英语文体学教案LectureThreeThreeViewsofStyle

第一篇：英语文体学教案LectureThreeThreeViewsofStyle

Lecture Two: Three Views of Style We have seen the definition of stylistics and some definitions of style.Next we will see some most influential and representative views of style.Style as form.（Aristotle）（form and content）Style as eloquence.（Cicero）（skill to use L persuasively）（the relation with rhetoric）Style is the man.（Buffon）（L use is using it in discourse）Style as personal idiosyncrasy.（Murry）

Saying the right thing in the most effective way.（Enkvist）Style as the choice between alternatve expressions.（Ibid）Style as equivalence.（Roman Jacobson）（between form and function）Style as foregrounding.（Leech Mukarovsky）Style as deviation.（Mukarovsky & Spitzer）Style as prominence.（Halliday）

Style as the selections features partly determined by the demands of genre, form, themes, etc.（Traugott & Pratt）

Style as linguistic features that communicate emotions and thought.（Enkvist）

When writers write, they will naturaly try to make their language difffernt from the others’, so as to attract the attention of the readers and also to ensure and secure an independent existence.Or to stand out from the multitude of men of letters.Or just a special position for his writing.And that is to depart from the normal way of expression in a certain sense.Style as deviance.This view of stylistics comes from Widdowson’s remark of style holding that stylistic analysis has no fixed procedure and the technique of doing this kind of analysis is to pick on features in the text which appear to first impressions as unusual or striking in some way and then explore their ramifications.This remark implies that only those unusual or striking features are stylistically relevant.And the implied assumption is that the literary aesthetic effects can only be achieved through deviance.Though some stylisticians hold different views.It leads to such an assumption as that the distinctiveness of a literary text lies in its departure from the characteristics of what is communicatively normal.It also gives birth to the approach to style as deviance from the norms of a given language.Mukarovsky is another famous proponent and founder of this view of style.In his famous article Standard Language and Poetic Language, he speaks of style as foregrounding.He asserts that the violation of the norm of standard, especially, its systematic violation, is what makes possible the poetic utilization of language;without this possibility there would be no poetry.According to Mukarovsky normal use of language “automatizes” language to such an extent that the users no longer see its expressive or aesthetic power;poetry must de-automatize or foreground language by breaking the rules of everyday language.P13 Such as the expression “a grief ago”“a presidency ago” “Mr.Smarter”“Mr.Bumble””

The advantage of this approach to style is that it helps us keep in mind the there is a difference between everyday language and the language of literature.The disadvantages are that: a.It is difficult to define the norm from which the style of a text deviates.Bloch considers the basis of norm to e statistical, that is, to determine style by counting or resorting to the frequency distributions of linguistic features as they differ from that of the language as a whole.b.It tends to lead the readers and stylisticians to value only the language of the grammatically highly deviant authors and under value those authors that do not deviate or do not deviate so much from the norms of language.And generally speaking, it tends to lead underestimation of the non-deviant language both within literature and without.Style as choice.Style results from a tendency of speaker or writer to consistently choose certain structures over others available in the language.The difference between L and style is that L is the sum total of the structures available to the speaker, while style concerns the characteristic choices by a certain writer either consistently or in a given text or context.To say that style is choice of words is not the same thing as saying that it is always a conscious choice, though of course if the writer always chooses his word scrutinously the effect of his way of using L will be all the more obvious as a style.Then that is pick his way forward among words, and it is hard to imagine how much literary work can there be by now.The stock of literature of we human kind no doubt will be greatly diminished.But most, almost all poets, and some writers, and all writers at certain points in their writing do write that way, that is, they a kind of choose scrutinously and seem to pick their way forward among the forest of words.E.g.we Chinese posts have a tradition of refining words.吟得一字安，捻断数茎须。语不惊人死不休。一字之得，旬月踯躅。

Style as choice is often considered as a matter concerned with form or expression rather than meaning.That is, when the meaning is the same what makes a writer as a writer is his peculiar way of saying that, and a person’s of speaking or writing is to a very large extent his consistent choice of a special type of expressions.It dose imply that writers do choose their content in their writing, but it is true that style and stylistic study is mainly concerned with the choice of forms at different levels of L system, i.e.phonology, lexicon, syntax, and discourse.Consequently, a stylistician should first identify those words or forms of other levels of the linguistic hierarchy which are obviously the results of choice.Of though the elements o in a text are all the choices of the writer, but in practice, we only focus on the most peculiar and outstanding ones that are most expressive and most relevant to the meaning and interpretation of the text.Actually, all writings, if the writer is conscientious enough, are essentially speaking processes of choosing of words from the whole repertoire of language of a nation.So what is the implication here?

The awareness of the criteria for choosing is important.The language ability of a person lies in the following: 1.The awareness of the criteria for choosing is important.2.The ability to determine and distinguish the deviant choices from the non-deviant choices 3.The ability to choose 4.A large enough store of different choices（at different levels: sounds, words, sentence patterns, the format of text）.5.the ability to transform the different forms, especially, the different sentence patterns into each other.6.The ability to break away from the constraints of norms.Style as foregrounding.Foreground

A term used in pictoral art / close to the viewers Originally applied to the literature by Mularovsky to refer to the departure from the accepted use or norm of language.P18 This essentially speaking is to add a striking feature to one’s language.The departure from the norms（either in terms of structure or semantics）results in a kind of novelty or extraordinary feature, which is sight attracting.Another way of foregrounding one’s language is not to deviate from norms, but to achieve a less radical form of foregrounding, i.e.to manage a striking feature such as uniformity of structure, symmetrical structure, or just something uncommon or striking in general.e.g.1.Do not presume God to scan, The proper study of Humankind is but Man.2.Degeneration is comfortable disease.3.Be what you seem, and seem what you are.A good way of understanding style as choices is put forward by Short（p19）: a.When a writer writes he is constantly making choices between one word and another, one structure and another, and so on.Actually it is a matter of making choices from among different ways of expressions in general rather than a choice from two alternatives.b.Examination of the choices one makes as opposed to the ones he rejects can help us more fully understand the meaning he is trying to create and the effects he is striving to achieve.c.He can make choices from both inside and outside of the language system.And the choices from outside the language system are deviant and therefore foreground the language of his writing.d.Over regularity of one’s choices within the language system also makes the effect of foregrounding.The above discussion of style as choices implies that: 1.There are two kinds of choices that are worthwhile for stylistic analysis: deviant choices & choices that are not deviant 2.It is fore grounded choices that are covered and directly concerned in stylistic analysis.Fore-grounded choices include two kinds: the deviant choices and the choices from inside the language system that form a kind of over regularity.In other words, foregrounding is achieved through either deviation or overregularity in language use.3.Style is foregrounding.Deviation can be classified according to its linguistic levels, namely: Phonological level Lexical level Syntactic level Discoursal level The above are different kinds of surface structure deviations.Over regularity is surface phenomenon and mainly exists in the forms of the linguistic segments of different levels.Semantic level（deep structure deviation, for it is concerned with what is later called deep structure）.This definition of style integrates the previous two definitions（style as deviation and style as choices）

The two advantages of this view: a.It can account for the non-deviant use of language in literaturewhich might also form the style of its own, while the definition of style as deviance fails to cover this kind of language use.b.Compared to the definition of style as choice, the view of style as foregrounding leaves much less to personal judgment.（The selection and identification of the stylistically relevant features are less of a problem fro those taking the view of style as foregrounding.）

Notice: This does not mean the distinction between the deviant and non-deviant use of language or stylistically relevant and non-relevant choices is not important.Neither dose it mean that the analyst should give equal attention to these two kinds of choices.A sum up:

Style as foregrounding and the different ways of foregrounding（surface structure）;a.By frequency, high: some consistent choice within a context or a whole text/ consistent choice of an author/an inclination of choosing language forms/an exhibition of preference of some forms over some other forms b.Successive and consistent choice of certain element/s within a relative shorter stretch of text

c.By putting some L elements in the prominent positions, such as the beginning or end of a sentence d.By deviation

Different kinds of deviation: Deviation can be classified according to its linguistic levels, namely: a.Phonological level b.Lexical level c.Syntactic level d.Discoursal level e.The above are different kinds of surface structure deviations.Over regularity is surface phenomenon and mainly exists in the forms of the linguistic segments of different levels.And this is also a kind of deviation from the norm of language use.It is not a deviation through violating rules but a deviation through exhibiting extraordinary consistency in choice of forms or extraordinary preference of certain forms over other forms.Semantic level（deep structure deviation, for it is concerned with what is later called deep structure）.

第二篇：实用文体教案

实用文体简明教案

（此材料适用于高三语文复习）

一、通知

[通知的格式] 通知由标题、正文（缘由、根据、通知事项）和落款(发文机关名称和发文时间)三部分组成。[通知范文1]

通

知

武汉支行全体职工2010-2-2号晚上6：30于黄陂水乡度假村参加我支行年终大会。请参会人员安排好工作，准时参加会议。

[通知范文2]

××厂关于召开计划生育工作会议的通知

所属各单位：

为了总结交流经验，研究分析存在的问题，进一步贯彻落实省、市计划生育工作会议精神，做好今年计划生育工作，经研究决定召开计划生育工作会议。现将有关事项通知如下：

一、会议内容：„„

二、参加人员：„„

三、会议时间、地点：„„

四、要求：„„

某某厂

2010年2月2日

二、请假条

[请假条的格式] 请假条由标题、正文（称呼、请假缘由、请假起止时间、祝颂语）和落款（签名、时间）组成。

[请假条范文1]

请

假

条 王老师：

今天因奶奶病重，我随爸妈一起去探望，要求请假一天。

此致 敬礼!

学生：李彬彬

××年×月×日

[请假条范文2]

请

假

条 张老师：

您班学生孙浩，因突然高烧呕吐，要上医院治疗。今天不能到校上课。特此请假。

此致 敬礼!

学生家长：孙正平

2012年4月7日

三、借条

[借条的写法] 借条由标题、正文（借款人、出借人、数额、出借事由、还款时间）和落款（借款人签名、时间）等三部分组成。[借条范文1]

借

条

今借到深圳市人才交流服务中心高新区分部代理人员同志档案中的档案料，用于办理事务。本人承诺借出后小心保管，自借用之日起10个工作日内及时归还。

借材料人：×××(签名)2012年5月9日

[借条范文2]

借

条

今日由于个人财务紧张借×××1000元人民币(壹仟圆人民币)。借款日期：2009年4月1日； 还款日期：2009年8月1日。

借款人：×××(签名)

2009年4月1日

四、欠条

[欠条的写法] 写清楚借款人，借款方，金额，时间就可以。

[欠条范文]

欠

条

今由某某借款多少（金额）给某某，在某年某月某日前归还。

借款人：某某 某年某月某日

五、寻物启事

[寻物启事范文1]

寻

物

启

事

本人不慎于元月二十五日于河西区，西青区丢失，身份证、驾驶证。有 拾到者请与崔先生联系，必有酬谢。

启事人：某某 电话：××××××× 2010年2月20日

六、招 领 启 事

[招领启事范文例文1]

招

领

启

事

本商场拾到手提包一个，内装人民币若干元，手机、信用卡等物，望失主前来认领。

地点：本市某某商场三楼办公室 电话：××××××× 2001年12月25日

七、招领启事

[招领启事的格式]

招领启事主要包括标题、正文（只写拾到东西的名称，以及失主到何地、找何人认领。所拾东西的时间、地点、数量、特征等具体情况留待失主认领时核实，以防止他人冒领）落款三部分内容。

[招领启事范文]

招 领 启 事

本旅社于4月5日上午拾得皮包一个，内有手机、手表、人民币、身份证、票据等，望失主前来认领。

某某 旅社

电话：×××××××

2007年4月5日

八、留 言 条

[留言条范文]

留

言

条

女儿：

早餐在电饭煲里，自己拿出来吃。出门一定要注重交通安全。祝你快乐！

永远爱你的爸爸妈妈 2011年8月17日

八、请柬

[请柬范文]

请

柬 送呈某某台启：

谨订于2009年某 月某日(星期一)为某某先生某某女士举行结婚典礼敬备喜筵。席设: 某某酒店某某厅。敬请光临！

某某某敬邀

时间: 某月某日某时

十、倡议书

[倡议书范文]

爱心捐款倡议书 各位党员、团员、工会会员、员工、全体女职工们： 你们好!

拥有健康和快乐是我们每个人的梦想。当我们和朋友高歌、放声欢笑的时候；当我们和家人团聚、共享天伦的时候；当我们努力工作，畅想人生理想的时候，您可知道，就在我们身边，有一位柔弱的女子正遭受着癌症的折磨，用她微薄的力量与死亡抗争，用她的坚强来诠释生命的意义！

谁都知道“天有不测风云，人有旦夕祸福”。这样的厄运现在就发生在某某身上。年月份某某在某某单位组织的体检中发现肝腹水，被紧急送往某某医院，确诊为**癌晚期，治疗费用需数万元。某某丈夫是下岗工人，全靠某某与丈夫打零工的微薄收入支撑着这个家庭，经济上十分困难。就是在这样困难的情况下，某某从来没有向单位和组织伸过一次手。俗话说，一人向隅，举桌不欢。人，免不了有难，帮助和抚慰他们，是我们每个人的义务，是全社会的共同责任。

在人类历史的长河中，爱的暖流绵绵不断，源远流长。中华民族素有积德行善、济贫扶危的传统美德。今天，沐浴着改革开放的春风，集聚在共同富裕的旗帜下，我们怎能眼睁睁看着一个人等待死亡，怎能视若无睹，让一条年轻的生命离我们而去!病魔可以夺去生命的健康，但却不能夺去人间的真情。为了拯救这条宝贵的生命，拯救某某和她这个家庭。现向全公司广大员工发出倡议，请伸出友爱之手，献一份爱心，帮助某某战胜病魔吧!

谁说人世无情，你的仁爱之心，你的点滴之恩，就有可能拯救一个年轻的生命；谁说命运不公，你的无名关怀，你的善意之举，就是她最大的幸运。众人拾柴火焰高，能力不分大小，捐款不分多少，善举不分先后．贵在有份爱心。滴水汇成大江，碎石堆成海岛。哪怕就是一元钱，只要您献出爱心，她就多了一份生存的希望。只要人人献出一点爱，世界将变成美好的未来！

也许您与她素不相识，但爱心与真诚是没有界限的！希望大家都能伸出援助之手，帮助这位女工与病魔抗争吧！也许这些捐款对您而言是一笔小小的支出，但是这些积少成多的爱心，就能换回她的生命呵！她渴望找回以往阳光的笑容，健康的身体，祈望同您一样接受未来生命中的挑战和收获。相信您一定会伸出同情、友爱的手，扶一把躺在病床上的某某。

请献出一份爱心，成全一份勇敢的坚持，传递一份生命的热度。

她需要您、需要我、需要我们大家伸起双臂，用我们的爱、我们的心，点亮一盏希望的灯，帮她撑起一片蔚蓝的天。

正在与病魔抗争的某某及其家人谢谢您的关心与捐助！

捐资地点：某某某

电话：12345677898

十一、赠言

[生日赠言范文]

感谢上帝赐给我像你这样的朋友!今天，你像小鸟初展新翅;，明天，你像雄鹰鹏程万里。愿你拥有愉快的生日!更祝愿你年年岁岁幸福永伴！

（王正文 编撰于 2012.12.23）

第三篇：各类文体教案

课程名称（一定要写单元、课时，课题名称）

一、学习目标（根据题目及是否给出所教班级学生条件等调整）1.准确掌握重点字词和读音的意义，了解词的有关知识 2.分析词与景的关系，理清作者的基本思路和方法

3.体会词人豪迈的思想感情，意识到不断充实的精神生活、完美人格的重要性。

教学重点、难点

二、课堂导入：（1-2分钟）略（1、温故知新：同学们，在上节课当中我们学习了。。我们先来回忆一下，谁还记得。。？作者是怎样描写的？谁来回答下？很好，下面我们就来学习另一个人物，板书。

2、情境导入：运用图片、音乐、幻灯设备；老师这里有。，请同学跟我一起看一下，这里是。。，大家看后有什么影响，谁来发表一下看法？总结

3、举例

这就是我们今天要学习的内容。。

三、教学实施

1.在黑板上写出学习目标、本文重点掌握的词语、生字、拼音；

2.播放录音，或者自行朗读，让学生圈出停顿、重读，以及认为对理解本文思路有重要作用的词句；

3.开着互动式教学，通过提问回答评价的形式引导学生层层深入地开着教学； 1）自读课文，回答问题

2）分组讨论，注意倾听，汇报心得 4.老师总结

四、巩固提高

五、布置课后作业

六、小结

根据板书进行归纳

七、教学评价（答辩环节，从导入、实施等环节是否实现教学目标等）

相关文学常识： 词的有关知识： 词兴起于隋唐，是一种和乐可唱、句式长短不齐的诗体。初起时称“曲子”“杂曲子”“曲子词”，后来也称作“乐府”（如《东坡乐府》）“长短句”（如《稼轩长短句》）或“诗余”（如《草堂诗余》）等。它的特点是“词有定格，句有定数，字有定声。”每首词都有一个曲词名称，叫“词牌”。如“沁园春”就是词牌。词牌决定了这首词的字数、句数和平仄声韵。

词的标题和词牌是有着严格区别的，词的标题是词的内容的集中体现，它概括乐词的主要

内容。词牌是一首词词调的名称。词分为小令、中调、长调，这是依照字数多少来划分的。小令的字数在58字以内；59至90字，为中调；长调为91字以上。例如辛弃疾的《清平乐·村居》共46字，属于小令；《蝶恋花》共60字，则为中调；《念奴娇·赤壁怀古》则属于长调。豪放派和婉约派是宋代词坛上的两大流派，其作品分别表现出不同的风格。豪放派作品气势豪放，意境雄浑，词中充满豪情壮志，给人一种积极向上的力量，代表作家是苏轼、辛弃疾。婉约派作品语言清丽含蓄，词内容中抒写的感情婉转缠绵，情调或轻松活泼，或婉约细腻，体裁较狭窄，多是写个人遭遇，男女恋情，也间有写山水，融情于景的。婉约派的代表词人有柳永、秦观、李清照等。

诗歌：

诗，是一种文学体裁，透过语言，除了表达文字的意义外，也表达情感与美感，引发共鸣。诗能够自成一格，也能与其他艺术相结合，如诗剧、圣诗、歌词或散文诗，文字配上音乐则称为歌。“诗”根源于简洁、有力地想像觉察，或与经验、想法、情绪反应作联想，将意义、意识和潜意识的表现、象征化、正式或非正式的式样、声音和韵律等以某种规则加以重组安排。这种文学类型包含叙述性、戏剧性、讽刺性、训诫式、情色和个人形式。

中国古代不合乐的称为诗，合乐的称为歌，现代一般统称为诗歌。它按照一定的音节、韵律的要求，表现社会生活和人的精神世界。诗的起源大约可以追溯到上古。虞舜时期就有相关文献记载。《诗经》是我国第一部诗歌总集，相传为孔子所编。近年来关于这个问题学术界尚有争论。中国古代诗歌历经汉魏六朝乐府、唐诗、宋词、元曲之发展。

第四篇：英语写作文体

Description 描述文

A description is a verbal picture of a person, place or things.To make the work picture as vivid and real as possible you must observe and record specific details that appeal to your reader’s sense(sight, hearing , taste, smell, and touch.)Narration记叙文

Relating a single story or several related ones.Though narration, we make a statement clear by relating in detail.We present the details in which they happened Narration includes 5W and 1H.Exposition说明文

In exposition, the writer provides information about and explains a peculiar subject.Argumentation 议论文

Exposition is to illustrate the main means of expression to explain things, explains reasons and give people knowledge genre of literature

第五篇：英语文体学教学大纲

《英语文体学》课程教学大纲

课程编号：ENGL3002 课程类别：专业选修课

授课对象：英语、英语师范专业 开课学期：秋（第7学期）学

分：2 主讲教师：王军

指定教材：《新编英语文体学教程》，董启明主编，外语教学与研究出版社，2008年。

教学目的：英语文体学是一门实用性非常强的学科,对阅读、翻译、文章分析、文章欣赏以及得体地使用英语都有很大的帮助，此外，英语文体学也是英语语言学研究重要的基础性学科之一。作为一门课程，英语文体学主要由两部分构成：其一为文体学研究主要内容介绍，包括文体类型、文体特征、文体价值等方面，其次为具体文体分析方法介绍。

第一课 Introduction to Stylistics 课时：第一周，共2课时

教学内容：What is stylistics and how is it associated with other linguistic studies? 第一节：

The position of stylistics in general linguistics.The importance of studying stylistics.第二节：

What is stylistics?

The major contents of this study.Issues that need to be born in mind.思考题：

1.How to do stylistics in the framework of literature or translation? 2.What do you expect to learn from this course?

第二课

Style and Stylistics 课时：第二周，共2课时

教学内容：The development and scope of stylistics 第一节：

The definition of style and stylistics.The relationship between appreciation and research.第二节：

The development of stylistics.The scope of stylistics.思考题：

1.What are the major differences between style and stylistics? 2.What areas in society can the knowledge of stylistics be applied to?

第三课 Procedure of stylistic analysis（1）

课时：第三周，共2课时

教学内容：Linguistic description 第一节：

Linguistic description: methods and procedures.第一节：

A checklist of linguistic description.The functions of each one.思考题：

1.Why do we need linguistic description? 2.Think about the significance of conducting linguistic description.第四课 Procedure of stylistic analysis（2）课时：第四周，共2课时

教学内容：Textual analysis and contextual factors analysis 第一节：

What is textual analysis?

How to conduct textual analysis? 第二节：

A classification of contextual factors.How to analyze contextual factors？ 思考题：

1.How do you understand the relationship between understanding and textual analysis? 2.Are there other ways to classify contextual factors?

第五课 Stylistic functions of linguistic items 课时：第五周，共2课时

教学内容：Stylistic functions as defined at different levels 第一节：

Stylistic functions of speech sounds.Stylistic functions of graphological items.第二节：

Stylistic functions of lexical items.Stylistic functions of syntactic/grammatical items.思考题：

1.How do you evaluate the different kinds of stylistic functions? 2.What is the significance of studying stylistic function?

第六课 Varieties in relation to regions 课时：第六周，共2课时 教学内容：Regional English 第一节：

A brief introduction to British English.The appearance of American English.第二节：

Differences between British English and American English.British and American regional dialects.思考题：

1.What are the major causes for the differences between British English and American English? 2.How to deal with the use of the two regional English in actual learning or daily communication?

第七课 Varieties in relation to media 课时：第七周，共2课时

教学内容：Spoken English and written English 第一节：

Major features of spoken English and written English.What are the standards of using spoken English or written English? 第二节：

Electronic English.思考题：

1.What is the situation like if one is only skilled in using spoken English or written English? 2.What is the role of electronic English in the course of learning English?

第八课 Varieties in relation to attitude 课时：第八周，共2课时

教学内容：Attitude-related styles 第一节：

Degree of formality.Politeness.第二节：

Impersonality.Accessibility.思考题：

1.Think about the relationship between meaning and emotion expressions.2.What do you think of the relationship between formality and politeness?

第九课 Varieties in relation to social factors 课时：第九周，共2课时

教学内容：Social factors and their constraints on language 第一节：

Women’s English.Black English.第二节：

Taboo and euphemism.Cultural factors involved in social factors.思考题：

1.What are the reasons that maintain the existence of women’s English?

2.How do you understand the status of black’s English and the black’s social status?

第十课 Review of the past lessons 课时：第十周，共2课时

教学内容：A summary and comment of the past lessons 第一节：

The watershed of the whole course.Recall what have been learned.第二节：

What are the sections that interest you the most?

Is there possibility for you to conduct further research?

第十一课 The English of conversation 课时：第十一周，共2课时

教学内容：Conversational English 第一节：

A general introduction to what to learn in the latter half of the term.About conversation.Phonological features.第二节：

Lexical features.Syntactic/grammatical features.Semantic features.Sample analysis of a student.思考题：

1.How do you understand conversation in terms of direct speech and indirect speech? 2.Is conversational English always informal?

第十二课 The English of public speaking 课时：第十二周，共2课时

教学内容：Public speech and its features 第一节：

What is public speech?

Public speeches’ phonological features.Lexical features.第二节：

Syntactic/grammatical features.Semantic features.Sample analysis of a student.思考题：

1.What are the major differences between public speaking and conversation? 2.What are the major differences between public speech and written English?

第十三课 The English of news reporting（1）课时：第十三周，共2课时

教学内容：General knowledge about news reporting 第一节：

What are news reports?

Different kinds of newspapers and magazines.第二节：

The make-up of news reports.A sample analysis of a piece of newspaper(New York Times/China Daily)思考题：

1.Is there any difference between formal news report and informal news release? 2.Specify the make-up of some pages of newspaper, both English and Chinese.第十四课 The English of news reporting（2）课时：第十四周，共2课时

教学内容：Stylistic features of news reporting 第一节：

Graphological features.Lexical features.第二节：

Syntactic/grammatical features.Semantic features.Sample analysis of a student.思考题：

1.What are the functions of each group of stylistic features in news reporting? 2.What are the stylistic features that distinguish news reporting from other textual styles?

第十五课 The English of Advertising 课时：第十五周，共2课时

教学内容：The language styles in advertising English 第一节：

Something about advertisements.Graphological features.第二节：

Lexical features.Syntactic/grammatical features.Semantic features.Sample analysis of a student.思考题：

1.What are the major purposes of advertisements? 2.Give some advertising examples that show the violation of some basic language rules in advertising.第十六课 Literary English 课时：第十六周，共2课时

教学内容：Literary English: novel and poetry

第一节：

Some basic facts about the novel.Aspects for the analysis of the novel.General stylistic features of the novel.第二节：

Some basic facts about the poetry.Prosody.General stylistic features of poetry.思考题：

1.Between fiction and reality, what kinds of stylistic features are most suitable for the novel? 2.What effects does it have on appreciation to analyze the novel’s stylistic features? 3.How to balance meaning expression and poetic features in poetry? 4.What are the common stylistic features between poetry and novel?

第十七课：The English of science and technology 课时：第十七周，共2课时 教学内容：Technical English 第一节：

Graphological features.Lexical features 第二节：

Syntactic/grammatical features.Semantic features.思考题：

1.How to handle formality and politeness issues in technical English? 2.How is objectivity achieved in technical English?

第十八课：Review and answer questions 课时：第十八周，共2课时

教学内容：Review and answer questions 第一节：

Review.第二节：

Answer questions.参考书目：

1.王守元.《英语文体学要略》.济南：山东大学出版社，2000.2.徐有志.《英语文体学教程》.北京：高等教育出版社，2005.3.Thornborrow,J.Patterns in Language: Stylistics for Students of Language and Literature.Beijing: Foreign Language Teaching and Research Press, 2000.4.Wright, L.Stylistics: A Practical Coursebook.Beijing: Foreign Language Teaching and Research Press, 2000.