电大论文封面-目录-摘要

第一篇：电大论文封面-目录-摘要

中央广播电视大学人才培养模式改革和开放教育试点本科 __________会计学______________专业毕业设计(论文)

广东广播电视大学

毕业论文

题 目：关于汕头合俊玩具厂破产清算会计核算的思考

姓

名：

卓楚丽

学 号：

***79

专 业： 会计学 入 学 时 间：

2013年春

指导教师及职称：

肖海燕

所 在 电 大：

广东广播电视大学

目 录

一、企业破产清算及其会计核算概述……………………………………………1

（一）企业破产及破产清算………………………………………………………1

（二）破产清算的会计核算………………………………………………………1

（三）破产清算会计科目的设账及账务处理……………………………………2

二、汕头合俊玩具厂破产清算的会计核算………………………………………3

（一）汕头合俊玩具厂破产接管时会计资料……………………………………3

（二）汕头合俊玩具厂破产清算的会计核算……………………………………4

三、汕头合俊玩具厂破产清算会计核算带来的思考……………………………15 参考文献……………………………………………………………………………16

内容摘要

从如何让更多的濒临破产企业在激烈的竞争中继续生存,以及以何种形式继续在市场竞争中发挥自己的优势而避开劣势这个角度来谈破产清算。企业破产清算是市场经济体制下的一个永恒的话题。破产清算作为长期存在的事项,其财务问题则是一个不可回避的问题。本文通过对我国国有企业破产清算的各个阶段,如破产财产的确认、估价、变价、分配为主线,论述其有关财产问题，使清算后企业通过清算实现规模经济效应、经营和财务协同效应等。本文认为在破产清算实践中，当被清算企业在评估调账后仍处于资不抵债、净资产为负数的情况，会计上应将资不抵债的数额列为递延支出核算，这种处理方法有利于鼓励优势企业清算资不抵债的企业，减少因破产而增加的社会压力。

【关键词】破产

清算

企业

会计核算

第二篇：杨桂凤论文封面—目录—摘要 2

学号：1005030128

毕业论文

同创纸品包装公司绿色营销中的

问题及其对策

Tongchuang Packaging Paper Products Company in the Green Marketing of Problems and Countermeasures

学院 经济管理学院 专业 市场营销 班级 营销专101班

学生

杨桂凤

指导教师（职称）

吴肖林(讲师）

完 成 时 间 2013 年 3 月 4 日 至 2013 年 6 月 2 日

广东石油化工学院毕业论文诚信承诺保证书

本人郑重承诺：《同创制品包装公司绿色营销中的问题及其对策》毕业论文的内容真实、可靠，是本人在吴肖林指导教师的指导下，独立进行研究所完成。毕业论文中引用他人已经发表或未发表的成果、数据、观点等，均已明确注明出处，如果存在弄虚作假、抄袭、剽窃的情况，本人愿承担全部责任。

学生签名： 2013年6月2日

摘要

深圳同创纸品包装有限公司是一家主要从事纸品包装的制造型企业。经过多年的发展已经成长为具有一定发展前景的制造型企业。近年来我国的消费品从传统的营销方式逐渐地向绿色营销不断地发展，并且绿色营销已引起全社会的普遍关注一些企业也在这方面也取得了良好开端，但从整体而言我国大多数企业还不具备绿色意识绿色消费的理念在纸制品包装中绿色营销的发展受到诸多因素的制约。近年来，环保的呼声越来越高提倡更多的是使用环保的消费品。随着经济的迅速发展和人们生活水平的不断提高,包装在国民经济中的地位越来越重要,与此同时,包装所造成的环境污染和生态环境破坏也日趋严重。人们越来越清楚地认识到它对环境的危害,所以绿色包装成为包装界研究发展的方向。为了使同创纸品包装有限公司得到更进一步的发展，本文将主要通过对纸品包装开展绿色营销所存在的问题进行详细的研究，并为同创提高其绿色营销水平提供建议和对策，以帮助同创纸品包装做得更强更大。

关键词：绿色营销 存在问题 营销策略

目 录

摘要.............................................................I

一、引言...........................................................1

（一）研究背景..................................................1（二）研究的目的和意义...........................................1

（三）国内外研究现状.............................................2

二、同创包装公司绿色营销现状........................................5

（一）深圳市同创公司的概况.......................................5

（二）深圳市同创公司的绿色营销现状...............................5

三、同创包装公司绿色营销存在的问题..................................7

（一）纸品包装绿色营销观念和营销中存在的问题.....................7

（二）同创纸品包装绿色营销组合策略存在的问题.....................7

四、提高同创包装公司绿色营销水平的营销对策..........................9

（一）积极树立现代的绿色营销理念.................................9

（二）提高同创公司绿色营销水平的营销策略.........................9

（三）加大公共关系营销的推广力度................................11

五、结论..........................................................13 参考文献...........................................................14 致谢...............................................................15

第三篇：2封面、目录、中文摘要关键词示例

海尔集团内部控制研究报告

J080311**

张三

目录（三号黑体居中）

(空一行)中文摘要(五号宋体)第一部分 公司背景介绍------------------------1 第二部分 ××公司内部控制五要素分析----------4 2.1内部环境分析---------------------------4 2.1.1组织架构---------------------------5 2.1.2发展战略---------------------------6 ……

2.2风险评估分析---------------------------7.................第三部分 ××公司内部控制不足及相关建议------9 3.1××公司内部控制不足--------------------9 3.1.1×××------------------------------9 3.1.2×××-----------------------------10 3.2相关建议------------------------------12 3.2.1×××-----------------------------12 3.2.2×××-----------------------------13 第四部分 总结-18 参考文献------32 附录-----33

摘 要(三号黑体居中)

(空一行,四号宋体)随着我国加入世贸组织三年多来，在我国零售业全面开放的发展新环境下，×××××企业在不断发展自身实力的同时，也必须面对外资零售企业加快进军中国市场的步伐，加大拓展中国零售业务的力度。企业在获得………………………………(四号，宋体，1.5倍行距)

(空一行,四号宋体)关键词(四号黑体)：XXXX，XXXX，XXXX，XXXX（四号宋体）

第四篇：论文封面电大机械设计制造毕业论文

北京广播电视大学 毕业设计（论文）

题目：网络考试系统

专业：年计算机科学与技术 学号：

姓名：

指导教师：

第五篇：毕业论文摘要、目录

瓷器首饰的设计研究

摘要：本文力图通过对目前世界首饰设计发展趋势的分析，希望研究出能够代表中国特色文化的瓷器首饰。

经济的发展，科技的进步，生活水平的提高，人们对首饰的要求也跟着提高，等等一系列原因导致珠宝首饰传统意义上的“ 保值 ”功能退居次要位置，代之而来的是审美、时尚、享受和健康。

尽管如此，全球化，统一化使得各国的生活方式和民族文化相互融合并逐渐趋于一致，最终导致了民族界限越来越小，民族特色首饰越来越少。面对这种情况，作为设计人员的我们唯一能做的就是宣传爱国意识，传播爱国情怀。而瓷器首饰本身就有很强烈的民族特征，在加上青花的效果和 “龙”图纹的衬托，使得瓷器首饰的民族特征更加强烈，更加有利于宣传爱国情怀的宣传和表达。

虽然目前整个首饰行业发展已经迈入稳定状态。但我相信瓷器首饰的出现将给首饰界带来另一个无限的发展空间。

瓷器首饰它是当下最流行的“绿色产品”。它危害低,环保、节能、健康。它是你我最佳的选择。

关键词：瓷器首饰；时尚；中国文化；爱国情怀

中图分类号：TB472

The Research on the Design of Porcelain Jewelry

Abstract: This paper tries to discuss eyewear design from the perspective of fun spirit by analyzing the present world development trend of eyewear design.We are familiar with eyewear as a product.Now，It is not only the use of correcting short-sightedness and astigmatism, but increasingly becoming a fashion carrier embodied the fun spirit as.For the consumers, the purchase of motivation is on fashion, on personality, on decoration.China's optical industry developed fast in recent years but the whole development of the industry has not been standardized, mature.China is the world's major production base of eyewear, the world's first production, but also can not be the forefront of the field.The lack of design capabilities, blindly follow the example is an important reason.China has a long history, which are rich in spiritual wealth is unique to us.In particular, the Chinese elements is more and more popular today, the using of the Chinese elements in eyewear design creativity is a practical sense.The interpretation of Chinese elements, of course, can not remain in superficial level.This paper wants to interpret the Chinese elements with fun spirit in eyewear design, make It has new content, in line with modern consumer and aesthetic needs.Keywords: Porcelain Jewelry ；Eyewear design ；Chinese elements

Classification: TB472

目次

摘要·······································································································································Ⅰ 目次·······································································································································Ⅲ 1绪论······································································································································1

1.1研究背景··························································································································1

1.2研究目的与意义··············································································································2 2瓷器概述······························································································································4

2.1瓷器的定义······················································································································4

2.2瓷器的发展及其现状······································································································5

2.3瓷器产品的分析··············································································································6 3首饰设计概述······················································································································8

3.1首饰的定义及其分类······································································································8

3.1.1首饰的定义··················································································································8

3.1.1首饰的分类··················································································································8

3.2首饰设计的基本方法······································································································9

3.2.1点线面在首饰中的体现······························································································9

3.2.2色彩在首饰设计中的运用························································································10

3.2.3现代首饰的主要特征和形式美的法则···································································· 11

3.3首饰设计元素的选择····································································································12

3.4首饰设计造型的演化····································································································13

3.5首饰设计图案的选择·································································································14

3.6套件首饰设计············································································································15

3.7现有首饰分析············································································································15 4瓷器首饰的设计················································································································16

4.1瓷器饰品的现状及其发展前景····················································································16

4.2瓷器首饰的特点············································································································18

4.2.1瓷器首饰具有强烈的民族性····················································································18

4.2.2瓷器首饰是新型的“绿色首饰” ············································································183

4.2.3瓷器首饰具有的材质优势························································································19

4.2.4瓷器首饰具有无可替代的色彩优势········································································19

4.2.5瓷器首饰具有形式多样性························································································20

4.2.6瓷器首饰具有独特装饰效果····················································································20

4.3瓷器首饰的加工工艺····································································································21 5瓷器首饰的设计理念及其运用························································································22

5.1碗造型及印章的寓意····································································································22

5.2青花图案与现代亮丽的黄颜色分析对比····································································23

5.3龙文化的寓意················································································································24 6设计实践部分····················································································································26

6.1产品构想························································································································26

6.1.1背景调查····················································································································26

6.1.2目标人群分析············································································································26

6.1.3材料选定····················································································································27

6.1.4产品定位····················································································································27

6.2设计初稿························································································································28

6.3产品分析························································································································28

6.4佩戴展示························································································································29

6.5设计效果图····················································································································30

6.6设计版面························································································································31 7结论····································································································································32 参考文献·······························································································································33 学位论文数据集···················································································································344