用王力宏85首歌名写的情书

第一篇：用王力宏85首歌名写的情书

用王力宏85首歌名写的情书

♂献给所有喜欢王力宏的人♀

《是你》，我又开始《钓灵感》，面对《白纸》，我写下这些。

我曾《认真》的《去爱》你，我要给你《安全感》，让你《不要害怕》。我发誓《我用生命爱你》，《每天爱你二十四小时》，我只要《有了你就足够》。《不管怎样》我都想要给你《Everything》。我想没有人会《比你更好》，你就是我的《唯一》，我的《星座》，我的《Julia》，你就是我《心中的日月》。《爱，因为在心中》，《我就喜欢》你，我大声说我《爱的就是你》。《不必问别人》，我也能发觉我开始为你《改变自己》，不是《变坏》，而是变的《爱你就等于爱自己》 这时我问《你可以告诉我》你愿不愿意《Follow me》?你却回答让我《放开你的心》，难道我一直都《爱错》了。

是的，你在《另一个天堂》，《我管不到》你，你也不是我的《女朋友》。我一直绕着你《公转自转》，可是原来我只是个《玩偶》，我一直都在唱《独角戏》。你可知道不知不觉《你伤了我的心》。在《Last night》,我《Dream again》《失去了你》，起床之后才发现我《流泪手心》。

在生活中我《不可能错过你》，可你的《眼睛》告诉我，《让开》。我为了《远离伤心》，只能选择在生活中对你隐身，因为《我完全没有任何理由理你》。我试着不去《回忆》，我也从来《不说后悔》。

《当爱在思念蔓延时》，我的《爱依然执着》，而《此刻，你心里想起谁》，是我的那个《竞争对手》，《情敌贝多芬》吗。每当我看到你和他在一起《完美的互动》，我想对你说，《别这样我会哭》的。

《伤口是爱的笔记》，伤口不会痊愈，笔记的故事也不曾磨灭。《四季》往复《过来》，我一直都在独自《听雨》。《W-h-y》我现在《好想你》，我实在《戒不了你》，《在每一秒都想见到你》。

你到底《爱过没有》，你从来不曾给我《爱的鼓励》，我也无法和你《Love Love Love》，更不会是《Forever Love》。我不曾对你有过《花田错》，我《爱的得体》，却只能《落叶归根》，不会是《Kiss goodbye》。

我已经没有信心在听王力宏好的歌。听到《我们的歌》，可是《两个人并不等于我们》。

我想问力宏：“凭什么你是《盖世英雄》，凭什么你可以《戏出东方》，凭什么你用《好心分手》，凭什么你就可以玩《大城小爱》。为什么你的《爱，无所不在》，在那《竹林深处》，《在那遥远的地方》，或是随便在一个《星期六的深夜》，就会遇到一位《Cockney girl》。”《哥儿们》，《这就是爱》吗？

亲爱的，此刻，《如果你听见我》的《心跳》，来看我的《脚本》，你就会发现我已不配再听王力宏的歌，我只能躲在角落里听薛之谦的曾《深深爱过你》。

第二篇：用九十九首歌名写成的情书!

用九十九首歌名写成的情书!

《当我遇上你》我就知道《遇上你是我的缘》《第一次》有《心上人》,那《感觉》是《甜蜜蜜》的.《无论如何》《我知道》我《就是喜欢你》....《如果只得一星期》我也会《抱紧你》说《一千遍我爱你》,如果《有人》《喜欢你》我会和他《赌爱》令他成为我的《手下败将》我一定要他《非走不可》.因为《我是真的真的很爱你》你是我心中的《天使》,我只想《安静》地《简单爱》着你,虽然我《明白》在你心中《我不是一百分》,但也请你给我一次《机会》就算你是一个平凡的《女生》,我也《心甘情愿》《一生一世只爱你一人》因为《恋爱大过天》...., 在这个《情人节》我《期待》能和你《牵手》看着《流星雨》然后许下《一千零一个愿望》像《少女的祈祷》《真心真意》说声《真的爱你》……

在我的心中,你是《独一无二》的《情人》也是《从头到尾》唯一的一个,我《相信》你不会《离开》我,因为你不像那些《坏女人》一样会《移情别恋》……

《说真的》我对你已《神魂颠倒》了，《只要为你活一天》就算死我也《愿意》《走到底》，《爱上你》《我愿意》不要《自由》，只因《我比想像中爱你》…

那天你对我说《分手吧》就《挂线了》。你的话《无形》地刺得我好《心痛》，《为什么》会这样。那天，我的心里下了一场《认真的雪》，抬起头看夜色却看到了《北极星的眼泪》，不知道《天亮以后》该怎么办，为了你；我想《断了爱情的念头》，可我《爱》你，我希望《今生你做伴》。

还记得《那一年，那一天》吗？你对我许下了《你的承诺》…《一个人的冬天》真的好《孤单》，你的心像《红色石头》一样有热情的血液和石头的《冰冷》，《突然好想你》。《被遗忘的爱》你会不会《拾起》，我好想说一句《I MISS YOU 》… 其实我《爱你胜过爱我自己》，对你《不得不爱》 分手的《那一夜》我哭了，《别说我的眼泪你无所谓》，你就是我的《宝贝》我会《永远永远》爱你。和你在一起的感觉像吃了《棉花糖》《甜甜的》，《我对天空说》《做我老婆好不好》让它转达给你，你就是我的《专属天使》……

我想和你做对儿《幸福恋人》，《好好爱我》好吗？《没有你的日子我真的好孤单》，《舍不得》让你离开我，我不能《错了再错》了，我要追你回来，让你在我《左边》陪我，找回我们《遗失的美好》…… 想你有时真的会《缺氧》，因为我《超喜欢你》《只对你有感觉》。为了你我愿意折断我《天使使的翅膀》放弃整个《天堂》只因为你是我的《唯一》，最后送给你《九千九百九十九朵玫瑰》向你说～我～爱～你～

终于写完了，累死了，不过～ 为了你，两个字～值得！这是九十九首歌，代表天长地久的爱情！

第三篇：用84首beyond歌名写的情书

用84首beyond歌名写的情书

你知道我的迷惘”，其实”我早应该习惯”，我知道你”最后的答案”，曾经我会想你”一辈子陪我走”，却发现这是”天真的创伤”．在这苍茫的”大地”，没有”惊喜”，不能”遥望””情人”，只能选择”麻醉”自己”无助”的”想你”．

”追忆””旧历”，那年”门外看”，”我记得””月光光”，和你说”喜欢一个人””无悔这一生”．”过去与今天”，”请将手放开”，你和她若是真的”是错也再不分”，那请你”完全的爱吧”．我”妄想”，我”叹息”，其实”十八”在一起的你们”总有爱”．现在”愿我能”逃开”撒旦的诅咒”．

在这”光辉岁月”，因为你”太完美”，所以我”喜欢你”，但你却”缓慢”告诉我你是”我的知己”，所以”怀念你”，亦”逼不得已”要”忘记你”，不让所谓的纯友谊变质．在这”十字路口”，我唱着”午夜怨曲”，”我不信””热情过后”一切只是”曾经拥有”．”真的爱你”，我知道是”一厢情愿”，但”海阔天空”我”未曾后悔”．

你常说我”无尽空虚”，是个”糊涂的人”，每次听者你说的话，看着你的”无无谓”，”我是愤怒”！”逝去的日子”，”温柔杀手”的你，在这”爆烈都市”沿着”灰色轨迹”，最后”一无所有”．所以，我才”不再犹豫”，不管”可否冲破”，”每段路”对你”全是爱”．”又是黄昏”，”梦””随意飘荡”，我怀着”赤红热血”走向”迷离境界”，我相信”坚持信念””永远等待”，”两颗心”终将”交织千个心”．过去的”缺口””伤口”就让它过去吧，”ＴＨＥ ＯＴＨＥＲ ＤＯＯＲ”ＷＩＬＬ ＯＰＥＮ ”ＯＮＣＥ ＡＧＡＩＮ”．

我想以后每个”冷雨夜”，我们都能”不见不散”．”水晶球”告诉我这将是场”扯火”的”游戏”，但是我不愿踏着”旧日足迹”，我要”飞越苦海”，就算”牺牲”又如何？我”无语问苍天””谁伴我闯荡”，请你不要”无声的告别”！.本文来源 www.bj520.tk转载请注明

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第四篇：王力宏演讲

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全开 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.

第五篇：用歌名组成的情书

《亲爱的》 《宝贝》《你》现在还好吗? , 《我是你老公》 记得 , 《星星点灯》 《那一夜》 我们有了彼此的 的 , 《约定》 , 《你是我的老婆》 , 你是《我第一次爱的人》我《就是爱你》而且要《狠狠爱》 ,我要《爱你一万年》!~ 〈爱上你我很快乐〉 ,我的心也不再是〈寂寞在唱歌〉 ,我〈一直很安静〉的生活,在接到你 〈爱》的《幸福预报〉后,我的生活就变成了〈美丽的神话〉.〈你〉是我的〈美丽天使〉 ,你是一朵〈香水百合〉你的 〈睫毛弯弯〉就象〈阳光下的星星〉 你的〈笑脸〉就象飘着〈菊花香〉的〈六月彩虹〉 ,你的〈发如雪〉 〈恰似你的温柔〉一样飘 洒在你〈倔强的背后〉.〈第一次〉 〈让爱靠近〉我的心就有了〈连锁反映〉〈原来〉你就是我这一生〈选择〉〈甜 , , 蜜蜜〉的〈天天想你〉想我〈童话〉里的〈灰姑娘〉 ,喝了我们〈爱情娘的酒〉 〈深邃与甜蜜〉 , 中了我们〈爱情的子弹〉我〈注定〉不再〈一辈子孤单〉因为有你〈我的人〉 〈月桂女神〉 〈回到我身边〉〈你是我的玫瑰花〉 , 〈请允许我〉 〈谢谢你让我 这样的 爱你〉.〈爱你不是两三天〉因为我〈一生有你〉 ,在〈最想念的季节〉打开〈记事本〉看见我们的 〈短消息〉 ,让我〈懂你〉 ,让我明白〈你的重要〉〈苍天在上〉, , 〉〈我比想象中更爱你〉 〈我 说我爱你〉 〈我不后悔〉 〈天涯海角〉 〈千年之恋〉 〈死了都要爱〉你,这就是我的〈追求〉和 〈渴望〉!〈亲爱的〉 ,你是我〈曾经的最美〉是我〈明日的恩典〉〈我们的爱〉的日子,已经〈好久 , 不见〉我聆听着〈星光〉下的〈夜曲〉感受着〈思念〉你的〈寂寞的滋味〉那是一种〈甜蜜 蜜〉的〈悲伤〉等是〈幸福的回味〉〈夜〉.〈月半弯〉而〈我的爱〉 〈无限〉!~〈爱海滔滔〉 《路漫漫》 你是我 , 《上帝的礼物》 是你让我不再过 《没有情人的情人节》 你给了我通向 , 《快 乐天堂》的《门》 ,走进《彩虹天堂》感受《一次幸福的机会》 ,让我《心中的日月》不再《寂 寞的歌唱》 ,让我的《单身情歌》用你《唇唇欲动》的《冰吻》和《赤裸裸》的《爱》汇聚 成了《男人,海洋》!~ 《我有今日》 《都是你》的《爱》的《勇气》 ,我《只对你说》我算不上《有情郎》 ,但是我 一生不变的是对你的《爱》 《一生有你》不管《全世界都在下雨》还是《下雪》 ,我都会象《老 鼠爱大米》一样的《很爱很爱你》 ,爱你《每一天,每一夜》《一千年以后》 , ,让我们化做《蝴 蝶》 ,不,是《两只蝴蝶》或者《两只小蜜蜂》 ,飞翔在《橘子花开》的《亚洲之夜》 ,遨游 在《飘雪》的《乐园》!~ 《亲爱的》 《宝贝》 ,

不管《江南》还是《宁夏》 ,不管是《青藏高原》还是《拉萨》 ,不管《赤 道和北极》 总之不管 , 《天涯海角》 你永远是我 , 《许愿池的希腊少女》 永远是我 , 《不老的 传

说》!~ 《亲爱的》 《宝贝》 ,不管《顺时针》还是《逆时针》 ,总之你永远是我《盛夏的果实》 《秋天 的童话》是我《一生的牵挂》!~《你是我的老婆》 ,是我《波丝猫》 《燕尾蝶》 《蝴蝶姬》永 远永远的《宝贝》!~ 〈知道不知道〉我要和你〈相守一生〉〈我爱你〉 , ,我不想〈承诺〉什么,更不需要任何〈誓 言〉 ,因为〈月亮代表我的心〉〈再说一次我爱你〉 , 〈爱你一万年〉.....〈很爱很爱你〉的 **