美不被定义诗歌

第一篇：美不被定义诗歌

美不被定义

它独生

真实的存在而没有具体的形态

遂生遂灭，遂灭遂生

美总在它不在的地方

美非白马也非黑马

美便是潜藏在井底的古老的光束

美便是影子里的影子

便是一种献身，一次庄严地赐死

美便是神的目光

透射人体时的投影

美是一个古老的传说

是心灵战栗时的幽灵

美是令品德丰满的发声练习

不可被耳朵捉住的声音叫天籁

看不见的羽毛叫飞翔

美非神力可为

美跨越物种的分际

美令你我痴迷

彰显不能显示的品德

美独一无二

美不孤单，不会犹豫

美是沉沦中的飞天

美是风雨过后的彩虹

美是唯一战胜岁月的半神

美不被解释也不可回答

美是等待中寄予的希望

美是错过中的回头看见

美是零的出发，枯枝的萌芽

美是不灭的梦呓

美是世间最美的语言

美是十字架上的耶稣

是玫瑰刺上的血

美是青花瓷瓶身上的裂纹

美是无法替代的死

美是一种苦苦的等

美是一种孜孜不舍的执著

美是心念的刹那改变

美不可称量

不被临摹

美是烦恼过后的一杯波罗蜜

美是一种顿悟

美无取无舍

美无我无他

无前无后

美是抛舍嗔怒后的谛听

美是一种给予

美是海床之蚌幽闭百年的寂

第二篇：美甲定义

美甲行业剖析

——依芙悦创艺美甲

1.美甲技术是非常有趣、有成就的高收益职业。

全球每年相对数百万名具有时尚感觉的魅力人士而进行的美甲服务收益达30亿美金的庞大规模。我们引进美国、日本、韩国的技术在国内进行非常专业的培训，再根据中国人的风土人情文化的差异和现状，个性化定制培训技术内容。从而使这个美甲文化产业化、规模化、专业化、大众化，谱写着中国特色的美甲篇章。

2．国内美甲现状

最初国内的美甲是从北京、上海、广州等大城市兴起，逐渐蔓延到各个大中城市，现在连中小城镇都遍地开花；从最初相对的外国人、富人层为主要顾客，发展到现在的大众对美甲的热爱更为明显。演艺明星对美甲的关心对美甲市场的活跃起到了作用。随着更多的美甲公司，美甲培训学校的起步进一步带动了国内的美甲市场。美甲是为追求全新、快捷、个性和形象的现代年轻人展现自身能力的魅力职业。21世纪美容化妆产业最受瞩目的美甲，为具备艺术潜能的人士，铺开了展现才华的舞台。

3.海外就业

中国有很多海外留学生，出国就业人员。掌握一门技艺，在国外可以轻轻松松赚取高收入，美甲技术掌握在手，走遍天下无忧。而且美甲创业投入金额少，回报快，可以短时间内在国外自行创业。

4．美甲产业是高附加值的文化产业

中国的美甲产业尚处于发展阶段，只要掌握了全面的美甲技术，就职率100%，获得认可和 发挥实力的机会很多，前景可观。

5.美甲师的职业没有限制

时尚与艺术相结合的生活职业，不分年龄、学历、男女、结婚与否都可以从事。

6.美甲师具体的走向

一：美甲店，化妆品店，酒店宾馆，俱乐部会所，美容院等

二：取得专业资格后任职于各大美甲学校，培训中心

三：自选创业

四：演艺人员的专职美甲师

五：婚纱影楼，广告公司等

第三篇：原始诗歌定义、特征、形式

原始诗歌定义、特征、形式

一、原始诗歌：是没有文字记载的原始人类在集体劳动中集体创作的诗歌作品。它是中国文学最早出现的文学样式，是原始人口耳相传的文学样式，它直接起源于劳动，是原始人类集体劳动生活的反映，它以劳动为素材和主题，表达了他们的意志、理想和愿望，带有明显的功利目的和原始的宗教意识，诗、乐、舞三者融为一体。

二、原始诗歌的特征：

1、讴歌劳动生活为主题。

2、相当程度的宗教意识。

3、歌、乐、舞融为一体。

三、原始诗歌的形式：大多是一元一句的形式，音阶简单。

第四篇：英语诗歌术语以及定义

acrosticism

the art or skill of writing a poem in which the lines or stanzas begin with letters of the alphabet in regular order or one in which the first, middle, or final letters of the line spell a word or a phrase.—acrostic, n., adj.Alexandrine

an iambic hexameter, or iambic verse with six feet.anapest

a foot of three syllables, the first two short or unstressed, the third long or stressed.—anapestic, adj.antibacchius

1.(in quantitative meter)two long syllables followed by a short.2.(in accented meter)two stressed syllables followed by an unstressed.Cf.bacchius.—antibacchic, adj.antistrophe

the second of two metrically related sections in a poem.Cf.strophe.See also 127.DRAMA.—antistrophic, antistrophal , adj.arsis

the accented part of a foot of verse.bacchius

1.(in quantitative meter)a short syllable followed by two long.2.(in accented meter)an unstressed syllable followed by two stressed.Cf.antibacchius.—bacchic , adj.bardism

1.the art or skill of one who composes and recites epic or heroic poetry, often to his own musical accompaniment.2.membership in an ancient Celtic order of poets.canto

one of the main(larger)divisions in a long poem.catalexis

incompleteness of a foot, wherever it appears in a verse.—catalectic, adj.dactyl

a foot of three syllables, the flrst long or accented, the following two short or unaccented.—dactylist, n.—dactylic, adj.diastole(in Greek and Latin verse)the lengthening of a short syllable.Cf.systole.—diastolic, adj.dipody

a double foot;a pair of similar feet comprising a metrical unit.—dipodic, adj.distich

a couplet or pair of verses or lines, usually read as a unit.ecthlipsis

(in Latin prosody)the elision of the last syllable of a word ending in m when the following word begins with a vowel.heptameter

a verse having seven metrical feet.—heptametrical, adj.heptapody

a verse having seven metrical feet;a heptameter.—heptapodic, adj.hexameter

a verse having six metrical feet.—hexametrical, adj.hexapody

a verse having six metrical feet;a hexameter.—hexapodous, adj.iamb

a foot of two syllables, the first short or unstressed, the second long or stressed.—iambic, adj.ictus

the stress or accent that indicates the rhythm of a verse or piece of music.See also 284.MUSIC.lettrism

a technique of poetic composition originated by Isidore Isou, characterized by strange or meaningless arrangements of letters.logaoedic

a poem or verse composed of dactyls and trochees or anapests and iambs, resulting in a proselike rhythm.—logaoedic, adj.lyricism the practice of writing verse in song form rather than narrative form to embody the poet’s thoughts and emotions.Also lyrism.—lyricist, n.—lyrical, adj.lyrism

lyricism.—lyrist, n.madrigal

a lyric poem suitable for setting to music, usually with love as a theme.—madrigalist, n.metricism

1.any of various theories and techniques of metrical composition.2.the study of metrics.—metricist, n.metrics

1.the science of meter.—metricist, n.2.the art of composing metrical verse.—metrician, metrist, n.metromania

an abnormal compulsion for writing verse.monopody

a verse consisting of one foot.—monopodic, adj.octonary

a stanza of eight lines;an octave.—octonary, adj.orthometry

1.the laws of versification.2.the art or practice of applying these laws.pentameter

a verse of five metrical feet.pentapody

a line of verse containing five feet.poesy

1.Archaic.poetry.2.Obsolete, a poem.poetastery

poor or mediocre poetry.poeticism the qualities of bad poetry: trite subject matter, banal or archaic and poetical language, easy rhymes, jingling rhythms, sentimentality, etc;the standards of a poetaster.poetics

1.Lit.Crit.the nature and laws of poetry.2.the study of prosody.3.a treatise on poetry.4.(cap.)a treatise or collection of lecture notes on aesthetics composed by Aristotle.proceleusmatic

a metrical foot of four short syllables.—proceleusmatic, adj.prosody

1.the science or study of poetic meters and versification.2.a particular or distinctive system of metrics and versification, as that of Dylan Thomas.—prosodist, n.—prosodie, prosodical, adj.pyrrhic

a metrical foot composed of two short or unaccented syllables.—pyrrhic, adj.rhapsodism

the professional recitation of epic poems.—rhapsodist, n.rhapsodomancy

a form of divination involving verses.rhopalism

1.the art or skill of writing verse in which each successive word in a line is longer by one syllable than the preceding word or in which each line of verse is longer by a syllable or a metrical foot than the preceding line.2.an instanceof rhopalicform.—rhopalist, n.—rhopalic, adj.rhymester

a poetaster or poet of little worth;a mere versifier.scansion

the analysis of verse into its metrical or rhythmic components.spondee

a foot of two syllables, both long or stressed.—spondiac, adj.stanza

a section of a poem containing a number of verses.stich a line of a poem;verse.stichomancy

a form of divination involving lines of poetry or passages from books.strophe

the first of two metrically related sections in a poem.Cf.antistrophe.See also 127.DRAMA.synonymous parallelism

a term describing a couplet in which the second line repeats the idea or content of the first line, but in different terms, as by using different images, symbols, etc.systole

the shortening of a syllable that is naturally long.Cf.diastole.—systolic, adj.tetrameter

1.a verse of four feet.2.Classical Prosody.a verse consisting of four dipodies in trochaic, iambic, or anapestic meter.—tetrameter, adj.tetrapody

a verse of other measure having four metrical feet.triadism

the composition of poetic triads.—triadist, n.tribrach

a foot composed of three short syllables.—tribrachic, adj.trimeter

a verse having three metrical units.triplet

1.a stanza of three verses.2.any set of three verses.See also 284.MUSIC;295.NUMBERS.tripody

a verse or measure of three metrical feet.tristich

a poem, strophe, or stanza of three lines.—tristichic, adj.trochee

a foot of two syllables, the first long or stressed, the second short or unstressed.—trochaic, adj.truncation the omission of one or more unaccented syllables at the beginning or end of a verse.—truncated, adj

第五篇：距离等于美诗歌

想起

那古先知们的语录

千古流淌

宛若花丛中那朵绝色

无论如何挑剔

眼中就有它的位置

是太偏执

今天的人们

只能拾牙慧般

拼凑着那些文字

又无病呻吟地

有了崭新体验

仿佛

创造了一场革命

就这样

吃着洋快餐收了洋垃圾

却把祖产送到海外

我们吹嘘的文明礼仪

已经开始心虚

方块字的魔法

我们是始作俑者

由她展开的美

炫了五千载

而后辈无情挥霍和买卖

还能剩余几许

难道

要到某一天

只有看着陈列的文物画册

啊

美则美矣

距离有些远

那在若干年前