王力宏经典歌曲歌词全集（xiexiebang推荐）

第一篇：王力宏经典歌曲歌词全集（xiexiebang推荐）

王力宏经典歌曲歌词全集（完整版）

你不知道的事：

蝴蝶擦几次眼睛 再学会飞行 夜空洒满了星星 但几颗会落地

我飞行 但你坠落之际 很靠近还听见呼吸

对不起 我却没捉紧你

你不知道我为什么离开你 我坚持不能说放任你哭泣 你的泪滴像倾盆大雨 碎落满地 在心里清晰

你不知道我为什么狠下心 盘旋在你看不见那高空里 多的是 你不知道的事

蝴蝶擦几次眼睛 再学会飞行 夜空洒满了星星 但几颗会落地 我飞行 但你坠落之际 很靠近还听见呼吸 对不起 我却没捉紧你

你不知道我为什么离开你 我坚持不能说放任你哭泣 你的泪滴像倾盆大雨 碎落满地 在心里清晰

你不知道我为什么狠下心 盘旋在你看不见那高空里 多的是 你不知道的事

我飞行 但你坠落之际

ho~oh~~

你不知道我为什么离开你 我坚持不能说放任你哭泣 你的泪滴像倾盆大雨 碎落满地 在心里清晰

你不知道我为什么狠下心 盘旋在你看不见那高空里

多的是 你不知道的事

脚本：

你爱得好有趣 就像一个编剧 你的一举一动都谱写着未来 世界也太乏味 更需要编的很美 像第一次见面的场景

从来不曾怀疑 牵你渡过了瓶颈 多希望创造一个美好的结局 用最真的感觉 慢慢一页一页写 我只期待你陪我演完

我们的脚本 要写的好认真 我已经看过太多的悲剧

能给一点点笑 就算是笑中带泪 我也无所谓 无所谓...你的一颦一言都谱写着未来 思念也太乏味 更需要编的很美 像第一次分手的场景 我也无所谓

看完这个脚本 陷得好深好深 要我如何演好爱你的人

故事里男主角 剧终时泪中带笑 而他知道 这最好

需要人陪：

打开窗户让孤单透气 这一间屋子 如此密闭 欢呼声仍飘在空气里 像空无一人一样华丽 我 渐渐失去知觉 就当做是种自我逃避 你 飞到天的边缘 我也不猜落在何地

一个我 需要梦想 需要方向 需要眼泪 更需要 一个人来 点亮天的黑

我已经 无能为力 无法抗拒 无路可退 这无声的夜 现在的我 需要人陪

闭上眼睛 就看不清 这双人床 欠缺的 温馨 谁能 陪我 直到天明 穿透这片 迷蒙寂静

我 渐渐失去知觉 就当做是种自我逃避 你 飞到天的边缘 我已不猜落在何地

一个我 需要梦想 需要方向 需要眼泪 更需要 一个人来 点亮天的黑

我已经 无能为力 无法抗拒 无路可退 这无声的夜 现在的我 需要人陪

一个我 需要梦想 需要方向 需要眼泪 更需要 一个人来 点亮天的黑

我已经 无能为力 无法抗拒 无路可退 这无声的夜 现在的我 需要人陪

我已经听了一百遍

怎么听都不会倦

从白天唱到黑夜

你一直在身边(一直在身边）

如果世界太危险

只有音乐最安全

带着我进梦里面

让各自都实现

无论是开心还是难过

我的爱一直不变

不论是HIPHOP还是摇滚

我的爱一直不变

所有美好回忆记录在里面

这张FOREVER LOVE那么深

们的歌： 我们的歌那么真

不过界 跨时代

再不会叫KISSGOODBEY 有没有一句能够动人心弦

YE YE 情人总分分合合可是我们却越爱越深

认识你让我的幸福

如此悦耳

能不能不要记得

继续唱我们的歌

让感动一辈子都记得

王力宏-我们的歌

已经听了一百遍

怎么听都不会倦

从白天唱到黑夜

你一直在身边(一直在身边）

如果世界太危险

只有音乐最安全

带着我进梦里面

让各自都实现

无论是开心还是难过

我的爱一直不变

不论是HIPHOP还是摇滚

我的爱一直不变

所有美好回忆记录在里面

这张FOREVER LOVE那么深

我们的歌那么真

不过界 跨时代

再不会叫KISSGOODBEY 有没有一句能够动人心弦

YE YE 情人总分分合合可是我们却越爱越深

认识你让我的幸福

如此悦耳

能不能不要记得

继续唱我们的歌

让感动一辈子都记得

专辑:改变自己

王力宏-我们的歌

情人总分分合合可是我们却越爱越深 认识你让我的幸福

如此悦耳

能不能不要记得

继续唱我们的歌

让感动一辈子都记得

(女):是否很惊讶讲不出说话 没错我是说你想分手吗 曾给你驯服到就像绵羊 何解会反咬你一下你知吗(男):也许该反省不应再说话 被放弃的我应有此报吗

如果我曾是个坏牧羊人能否再让我 试一下抱一下

(女):回头望伴你走从来未曾幸福过(男):恨太多没结果往事重提是折磨(女):下半生陪住你怀疑快乐也不多(男):被我伤让你痛(女):好心一早放开我

从头努力也坎坷统统不要好过(男):为何唱着这首歌

为怨恨而分手问你是否原谅我(女):若注定有一点苦楚 不如自己亲手割破(男):回头吧不要走 不要这样离开我

恨太多没结果往事重提是折磨(女):下半生陪住你怀疑快乐也不多 没有心别再拖 好心一早放开我 从头努力也坎坷 统统不要好过

(男):为何唱着这首歌

为怨恨而分手问你是否原谅我

(女):若勉强也分到不多不如什么也摔破(男):好心分手每天播(女):可知歌者也奈何(女):难行就无谓再拖

好心一早放开我从头努力也坎坷 统统不要好过

(男):为何唱着这首歌

为怨恨而分手问你是否原谅我(女):若注定有一点苦楚 不如自己亲手割破

唯一：

我的天空多么的清晰

透明的全都是过去的空气

牵着我的手是你 拌你的笑容 却看不清

是否一颗星星变了心

从前的愿望 你全都给抛弃

最近我无法呼吸

连自己的影子 都想逃避

oh baby 你就是我的唯一

两个世界都变形

回去谈和容易

确定你就是我的唯一

独自对着电话说我爱你

我真的爱你 baby 我已不能爱你多一些

是否一颗星星变了心

从前的愿望 你全都给抛弃

最近我无法呼吸

连自己的影子 都想逃避

oh baby 你就是我的唯一

两个世界都变形

回去谈和容易

确定你就是我的唯一

独自对着电话说我爱你

我真的爱你 baby 我已不能爱你多一些

其实早已超过了爱的界限

oh baby 你就是我的唯一

两个世界都变形

回去谈和容易

确定你就是我的唯一

独自对着电话说我爱你

我真的爱你 baby 我已不能爱你多一些 心跳：

想跟我吵架 我没那么无聊

不懂得道歉 我没那么聪明

好想要回到我们的原点

你又在哭泣 我给不了安慰

我又在摇头 有那么点后悔

爱情的发展已难以回头 却无法往前走

但身不由己出现在胸口

两颗心能塞几个问号

爱让我们流多少眼泪

你的眼神充满美丽 带走我的心跳

你的温柔如此靠近带走我的心跳

逆转时光到一开始 能不能给一秒

等着哪一天你也想起

那悬在记忆中的美好

想跟我吵架 我没那么无聊

不懂得道歉 我没那么聪明

好想要回到我们的原点

但身不由己出现在胸口

两颗心能塞几个问号

爱让我们流多少眼泪

你的眼神充满美丽 带走我的心跳

你的温柔如此靠近带走我的心跳

逆转时光到一开始 能不能给一秒

等着哪一天你也想起

那悬在记忆中的美好

你的眼神充满美丽 带走我的心跳

你的温柔如此靠近带走我的心跳

逆转时光到一开始 能不能给一秒

等着哪一天你也想起

那悬在记忆中的美好

另一个天堂：

L：你取代 这一秒我生命的空白 问题忽然找到答案 不用解释也明白

Z：你的微笑是一个暗号 我们绝度那段美好 梦想不到

想永远停留在这一秒

L：你为我的世界

合唱：重新彩绘 O~~~

Z：是你带我找到另一个天堂 远比想象中的美

L：我们怀抱里的这一个天堂 另一个梦想 有无限的快乐

合唱：相信你是我的另一个天堂 给的爱多么纯粹

因为你而存在这一个天堂 爱是直达的路线

L：因为你而存在这一个天堂 Z：只想陪在你身边

L：我等待

下一刻再相遇的精彩 踢开每天越来越爱 多急就这么简单

Z：生命转到同一个频道 因为我的幸福坐标 我多渺小

能爱着你才最重要

合唱：O~~想把你的明天仔细翻阅O~

Z：是你带我找到另一个天堂 远比想象中更美

L：我们怀抱里的这一个天堂 另一个梦想 有无限的快乐

合唱：相信你是我的另一个天堂 给的爱多么纯粹

因为你而存在这一个天堂 爱是直达的路线

合唱：O~~ Z：是你带我找到另一个天堂 远比想象中更美 L：我们怀抱里的这一个天堂 Z：另一个梦想

合唱： 有无限的快乐 相信你是我的另一个天堂 给的爱多么纯粹

因为你而存在这一个天堂 爱是直达的路线

L：因为你而存在这一个天堂

大城小爱：

乌黑的发围盘成一个圈 缠绕所有对你的眷恋 搁着半透明的脸

嘴里说的语言完全没有欺骗 屋顶灰色瓦片安静的画面 灯火是你美丽那张脸 终于找到所有流浪的终点 你的微笑就输了疲倦 千万不要说天长地久 免的你觉的我不切实际 想多么简单就多么简单 是妈妈告诉我的哲理 脑袋都是你心里都是你 小小的爱在那城里好甜蜜 念的都是你全部都是你

小小的爱在那城里只为你倾心 让我大声的对你说 i'm thinking of you 那回城的票根你留做纪念 不必害怕面对离别

剪掉一丝头发让我放在胸前 走到那里都有你陪 相随

oh~~念的都是你全部都是你 拉拉拉拉拉~~~~~拉拉拉拉拉 那一种寸步不离的感觉 我知道就叫做缘

你是我心内的一首歌：

王:你是我心内的一首歌 王:心间开启花一朵 s:你是我生命的一首歌 s:想念汇成一条河

王:点在我心内的一首歌 王:不要只是个过客 s:在我生命留下一首歌 s:不论结局会如何

合:好想问你

合:对我到底有没有动心 合:沉默太久

s:只会让我不小心犯错 王:不小心犯错

s:点在我心内的一首歌 s:不要只是个过客

王:在我生命留下一首歌 王:不论结局会如何

合:你是我心内的一首歌 合:心间开启花一朵 合:你是我生命的一首歌 s:想念汇成一条河 王:想念汇成一条河

s:好想问你王:好想问你 s:对我到底有没有动心 王:对我到底有没有动心 s:沉默太久王:沉默太久 s:只会让我不小心犯错 王:不小心犯错

合:点在我心内的一首歌 合:不要只是个过客 合:在我生命留下一首歌 合:不论结局会如何

伯牙绝弦：

知人知面 知己知彼 又知心 古人说 这就是所谓知音 相知相惜 相亲相爱 也相忆 朋友你 会不会常把我想起 何年何月 何日何时 再相聚 何时能 把酒言欢畅回忆 很多很多 很深很深 的回忆 很多歌 我只想要为你唱起

春秋时期 远近知名伯牙琴艺 沈鱼也出水 马儿仰秣聆听 聆听 寂寞 的声音 举世知名 不如 一个知音

直到子期 闻琴解开伯牙心境 高山流水 风景似有灵悉 高山青 流水静 如镜 无言却胜过有言的天地

听 宫商角征羽

那歌词未写上的是那份 弦外的延长音 斟一杯酒 一抱拳 一句关心 在千年之后 再延续 不变的旋律 当 春雪融夏景

秋风为我捎封信

冬 冬锣隆冬墙

冬冬锣隆隆冬墙墙

又是思念的四季

知人知面 知己知彼 又知心 古人说 这就是所谓知音 相知相惜 相亲相爱 也相忆 朋友你 会不会常把我想起 何年何月 何日何时 再相聚 何时能 把酒言欢畅回忆 很多很多 很深很深 的回忆 很多歌 我只想要为你唱起

某年某月 某天伯牙再访子期 风景依旧绿 子期却已归西 触景 触琴 即伤情 伯牙绝弦 只因再无知音

千年过去 当我再度拨弄琴韵 更多冷箭 更多冷言冷语 请你听 请轻轻 倾听 唱给我永远不离弃的知音

听

宫商角征羽

那歌词未写上的是那份 弦外的延长音 斟一杯酒 一抱拳 一句关心

在千年之后 再延续不变的旋律 当

春雪融夏景

秋风为我捎封信

冬 冬锣隆冬墙

冬冬锣隆隆冬墙墙

又是思念的四季

知人知面 知己知彼 又知心 古人说 这就是所谓知音 相知相惜 相亲相爱 也相忆 朋友你 会不会常把我想起 何年何月 何日何时 再相聚 何时能 把酒言欢畅回忆 很多很多 很深很深 的回忆 很多歌 我只想要为你唱起

改变自己：

今早起床了 看镜子里的我

忽然发现我发型睡的有点kuso 一点点改变有很大的差别 你我的力量也能改变世界 最近比较烦 最近情绪很d

每天看新闻都很想大声尖叫 但脏话没有 大家只会轻松

我改变自己发现大有不同 新一代的朋友 我们好好的加油

大家一起大声的说no no no no no

我可以改变世界 改变自己

改变鼓膜,改变小气

要一直努力努力永不放弃 才可以改变世界 come on 改变自己

今早起床了 觉得头有点痛

可能是二氧化炭太多氧气不足 一点点改变 有很大的差别

你我的热情也能改变世界 只要代表自己 没有政治立场

其实这世界让我看的十分紧张 要调整自己

没想到一点就能画龙点睛 新一代的朋友 我们好好的加油

大家一起大声的说no no no no no

我可以改变世界 改变自己

改变鼓膜改变小气

要一直努力努力永不放弃 才可以改变世界 come on 改变自己

can you feel my world:

打印预览 你只喜欢我微笑

你决定我的需要

我要怎么说才好

我不是为你制造

关心像是泥沼

拉住我往下掉

还是漂亮口号

诱惑你的视角

你把我的喜欢好随便删掉

变成你要的调调

你为我好我知道我都知道

我的烦恼我的骄傲你却不明了 怎样爱你才好

毕竟黑豹需要自由奔跑

不能满足于拥抱

can you feel my world 真实的我没办法伪造

can you take my hand 真诚你会感觉到

can you feel my world 真实的我没办法伪造

并不想讨好

你才觉得我重要

你只要我有礼貌

其它假装看不到

我要怎么说才好

当我的情绪低潮

关心像是泥沼

拉住我往下掉

还是漂亮口号

诱惑你的视角

你把我的喜欢好随便删掉

变成你要的调调

你为我好我知道我都知道

我的烦恼我的骄傲你却不明了

怎样爱你才好

毕竟黑豹需要自由奔跑

i keep coming back for more rap:

日日夜夜我闭着双眼祈祷

为什么只有我的音乐能够让我依靠

我知道我的世界已经变得越来越小

跑不掉逃不了

怎么面带着微笑

怎么面对着你才好

怎么眼泪都在掉

怎么嘴嘟著好严肃这不是哭著就好

什么旋律在我的脑袋一直转一直绕

意志力一直撑著我再一次祷告

帮助我

爱的就是你：

在爱的幸福国度 你就是我唯一

我唯一的爱的就是你 我真的爱的就是你 失去才会懂得珍惜 但我珍惜你

伤越痛就是爱越深 我不相信

你和我同时停止呼吸 每一次我们靠近你让我忘了困惑 忘了所有烦心

我把你紧紧拥入怀褃

捧你在我手心

谁叫我真的爱的就是你 在爱的纯净世界你就是唯一 永远永远不要怀疑 我把你当作我的空气

如此形影不离我大声我爱的就是你 在爱的幸福国度 你就是我唯一

我唯一爱的就是你 我真的爱的就是你

就是你……唯一爱的就是你！!爱！！~~~~的····就****是(((你)))十八般武艺：

是 我是不是 又 站上了舞台 是不是 我又在 让情绪更 high 带动全场 的观众朋友？ 是 是不是 还在不断 学习

无论 什麼 民族 或什麼 阶级 继续 让我 灵感 源源不绝？ 是

唱 最动听的旋律给你 让你 所有的烦恼 所有的单调 往你 的 背后 扔掉

是 这是 chinked-out 交响乐 送到全世界 又更新一遍 什麼时候歇 到你精疲力竭 嘿 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你

看傻 为你 得来多麼不易的十八般武艺 期盼你能 点头 来肯定我的努力 是 我是不是 又 站上了舞台 是不是 我又在 让情绪更 high 带动全场 的观众朋友？ 是 是不是 还在不断 学习

无论 什麼 民族 或什麼 阶级 继续 让我 灵感 源源不绝？ 是

唱 最动听的旋律给你 让你 所有的烦恼 所有的单调 往你 的 背后 扔掉

是 这是 chinked-out 交响乐 送到全世界 又更新一遍 什麼时候歇 到你精疲力竭 嘿 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你

看傻 为你 得来多麼不易的十八般武艺 期盼你能 点头 来肯定我的努力 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你 送你的十八般武艺

就是 无二独一 世人都在 注意 看傻的十八般武艺

多麼不可思议 其实都是为你

看傻 为你 得来多麼不易的十八般武艺 期盼你能 点头 来肯定我的努力 龙的传人：

遥远的东方有一条江它的名字就叫长江 遥远的东方有一条河它的名字就叫黄河 古老的东方有一条龙它的名字就叫中国 古老的东方有一群人他们全都是龙的传人 巨龙脚底下我成长长成以后是龙的传人 黑眼睛黑头发黄皮肤永永远远是龙的传人 遥远的东方有一条江它的名字就叫长江 遥远的东方有一条河它的名字就叫黄河 它的名字就叫黄河

虽不曾看见长江美梦里常神游长江水 虽不曾听见黄河壮澎湃汹涌在梦里 古老的东方有一条龙它的名字就叫中国 古老的东方有一群人他们全都是龙的传人 他们全都是龙的传人他们全都是龙的传人(rap)多年前宁静的一个夜我们全家人到纽约 野火呀烧不尽在心间每夜每天对家的思念 每夜每天对家的思念

别人土地上我成长长成以后是龙的传人 巨龙巨龙你擦亮眼永永远远的擦亮眼 巨龙巨龙你擦亮眼永永远远的擦亮眼

心中的日月：

你是我心中的日月光芒

手中握着格桑花呀

美的让我忘了摘下

你的真 带着香 你的香 会说话

你的话 好像只 对我说

我的专长叫做流浪

你注定要为我绽放

我的心 寻找家 我的家 没有花

我的花却在这山谷等着我

若一开始 没有上帝 暗中偷偷的怂恿

我们怎知选择相逢

你是心中的日月 落在这里

旅程的前后多余 只为遇到你

多么想幻化成为你脚下的泥

此刻的无人山谷 仿佛听见说爱你

你是我心中的日月光芒

我的漂泊不懂泥巴

你的美丽不堪动荡

你单纯 我迷惘 你恋家 我流浪

山谷中 这一切 带不走

你爱抬头拥抱阳光

我得眺望下个前往

我走开 你留下 我回忆 你升华

至少我们会仰望同一片天空

若一开始 没有上帝 暗中偷偷的怂恿

我们怎知选择相逢~喔

你是心中的日月 落在这里

旅程的前后多余 只为遇到你

多么想幻化成为你脚下的泥

那天的无人山谷（那一天）仿佛听见说爱你

置身在 传说中 人间天堂

你是我 心中的 日月光芒

带领我 找到你 的芬芳

放不下

你是心中的日月 落在这里

旅程的前后多余 只为遇到你

多么想幻化成为你脚下的泥

那天的无人山谷 仿佛听见说爱你

那天听见说爱你 春雨里洗过的太阳：

分开之后另一年的春天 记忆也像下雪一样溶解 那些有你在身边的影片 呼的一声飞得老远老远

爱在夏天过完之后 锁在秋天 当爱过多年之后的我 好了一些

雨后的天上 彩虹出现 衬出一片蓝天

我在淋过一场大雨之后的晴朗 那是春雨里洗过的太阳 每个冬季带来失落 伤得多深 然后忽然看懂云的形状

If you listen to the rhythm of the pouring rain 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 每个呼吸都是新的芬芳

分开之后另一年的春天 记忆也像下雪一样溶解 那些有你在身边的影片 呼的一声飞得老远老远

爱在夏天过完之后 锁在秋天 当爱过多年之后的我 好了一些

雨后的天上 彩虹出现 衬出一片蓝天

我在淋过一场大雨之后的晴朗 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 然后忽然看懂云的形状

If you listen to the rhythm of the pouring rain 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 每个呼吸都是新的芬芳

流下的眼泪 留下了智慧 爱情会天亮 也一定会黑

世界会等我 它问我冬天过去没

我在淋过一场大雨之后的晴朗 那是春雨里洗过的太阳

每个冬季带来失落 伤得多深 然后忽然看懂云的形状

If you listen to the rhythm of the pouring rain 那是春雨里洗过的太阳(春雨你的太阳)每个冬季带来失落 伤得多深(伤得多深)每个呼吸都是你的芬芳 春雨里洗过的太阳

花田错：

夜好深了 纸窗里怎么亮着

那不是 彻夜等候 你为我点的烛火

不过是 一次邂逅（注:台湾人都念此字为gou四音）红楼那一场梦

我的山水 全部退色 像被大雨洗过

杯中景色鬼魅 我忘了我是谁

心情就像夜凉如水

手里握着蝴蝶杯 单飞 不归不醉

花田里犯了错

说好 破晓前忘掉

花田里犯了错

拥抱 变成了煎熬

花田里犯了错 犯错...像迷恋镜花水月的无聊

花田里犯了错

请 原谅我多情的打扰

醉 怎么会喝醉 美 因为你的美

爱匆匆一瞥不过点缀

飞 看大雪纷飞 却再也找不回

被白雪覆盖那些青翠

当 时空成为拥有你 唯一条件 我....又醉

琥珀色的月 结成了霜的泪 我会记得这段岁月

我的山水 全部退了色

多情的打扰 请原谅我不是彻夜为我点的火

(在那花田 在那花田)在那花田里 我犯了错

Forever love: 爱你, 不是因为你的美和影 我越来越爱你, 每个眼神触动我的心 因为你让我看见forever 才了解自己, 未来这些日子 要好好珍惜

爱我

有些痛苦有些不公平如果真的爱我

不是理所当然的决定 感到你的呼吸在我耳边 像微风深情 温柔的安抚, 我的不安定 所以我要

每年研究你的笑容 wo~~ 多么自然

forever love forever love 我只想用我这一辈子去爱你 从今以后, 你会是所有 幸福的理由

爱情, 是场最美最远的旅行 沿途遇经泥泞

偶尔阻碍我们的前进 感到你的体温在我怀里 像阳光和煦 巧妙的熔化 我的不安定 不可思议

证明我爱你的理由 wo 多么自然

你感动的眼睛, 我沉默的声音, 仿佛就是最好的证明 就让我再说一次 ilove you ~~ 直到永远 oh

forever love forever love forever love

两个人不等于我们：

醒来只有我一个人 分不清黄昏或清晨

空气微冷有甚么在流失慢慢降温 一颗心往下沉

毕竟只是太短的梦 彼此终于退回陌生

我加上你两个人并不等于我们 你想我吗 会偶尔想我吗 是这样吗 飞扬的会落下 你爱我吗 如果诚实回答 可是爱也不是解答 空屋子里没有回声 但我记忆有你指纹

我加上你两个人却并不等于我们 你想我吗 会偶尔想我吗 是这样吗 飞扬的会落下 你爱我吗 如果诚实回答 可是爱也让人疲乏

你知道吗 我心快要溶化 是这样吗 压抑的会爆发 你爱我吗 爱我就懂我吗 告诉我善意的谎话 告诉我善意的谎话

好让我相信我不是太傻

星座：

山羊水瓶双鱼牡羊座 金牛双子巨蟹座

狮子处女天秤天蝎射手座 女人的心千变万化

如果说女人才十二种不同 爱情不会让男人那么的头痛 那么心动之前记得开口 问一问星座才能进攻 可惜感情远比星星复杂 身在其中换做谁都无法自拔 一肚子的疑惑谁能回答 爱情印正在星座神话 信不信心诚则灵

天空把答案都藏的好美丽 倒可以多点信心

我为了了解爱的神秘下定决心 谁中意星座话题

快告诉我哪一颗星应该怎么搞定 可惜天气阴晴不定

bala bala bala now dance 古老的发明如今疯狂流行 是否因为太多人曾为爱伤心 不期望爱只是需要幸运 宁可相信一切都是命 努力研究星座找寻线索

该怎么说该怎么做该怎么掌握 像个学生一样努力用功 下次爱情能一路顺风 就好像你捉摸不定 ok 大家会了吗 其实很简单

所有的星座从一到十二月这样子 预备山羊水瓶 没有了 what 结束了 但是

no no no 我们还有一次

come on 大家一起来唱 come on 山羊水瓶双鱼牡羊座(oh)金牛双子巨蟹座(我不懂这些星座问题女人的话题)金牛双子巨蟹座(金牛座是我的星座女人的心千变万化)

盖世英雄：

ye come on come on 大家一起说一次 盖世英雄到来

力宏项羽 my homboy jin u 迫不及待看见我的未来对 什么都看开盖

世英雄真的到来盖世英雄到来 什么都期待盖

世英雄站上舞台世界是舞台 我出门儿了载四个哥儿们儿 读落轮框约四寸 今晚我的目的明确

带chinked-out到全世界 加入了京剧昆曲

hip-hop进入新的格局 新的突破新的曲风 才有新的盖世英雄 把收音机开最大声 听见的声音又是武生 道白的共鸣又最流行 要模仿他真的是不容易 他的唱法独一无二 这种艺术属一属二 希望帮全世界的华人 唱出大家的心声(霸气傲中原)(王者扬烽烟)(力拔山河天)(宏威征凯旋)世英雄真的到来盖世英雄到来 迫不及待看见我的未来盖

什么都期待盖(一位英雄要上台了)世英雄站上舞台世界是舞台(欧阳先生在那?)yo,it`s jin and leehom it feels good to be home i got the skills to be know so i`m a chill on my throne yes ,i keeps it blazing n from shanghai out to beijing stop in taiwan back to hong kong where they stay don`t they thing this something special  my coach is so contagious they wanna kown about us we been around for ageas a couple thousand years a bunch of pioneers just artists and scholars making noise it was loud and clear hey yo,the future`s here the revolution`s near jin got the solution for pullution in your ear 不用问你得同意做英雄是不容易

you'll got see from me just listen close to 李老师 let's go

盖世英雄到来… 世界是舞台 yo 世英雄站上舞台 在那遥远的地方:

你是否和我一样 去了很多地方 住了很多旅馆

为工作为理想为了她 心爱的人

却始终不在身边 脚步越走越远 行李塞满了思念 说真心相爱

就不怕距离遥远 在北京那个晚上 一张陌生额床 你是否和我一样 看着同一个月亮 我记得你说的话 你说你不会害怕 但心里总是牵挂 他孤单送你回家

dance with me dance with me come on dance me 分手的节奏已播放在电话里 start with me start with me come on start with me 跟我一起唱就拉近了距离 say: 在那遥远的地方 有位好姑娘

人们走过她的帐篷 都要回头留恋的张望 她那粉红的小脸 好象红太阳

她那活泼动人的眼睛 好象晚上明媚的月亮

ye在那遥远的地方,没有半夜 纽约的美丽的夜色 显得那么的苦涩 空无一人的电车 就像你陪我坐着 我哼着你爱的歌 突然觉得快乐 知道你一直等着

我的心里忽然变得温热 不知名的码头 心里有一点痛 东方吹来一阵风 有你的梦

说过的我不会忘 距离只是想象 世界让我们忙 但爱能跨过海洋 right it's my story.dance with me dance with me

start with me start with me come on

竹林深处：

把黑与白舞成一幅泼墨

哀与愁在幽篁里寻找解脱 把光与影布置成你与我情由我定夺 下笔浓淡在我 Oh oh 哪里还有地方

Oh oh 能够自在飞翔 Oh oh 疑有乐音悠扬

Oh oh 心灵自有天堂 多么美丽的竹林深处

在这里我会等

诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会(Come on)世外桃源的竹林深处

找回原始的我和你 ※ 这凡间有太多因果

任凭岁月洗去对错 时空轮回惟独有我把情感写下清晰轮廓 Oh oh 哪里还有地方 Oh oh 能够自在飞翔 Oh oh 疑有乐音悠扬

Oh oh 心灵自有天堂 多么美丽的竹林深处

在这里我会等

诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会.e on)世外桃源的竹林深处

找回原始的我和你

隐士墨客 用一节一枝一梢一叶一笔一画 挥毫将高风亮节人生态度全都写下 提耐之间已作了文人雅士沉默的表达 千年之后依旧等待明月的回答 弹一曲小调吟唱忘掉所有的奢华 飘泊落幕以后哪里才是最后的家 只有在竹林深处里能够找到解答 多么美丽的竹林深处

在这里我会一直等你 诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会(Come on)世外桃源的竹林深处

找回原始的我和你 Zing Zing...Zing Zing...Zing Zing...多么美丽的竹林深处

在这里我会等

诗情画意的竹林深处

在这里我爱上你

多么自然的竹林深处

在这里我会.e on)世外桃源的竹林深处

找回原始的我和你

星期六深夜：

星期六晚上 哪都不想去 也无法入睡 看着电视机 持续在发呆 喝了七分醉 闭上了眼睛 试着不想你 但已来不及 忘了如何

让眼泪停止流下 还好没人看到 还好没人看见 没人会说话 星期六深夜 我想起了你 没什么特别 只是回忆 你让我自由

我很感激 星期六深夜

永远不会有任何人 能代替你

这就是遗憾的滋味 陪着我形影不离 明天我会面带微笑 但无法忘记你

第二篇：王力宏演讲

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全开 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.

第三篇：花田错 王力宏 歌词

花田错 歌词 夜好深了 纸窗里怎么亮着 那不是 彻夜等候 你为我点的烛火 不过是 一次邂逅 红楼那一场梦 我的山水 全部退色 像被大雨洗过 杯中景色鬼魅 我忘了我是谁

心情就像夜凉如水

手里握着蝴蝶杯 单飞 不醉不归

花田里犯了错 说好 破晓前忘掉 花田里犯了错 拥抱 变成了煎熬 花田里犯了错 犯错...像迷恋镜花水月的无聊

花田里犯了错 请 原谅我多情的打扰 醉 怎么会喝醉 美 因为你的美 爱匆匆一瞥不过点缀 点缀 飞 看大雪纷飞 却再也找不回

被白雪覆盖那些青翠

当 时空成为拥有你 唯一条件 我....又醉 琥珀色的月 结了霜的泪 我会记得这段岁月

花田里犯了错 说好 破晓前忘掉 花田里犯了错 拥抱 变成了煎熬

花田里犯了错 犯错像迷恋镜花水月的无聊

花田里犯了错 请 原谅我多情的打扰 我的山水 全部退了色 多情的打扰 请原谅我 不是彻夜为我点的火

(在那花田 在那花田)在那花田里 我犯了错

我的山水 全部退了色 多情的打扰 请原谅我 不是彻夜为我点的火

(在那花田 在那花田)在那花田里 我犯了错

花田里犯了错 说好 破晓前忘掉 花田里犯了错 拥抱 变成了煎熬 花田里犯了错 犯错...像迷恋镜花水月的无聊

花田里犯了错

请 原谅我多情的打扰

第四篇：王力宏经典歌词

王力宏歌词大全

唯一

我的天空多么的清晰 透明的 全都是过去的空气 牵着我的手是你 但你的笑容 却看不清 是否一颗星星变了心 从前的愿望 你全都给抛弃最近我无法呼吸 连自己的影子 都想找你 oh baby你就是我的唯一 两个世界都变形 回去谈和容 确定你就是我的唯一独自对着电话说我爱你 我真的爱你 baby 我已不能爱你多一些其实早已超过了爱的界限

安全感

看着天一边开车一边打哈欠DJ报时说清晨六点想到见你就不累 喔 这些年我还留着你的高跟鞋 也会嫉妒今天谁的吻又落在你的唇边 oh亲爱的你家的路怎会越开越远 oh天知道怎么办 我们都失去了方向感 oh亲爱的你是否也在等着那一天 心的距离能缩短 找回遗失的安全感忘不了 曾经爱的那么狂野 不管曾经经历过多少错觉 爱情留下的余味依然那么浓烈 心的距离能缩短帮助我找回遗失的安全感

心的距离能缩短让我给你安全感

forever love 爱你 不是因为你的美而以 我越来越爱你 每个眼神触动我的心 因为你让我看见forever 才了解自己未来这些日子

要好好珍惜 爱我 有些痛苦有些不公平如果真的爱我 不是理当然的决定感到你的呼吸在我耳边 像微风深情 温柔的安抚 我的不安定 所以我要 每年研究你的笑容 wo~~ 多么自然forever love forever love

我只想用我这一辈子去爱你 从今以后 你会是所有 幸福的理由 爱情是场最美最远的旅行 沿途遇经泥泞 偶尔阻碍我们的前进 感到你的体温在我怀里 像阳光和煦 巧妙的熔化 我的不安定 不可思议证明我爱你的理由 wo 多么自然 你感动的眼睛 我沉默的声音 仿佛就是最好的证明 就让我再说一次 I LOVE YOU~ 直到永远 oh forever love forever love forever love 如果你听见我的歌

在送你上车以后 我独自站了好久 雨像一整夜的梦 痛却怎么也不走 猜不透 是哪里出了错 或许只是该结束的时候 想起你那句还是朋友为什么我竟如此痛在心头 如果你在寂寞的时刻 却听见我这首歌 你眼眶是否会发热 如果你在快乐的时刻 却听见我这首歌你心里是否会有一点舍不得 你心里是否会有一点(music)泪不会轻易地流 你也用不着歉疚 爱就象覆水难收情又有谁能强求 流泪手心

云飘在天空 浪在海流动 这世界太多 无法掌握的梦 你站在风中 你是自由的 生命有太 不得不分的痛 当你将离别握在我手心我听见爱被悄悄捏碎的声音 你不懂你不要的我的心 会随你松开的手而喊停 我试着微笑 试着拥抱 在每一秒 我不想看见闭上的眼睛 害怕你最后化成泪流出手心 你给过的承诺 我怎能不放手 当诚实诉说 他的爱多辽阔 这是我的手 它牵过你往事中度过 这段漫长的路不该走到寂寞

爱了就坚持

坚持爱了就坚持 深情的你是我唯一所见过的天使 不迟再等也不迟 找到对的人爱是一世是一生的事 oh 最好的爱是不为难的爱是别无所求的关怀 你放一个人在心怀就不觉得被伤害 能够为他做什麽都是一种愉快 就算他并不明白就算看不见未来还是默默在期待怎麽都不愿走开 你的无奈我很明白 我对你就是这样的情怀 心疼 多为你心疼 用眼神说情深他偏是听不懂的人 泪痕 寂寞的泪痕明明痛那麽深 别人问你还是否认oh 最好的爱是了解的爱 是希望让对方开怀 你放一个人在心怀就不觉得被伤害 能够为他做什麽都是一种愉快就算他并不明白就算看不见未来 还是默默在等待怎麽都不愿走开 我想就这麽告白又怕你会太意外 从此朋友都不是只能一辈子感慨我要给你的未来绝对不会像现在 要你眉头那片云不再赖着不走开 你的无奈我很明白我对你就是这样的情怀

不管怎样

梦总不够漫长 可是我们总需要梦想 爱能让人受伤 可是我们还是念念不忘 你的感情太无常不管怎样我知道 温柔的恋曲该怎么唱你的感情太轻狂不管怎么你曾 停靠我肩膀(music)雨下得再漂亮 可是我们要面对阳光 爱会让人失望 可是我们仍充满向往你的感情太无常不管怎样我知道 温柔的恋曲该怎么唱 你的感情太轻狂不管怎么你曾 停靠我肩膀(music)可能我还不够坚强至少我我不怕哀伤 可能不曾爱到天亮 至今曾分享过月光 能我还不够坚强 至少我我不怕哀伤可能不曾爱到天亮 至今曾分享过月光 你的感情太无常不管怎样我知道 温柔的恋曲该怎么唱 你的感情太轻狂不管怎么你曾 停靠我肩膀既然不能地老天荒 我眼泪怎么流浪 总有个停泊的地方

永远的第一天

深夜 机场冷清 好安静 我终于看见了你 穿着风衣提着行李听着MD走来走去 回忆 钻进心里 全是你 我走过去抱紧你你的声音你的笑容你的泪滴回到我怀里 你答应我今天飞来 带着你迟来的真爱 就飞过大海 带爱情回来 今天看见 永远的第一天 终于实现我和你的诺言 时间将一切拉远 爱在心里 没有改变 今天看见 爱飞过地平线 让我说完 我对你的誓言 这是另一个起点 我一定爱你到永远(ooh今天看见爱的第一天)回忆 钻进心里 全是你 我走过去抱紧你 你的声音 你的笑容 你的泪滴 回到我怀里 你答应我今天飞来我要在这一杪中说I LOVE YOU…wu baby 说永远不分开

你不在

当世界只剩下这床头灯 你那边是早晨已经出门 我侧身感到你在转身 无数陌生人正在等下一个绿灯 一再错身彼此脆弱的时分如果渴望一个吻的余温 我关了灯黑暗把我并吞 你不在当我最需要爱你却不在 无尽等待像独白般难挨 你不在高兴还是悲哀你都不在我受了伤在偷偷好起来 但你不在不在 时间再按下许多次快门 沉默里听见转动的秒针 一个人吃饭这个凌晨 孤单一人份 你低声说你有别人我的话筒只有自己的体温 怎样认真也不一定成真 你说的对我不得不承认 你不在当我最需要爱你却不在 无尽等待像独白的难挨你不在高兴还是悲哀你都不在 我受了伤再偷偷好起来但你不在 那些摇摆我都明白都明白 但你 在爱已不在不在 你不在 当我最需要爱你却不在一个人分饰两角的恋爱 你不在高兴还是悲哀你都不在 像空气般不存在的存在 再没有痕迹的爱你不在 当我需要你的爱你不在

爱错

北风好不留情 把叶子吹落 坠落的它他选择了逃脱 叶子失去消息 风才感觉寂寞 整个冬天 北风的痛没人能说 我从来没想过 我会这样做从来没爱过 所以爱错 我从那里起飞 从那里降落 多少不能原谅的错却不能从来过 翻开回忆角落 忘记的生活 以为幸福都可以掌握仔细回味当初那个故事背后 喔 原来是我 犯下从没真的爱错 我从来没想过 我会这样做 从来没爱过所以爱错 我从那里起飞 从那里降落多少不能原谅的错却不能从来过...真的受未你的世界 喔...找不会那些感觉 其实我不想到别 那些过去 我从来没想过我会这样做

从来没爱过(从来没有爱过那么认的)我从那里起飞 从那里降落(降落)多少不能原谅的错却不能从 从来没想过 我会这样做从来没爱过(爱过)所以爱错(所以爱错)从那里降落 多少不能原谅的错 请你原谅我的爱错

我们的歌

已经听了一百遍 怎么听都不会倦 从白天唱到黑夜 你一直在身边(一直在身边)如果世界太危险只有音乐最安全

带着我进梦里面 让各自都实现 无论是开心还是难过 我的爱一直不变不论是hiphop还是摇滚 我的爱一直不变 所有美好回忆记录在里面 这张forever love那么深 我们的歌那么真 不过界跨时代再不会叫kissgoodbey

有没有一句能够动人心弦 ye ye

情人总分分合合 可是我们却越爱越深 认识你让我的幸福 如此悦耳 能不能不要记得继续唱我们的歌 让感动一辈子都记得

落叶归根

举头望无尽灰云 那季节叫做寂寞 背包塞满了家用 路就这样开始走 日不见太阳的暖夜不见月光的蓝 不得不选择寒冷的开始 留下只拥有遗憾命运的安排 遵守自然的逻辑谁都无法揭谜底 喔～远离家乡不甚唏嘘 幻化成秋夜 而我却像落叶归根 坠在你心间 几分忧郁几分孤单 都心甘情愿我的爱像落叶归根 家唯独在你身边 但愿陪你找回 所遗失的永恒 当我开口你却沈默 只剩一场梦 你可以告诉我(你还爱谁)登机证上面我写了你的新地址 你又搬家了因为你怕生活没变化 这次好可惜我们来不及见面 没想到果然彼此给这么大的空间 今天飞机带我回家虽然没有看到她快点起飞吧 oh 你可以告诉我你还爱谁 不用说出他的名字 不用形容他的美 一个在半空中的人会掉眼泪 你可以告诉我你还爱谁下面看台北真的好像个乐高玩具 现在才发现你搬到一个不错的住宅区 反正道个月我还会再回来一次至少一次 现在的时间我还是最好写我的新歌曲今天飞机带我回家 虽然没有讲到话闭上眼睛吧 oh 你可以告诉我我愿意听 否则为什么我抱紧你你没什么反应 是否你一个人过了太多夜晚你一定像我一样的孤单

每一秒里都想见到你

今夜玩得有一点疯狂 其实我早就该回去 整夜的笑容在你的脸上 你是我最美的旋律 牵手牵得那么自然 ah 有默契浪漫就不难像是手表被谁快转 你说真的时间太晚 oh no no oh 在每一秒里都想见到你 爱是不停在期待的心 拥有完美感情才有好心情能不能晚点回去 oh 在每一秒里都想见到你 太多话我想讲给你听 今夜有最适合谈心的天气 能不能晚点回去(音乐演奏)今夜玩得有一点疯狂 其实我早就该回去 整夜的笑容在你的脸上 你是我最美的旋律 牵手牵得那么自然 ah 有默契浪漫就不难像是手表被谁快转 你说真的时间太晚 oh no no oh 在每一秒里都想见到你 爱是不停在期待的心 拥有完美感情才有好心情能不能晚点回去 oh 在每一秒里都想见到你 爱是不停在期待的心 拥有完美感情才有好心情 能不能晚点回去 oh 在每一秒里都想见到你太多话我想讲给你听 今夜有最适合谈心的天气 能不能晚点回去

这就是爱

一个人自由自在 不知道爱情它是个什么颜色 大街上有个女孩看着我 走过来像个快乐天使 这个爱已经盛开 是不是我的心慢慢开始更改就这样她对我笑很奇怪 心情也跟着她high起来 这就是爱我已明白 整个世界幸福感觉 不在乎路有多远我去爱 不在乎不在乎路有多远我去爱这就是爱朝着我来 这个赌注我不怕输 你给我一次机会就是爱 你给我你给我一次机会就是爱 也许是我该继续 不放弃你让我真的永远着迷也想要送你玫瑰告诉你 其实我也有一点浪漫 相信我分分秒秒爱在飞 我真的不会让你流泪 你的心我都知道不必说 我在猜我们一定相配就是爱

忘了时间忘了我

一个你走进生活理智就突然失踪 和自己无法再沟通摆不平疯狂的念头 不听话的心跳在胸口蠢蠢欲动 任思绪变成了绳索绑着我飞到你左右爬上屋顶吹一夜风望向你所在的角落 幻想你也正在想我忘了时间忘了我 忘了时间忘了我 我的眼睛我的手我的耳朵我的口 全不属于我全跟着你走忘了时间忘了我我们就像一双手 那么自然的交握快乐陪你过 伤痛陪你躲 能不能告诉我 你爱我你想我哦yean 你眼中的宇宙有一颗星就是我不会变成泪水我会疼你疼很久 就算世界都着火就算陆地全沉没

不完整的旋律

心里有个旋律 不完整的歌曲 你是否听得出来 我多了一拍 最近世界有点奇怪 好象缺了一块 心里那个旋律 未完成的情绪 如果你在倾听是否打动了你 说实在我也不确定 怎样比较好听 不完整的旋律 没什么结局 却是我真实的声音 不完整的旋律 勇敢地唱给你听填满你我不完整的感情 不要害怕

不要害怕 不要害怕 爱一个人其实并不复杂 不要害怕 不要害怕 过去的眼泪用今天去擦 午夜的两点半 我去不进梦乡 时间在逃亡悲伤还在原地方 我将一床被单 绞成混乱一片 爱已经灭亡 然而思念更坚强 不要害怕 不要害怕 爱一个人其实并不复杂 不要害怕 不要害怕过去的眼泪用今天去擦 我答应自己不要放弃 我答应自己不要忘记 闭上眼想一遍 你转身的模样 每一个角度 都好像一种飞翔 我因为看着你回忆你而悲伤 是你在心里不断的想

can you feel my word 你只喜欢我微笑 你决定我的需要 我要怎么说才好 我不是为你制造 关心像是泥沼 拉住我往下掉 爱是漂亮口号 透过你的视角 你把我的喜好随便删掉 变成你要的调调 你为我好我知道 我都知道 我的烦恼我的骄傲 你却不明了 怎样爱你才好 毕竟黑白需要自由奔跑 不能满足拥抱 can you feel my word 真实的我没办法伪造 can you take my hands 真诚你会感觉到 can you feel my word 真实的我没办法伪造 并不想讨好 你才觉得我重要 你只要我有礼貌 其他假装看不到 我要怎么说才好当我的情绪低潮 关心像是泥沼 拉住我往下掉 爱是漂亮口号 透过你的视角 你把我的喜好 随便删掉 变成你要的调调你为我好我知道 我都知道 我的烦恼我的骄傲 你却不明了 怎样爱你才好 毕竟黑白需要自由奔跑

rap:i keep on comin' back for more yo 日日夜夜我闭着双眼祈祷 为什么只有我的音乐能够让我依靠我知道我的世界已经变的越来越小 跑不掉逃不了 怎么面带着微笑 怎么面对着你才好 怎么眼泪都在掉 怎么嘴嘟着好严肃 这不是哭着就好怎么旋律在我脑袋 一直转一直绕 一直率一直撑着我再一次祷告 帮助我 真实的我没办法伪造 can you take my hands 真诚你会感觉到 can you feel my word 真实的我没办法伪造并不想讨好你才觉得我重要

爱无所不在

我已经被你宠坏 乾涸的心期待你的温柔灌溉 证明有一种绝对的关怀 清澈如水一样的存在难怪我只对你依赖爱无所不在纯净透明自在我把爱随身携带 爱无所不在言语无法表白但爱可以发现爱 绝对不会是障碍塞不进口袋 却可以随身携带将心连起来我已经被你宠坏 乾涸的心期待你的温柔灌溉 证明有一种绝对的关怀 清澈如水一样的存在难怪我只对你对你依赖爱无所不在纯净透明自在让我把爱随身携带 爱无所不在言语无法表白但爱可以发现爱 绝对不会是障碍塞不进口袋 却可以随身携带将心连起来 can you free love 爱无所不在 我多希望听着全世界跟着唱 爱无所不在纯净透明自在 你们到底听见了吗爱无所不在绝对不会是障碍塞不进口袋 却可以随身携带将心连起来 让我们相信我们从未分开

你和我

亲爱的听众朋友我是你的代班dj 想找你陪我一起聊聊这世界 整天的工作重复疲惫的画面 麻木你的感觉耳边才刚刚听到仇恨要靠理智解决 谩骂和子弹却在那头满天飞 学了一辈子的爱没勇气说出来 弥补那些伤害 你和我在世界同一座擂台别懦弱拿出勇气对待 让眼泪流出来不是因为失败 幸福那个梦 就看你和我你和我你和我 美丽的主播说的都不是美丽的新闻彩色的报纸能让鲜血更逼真 当媒体播报的全是绝望的气氛 谁该负点责任 那多的人只敢窝在网络里面生存 慢慢都忘记计算机屏幕没灵魂科技的发达让人的距离被拉开

再也拉不回来 你和我在世界同一座擂台 别懦弱拿出勇气对待 让眼泪流出来不是因为失败 幸福那个梦就看你和我 你和我你和我你和我你和我(我们做得到yeah)你和我也没什么不一样 该学习地球如何分享 为什么我们会忘记怎么拥有简单的大爱 that's right, 你和我我们都要做的更好 你和我在世界同一座擂台 别懦弱拿出勇气对待 让眼泪流出来不是因为失败 幸福那个梦就看你和我 你和我你和我你和我(c'mon 一起唱 now 我们做得到 now 这个世界就是)失去了你

说再见的那一刻 我装作很难过 其实我没有 我想不用过多久 当你冷静以后 爱完美依旧 我不算是好情人 不小心就忘了 你的感受 每次分手我才发现更急着想再握你的手 我总以为 相爱的人 许多言语 不用说都能懂 在电话的这一头 想千万个理由 却没有结果 这从来没发生过寂寞过了头 冷战不罢休 你怎么断了联络 忽然间消失在 世界的尽头 曾经美丽 小心翼翼 就怕碰碎了 爱情的轮廓 请告诉我 让我知道这段感情 从哪里开始错 失去了你

还求什么 就算有流星 从眼前划过 失去了你 还有什么 值得拥有 一个梦都太多 失去了你 教我怎能 再相信爱是 不老的传说 失去了你如何承受 从今以后 你再也不属于我 爱的就是你

失去才会懂得珍惜 但我珍惜你 伤越痛就是爱越深 我不相信 你和我同时停止呼吸 每一次我们靠近你让我忘了困惑 忘了所有烦心我把你紧紧拥入怀里 捧你在我手心 谁叫我真爱的就是你 在爱的纯真世界 你就是我唯一 永远永远不要怀疑 我把你当作我的空气 如此形影不离我大声说我爱的就是你 在爱的幸福国度 你就是我唯一 我唯一爱的就是你 我真的爱的就是你 就是你 钓灵感

多喝水 风扇吹 眼睛垂 我假装小睡 灵感游去又游回 鬼鬼祟祟 泼清凉泉水 眼见它在我四周围 我把琴弦一拉 钓起灵感一尾 你是我的音乐好多感觉在飞 仿佛我在水底世界 爱是我的音乐 呼吸都会陶醉 付出它就会回馈 我是我的音乐试着自我了解 我勇敢打开我心扉 别忽略自己的感觉 钓起你的灵感 世界你指挥 在垂钓的时候 很孤独很自由 我陪着我 探心灵水流难说追寻可能一无所有 我还是执着追求 不降落的滑翔翼

飞离地面一分零九秒 空气很少 刺骨的风割着我的脸 我想念她 现在我要飞去的地方 我不知道 我把从前留在天上吧 我只管飞翔 寂寞的滑翔翼别降落吧 甩开地心引力 让风吹吧 飘在地球上空 多自由 飞得越远 我越想念她 勇敢的滑翔翼 带我飞吧 飞过爱的时差 忘掉她吧半空中的世界 想起她 说过的话 永远是个问号 飞在天空三千三百尺 天气很好 波浪之上海豚在赛跑 我想念她 终于知道要去的地方叫什么名字 那地方叫做思念岛 我不停飞翔 五湖四海 飘洋过海 全世界只剩下了我在天上 不降落

茱丽叶

看着你走得倔强头也不回 我该不该挽回 每一次都是这样跑了又追 你到底累不累 为什么爱情变成一种受罪放弃又后悔如果是你的感觉已无所谓就让我把爱收回 茱丽叶茱丽叶 不要脱泥又带水 错与对是与非去面对 茱丽叶茱丽叶 不要让爱情枯萎笑或泪别后悔去体会 要懂得珍惜爱才完美 爱是付出而不是赌注珍惜是幸福 信任

我想了很久该如何说 有一些困惑在心里头 我们都努力交换了感受 但始终还觉得了解的不够 因为你的笑所以快乐 因为你沉默所以失落所有的想法都跟你说 我还是从你眼中看到了保留 是缘份让我们相遇又选择相守 虽然你我的世界有些不同 我想给你我所有 为什么还有心事不肯说快告诉我你还想要什么 快告诉我还能为你做些什么 如果相爱的两个人 没有信任(我们)该如何(爱情就失去了颜色)(music)因为你的笑所以快乐 因为你沉默所以失落 所有的想法都跟你说 我还是从你眼中看到了保留 是缘份让我们相遇又选择相守虽然你我的世界有些不同 我想给你我所有 为什么还有心事不肯说 快告诉我你还想要什么 快告诉我还能为你做些什么 如果相爱的两个人没有信任爱情就失去了颜色 快告诉我你还想要什么 如果相爱的两个人 没有信任(我们)该如何 相爱两个人没有信任爱情就失去了美丽的颜色 每天爱你二十四小时

每天只可以与你尽情廿四小时 每分钟心跳要对换成柔情蜜意 如何令你钟意 hey yeah time to fall in love 时间总会走 我的一秒钟活在你一对手 time to fall in love 时间飞走 你的一秒钟便是我的永久 time is in your hand take the time take the time take the time 你转了依恋的分针的答的答的走而传来一分钟的快活理由 看看秒针秒针会一下一下走 如环游一天空的美丽气球 time to fall in love o oh oh time to fall in love 时间总会走 我的一秒钟活在你一对手 time to fall in love 时间飞走你的一秒钟便是我的永久 time is in your hand take the time take the time take the time yeah yeah time to fall in love take the time take the time take the time oh yeah time to fall in love take the time take the time take the time yeah yeah.time to fall in love time to fall in love 不着地

有一些感觉无法说明但也不该喊停 我们之间的爱要升级需要新的刺激 哪怕机会只有万分之一我们已互相吸引 换方式再继续换语气说爱你不着地地心失去引力 不着地我心早已飞向你 因为你是天地的中心 不可思议的偏爱你 不着地在月球低空飞行 有一些快乐无法说明太微妙的感应我们之间的爱要升级需要新的主题 爱情的魔法呼了一口气我们已经更靠近换方式再继续换语气说爱你 不着地地心失去引力 不着地我心早已飞向你因为你是天地的中心不可思议的偏爱你 不着地在月球低空飞行 还有太多的可能性 却有太多的不确定 如果这是一个梦境我不要醒我爱你永远都不够 here we go 不着地地心失去引力 不着地 心早已飞向你 因为你是天地的中心不可思议的偏爱你不着地我们永远不会降落 no 不着地地心失去引力 不着地我心早已飞向你

因为你是天地的中心不可思议的偏爱你不着地我们永远不会降落

花田错不是彻夜等候你为我点的烛火 不过是一次邂逅红楼那一场梦 我的山水全部退色像被大雨洗过 杯中景色鬼魅我忘了我是谁 心情就像夜凉如水手里握着蝴蝶杯单飞不归不醉 花田里犯了错 说好破晓前忘掉 花田里犯了错 拥抱变成了煎熬 花田里犯了错犯 像迷恋镜花水月的无聊花田里犯了错 请原谅我多情的打扰 醉怎么会喝醉美因为你的美 爱匆匆一瞥不过点缀 飞看大雪纷飞却再也找不回 被白雪覆盖那些青翠当时空成为拥有你唯一条件我....又醉 琥珀色的月结成了霜的泪我会记得这段岁月 我的山水全部退了色 多情的打扰请原谅我不是彻夜为我点的火(在那花田在那花田)在那花田里我犯了错 一首简单的歌

这世界很复杂 混淆我想说的话 我不懂 太复杂的玩法 什么样的礼物 能够永远记得住 让幸福别走的太仓促 云和天 蝶和花 从来不需要说话断不了依然日夜牵挂 唱情歌 说情话 只想让你听清楚 我爱你是唯一的倾诉 写一首简单的歌 让你的心情快乐 爱情就像一条河 难免会碰到波折这一首简单的歌 并没有什么独特

好像我 那么的平凡却又深刻 我一直在思考 让你了解我的好 却忘了常常对你微笑 失去的忘记的 我会尽力去弥补 你是我最珍贵的财富 简单的歌 好像我 那么的平凡却又深刻 两个人并不等于我

醒来只有我一个人 分不清黄昏或清晨 空气微冷有甚么在流失慢慢降温 一颗心往下沉 毕竟只是太短的梦 彼此终于退回陌生我加上你两个人并不等于我们 你想我吗会偶尔想我吗 是这样吗飞扬的会落下 你爱我吗如果诚实回答 可是爱也不是解答 空屋子里没有回声但我记忆有你指纹 我加上你两个人却并不等于我们 你想我吗会偶尔想我吗 是这样吗飞扬的会落下 你爱我吗如果诚实回答 可是爱也让人疲乏你知道吗我心快要溶化 是这样吗压抑的会爆发 你爱我吗 爱我就懂我吗

风中的遗憾

我在风里呼喊你的声音可曾听见 风里喊你千百遍的声音能传多远 你能撕碎我的情撕毁我的意撕裂我身体 可是我呐喊的声音你不应该装听不见我在风里呼喊你的声音可曾听见 成千上万的思念要呼喊多少年 我能喊你一百遍求你一千遍等你一万年 可是我反覆的思念你不应该装听不见让我的梦散成片片在风里飞 悲伤的夜一个人也喝不醉 而我终於明白没有爱 而我面对背叛的伤害 所以痛彻心扉也不奇怪 风中声声呼喊都是遗憾我在风里呼喊你的声音可曾听见 成千上万的思念要呼喊多少年 我能喊你一百遍求你一千遍等你一万年 可是我反覆的思念你不应该装听不见让我的梦散成片片在风里飞 悲伤的夜一个人也喝不醉 而我终於明白没有爱 而我面对背叛的伤害 所以痛彻心扉也不奇怪 风中声声呼喊都是遗憾而我终於明白没有爱 而我面对背叛的伤害 所以痛彻心扉也不奇怪 风中声声呼喊都是遗憾 情敌贝多芬

你不管我多有妒忌 也不管我怎么抗议 他永远是你说不腻的话题 你让我为他受尽委屈 爱迟到多久都可以 你阴晴不定没关系够不够交换你多留点时间 让我们俩人单独(单独)一起 谁都想拥有情人完整的心 别说我太孩子气 改天你家门口有人疯狂弹琴 一定是我别怀疑我不怕跟再强的情敌试着比一比 打败我才能抢走你 碰上了ludwig Beethoven 却只能摇头叹气 大城小爱

乌黑的发围盘成一个圈 缠绕所有对你的眷恋 搁着半透明的脸 嘴里说的语言完全没有欺骗屋顶灰色瓦片安静的画面 灯火是你美丽那张脸终于找到所有流浪的终点 你的微笑就输了疲倦 千万不要说天长地久 免的你觉的我不切实际 想多么简单就多么简单 是妈妈告诉我的哲理脑袋都是你心里都是你 小小的爱在那城里好甜蜜 念的都是你全部都是你 小小的爱在那城里只为你倾心 让我大声的对你说 i'm thinking of you 那回城的票根你留做纪念 不必害怕面对离别 剪掉一丝头发让我放在胸前 走到那里都有你陪 相随 oh~~念的都是你全部都是你 拉拉拉拉拉~~~~~拉拉拉拉拉 那一种寸步不离的感觉 我知道就叫做缘 kiss you goodbye baby不要再哭泣 这一幕多么熟悉 紧握着你的手彼此都舍不得分离 每一次想开口但不如保持安静 给我一分钟专心 好好欣赏你的美幸福搭配悲伤 痛是在我心交叉 挫折的眼泪不能测试爱的重量 付出的爱收不回 还欠你的我不能给 别把我心也带走 去跟随 每一次和你分开深深的被你打败 每一次放弃你的温柔 痛苦难以释怀 每一次kiss you goodbye 爱情的滋味此刻我终于最明白----但欠你的我不能给 我才明白爱最真实的滋味 我终于明白 MARY SAYS how long has it been since i held you near? how long will it be till i have you right here? you say that it hurts i can't disagree but how can i hold on to someone who's leaving me?

and mary says she's gonna be ok she tells me things are getting busier these days she tells me things will be much easier someday and mary says she's gonna be alrignt you know how much i miss her in my life you know how much i'm missing her deep inside goodbye yesterday, i see my dreams walking away and mary looks just like she did before except she don't love me she don't love me amymore i could shake your hand or i could kiss you goodbye but i just might break down looking in your brown eyes so what happens next do i listen to my mind or heart? i don't know where to start feeling alright again...finaly 明知留不住更不想结束 努力记住你此刻的眉目记住这拥抱的温度 对抗快来临的孤独为什么幸福它总是仓促不在乎付出因为我在乎但让你哭我就无可宽恕 年轻的我们太低估世界该有的冷酷太多的爱也没帮助 my finally 一个也是有吻 finally

我最终的恋人别哭泣用力用力忘你在哪里我的心中不曾离开你永远的当我想起你会得到爱的离奇 我要退出也为你祝福别为我哭我会嫁给无助年轻的我们太低估世界该有的冷酷太多的爱也没帮助 my finally 一个也是有吻 finally

我最终的恋人别哭泣 用力用力忘你在哪里我的心中不曾离开你永远的当我想起你会得到爱的离奇 忘记一步一切就荒芜希望爱复燃吧!my finall 一个也是有吻 finally

我最终的恋人别哭泣用力用力忘你在哪里我的心中不曾离开你永远的当我想起你会得到爱的离奇

第一个清晨

光投进爱 把梦刷白 舍不得你会醒过来 不要现在 昨夜走太快哦… 说不上来 隐隐藏在胸口一块 吻你脸颊 证明此刻真的存在 是你让我相信爱对我慷慨 hey oh 是爱我们是注定 不是意外 这是爱 我们的爱 还不确定却好实在 把你贴在胸怀 静静的代替表白 才不愿放开给你的爱 没名字却停不下来 在忐忑里期待 雀跃中想到未来是你我才明白 这就是爱----但梦还在 小心不让你醒过来 也许现在就是永恒的未来 第一个我们的清晨 迷人和默契都是你的 无限可能 言语都显得太肤浅

白纸

昨天今天同个书桌前 一遍两遍相爱怎么给 书里的玫瑰蓝色的信笺是爱恋 你在左边单车在右边 我的球鞋从不嫌路远 到你家门前想亲你的脸却有点胆怯 像张白纸爱情才刚开始

你会写下什么字 不懂表示但我懂坚持 你别否定我的痴(音乐演奏)你在左边单车在右边 我的球鞋从不嫌路远 到你家门前想亲你的脸却有点胆怯 像张白纸爱情才刚开始 你会写下什么字 不懂表示但我懂坚持 你别否定我的痴 像张白纸爱情才刚开始 我却写满你名字

从第一次到第一千次 我的心患得患失 昨天今天同个书桌前 一遍两遍想爱怎么给 梦就在眼前我却不敢实现想你的夜又要失眠 过来

熬到凌晨两点半 陪着你加班不厌其烦 看你显得意兴阑珊 是否因为寂寞而觉得烦 泡面才吃到一半心里依然兵荒马乱 决定问你是否想过有个人作伴不想继续隐瞒 你不必急着离开 这一次要坦白说爱爱 过来过来要不要过来要不要过来 爱早就存在感觉还不坏过来过来要不要过来要不要过来 爱不必装乖 过来过来过来过来过来 本来就该两个人就不再闷就不怕冷 看我眼神那么诚恳 何必再等赶快关上车门从怀疑到认真从陌生到情人

从半夜到早晨只剩一盏灯像你这样一个可爱女人不该孤独的单身

歌声为我见证你不必急着离开 这一次要坦白说爱爱过来过来要不要过来要不要过来 爱早就存在感觉还不坏 过来过来要不 过来要不要过来 爱不必装乖 过来过来过来过来过来 girl 没有什么压力你一定要放心 怕你寂寞而已我懂你的感情 可以变成空气如此形影不离如果你过来靠近海边的微风

让我们对tone 爱情的美梦 其实没谁懂顺着他节奏 每个小节都求着你别走 come on 你不必急着离开 这一次要坦白说爱爱 过来过来要不要过来要不要过来 爱早就存在感觉还不坏 过来过来要不要过来要不要过来爱不必装乖 过来过来过来过来过来 过来过来要不要过来要不要过来 爱早就存在感觉还不坏 过来过来要不要过来要不要过来 爱不必装乖过来过来过来过来过来 爱你就等于爱自己

淋我淋过的雨 吹你吹过的风 比风雨还亲蜜 两个人的影子 在同一个天地 拥有一样的回忆

心想著你眼看著你 就像贴近自己 傻的笑的 就好像你 像你一样甜蜜 是不是爱你就会变成你 oh..ah..爱你就等於爱自己 mm..well...(alright)我想你的难题 你写我的日记 比爱人还亲蜜 我还没说可惜 你已经在叹气 不可思议的默契心想著你眼看著你 就像贴近自己 得拥抱感觉 会越来越熟悉是不是爱你就会变成你 oh..ah..爱你就等於爱自己 mm..well...(alright)是不是你所有的秘密已经成为我的呼吸 ah~不再分离 是不是爱你就会变成你 oh..ah..爱你就等於爱自己 mm..well...(alright)爱你就等於爱自己 爱你就等於爱自己 mm..well...(alright)是不是爱你就会变成你 oh..ah..爱你就等於爱自己 mm..well...(alright)oh..ah..爱你就等於爱自己 mm..well...(alright)爱我的歌

我与我提琴哪个更吸引 我若像谁才能令你入神 我去努力练琴 你去接他的吻 各自动人 谁能令你动真心 谁来造我这双手 本应抱着最喜欢的爱人如何用我这双手改写命运 付出的心血伴奏美丽情感 难叫你吻我的手 期望你会爱我的歌 卖了这一切气力 只想收卖专一的耳朵 难叫你爱我的心期望你会爱我的歌 让你于沙发躺卧好好听过 拖拉的结果能多点爱惜我 像两手那么谐和好好听过拖拉的结果能多点爱惜我

第五篇：王力宏哈佛演讲稿

王力宏哈佛演讲稿

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全开 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.