破过甚,已分辨不清楚,估计是墓主人生前奢侈豪华生活的写照。

朋友们!至此,第一展厅的陈列已全部观看完毕。那么两千一百多年前的汉代女尸和棺木是什么样子呢?下面请跟我到地下室,也就是第二展厅去参观。

女尸长沙马王堆汉墓中最引人注意的是,首次发现了一具保存了两千一百多年的女尸。今天,我们就来认识认识她吧。她是谁呢?她就是一号墓中汉初诸侯长沙国丞相软侯利苍的妻子辛追。在出土时,此人身高154厘米,保存体重34.3公斤。体形完整,全身润泽,皮肤覆盖完好,大部分毛发尚存,部分关节可以弯动,软组织尚有弹性。1972年底,对尸体进行了解剖,并进行了解剖学、组织学、病理学、化学等多种学科的研究。经过多方面观察研究分析,死者生前患有全身性动脉粥样硬化症、冠心病、胆石症等多种疾病。在其食管、胃肠道内共发现甜瓜子138粒半,表明患者是在吃了甜瓜之后不久死去的。经过综合分析研究,死者由于胆绞痛的急性发作,反射性地引起冠状动脉痉挛,导致心肌缺血造成猝死的可能性最大。对于古尸能保存完好的原因,也作了多方面的探讨,认为辛追死后

进行了“浴尸”,用约二十层衣衾严密包裹,及时人殓封棺后,逐渐形成了缺氧条件,这有助于延缓尸体的腐烂。入土后由于深埋20.5米、密封,共有四层棺套、棺外有椁,椁的上下四周用密闭性能好的白膏泥封闭,再加上隔绝了氧气的来源和光的照射,保持着相对的恒温和恒湿,并由于椁室中大批随葬物的腐败而产生沼气,细菌相继死亡,于是腐败过程趋向停止,加上长沙没有发生过破坏性地震,保持了墓室的密闭性能。内棺中的80升茶褐色棺液为弱酸性,具有轻度的抑菌和杀菌作用,对蛋白水解酶有较强的抑酶作用。这些都是使这具古尸能够保存下来的因素.这具女尸是一具特殊类型的尸体。它是防腐学上的奇迹,反映了汉初人们所掌握的防腐的丰富经验以及防腐学所达到的高度水平。棺木这是一号墓中的三具棺木,均系梓属类楸木制成。锦饰内棺是存放女尸的。由于汉代还没有使用棺钉,故在棺木的两端用束帛加以捆扎。朱地彩绘的头挡绘有双龙穿壁,足挡绘有两鹿登山峰。这个棺内外均涂朱红漆,又画龙、虎、鹿等古代长寿和吉祥的动物,意为表示吉祥。黑地彩绘棺用彩漆描绘了古人想象中流云漫卷的天空,在流云之中还穿插着一百一十多个神怪和奇禽异兽。棺椁请大家跟我到第三展厅看看马王堆一、三号墓的木椁。马王堆二号墓由于早年被盗,已坍塌腐烂,仅剩残木。数以千计的随葬品就放置在木椁的四个边箱之内。整个木椁结构平整严密,没有一根金属嵌钉,全是用扣接、套榫结合成的,说明当时的工艺水平是非常高的。

马王堆汉墓的棺椁埋得很深,四周上下还有大量的填塞物,依次为:木炭、白膏泥、夯土层、白膏泥、封土等五层。其中木炭每墓有一万多斤,填塞在木椁的四周,主要用于防潮。在木炭的外面是厚度达一米多的 白膏泥。白膏泥是用来塑造瓷器的瓷土,即不太纯净的高岭土,它黏性强,可塑性好,渗透性极低,是很好的防渗漏材料。白膏泥以上的填土又都被夯整夯实。这就造成了一个完全密封的环境。起到了隔氧、隔光、隔潮和相对恒湿的作用。加上长沙地壳稳定,使墓中的文物和女尸能完整地保存下来,得以在今天重现于世。马王堆汉墓出土文物就介绍到这里,谢谢大家的合作!

第五篇:湖南、长沙导游词

芙蓉国里尽朝晖——湖南概况

【讲解重点】湖南素有“芙蓉国”的美誉,悠久的历史、个性鲜明的文化、杰出的三湘才俊、优美的自然风光和富饶的方物特产赋予了这里丰富而独具魅力的旅游资源,是名副其实的旅游资源大省。

【经典导游词】各位朋友: 大家好!欢迎来湖南观光旅游!“我欲因之梦寥廓,芙蓉国里尽朝晖。”湖南是伟人毛泽东的故乡。这里山水秀绝、历史悠久、文化深厚,可谓是物华天宝、人杰地灵。

湖南位于长江中游南岸,因地处我国第二大淡水湖洞庭湖之南,故名“湖南”。而历史上最早在行政划分上出现“湖南”之名始于唐朝广德二年(在湖南设“湖南观察使”),即公元764年。湖南北临湖北,南连两广,东毗江西,西接渝、贵,在我国区位上有着承东启西的重要战略地位。全省总面积21万多平方公里,人口6700多万,全国56个民族都有居民在这里生活,共辖1个自治州,13个地级市。

湖南简称为“湘”,人们常用“三湘四水”来表示湖南全境,“芙蓉国”也是湖南的美称。“湘”,因湖南的母亲河湘江而得名。“三湘四水”的“三湘”是说,湘水在发源地与漓水合流称“漓湘”,中游与潇水合流称“潇湘”,下游与蒸水合流称“蒸湘”,总名“三湘”。“四水”是指贯通湖南全境的四大水系:湘江、资江、沅江、澧水。所以“三湘四水”即指湖南全境了。湖南有“芙蓉国”这一美称,是因为三湘大地自古就有种植水芙蓉(莲花)和木芙蓉(木莲)的传统。唐朝诗人谭用之在《秋宿湘江遇雨》诗中曾写道:“秋风万里芙蓉国,暮雨千家薜荔村。”当然,毛泽东同志在《七律•答友人》中的那句“我欲因之梦寥廓,芙蓉国里尽朝晖”更使得它名扬天下。

湖南地形如朝北开口的马蹄形,东、西、南三面环山,唯有北面向洞庭湖敞开。这一地势特点,注定湖南的江河并非“大江东去”,而是“湘江北去”,注入了八百里洞庭湖。大家走进湖南,是很难看到一马平川的景象的,丘陵水洼、高山大湖形成了主体,犹如给湖南大地穿上了一件曲折起伏、俯仰有致的外衣。在这外衣之下,又蕴藏着十分丰富的矿产资源。湖南目已发现的矿物有111种,已探明储量的有83种。在有色金属矿中,锑的储量居世界首位,钨、钛占全国之冠,锰、钒居全国第二位。非金属矿中,萤石、重晶石、长石、海泡石、高岭土、钠长石等储量、产量和质量都居全国前列。湖南被誉为“有色金属之乡”和“非金属之乡”是名副其实的。

湖南气候属亚热带季风湿润气候,四季分明,平均气温17℃左右。春温多变,时有“梅子黄时雨”;夏热期长,素有“火炉”之称;秋虽多旱,却秋高气爽;冬寒期短,偶降瑞雪兆丰年。

湖南历史悠久,湘楚文化博大精深。据考古发现在距今5万—10万年前,湖南境内已有原始人群繁衍生息。澧县城头山遗址发掘证明:早在9000年前,湖南原始人群就已开始过定居的农耕生活。在上古时代,蚩尤与炎黄部落打仗,战败后逃亡到湖南,在这里形成了一个叫“三苗”的部落集团。春秋战国之际,楚势力越过长江和洞庭湖南下,中原文化融合当地文化,形成了风格独特的楚文化。这时的湖南,经济发展达到了相当先进的水平,铜器的制造和使用更加广泛,并开始进入铁器时代。秦汉期间,湖南经济文化获得进一步的发展,马王堆汉墓出土的帛书、帛画、丝织品等文物充分反映了当时的工艺和文化发展水平。至三国时,天下三足鼎立,湖南境内以湘江为界,分属蜀、吴势力范围。公元219年,孙吴夺取湖南全境,统治达60年之久。到魏晋南北朝以后,湖南逐渐富庶起来,农业发展突飞猛进,开始成为全国稻米的重要产地和供应地。两宋以后,洞庭湖区和四水流域水利事业日益加强,湖南成为遐迩闻名的“鱼米之乡”,并逐渐有了“湖广熟,天下足”的美誉。“心忧天下,敢为人先”的湖南人,从清末民初开始大显身手,以至于有“中兴之将,十九湖湘”之说。在维新变法运动中,湖南是“最富有生气的一省”。辛亥革命爆发时期,湖南同盟会首先以实际行动响应和支援起义,使湖南走在了革命的前列。五四运动后,毛泽东从韶山冲走上中国历史舞台,翻开了中国革命崭新的一页。红军长征第一仗就打在湘江。抗日战争中,湖南也是重要战场。从1939年到1942年,中国与日本军队在长沙进行了三次会战,尤其是第三次会战,它是太平洋战争开始后盟国的第一次大捷,给中国人争了口气。“八年烽火起卢沟,一纸降书出芷江。”1945年8月21日,日军在湖南芷江向中国人民递交了降书,八年抗战以中国人民的胜利而结束。

“大江东去,浪淘尽,千古风流人物。”翻开湖南历史,又有多少湖南才俊在中国的历史文化长河 中“到中流击水,浪遏飞舟”呢?古代的湖南被称为“南蛮”的蛮荒之地,从战国起就成了罪将逐臣的流放地。然而,正是这些有罪之臣的到来给湖南带来了宝贵的文化财富。屈原被贬湖南沅澧流域多年,创“骚体”,有《离骚》、《九歌》、《天问》问世,开创文化史上之先河。宋玉放逐临澧40年,继承了“辞”这一文学形式,并将其发扬光大。西汉贾谊被贬长沙4年,撰《吊屈原赋》、《鹏鸟赋》,开汉赋之先河。唐代柳宗元、刘禹锡被贬湖南,也在这里找到了创作的源泉。柳宗元有《封建论》、《天说》、《永州八记》问世;刘禹锡完成了著名政论文《天论》,并独创《竹枝词》,开一代诗歌新风。

唐宋时期,湖南诞生了第一个走向中国诗坛的大诗人李群玉,全国第一流的大书法家欧阳询、欧阳通和怀素,以及程朱理学的创始人周敦颐和集大成者王夫之。

“惟楚有材,于斯为盛。”这副岳麓书院门首的对联是对近现代湖南人才辈出的最好总结。在以“经世致用”为核心的湖湘文化的熏陶下,这里造就了改革先驱陶澍、魏源,清代“中兴之臣”曾国藩,“民族英雄”左宗棠,以及后来的谭嗣同、黄兴、蔡锷、陈天华、毛泽东、刘少奇等三湘俊杰。

新中国成立后,中央政府52名领导人中,湖南籍有18人;10大元帅中,湖南有3人;10员大将中,湖南占6人;57员上将中,湖南有19位;100名中将里,湖南占45位。先后有毛泽东、刘少奇、胡耀邦担任了国家主席,朱镕基担任了国务院总理。另有一大批文化名人,如齐白石、杨树达、田汉、沈从文、丁玲、周谷城等亦蜚声中外。

“俱往矣,数风流人物,还看今朝。”今日的湖南人秉承先辈们的优良传统,响应中央“构建和谐社会”的号召,正迈开大步奔小康。

悠久的历史、个性鲜明的文化、人才辈出的三湘才俊、多彩的民族风情和优美的自然风光,赋予了湖南丰富而独具魅力的旅游资源。这里有水天一色、气象万千的洞庭湖、岳阳楼;有“五岳独秀”的南岳衡山;有中华民族的始祖炎帝、舜帝的陵墓;有陶渊明笔下的“世外桃源”桃花源;有被联合国教科文组织列入《世界自然遗产名录》的张家界风景区;有当代革命领袖毛泽东、刘少奇以及世界文化名人屈原、蔡伦和齐白石的故居;有举世闻名的马王堆汉墓出土文物和名列全国十大考古发现之一的澧县城头山古城址;还有走马楼东吴竹简、里耶战国古城和秦简等考古发现。当然,这里的土家哭嫁、苗族银饰、江永女书等独特的少数民族风情也同样会使您流连忘返。

随着湖南旅游业的飞速发展,湖南省政府已将旅游业作为经济支柱产业进行扶持和建设。目前湖南旅游已遍地开花,并重点推出了七条旅游线路,即长沙—花明楼—韶山(名城名人游),长沙—屈子祠—岳阳(湘楚文化游),长沙—张家界—王村—吉首—凤凰(山水风光、民族风情游),长沙—南岳—郴州(宗教文化、生态游),长沙—良山(地质奇观游),长沙—炎帝陵—舜帝陵(寻根祭祖游),长沙—桃江—桃花源(田园风光游)。同时还特别推出了一些极富特色的旅游节庆活动:岳阳国际龙舟节、南岳寿文化节暨庙会、浏阳国际烟花节、张家界国际森林保护节、桃花源游园会、株洲炎帝陵公祭、怀化侗文化旅游节、郴州山水节等。

湖南物华天宝,方物特产也是丰富多彩。黼著名工艺品有湘绣、醴陵釉下彩瓷器、浏阳菊花石、益阳桃花石雕、湘西土家织锦、土家粘贴画、苗族银饰等;著名特产有君山银针茶、古丈毛尖茶、湘莲、洞庭银鱼、浏阳豆豉、芙蓉王烟、酒鬼酒、白沙极品烟等。

“辣妹子辣,辣妹子从小辣不怕„„”听到宋祖英这首《辣妹子》,大家马上会想到红灿灿的辣椒。不错,我们湖南人是出了名的怕不辣。湘菜作为中国八大菜系之一,已有3000多年历史了,经过长时期发展,现有菜肴4000多种,其中名菜300多种。来湖南旅游,自然是要品尝一下正宗的湘菜了。我们湖南人也一定会以火辣辣的热情来接待天下宾客!

多情山水,悠悠湘情,三湘大地有您看不完的美景、赏不尽的风情,那就请您敞开心扉,随我细细品来吧!

二、山、水、洲、城——长沙概况

【讲解重点】:“独立寒秋,湘江北去,橘子洲头。看万山红遍,层林尽染;漫江碧透,百舸争流。„„”毛泽东的一首《沁园春•长沙》把长沙的绝妙风光呈现在您的面前,那就是:山(岳麓山)、水(湘江)、洲(橘子洲)、城(长沙城)。

【经典导游词】

大家好!欢迎各位来星城长沙做客。现在我们所处的位置是湘江一桥。站在桥上,长沙“山、水、洲、城”的风光也就一览无余了。这“山”就是正前方郁郁葱葱号称南岳七十二峰之尾的岳麓山;这“水”自然是大桥之下静静流淌的母亲河——湘江了;横亘在江中的则是有“不沉航母”之称的橘子洲;那“城”当然是长沙城了。接下来,我将按由近到远的顺序为大家细细道来。

湘江,发源于广西壮族自治区桂林市的灵川县海洋山,全长856公里,自永州进入湖南,流经衡阳、郴州、株洲、湘潭、邵阳、娄二底、常德和岳阳等地,在湘阴县的濠河口注入洞庭湖,在湖南境内的流域面积达8.53万平方公里,是湖南第一大河,也是母亲河,湖南简称“湘”就是因它而得名。湘江的“湘”字出自《诗经.召南•采萍》中“于以湘之?维铸及釜”一句。“湘”原意是“烹煮食物”,引申用来指雾气蒸腾的样子。湘江在湖南境内由南向北,九曲回肠,云蒸霞蔚,所以取了这样一个名字。

大家请看,江中的橘子洲形似长带,南北长约5公里,东西最宽处约100米。郭沫若先生曾形容它是“一艘不沉的航空母舰”。西晋时,因洲上产橘子而得名。唐宋时,橘子洲已成为当时的名景胜地。著名的“潇湘八景”之一的“江天暮雪”指的就是这里下雪天的晚景。许多著名诗人均曾来此吟咏,留下了千古流传的诗文。毛泽东的一首《沁园春•长沙》更让橘子洲成为世人所向往之地。

居于湘江西岸的岳麓山海拔300.8米,是南岳七十二峰之尾,“西南云气来衡岳,日夜江声下洞庭”,是对岳麓山山川形势的绝妙概括。岳麓山是一个巨大的“植物博物馆”,山上古树名木随处可见。岳麓山更是一座文化名山,它融合了中国古代的儒、释、道三教于一体。山下有位列中国四大书院之首,弘扬儒家理学的岳麓书院;山腰有“汉魏最初名胜,湖湘第一道场”的麓山寺;山顶则是被列为道家七十二福地之一的第二十三福地“洞真虚福地”——云麓宫。另外,爱晚亭、白鹤泉、禹王碑、舍利塔等亦是引人人胜之处。“青山有幸埋忠骨”,岳麓山也是我们瞻仰仁人志士之地,黄兴、蔡锷、蒋翊武、陈天华等墓地掩映在苍松翠柏之中。

接下来,我们来讲讲“城”。长沙生态环境优美,人文资源厚重,是国务院首批公布的历史文化名城,也是国家首批授予的“中国优秀旅游城市”,2006年还被评为“国家森林城市”。作为湖南省的省会,长沙是湖南省政治、经济、科技、文化、商贸和交通中心。全市面积1.18万平方公里,总人口631万,其中市区面积556平方公里,市区人口200多万。现辖芙蓉区、天心区、岳麓区、开福区、雨花区5个城区和浏阳市及长沙、望城、宁乡3个县。

长沙地理位置优越,素有“荆豫唇齿,黔粤咽喉”之称。位居我国中部的长沙还有着承东启西的战略地位。现在的长沙交通十分便利,高速公路京珠、长常在此相应,国道107、319、1016在境内相连,铁路京广、石长线穿城而过。内河码头经岳阳可上至重庆,中抵武汉,下达上海。黄花国际机场是中南最大的空港之一,航线网络已辐射至全国40多个大、中城市,并已开通至香港和澳门地区的航班,以及泰国曼谷、韩国首尔等国际航班。

“天上长沙星,地上长沙城。”长沙的名字是由天上的星辰得来的。古人将天上的星辰分为二十八星宿,每一星宿与地上某一地区对应。在二十八星宿中,有一宿叫轸宿,对应于荆州之地,而长沙以前属荆州之城。轸宿旁边还有一颗主管人间寿命的小星,又名长沙星。《明史•天文志》说:“长沙小星,下应长沙。”于是,长沙星对应的地面就称为长沙,故长沙又名“星沙”。

长沙是一座具有3000多年历史的“楚汉名城”。“长沙”这个名字历史上最早出现在西周。春秋战国时期,长沙就已经成为楚国南部的一个经济、文化、军事重镇。秦统一中国后,天下设36郡,长沙及周边9县为长沙郡。汉朝时,吴芮被封为长沙王,建长沙国。自唐起,长沙就成为湖南政治、经济、军事中心,直到今天。

“潇湘洙泗,屈贾之乡”,这是历史对长沙的馈赠。屈原、贾谊留传的辞赋,汉墓出土的文物,三国的简牍,张仲景的《伤寒论》,长沙窑的釉下彩,无不闪烁着长沙历史文化的光辉。有“革命摇篮”之称的长沙到了近现代更是伟人辈出。这里曾哺育了黄兴、李维汉、徐特立、杨开慧、田汉等仁人志士,也是党和国家领导人胡耀邦、朱镕基及李铁映的故乡。

长沙物产丰富,素有“鱼米之乡”、“花炮之乡”、“湘绣之乡”、“陶器之乡”、“有色金属之乡”的美 3 誉。这里自古商贸繁荣,历史上就是中国四大茶市、四大米市、五大陶都之一。富饶的物产造就了长沙独具特色的饮食文化。湘菜、小吃,用料考究,制作精良。

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