英语导游词：泉州导游词

第一篇：英语导游词：泉州导游词

泉州导游词

Overview of Quanzhou TouristryQuanzhou is a well-known hometown for overseas Chinese and a majority of the Han population in Taiwanese.The total population in the municipality is over 6.7 million.About 9 million of Han nationality in Taiwan are originally from Quanzhou.In recent years, the number of visitors from Taiwan, Hong Kong and Macao has been increasing.They come back for pilgrimage to their visit ancestors’ graves, visit their families and friends, make investments and conduct business and sightseeing.This has greatly promoted the social and economic development in Quanzhou.Quanzhou is one of first 24 important national historic and cultural cities announced by the State Council.From Tang Dynasty to Yuan Dynasty, “Citong Port” in Quanzhou was one of the major ports for foreign trade.It was the departure point of “marine silk route” and enjoyed the grand reputation of “largest oriental port”.The city has numerous famous scenic spots, cultural and historic relics.Among 399 protected cultural relics in the city, 12 are of state level and 37 are of province level.1.Chongwu Ancient Town “natural film studio” and “Beidaihe in the South”.It is located at Chongwu Township, the coastal jag in the east of Hui-an County.The site covers an area of 300 Mu, winding along the coastline, composed of Chongwu ancient town, Hui-an women glamour, the granite carving museum, and Earth Art.The well-preserved T-shaped city wall of Chongwu ancient town is located on just the opposite of the scenic spot.It is regarded as “case of the ancient systematic civil work due to its unique architecture.The area has been listed by provincial tourism Bureau as the key construction project for tourism and announced by Quanzhou Municipal Government as the first batch of famous scenic spots, receiving over one million tourists each year.2.Qingyuan Mountain Quanzhou is 2 km from the down town and directly accessible by bus.The sight is known as “No.1 Penglai Mountain in Fujian Province” and the “Back garden of Quanzhou”.The scenic sight covers a total area of 62 km2, consisting Qingyuan Mountain, Jiuri Mountain, Lingshan secret tomb, and Xibeiyang.Qingyuan Mountain has three national key culture relics located on 8 sites.The most attractive site is the giant granite statue of an old gentleman, which is 5.63 meters high, 6.85 meters thick and 8.01 meters wide.Covering an area of 55 m2, it is the largest Taoist granite statue existing at present in China.In addition, there are also Islamic tombs in Song Dynasty, Qifeng rock calligraphy group on Jiuri Mountain, the granite statue of “Sanshifu(Three-generation Buddha)”of Tibetan Buddhism of Yuan Dynasty, the giant granite statue of “Amituofu”, and the Buddhist relics of Hongyi master, the senior monk in modern history, and the Buddhist relics of Hui-an native Guanqin master monk which is brought back from Taiwan.The mountain has gathered rock calligraphies of Taoism, Confucius, Buddhism, Muslim, Muni, as well as many fine calligraphy since Tang and Song Dynasties, hence the name of “Museum of Stone Carving”.3.Ling Mountain Sacred Tomb

Fengze District Forest Park.It is the best protected Muslim relics existing in China.Covers an area of 300 m2, the existing tomb is a pagoda shaped Islamic tomb, located in the north and facing the south.The tomb, measuring 2.15 meter long, 1.1 meters wide and 0.6 meters tall, is structured in three layers.On the east, west and north of the tomb are horse-shoe shaped protection cloisters for 9 chambers which are 11 meters wide and 1.04 meters deep.Inside the cloisters, there are 5 monument stones of different dynasties.In front there is a shining-green monument stone carved with Arabic language.On the right it is the monument stone which was laid when Zhenghe came to burn joss sticks before he started the 5th voyage expedition.To the Arab world, the tomb on the Ling Mountain is the third important sacred tomb, next to Muhammad’s tomb in Mecca and Ari Tomb in Iraq.4.Qingjing Mosque National key culture relics, it is located in the middle section of Tumen Street, Licheng District, covering an area of 2500 m2.Qingjing Mosque faces the street in the South, with a pointed dome roof.The dome has three layers: inside, middle and outside.On the external wall, there is a statue on the top, which is carved with “Alcoran” in Arabic.The back wall of the mosque is carved with ancient Arabic script, recording the time of construction and repair and the builders.In the mosque, there is a stone carving of the emperor’s instruction about the protection of the Islamic mosque in Yongle Year 5 of Ming Dynasty(1407).On top of the mosque gate, there is a platform named “platform looking at the moon” which is built with bricks in the shape of dual-square.5.Kaiyuan Temple National key culture relics, it is a 1000-year old temple, famous in China and overseas.Build in Wuzetian Chuigong Year 2 of Tang Dynasty(Year 686), the temple is Located in the west street of Lincheng District, Quanzhou, Fujian Province.The temple has a history of over 1300 years, covering an area of 78,000 m2.Kaiyuan Temple is evenly laid in structure.Starting from the gate, there are the Hall of Heaven King, Praying Pavilion, east and west Corridors, the Precious Hall of Great Hero, Ganlujietan, and scripture store-room.The buildings are laid spectacularly and neatly in a line.Inside Kaiyuan Temple, there stood the east pagoda and the west pagoda, which are also called Ziyun couple pagodas.The east pagoda is named Zhenguo Pagoda, which was made from the wood initially and later replaced by the brick at the height of 48.24 meters.The west pagoda is named Renshou pagoda, which was built from the timber sent by Wang Shenzhi, the king of Fujian.It was named “emotal pagoda”.It was replaced by brick structure in the northern Song Dynasty and changed again to stone pagoda in the Southern Song Dynasty at the height of 44.06 meters.The west pagoda was built 10 years earlier than the east pagoda

6.Luoyang Bridge

A National cultural relics located over Luoyang River, 20 km northeast off Quanzhou.The construction of the bridge started in 1053 and was completed in 1059.Its length is 834 meters and width, 7 meters, with 31 piers.On the two sides of the bridge, there are fences, on top of which there stand delicately carved lion stone statues.The bridge is also decorated with 7 pavilions, 9 pagodas and knight statues standing at each end.With the unique architecture, the bridge is famous both at home and abroad and has gained the reputation of “No.1 bridge across the sea”.On the outside of the bridge, there are 500 carved stone railings and 28 carved stone lions, symbolizing 28 famous craftsmen;and 81 Buddha statues, including the Moon Buddha.On the north of the bridge, there is a courtyard, which is known as the No.1 courtyard in the south of Fujian Province.7、Anping Bridge A national key culture relic located at Anhai Town of Jingjiang City, Fujian Province, access to the highway between Fuzhou and Xiamen and the national road No 324.Anping Bridge extends over the bay between Anhai Township of Jingjiang and Shuitou Township of Anhai.The construction of the bridge started in Shaoxing Year 8 of Song Dynasty(1138)and completed in Shaoxing Year 22(1152).Made of granite piers, the bridge is 2700 meters long and it was the longest bridge in the ancient times, known as “no bridge would be longer than this bridge”.The construction of Anping Bridge is unique, because the original piers were designed in three different shapes: square, semi-boat, and raft.The foundation of the bridge adopted “sunken foundation covered by wood” and wooden piles respectively according to the different earth layer.The surface of the bridge was laid with granite slates of 5-11 meters long and 4.5-25 tons each.The bridge surface was laid by utilizing the rising and falling of the tide.8.Shiniu Mountain the territory of Dehua, in the middle of Fujian Province and the southeast part of mid Daiyun Mountain range.Shiniu Mountain is famous for its vicious cliff, strange-shaped rocks, strange-looked trees and mysterious caves.In the park, there are high mountains and a dense forest, with humid climate, excellent natural environment, and bio-diversity.It is a kingdom of plants and paradise of animals.The major tourism attractions include the main peak of Niushi Mountain, Daixian double water falls, bamboo raft drifting on Taoxian Stream, rubber boat drifting on Shilong Stream, Tadou hot spring, Peach-flower Island, the relics of Fujian Provincial Committee building.9.Niumu Forest Ecological Sightseeing Zone As a National AAAA scenic spot and provincial natural reserve, it is located at Xiayang town, the west of Yongchun County, Quanzhou of Fujian Province.Niumu forest is the extension of Daiyun Mountain with an attitude of 1,105 meters.It is the largest and best preserved primary forest at present in South China.The main sightseeing area in Niumu forest ecological zone covers 1,000 ha, consisting over 40 scenic spots.The most famous sites are the ecological and scientific popularization museum, orchid garden, Yongchun Tangerine orchard, Qingqian Liule Garden, Cuckoo Castle, board root, strangled killing, parasitic cauline flower, Fujian phoebe trees, yew, foliage, Woniutan, Zhonglidizhu, Konggulaifeng.The entertainment activities offered for tourists include cable sliding at high altitude, grass ski fashion, mock hunting, standard shooting, archery, and jungle field operation.10.Anxi Qingshui Crag

As National AAAA scenic spot and provincial-level culture relics, it is a tourist attraction and religious shrine, located on Penglai Mountain, 15 km northwest from the Anxi County suburb, the hometown of the Iron Buddha Tea.Covering a total area of 11.1 km2 with the peak reaching the altitude of 767 meters, it consists of the temple and pilgrimage zone, Qiyu(praying for rain)ecological zone, Qinshan Recreation zone and memorial zone.With convenience of transportation, it is about 70 km from Quanzhou, 100 km from Xiamen and 120 km from Zhangzhou.The existing temple was built after 1966 and Qingshui Crag is the burial place of Qingshui master monk, a famous monk in Song Dynasty.There is a belief of Qingshui master monk has a wide influence in the Southern Fujian province, Taiwan and Southeast Asian countries.In Taiwan alone, there are over 200 temples named Qingshui Crag.Quanzhou Delicacies and Specialities

1.Quanzhou Glutinous Rice Dumpling of Meat Stuffing

The glutinous rice dumplings of meat stuffing are made in a dainty procedure.The ingredients are mainly glutinous rice, together with half-fat pork and other ingredients, such as taro, chestnut, bran shrimp, lotus seed, chicken, ham and bamboo shoots.2.Quanzhou Yuanhetang Preserved Fruits and Vegetables

Quanzhou Yuanhetang preserved fruits and vegetables are traditional foods, made from different varieties of fruit and vegetables.They enjoy a great reputation all over the world for their sweet and pleasant taste.“Yuanhetang” is a 80-year-old firm processing preserved fruits and vegetables.Having the function of nourishing the stomach and spleen;promoting appetite, Yuanhetang products are regarded as the best selection for entertaining guests while drinking tea.Overseas Chinese originally from the Southern Fujian Province like to take Yuanhetang preserved fruits and vegetables back to their residential country while people in China like to choose “Yuanhetang” products as souvenirs for their overseas relatives and friends.3.Anxi Tie Kuan-yin Tea

Anxi Iron Kuanyin Tea also known as heart Kuanyin tea and red shape Kuanyin tea.It is the top quality Wulong Tea, the famous tea produced in Fujian Province.The iron Kuanyin tea produced in Anxi County, Quanzhou Municipality contains a number of biological alkaline, vitamins and tannin, protein and aromatic oil.It has the special function of easing anxiety, improving eyesight, preventing arteriosclerosis and cancer, extending youth and mitigating radiation.4.Quanzhou Puppet Head

Quanzhou puppets have a complete image in structure.The figures are widely selected from the figures and roles in the folk operas and legends, roughly divided into 5 major types: Sheng(male), Dan(young female), Jing(painted face, male), Mo(middle aged male), Chou(clown, male or female).There are over 300 puppet masks, which display beautiful shapes, vivid drawings, clear characters, unique artistic styles and local images.5.Hui-an Granite Sculpture

Hui-an granite sculpture is a folk carving craftwork, made from top quality granite(shining-green rock)and carved finely into different sizes of delicate handicrafts, such as round carving, floating carving, line carving, and shadow carving.The granite sculptures produced in Hui-an can be either large as the size which should be lifted and installed by cranes or can be small as the size which can float on the surface of the water.They are beautiful in shape, fine in workmanship, unique in artistic style and strong in local characteristics.Hui-an granite sculpture has a history of 1600 years, well-known as the “home of granite sculptures”.6.Hui-an Bear Gall

Fujian Guizhentang Pharmacy Development Co.Ltd utilizes the rich resource of bear gall from Qianshan Group and has developed Qianshan brand bear gall products, such as bear gall powder, bear gall health tea and bear gall capsules.The company uses the extracted substances from bear galls with other valuable Chinese herb medicine to develop different varieties of new medicines.Bear galls are bitter in taste and cold in nature, having the function of clearing the heat, relieving spasm, improving eye-sight, and killing worms.According to the Chinese medicine, bear gall is effective in curing red eye disease, sore throat, infantile convulsion of children, indigestion and pain caused by worms.7.Laofanzhi Panacea Leaven

Laofanzhi Panacea Leaven is a processed traditional Chinese medicine, which is a light grey coloured block in aromatic smell and slightly sweet taste.Having the functioned in adjusting the stomach, nourishing the spleen, expelling wind-evil, settling indigestion, and promoting appetite, resolving wetness, it can be applied to treat flue and cold, heat exhaustion in summer, stomach-ache caused by indigestion and vomiting and diarrhoea.8.Quanzhou Rice sculpture

“Zhauggaoren(rice figure)” is made of ground rice(glutinous rice), wheat flour and pigment.The skill of making the rice figures mainly relies on the dexterous fingers.The tools needed are also simple: small scissors, fine comb, gold paper, feathers, bamboo strap and iron thread.The figures made from the dough are generally taken from the stories in four famous major Chinese works, such as “The master travels to the west with his apprentice to obtain scriptures”, “Three brothers in the Peach Orchard”, “Twelve Golden hairpins” and “Wusong kills tiger”.The figures are vivid.After they are made, it takes several days for them to dry under the sunlight, and then paint with a coat of oil to make them shine and to preserve them for a long time.9.Quanzhou Folk Colour cotta

Quanzhou Folk Colour Cottas are made from paper as figures of ancient operas.The work of making colour cotta is divided into standing work and sitting work.The standing work generally refers to making large scale works, such as “Giant Mountain” “Lingcuo” and “Colour Building while sitting work refers to making fine works, including famous figures, birds and animals.In modern colour cotta techniques, the material is earth, wax, plastics, cloth and silk to enhance the expressive force.The folk colour cotta in Quanzhou has a broad influence in China and overseas.The works of “56 ethnic groups”, “Hui-an maidens”, “Maidens form tea producing area”, “Girls from Fishermen Family”, “Lady of Southern Music” designed by Quanzhou JIngxiu Firm have won excellence prizes on the First China Tourism Souvenir Competition, and the prize of the best commodity on the First Fujian Provincial Tourism Fair.10.Yongchun Painted Bamboo Baskets

Yonghcun painted bamboo baskets are unique traditional handicrafts produced locally.They are made from over 20 raw materials, including gold foil, fine bamboo skin, raw paint, Chinese wood oil, Xiabu, dongfen through over 30 procedures of moulding, boiling, lining, and painting for over two months.There are over 100 varieties of products including flat baskets, patterned baskets and full baskets, shaped in round, ridged, hexagon, oval, as well as fruit boxes and painted plates.11Yogchun Paper Woven Picture

Yongchun paper woven pictures are a special traditional handicraft, initiated at the end of Sui Dynasty and the beginning of Tang Dynasty, with a history of over 1400 years.The pictures have been sent to over 40 countries for exhibition, presented to the foreign friends as souvenirs, and have become the “friendship envoy” for the promotion of the diplomatic ties.Yongchun County has been granted by the Ministry of Culture the title “Home of China Paper Woven Pictures” and listed for the protection under the “Folk Art Protection Project”.12.Dehua Ceramics

Dehua ceramics is the traditional craftwork.It was started in the Tang Dynasty, developed in Song and Yuan Dynasty and made a breakthrough in Ming Dynasty.The white ceramics produced in Dehua have the reputation of being “white as snow, thin as paper, smooth as jade”.Dehua ceramics is famous especially for its statue of Kuanyin which was made by the senior master He Chaosong and named “Helai Kuan” after his name.The “Ivory White” ceramic statue developed by him is a valuable object unparallel in the world, known as the “crown jewel in the international ceramic sector”.Quanzhou Folk Culture

1.Quanzhou Ceramic culture

“Dehua has many beautiful ceramics”, is how the Italian traveller Marko Polo described Dehua.Porcelain manufacture has a long history in Dehua.Well-known both in China and overseas for its top quality, fine workmanship, the porcelain industry in Dehua is regarded as one of the three major porcelain capitals in China, together with Jingde town of Jiangxi Province and Lilin of Hunan Province.In Ming Dynasty, the “Ivory White” ceramics developed by the great master He Chaozong surprised the world and was named “China White” by the westerners.People describe Dehua top white porcelain as “white as snow, thin as paper, bright as mirror” and describe Dehua Jianbai porcelain as “smooth and transparent as condensed lipid and frozen jade”.The porcelain Kuanyin made in Dehua is called “Oriental Venus”.2.Culture of Hui-an women costumes

The costume culture of Hui-an women dates back into the ancient China.They wore a yellow scarf, a blue short blouse, silver chain and large trousers, which are unique in the national costume culture.The blue short blouse displays the colour of sea and sky, the yellow bamboo hats symbol the land and beach;the flowery scarf indicates the movement of mountain flowers and sea waves.The blouses are tight and short, exposing the navel, displays their characters of being bold, flexible, but extravert.The costume of Hui-an women is always focused on the body above the waist, especially on the head decoration which differs in patterns, occasions and ages.When Hui-an women attend weddings or ceremonies, the head decoration should be bright and colourful to display the “happiness”.The old women of Hui-an usually have a bob on the back of the head and wear a black scarf with pins decorated with beads and flowers, which displays a unique style.4.Quanzhou Opera Culture

Dacheng Play

Dacheng play is also named Fashi Play, Monk Play, Douist play and originated from the religion and folk activities in Quanzhou.Formed by combining Buddhist and Taoist activities, it is a religious play, rarely seen in China.The play provides religious services for both Buddhism and Taoism.Dacheng Play was born in Quanzhou and nourished by Quanzhou folk arts, and is especially deeply influenced by thread controlled puppet plays.After emerging as a new play, it has displayed its uniqueness in Southern Fujian folk operas due to its super Kongfu and technique.Dacheng play is known for its kongfu which applies Quanzhou South Shaolin boxing.The opera has preserved lots of folk stunts, acrobatics and dances.By adopting Taoist and Buddhist music, and “Puppet melody” of thread controlled puppets, the music of the opera displays a unique religious charm.Liyuan Opera

Quanzhou Liyuan opera is a rare and valuable opera in China, because it still preserves the characteristics of Southern opera from Tang and Song Dynasties.Originating in Quanzhou, it has spread to Taiwan and the Southeast Asian Countries in the footsteps of the emigrants from Quanzhou.Having preserved a large repertoire of southern opera from Song, Yuan and Ming Dynasties, Liyuan opera has been called the “living fossil” of opera and is one of the oldest operas existing in China.Liyuan opera is sung by Quan melody.It has preserved a lot of important music from Tang Dynasty and Song Dynasty and is closely related with the ancient music--Southern Tone.The music of Liyuan opera is mainly played by the bamboo flute and string music instruments.Nanyin(Southern Tone)

Nanyin(Southern tone)is an old and beautiful music and is called the “root of the Chinese national music”.Quanzhou is the cradle of the Southern tone.It has become very popular, after it was enriched, matured and optimized by absorbing the strengths from Central China culture, Fujian culture and maritime culture.Embedded in Quanzhou, Southern tone has not only extended to Southern Fujian Province where Southern Fujian dialect is spoken, but also spread to the Southeast Asian countries, Hong Kong, Macao and Taiwan.By passing from one generation to another, it has become increasingly popular as a “home tone” full of strong passion for the loving the hometown and the motherland.Many Chinese and foreign scholars have complimented Quanzhou southern tone as the “treasure in the Chinese classic music”.

第二篇：泉州概况导游词

泉州概况导游词

泉州市地处福建省东南部，依山面海，北承省会福州，南接厦门特区，东与宝岛台湾隔海相望。陆地面积11015平方千米，海域面积11360平方千米，人口６５８万。是全国首批历史文化名城，中国优秀旅游城市，古代“丝绸之路”起点，也是全国著名侨乡，台湾汉族同胞的主要聚集地，目前分布在世界１００多个国家和地区的泉州籍华侨华人达６００多万人，港澳同胞６８万多人，长期以来，泉州的广大海外乡亲和台胞爱国爱乡，为我市的各项建设事业作出了重大贡献。

泉州历史悠久，据考古发现，早在旧石器时期就有人类在此生息繁衍，东晋时期，由于北方连年战乱，大量中原晋人南迁入境，开始了泉州的大规模开发，泉州现有人口大部分属中原晋人后裔，泉州的母亲河遂被称为“晋江”。泉州建市最早是在公元７１８年，是一座千年古邑，随着社会经济的发展，政治制度的变革，泉州的建置不断演变，目前隶属福建省，下辖4区3市5县，其中汉族占人口总数的98.2%，少数民族占1.8%，方言以闽南话为主，通用语言为普通话。

泉州的气候也非常适合居住，属亚热带海洋性季风气候，年平均气温18－20℃，终年温暖湿润，四季如春，有一首诗道：“四季有花常见雨，一冬无雪却闻雷”，道出了泉州气候温暖宜人的特点。

泉州的得名还有一个典故，据说是因为城北的清源山上有一孔甘泉(俗称虎乳泉)，因此山称泉山，州称泉州。另外，泉州古时还有很多别称，例如：因古城形似鲤鱼，故称“鲤城”；又因四季常温，得名“温陵”；五代时，此地曾环城遍植刺桐树，遂称“刺桐城”。泉州的“刺桐港”从唐代到元朝，一直是中国主要对外贸易港口，是古代“海上丝绸之路”的起点，享有“东方第一大港”的盛誉。这些优雅的别称，随着泉州海外交通的发达而声蜚海外，时至今日这些名称仍然为大家所熟悉。

泉州是国务院首批公布的24个历史文化名城之一，文化积淀深厚，素有世界宗教博物馆之美誉，这点在清源山上体现的尤为突出，包括世界各大宗教，如道教、佛教、基督教、伊斯兰教、天主教、印度教、摩尼教等，形成了多种宗教兼容并蓄的特点。此外，泉州作为历史文化名城，文化遗产、名胜古迹星罗棋布，拥有各级重点文物保护单位七百多处，其中国家级20处。其中级负盛名的有：中国现存最早的伊斯兰教清净寺，世界唯一的摩尼佛像雕刻，中国最大的老君石雕坐像，千年古刹开元寺及东西塔、民族英雄郑成功史迹，中国四大名桥之一洛阳桥，以及将惠东风俗、海滨风光、石雕艺术融为一体的崇武古城等等。因此而享有“地下文物看西安，地上文物看泉州”的美誉。并且保留着以南戏、南音、南少林、南建筑为代表的文化遗产和梨园戏、高甲戏、提线木偶等全国特色剧种。说起提线木偶，在08年的欧云辉开幕式上表演的提线木偶节目正式我们福建籍提线木偶大师的精彩演出。另外，值得一提的是。“海上丝绸之路泉州史迹和中国南音已列为申报世界遗产项目。

来到泉州就不得不提一下这边的名产，其中惠安石雕、德化陶瓷、安溪铁观音为泉州三宝，鲤城木偶头、安溪乌龙茶、永春老醋等土特名产，闻名遐迩，是馈赠亲朋挚友的上乘礼品，远销海内外。

泉州被列为闽南厦漳泉沿海经济开发区，经济总量连续多年居福建省首位，是中国民营最发达的地区，素有中国民营之都美誉。泉州人民立足实际，奋力打造特色经济，促使泉港“石化基地”、丰泽“中国树脂工艺之乡”、晋江“中国鞋都”、石狮“中国服装名城”、南安“中国建材之乡”、惠安 “中国石雕之乡”、德化“工艺陶瓷之乡”、永春“芦柑之乡”、安溪“乌龙茶之乡”等特色经济的形成并驰名海内外，全市所有县（市）均跻身全省经济实力十强或经济发展十佳县（市）行列。2003年，县域经济取得新进展，晋江、石狮、惠安和南安四县（市）再次入选全国百强县（市）。

泉州以其丰富的人文景观，别具一格的民俗风情和秀出东南的自然风光，交相辉映，使泉州成为一个全国乃至国际性的旅游胜地，吸引着来自海内外的游客。

第三篇：泉州开元寺导游词

导语：福建的地理特点是“依山傍海”，九成陆地面积为丘陵地带，被称为“八山一水一分田”。以下是写写帮文库小编为你介绍的福建导游词，希望您喜欢阅读：

女士们、先生们，大家好!我们现在已经到了福建省内最大的寺庙——泉州开元寺。开元寺占地面积78000平方米。它规模宏大，构筑壮观，景色优美，曾与洛阳白马寺、杭州灵隐寺、北京广济寺齐名。开元寺初名“莲花寺“，后改为“兴教寺”、“龙兴寺”。唐开元二十六年(公元739年)唐玄宗下令全国各州建一座开元寺，遂改现名。

人们常说“自古名山僧占多”，其实是冤枉了出家人。与世无争的僧人隐身在高山峻岭之上，本意是修心养性，却常成为德高望重的高僧，因而山以僧名，闻名遐迩。而泉州开元寺就座落在平平无奇的鲤城区西街，与凡世的隔绝只靠山门前这堵象征性的屏障一紫云屏，这无形中缩短了尘世与佛门的距离。缺少名山大川的陪衬，却多了善男信女的亲近，这就是泉州开元寺的独特之处。

泉州开元寺是全国重点文物保护单位，也是福建省“十佳”风景区，或许大家想知道，开元寺何以能够闻名海内外呢?那就让我们一起慢慢领略、细细品味吧。

眼前这座别致的建筑就是开元寺的山门，也叫天王殿。它建于唐武则天垂拱三年(公元687年)，前后已经过几次火灾烧毁与重建，现存建筑是民国十四年(公元1925年)修建的。大家先请看这石柱：上下端略细，中部较粗，呈梭子状，学名梭柱，据考证为唐朝的石柱风格，年代已十分久远了。石柱上还悬挂有一木制对联“此地方称佛国，满街都是圣人”。这是南宋大理学家朱熹所撰，近代高僧弘一法师所写的。它是泉州这个具有浓厚宗教文化色彩的古城风貌的真实写照。分坐在天王殿两旁的是按佛教密宗规制所配置的密迹金刚与梵王。它们怒目挺胸，状极威严，与一般寺庙所雕塑的四大金刚有较大差别，有人谑称它们为“哼哈二将”。

跨过山门就到了拜亭。站在这里，我们可以看到拔地而起的东西塔和宽敞明亮的东西两廊对称地排列在两旁，而我们所在的位置就在开元寺的中轴线上。佛教传入我国巳有一千多年历史，并在中国落地开花，与中国文化融为一体。开元寺的布局就突出了我国古建筑的南面为尊和中轴线为主的特点。

拜亭前的这个大石庭，是个“凡草不生”的拜庭，供古今官民朝拜和活动。每逢农历二十六日，这里人山人海，梵呗声声，一派泉南佛国景象。石庭两边分列着八棵200至800岁的大榕树，阴翳蔽日，盘根错节，增添了开元寺静寂、庄严的气氛。树下排列着11座唐、宋、明时期不同形式的古经幢、小舍利塔，以及两只贔屃。庭中还置立着一座3米多高的石雕焚帛炉，盖钮雕蹲狻猊，炉身周雕幡龙、祥云、莲瓣、蔓草等纹饰，形制优美，雕工精妙。焚帛炉稍后两侧，还有两座南宋绍兴十五年(公元1145年)泉州南厢柳三娘捐建的印度萃堵波的方形石塔，塔上刻有萨锤太子舍身饲虎的故事，是印度教在南宋时留下的痕迹。

在中轴线上的主体建筑，就是眼前这座大雄宝殿。因传说建殿之时有紫云盖地，所以又叫紫云大殿。大殿上方这块巨匾写有“桑莲法界”四个魏碑风格的大亨，以应桑开白莲之说。早在唐朝初期，泉州已盛产丝绸。这片地原是大财主黄守恭的桑树园，后来捐给匡护大师建寺。关于这件事，有一个很动人的传说：一天，黄守恭梦见有一个僧人向他募地建寺，他说等桑树开白莲花后就献地结缘。几天后，满园桑树果然都开出白莲花，黄守恭深被无边佛法所感动，果然把这片桑树园捐献出来。其实，黄守恭本为乐善好施之人，桑开白莲之说乃是人们敬慕佛祖，附会而成，但这一神奇的传说却为泉州人民所津津乐道，世代相传，因而开元寺也得了“桑莲法界”的美称。

大雄宝殿始建于唐朝垂拱二年(公元686年)，先后经过唐、南宋、元、明几次受灾与重建，现存建筑物是明代崇祯十年(公元1637年)遗物。大殿通高20米，面宽九间，进深六间，面积达1387.75平方米，大殿出拱深远，外观雄浑，保存唐朝宏模巨制、巍峨壮观的建筑风格。

大殿正中供奉的是御赐佛像毗卢遮那佛，汉译大日如来，是佛教密宗的最高神抵。其两旁是五代王审邽修大殿时增塑的四尊大佛，依次为东方香积世界阿閦佛，南方欢喜世界是宝生佛，西方极乐世界阿弥陀佛，北方莲花世界成就佛，合称五方佛，也叫五智如来。这五尊大佛金光闪烁，衣纹清晰，神容慈祥，法相庄严，双手分别作说法、施与、接引、禅定等相，工艺精巧，令人叹绝。五方佛的胁侍有文殊、普贤、阿难、迦叶以及观音、势至、韦驮、关羽、梵王、帝释等诸天菩萨、护法神将共10尊。在大殿后正中供奉着密宗六观音的首座圣观音以及善才、龙女和两翼神态各异的十八罗汉。开元寺历代住持皈宗不一：有法相宗、律宗、净土宗、密宗、禅宗等宗派，而大殿却能保持这种罕见的规制，这既值得夸耀，也是值得研究的。

大雄宝殿还有一个“百柱殿”的雅称。全殿原计划设立柱子一百根，后来因为需要放置佛像和腾出给佛教徒朝拜的地方，便加长了珩梁，减少了立柱，成为86根柱子的“百柱殿”。崇祯十年(公元1637年)右参政、按察使曾樱与总兵郑芝龙重修开元寺紫云大殿时，将其中木柱全部换成石柱。百柱殿的柱子形式丰富多彩，有宋、元、明各时期的海棠花式柱、圆柱、方柱。楞梭柱、蟠龙柱等。尤其是殿后廊檐间那对16角形辉绿岩石柱，雕刻着古代印度和锡兰流传的古印度教大神克里希那的故事和花卉图案24幅，引起中外学者的极大兴趣。它与殿前月台须弥座束腰处的72幅辉绿岩狮身人面像和狮子浮雕，同为修殿时从已毁的元代主印教寺移来的。它们是宋元时期泉州海外交通繁荣发达，中外文化友好交流的历史见证。

第四篇：泉州天后宫导游词

导语：福建的地理特点是“依山傍海”，九成陆地面积为丘陵地带，被称为“八山一水一分田”。以下是写写帮文库小编为你介绍的福建导游词，希望您喜欢阅读：

欢迎大家光临天后宫。

泉州天后官位于泉州市区南门天后路一号，始建来庆元二年(公元1196年)，地处城南晋江之滨，“蕃舶客航聚集之地”。当时庙字规模有正殿山门、两廊、两亭、枪神妈祖林氏默娘，是北来平安军(泉州府)节度辖下的莆田县湄洲岛之民女，生于来太祖建隆元年(公元960年)，三月甘三日，父亲林帷悫，母亲王氏平生注意积德行善，乐于助人，年纪都在四十有余，虽生了一男五女，老是觉得单枝难以传宗接代，向观音菩萨祈求再生一男。王氏不久便怀了孕，在降生之时，王氏见到一道光从西北面射人她房内，光辉耀眼夺目，香气四处飘荡，久久不散。林默娘长大了，决心终生以行善济人为务，矢志不嫁人，专心致志精研医理，为人消灾防病。她性情和顺，热心助人，排忧解难，还引导乡人避凶趋吉，有谁遇难，都乐意找她求助。当时，莆田地区瘟疫大流行，林默娘想尽办法施药抢救乡民，果然立愈。乡民感激她的救命之恩。

宋雍熙四年(公元987年)，重阳佳节，妈祖父兄驾舟渡北上，西风正急，途中遇到狂风恶浪，船在狂风怒涛中剧烈颠簸，妈祖敏感到父兄的遇难，亲临救驾，父亲救起，兄长与自己身亡，就这样乡民赞她“通悟秘法，预知休咎事，乡民以病苦辄愈。长能乘席渡海，乘云游岛屿间，人呼曰神女，又曰龙女”。因默娘生前与民为善，升化后被沿海人民尊为海上女神。立庙祭祀。泉州天后官初建即以来微宗赐额“顺济”为庙名，即“济以顺风”之意。宗元时代，泉州成为世界贸易港之一，元政府为了发展海上贸易，于至元十五年(公元1278年)，下诏“制封泉州神女护国明著灵惠协正善庆显济天妃。”明永乐五年(公元1405年)出使西洋太监郑和，奏令福建镇守官重新其庙。此后朝廷节遣内宦(太监)及给事中行人(对外使节)等官，出使琉球、爪哇、满刺加等国，率以到庙祭告祈祷为常，永乐十三年(公元1415年)，少监张谦出使渤泥(今加里曼丹岛文莱一带)，从泉州浯江(顺济桥一带称浯江)启航，“实仗神庥”，归奏于朝鼎新之，改宫号为“天妃宫”。清康熙十九年(公元1680年)施琅征海，师次于此，“神涌潮济师”、“有助顺功”。敕封“护国庇民妙灵昭应宏仁普济天后“，后易宫名为“天后宫”。康熙二十四年，钦差礼部郎中雅虎来宫致祭。雍正元年(1723年)御书匾额“神昭海表”，今悬挂于殿中，乾隆后历代有重修。现在建筑群还保存宋代构件和明清时代木构建筑，是海内外同类建筑中规模最大规格最高、年代最早、而著称于世的古迹，1987年由国家公布为全国重点文物保护单位。

原山门马戏台因筑公路被拆毁，1990年3月由台湾鹿港天后宫暨诸委员捐资重建。今移清代晋江县学横星门为山门、面阔五开间，牌楼式造型，雕花漆绘木构斗拱，青石龙柱，两侧石雕麒麟，螭虎窗，屋顶重檐四坡面，屋脊反翘瓷雕八龙二鳄，角脊作成凤尾伸展而卷曲，线条柔和优美，整体结构华丽壮观。戏台连接于山门后檐，坐南朝北，木构藻井顶盖。雕脊画枋，小巧玲珑，具有泉州独特艺术风格。

紧接山门两侧为东西厥建筑，所谓“秦宫汉阙”以示天后宫之尊。建筑为二层楼阁，面临通衢，两楼高耸，楼上分置钟鼓，楼下塑造千里眼，顺风耳二神像，威武庄严。

天后正殿，虽历经沧桑，但明清木构建筑至今依旧保存完好，而且保留来代构件。正殿占地面积635.5平方米;筑于台基座，高出地面1米，采用花岗岩石砌筑的须弥座，束腰处浮雕“鲤鱼化龙”、雄狮、文房四宝“八骏云火”、仙家法器、鹤舞云中、宝盖莲花等图为二度空间动态艺术造型、雕刻刀法熟练，生动活泼，表现其神职至高无上与教属。殿内木梁骨架，立于圆形花岗岩石柱，柱头浮雕仰莲连珠斗，挑出斗拱承托梁架作九架粱，建筑结构比较特别，空间变化很丰富，门窗弯枋雀替，雕花精致细密，纹饰丰富多采既有几何图案，又有花卉水族，鸟兽人物，托木部位有凤凰戏牡丹，寿梁中作如意访心，表现女性神庙。殿内油漆用朱地画“暖八仙”之一的钟离及如意相间图案，其绿地雕彩西蕃莲及喜鹊登梅图案，有吉祥的象征，有的图案作异兽，寓意“益寿”。殿内础浮雕，更是琳琅满目，八骏、八宝、傅古鸟龙及各种花卉，表现着水族鱼龙腾空翻浪，与百花争妍，这都是表现道教主题的图案，以福禄寿吉祥物作衬托，呈现仙家的非凡境界。

殿顶筑九脊重檐四面落水的歇山式，正脊是天后殿至高点，两端五彩瓷型双龙戏珠，造型精美，光泽鲜艳，表现整个大脊龙的至高题材，四岔脊头组合凤凰图案，对应大脊成龙凤呈祥，背面作人物故事，配以龙凤、麒麟，玄武、双虎、体现了吉祥如意，庆贺长寿的象征，为闽南建筑艺术之一绝。

东西两廊及两轩和寝殿，均由国家文物局立案拨出专款依!日复原修缮。东西两廊原置配神二十四司，现改为闽台关系史博物馆陈列室。寝殿又称后殿，地势比正殿高出1米多，两侧突出部位设为翼享，左右斋馆。整座殿字系明代大木构建筑，屋盖为两坡面的悬山楔，面阔七间，35.1米，进深19.8米，高8米许，木质梁架粗大古朴，大木柱置于浮雕仰莲瓣花岗岩的圆形石础之上，殿前檐柱保存一对十六面青石雕的元代印度教寺石柱。估计是明代翻修时称置。柱上接木柱，刻有楹联“神功护海国，水德配乾坤“。正面原有悬挂明代大书法家张瑞图书“后德配天”的横匾，目前正在修建中，属国家木构建筑之瑰宝。

建置于宫内的闽台关系史博物馆是反映祖国大陆(福建)与宝岛台湾历史上渊源关系的专题性博物馆。馆内收藏有大量珍贵的历史文物和民俗文物，近期已举办“闽台民间艺术展”、“泉州古今字书展”、“闽台民俗风情摄影展”等展览。

第五篇：关于福建泉州导游词

关于福建泉州导游词

作为一位无私奉献的导游，通常需要准备好一份导游词，导游词是我们引导游览时使用的讲解词。如何把导游词做到重点突出呢？以下是小编收集整理的关于福建泉州导游词，供大家参考借鉴，希望可以帮助到有需要的朋友。

大家好，很高兴能和大家一起去参观郑成功墓。

郑成功墓在南安市沿着福厦公路的水头镇附近的康店村复船山，为全国重点文物保护单位。

郑成功是我国伟大的民族英雄，名森、字明俨、号大木，福建省南安石井人，出身于官商家庭。1624年农历七月十四日，诞生于日本长崎县平户市千里浜。在日本渡过七个春秋，1630年间随从其叔芝燕等回国，住安平(晋江市安海镇)郑府。郑成功自幼聪明敏捷，八岁能通读四书五经，十岁能写入股文，文章过人，词藻华丽典雅，十一、二岁，兼习春秋左传，孙吴兵法，并能舞剑学射。十五岁的禀生，二十一岁攻入南京国子监太学，气字轩昂，才华横溢，获得师长称赞：“此人英雄，非人所得比。”

明隆武帝见成功年少英俊，文武双全，问之日“江山危矣，你何从我乎?”对日：“文不贪财，武不怕死，江山可保矣。”隆武帝非常赞许他，即赐他与同姓，易名“成功”，封御营中军都督，授尚方宝剑，仪同附马，自是咸称“国姓爷”。

郑成功一生最伟大的功绩是收复台湾，驱逐荷兰侵略者和大规模开发台湾。永历十五年(公元1662年)十二月甘三日，率军三万余人，大部份是泉州人，把荷兰侵略者从我国宝岛台湾赶走。郑成功实现了他收复台湾和开发台湾的远大抱负。当时曾赋诗一首“开辟荆榛逐荷夷，十年始克服先基。田横尚有三千客，菇苦间关不忍离。“收复台湾以后，他走访四社，了解民情及社会情况，在那荒凉的台湾岛上，实行“寓兵于农”之法，屯垦开荒，“农隙则训以武事，有警则荷戈以战，无警则负来以耕”。那时，台湾新辟土地环境十分恶劣，瘴疬流行，“病者十之七八，死者基多”，甚至有数十丈巨蟒为患，开荒任务非常艰巨，郑成功都新率官兵，积极开发，同时采取各种措施加紧巩固台湾海防，坚守阵地，免于荷兰侵略者“复仇”，重占台湾。郑成功率军披荆斩棘，流血流汗，艰苦创举。由于十年征战，驰骋沙场，积劳成疾，于永历十六年(公元1662年)农历五月初八病逝台湾，享年三十有九，墓葬于台湾的台南州仔尾。历经三十多年，其孙郑克塽降清后，于康熙三十八年(公元1699年)5月22日卯时迁柩归葬于南安县，拊葬于康店村的郑氏祖莹，随同迁葬的还有其子郑经的`灵柩。当时康熙帝除下敕遣官兵护柩外，还赐挽联一对，日：“四镇多二心两岛屯师敢向东南争半壁;诸王无守土一隅抗志方知海外有孤忠。“尔后还派御林军护陵守墓。同时迁葬于祖莹乐斋公内还有其父郑芝龙，其母和其妻墓氏，迁墓后重立墓碑。

1929年，郑陵被盗，即时抢救石质墓志铭两块，一为郑经1674年回乡修祖坟时所立的(橄榄山墓志)。另一是迁葬时郑克塽之《郑氏归墓祖文墓志》。郑成功灵柩用棺廓两层，里面一层油漆朱红鲜先泽，棺内布满水银，骨骼完好，取出将盔一项，龙袍一件，腰围玉带镶玉十七块，靴鞋各一双，还有头发等珍贵一级文物，由南安石井郑成功纪念馆收藏。

郑成功墓采用水灰三合土构筑土堆墓，墓碑墓道皆用花岗石雕砌成，墓碑高75厘米，长15.8厘米，呈“山”字形，整座墓域占地997平方米，墓前石质华表一对，相距15米，高14米，呈八角形，径52厘米，顶端雕一座狮，保存完好。墓前两侧还有石板旗杆夹九对，左五右四，其中一板刻有“戍子年解元”五个字。目前，扩大保护范围，建筑陵园大围墙建立文物保管所，修筑墓道和专线公道，绿化林木花草，建置碑亭，环境宽敞，风景优美，为海内外游览和祭拜“国姓爷”的好地方。

参观了郑成功墓，想必大家会有一番感慨和联想吧。

大家好，欢迎到草庵摩尼教遗址参观。

距泉州市区南门外19公里的晋江余店苏内村，有一座万山峰，又名万石山、华表山，为我国仅存完整的摩尼教遗迹。因古用草构屋，故曰草庵。摩尼教又名明教，公元三世纪波斯人摩尼所开创，摩尼(公元216-276年)生于南巴比伦安眠王族家庭，他以拜火教为信奉基本，接收____、佛教和古巴比伦的宗教思维，创建了摩尼教。其教于唐代传入泉州，称为明教，崇敬光亮，倡导喧扰，反对黑暗和压迫。古代遗址为元代修建物，据考古发明，宋代摩尼教已在这里运动。明代禁绝，此处乡民仍以佛教崇拜，保留完全。摩尼教寺紧依华表山麓，内有僧尼方丈，本来庵前还有一座佛教寺，已废，近年又重建，面目一新。花木、果树相映，景致非常精美清净，为一番别致风景。草庵寺依山崖傍筑，修筑情势为石构单檐歇山式，四架椽，面阔三开间，间宽1?67米，进深二间3.04米，屋檐下用横梁单排华拱承托屋盖，简略古朴。其中最为可贵的是庵内依崖石雕一尊摩尼光佛，石浮雕摩尼跌坐神像，作圆圈浅龛，直径1.68米，坐像身长1.52米，宽0.83米，头部比较特殊。浮现辉绿岩(青斗石)色彩，长方形面貌0.32X0.25米，背有光芒射纹饰，出现花岗岩石质，披发披肩，端坐莲坛，面相圆润，眉弯稍为隆起，嘴唇薄，嘴角线深显，构成下额圆突，显得安祥自若;身穿宽袖僧衣，胸怀打结带，无扣，结带用圆饰套束蝴蝶形，而向两侧下垂于脚部，双手相叠平放，手心向上置于膝上，情态肃穆慈悲，衣褶俭朴流利，用对称的纹饰表示时期作风。这是目前世界仅存的一尊摩尼教石雕佛像，列为全国重点文物维护单位。

在佛龛的左上角阴刻一段文字“谢店市信士陈真泽破寺，喜舍本师圣像，祈荐考妣早生佛地者。至元五年戌月日记”。五行楷书，34字，字径2.5X2.5厘米。在右上角还有阴刻比拟毛糙的文字“兴化路罗山境姚兴祖，奉舍石室一完。祈荐先君正卿姚汝坚三十三宴，妣郭氏五九太孺，继母黄十三娘，先兄姚月涧，四学世生界者。”这些文字价值性很高，是目前世界独一摩尼光佛造像跟庵寺建造年代可借的文字佐证，十分宝贵，同时也是研讨泉州明教的一手历史资料。

在这草庵遗址前真个20米处，曾经出土一块元代完整的黑釉碗和60多件残瓷片。这件完整的黑釉碗，口径18.5厘米，高6.5厘米，碗内底部在烧制时便刻有“明教会”三字，字径6.5厘米左右，其余残瓷片同样分辨刻有“明”、“教”、“会”三个字样，这是当时泉州明教会活动情形的主要发现。宋未元初时烧制这种黑釉碗，在晋江磁灶为数较多，泉州市区近郊也有同类型的发现，阐明罗山草庵摩尼教遗址的文字记载与黑釉“明教会”的瓷碗相印证。泉州的摩尼教活动于元代是比较公然性的。解释泉州的明教是以佛为崇拜而风行的。据传有泉州十八位读书士子住于草庵勤恳读书，常于此浮现佛的形象，说是文殊菩萨的显影，因而在摩尼光佛坐像两侧有弘一法师手书木刻对联“石壁光明相传为文佛显影”，“史乘记录于此著名贤读书”。

明朝太祖朱元璋依附明教篡夺政权，并采取明教的“明”定国号，然而又担忧明教要挟他的统治，即所谓“又嫌其教门上逼国号，寅其徒，毁其宫”。所以明初明教极盛一时又转入机密活动，融会于道、佛教的民间崇拜。但仍于明正统年刻摩尼教的教义信条原出地方有。

劝念

清净光明，鼎力智慧。

无上至真，摩尼光佛。

正统乙丑玄月十三日，住山弟子明书立。明万历年间(公元1573-1620年)泉州还有两位有名诗人旅行草庵题诗于此：黄克晦(公元1524一1590，号吾野，惠安崇武人，能诗善字画，著有《吾野诗集》等)

《万石峰草庵得家字》

结伴遥寻太乙家，峨峨万石映孤霞。

坐中峰势天西侧，衣上梦阴日半斜。

风榭无人飘翠瓦，云岩有水浸苔花。

何年更驻苏杭鹤，静闭闲房共转砂。

诗人黄凤翔(1538-1614，号仪庭，止庵。泉州市区人，名士名宦)

《秋访草庵》

琳宫秋日共跌登，木落山空爽气澄。

细草久湮仙峡路，斜晖暂作佛坛灯。

竹边泉脉邻丹灶，沿里云根蔓绿藤。

飘瓦颓垣君莫问，萧然一榻便??

以上两位诗人都把草庵当作道教宫庵对待。其诗中还呈现“太乙神仙“和“丹灶”的词句。

好了，今天咱们参观摩尼教遗址到此就停止了，欢送大家再次光顾。谢谢!

大家好，很高兴今天能有机会和大家一起参观安平桥。

安平桥是国家第一批公布为全国重点文物保护单位之一。位于晋江市的安海镇，安海古称安平，因此，此桥又称：“安平桥”，由于桥长有五华里(即二公里半)人们便称它为“五里桥”;位于安海镇西畔，俗称“西桥”。

安平桥全座石构，用花岗岩和沙石构筑的梁式石桥，横跨晋江安海和南安水头两重镇的海滩，始建于南宋绍兴八年(公元1138年)，前后历经十三年告成，后经明清两代均有修缮，现为国家拨款依旧重修保留原状，闻名天下。据《晋江县志》记载：“晋江、南安之界，旧日以舟渡，宋绍兴八年，僧祖派始筑石桥未就，二十一年来赵令衿成之，釃水三百六十二道(即分水道为三百六十二孔)，长八百十有一丈，宽一丈六尺……”目前修缮后桥全长为20xx米，桥面宽3米至3.6米，以巨型石板铺架桥面，两侧设有栏杆。桥板又阔又厚，最长者可达十余米，每间用板石七、八条，皆是坚实的花岗岩石。而这些桥板石从哪里开采而来的，应该是泉州府附近的石窟，但需要用水运。据说有私家族谱记载，这样的巨石，多是咫尺相望的金门岛开采海运而来的。桥墩筑法，用长条石和方形石横纵叠砌，呈四方形、单边船形、双边船形三种形式，尚存331座，状如长虹，为中古时代世界上最长的梁式石桥，故有“天下无桥长此桥”的美赞。此外，长桥的两旁，还置有形式古朴的石塔和石雕佛像，其栏杆柱头还雕刻着维妙维肖的雌雄石狮与护桥将军石像，以夸张的手法，雕刻表现得非常别致，皆为南来的代表作。

整座桥上面的东、西、中部分别置有五座“憩享”，以供人休息，并配有菩萨像。两翼水中筑有对称方形石塔四座，圆形翠堵婆塔一座，塔身雕刻佛祖，面相丰满慈善。中亭二尊护桥将军，躯高1.59至1.68米，头戴盔，身着甲，手执剑，雕刻形象威武，这都是宋代石雕艺术的精华。

当时主持建桥的赵令衿筑成天下长桥而高兴地写下一首诗：

为问安平道，驱本夜已分;

人家无犬吠，门巷有炉熏;

月照新耕地，山收不断乡;

梅花迎我笑，书报小东君;

有“安平桥”原有篆书丰碑，已废。据清人龚显增《亦囱脞牍》载：“丁丑由安平趋漳郡，道出西桥，见篆书丰碑，几立桥上……碑题‘安平桥’篆书三字，字径二尺，配搭匀整，气象崚嶒，旁款一行，正书云‘右迪功郎南安县尉陈大方立’，刊者刘长岳，大方绍兴末任南安县尉。”

“安平桥这一伟大的桥梁工程是继闻名天下的海内第一桥的洛阳桥(又名万安桥)，以工程之艰巨，为世界首创的“筏型基础”，而产生泉州府地之建桥热，成为泉州“桥梁甲天下”。安平桥则以长度上被历代所赞誉，以“卧龙“、“巨虹”的壮丽称号，闻名海内外。在明代被泉州人称为“学问最通”陈紫峰，有一天集诸文人周游安平桥，正遇聚雨，他们都在桥上闲聊长桥胜景，随即作对联：“暴雨骤倾万斛珍珠浮水面，长虹多挂一条金带束天腰。”

在桥头还有一座砖塔和观音堂，塔高达22米，为五层六角形空心建筑，南宋时所创建。为什么在南宋，晋江的一镇有这么多资财创建这么伟大的桥梁工程，据有关史料记载：“安海镇”于府南六十里，古名“湾海”，宋初始改为“安”、曰“安海市”，西曰“新市”，东曰“旧市”。海泊至，州遣吏攫税于此，号“石开津”，又据明代编号的《安海志》称，古时安海人善于漂洋过海发展海上贸易，宋元时期，商则襟带江湖，足迹遍天下，南海明珠，越裳翡翠，无所不有，文身之地，雕题之国，无所不到……这都说明宋时安海海外通商之繁荣景况，安平桥之兴更是当时海外交通发达，社会经济繁荣的实物标志。同时也看出泉州劳动人民的建筑智慧。

当代诗人郭沫若干年间特来安平桥参观，留下律诗一首。

五里桥成陆上桥，郑藩旧邸踪全消;

英雄气魄垂千古，劳动精神漾九霄;

不信君謨真梦醋，爱看明俨偶题糕;

复台得意谁能识，开辟荆榛第一条!

由于时代久远，海港的变迁，海上的桥变成陆上的桥，如今国家拨出专款重修，恢复旧貌，我们一到长虹般的长桥，总要漫步观赏，为兴建泉州长桥功劳而赞叹!