碟中谍四影评

第一篇：碟中谍四影评

周六晚

电影大师分析

《碟中谍4》影评：虽不完美 但很过瘾

学院：电气学院班级：自动化103姓名：刘英帅学号：10080230

1毫无疑问，《碟中谍4》的精彩程度足以秒杀任何一部动作大片。真刀真枪的实景拍摄，老中青俊男美女的绝色混搭，身临其境的冒险桥段，高潮迭起的动作场面和无所不能的高科技都让人血脉喷张，欲罢不能。这是部真正意义上的大片一部有着时代先锋气质的动作大片。该片算不上完美，但非常过瘾。

特工凶猛

《碟中谍4》的最大看点和亮点是异常生猛的动作戏。动画导演出身的布拉德-伯德更加擅长把握节奏，这让《碟中谍4》避免了被诸多导演用滥的慢镜。片中惊险镜头接二连三，危机此起彼伏，导演却并未刻意卖弄动作，即时画面带来的快节奏真实可信，紧张无比。

片中令人印象深刻的动作场面比比皆是。影片开场时特工哈纳韦的矫健身手和流畅动作让人想起伯德此前执导的动画电影《超人特攻队》。用高科技武装到眼球的特工哈纳韦最终失手，这一桥段完好定位了本片任务难度，将影片预热。伊森-汉特的越狱桥段尽管老套，三下五除二的几段打斗却让大家重新见识了传说中的“哥”。随后一场克里姆林宫的爆炸惨案和轿车遇袭坠河桥段让影片渐入佳境。

迪拜阿利法塔的动作戏是该系列电影中难得一见的亮点，其紧张刺激程度丝毫不亚于当年《碟中谍》里伊森-汉特潜入IMF总部窃取特工名单那场戏。这段采用IMAX设备拍摄的动作戏没有华丽的爆破，没有子弹横飞，没有电光火石，但紧迫的时间，扑面而来的沙暴，八百米多的阿利法塔和生猛的伊森让这段戏成了影片的标志和高潮。伊森从阿利法塔上不慎滑落的桥段，纵身而下的桥段，以及人肉抛物线的戏都让影片紧张至极。这段戏的摄像景深极深，高细节的画面让人身临其境。八百米的画面景深让人叹为观止，真刀真枪的实景拍摄让这段戏倍加真实。这一桥段重新确立了动作大片的标杆，把诸多同类影片远远甩在身后。

影片随后动作戏延续了此前《碟中谍3》的生猛，各种豪车冲撞和贴身肉搏处处彰显着动画导演的与众不同。此外，导演巧妙避开了让伊森维亚坠落的俗套，这次将这一任务交给了特工勃兰特。

全新的特别行动

小组阿汤是该系列里雷打不动的镇片之宝。自第三集起，阿汤便收起了在第二集中迷人的笑容，让影片延续第一集中的团结紧张。第四集中阿汤更是一酷到底，行事干脆利落，颇具大哥风范。尽管阿汤年近五旬，有了明显爱尔兰裔的老态，但他身材保持很好，没有多余赘肉。一如当年在《壮志凌云》中一样，编导特地设置了一场赤裸上身的桥段让广大妇女尖叫。

《碟中谍》的最大亮点是特别行动小组成员彼此间的互信和怀疑，这种非同寻常的伙伴关系在第三集时得以重现。有趣的是，此前几部革命队伍中的的害群之马都是在严重破坏社会安定团结的情况下被英明神武的特工伊森揪出，第四集里伊森则在遇到特工布兰特后立即对其身份表示怀疑。

新发展出来的特工勃兰特是该片一大亮点。亦师亦友，惺惺相惜的双雄关系总能为此类影片带来足够亮点。《碟中谍》里，吉姆与伊森情同父子的微妙关系，以及后来吉姆的无情背叛给人留下深刻印象。可惜的是，吴宇森未能在续集《碟中谍2》中发挥这一优势，大胆为伊森发掘出伙伴关系。《碟中谍3》尽管伊森的团队带有年龄阶梯，但都各干各的，彼此不熟。《碟中谍4》里的勃兰特的工作与伊森有过交叉，从内心对伊森有愧，因而他的作用不单只是衬托伊森的英明神武，该角色成了该片最大亮点。

杰瑞米-雷纳很大程度上挽救了该片票房。片中阿汤尽管有票房号召力，但他对“科学教”的过分执着和一张有点发矬的老脸让他自《世界之战》后在美国本土号召力骤减。凭《拆弹部队》名声大振的杰瑞米-雷纳事业则正处于上升期，他的加盟顶起了该片在美国本土的进账。有趣的是，《拆弹部队》里雷纳积极拆弹，《碟中谍4》里他还在拆弹。

《碟中谍4》里女性地位明显提高。《碟中谍系列》中，第一、二两集里的女性需受男性保护，第三集中尽管李美琪扮演的女特工火力凶猛，但伊森的女徒琳赛却死于非命。第四集一改女性在该系列里的悲催地位，火辣性感的黑美人宝拉-巴顿在片中火力全开，矫健的伸手让她为广大妇女大报冤仇。

英国谐星西蒙-佩吉在片中戏份较上集明显增多。他在片中颇具喜感，一改此前打酱油的地位。

本片反派角色塑造不够给力是本片一大遗憾。反派自始至终是个极易消失的鬼影，缺乏足够心理描写和作案动机，最后的决斗也让人感觉伊森缺乏尊老爱幼的道德血液。

高科技的立面体

导演布拉德-伯德除在动作戏上下足功夫外，他擅长发挥的喜剧桥段也为影片增色良多。一如此前伯德执导的《超人总动员》中诸多拿超人行头和各种高科技开涮的喜剧桥段，《碟中谍4》也有着无数对高科技进行的揶揄与思考，这些喜剧桥段充满惊喜和妙趣。

影片开场后，向第一集针孔设备高度致敬的电子美瞳帮助特工哈纳韦顺利拿

到密码后，却因人机配合慢了半拍当场毙命。随后高科技产品带来的段子更多：黑客入侵电子系统会因延时造成尴尬，不够成熟的裸眼3D最终导致一场混乱，本该自毁的磁碟卡壳失灵，火车外用来验证特工身份的眼部扫描系统造成诸多困扰，高科技蜘蛛人手套突然断电，悬浮电子设备会因温度失灵„„诸多桥段在彰显次世代高科技迷人魅力的同时，警醒世人过分依赖科技的悲壮下场。

喜剧桥段传达出科技并非无所不能的观点，让人能从心底得到认同。当消费品成为配角

赤裸裸的广告营销会招致观众反感，因而美国电影中很少有生硬的广告推销。广告商更乐于在影片中通过展现生活方式达到推广消费目的。全世界最大的植入广告片非《变形金刚》电影版莫属，但《碟中谍4》也不甘示弱。

《碟中谍》电影系列的广告植入呈递增态势，到了第四集消费品成了高调亮点。该系列前两部影片并无明显广告植入，到了第三集加入了刚刚上市的兰博基尼等奢侈产品。第四集的广告植入相对更加切合实际，无比强大的iphone 4和各种宝马豪车让人看后恨爹不成刚。

《碟中谍4》基本是iphone 4与宝马车的极端性能展示平台。片中特工人手一部iphone 4，用途广泛，堪比瑞士军刀。当然，许多影迷看后惊呼自己的iphone 4软件功能不如影片中强大。这种手机可以满足美国顶尖职业特工各种需求，迪拜沙暴中依然好使。

此外，《碟中谍4》还对宝马车的安全性和概念车能进行了良好展示。为展现宝马气囊的安全性，导演在最后让伊森开宝马车做自由落体。宝马i8概念车在片中的亮相风头完全超越上集的兰博基尼。这款跑车有种未来派的新鲜感觉。

该片广告植入尽管颇多，但导演巧妙地让各种消费产品成为电影中的有机组成，让观众可以欣然接受。这种做法远比生硬地给银行卡拍特写高明。

结语

大概由于《碟中谍》过于完美，编导未在剧情上向前作看齐。但不得不承认，《碟中谍4》是近年来难能一见的火爆大片，导演煞费苦心营造的娱乐性、趣味性和可看性在同类影片中堪称翘楚。片中主角个个身怀绝技，不论怎样摸爬滚打，上天入地，照样满血，神采奕奕。正如《滚石》杂志给出的评语一样——“本片可信度基本为零，但却妙趣横生”。

第二篇：碟中谍5影评(英文版)

Review of Mission: Impossible-Rogue Nation The movie mainly talks about the agent, Ethan Hunt, who fights against ‘Syndicate’ which is an unbreakable organization, and composed of a group of well-trained spies.The ‘Syndicate’ plans to disrupt the foundation of the civilization in the world.In the spy world, the ‘Syndicate’ has long been regarded as only groundless, but Ethan Hunt exposes that people do not want to face reality and he find the secret organization really exists and if people still do not do something, it will set off a series of disasters in the world.However, CIA doesn’t believe it, and they think all of those things are merely lies of Ethan Hunt.At the same time, IMF is taken over by CIA and CIA is going to arrest him.Under those circumstances, Ethan Hunt doesn’t give up.He beats his enemies with his wit.In the process, the most important thing is that he insists on his friends’ loyalty, and continues to create impossible ideal.In the movie, agent Ethan Hunt is played by Tom Cruise who is already 53 years old.Hunt is a strong, brave and wise man.He shows us his strength everywhere in the movie.At the beginning of the movie, he is dangling outside of an airplane as it takes off(Actually, actor Tom Cruise did it without any special effects).Then in another plot, he completes the hard mission under water and then he chases the enemies by riding cool motorcycle in the race.All these things make me feel his powerful capability.Besides, he is also full of intelligence.He figures so many problems out.No matter what he did to solve the danger of the arrestment of CIA, or maybe the way he resolve the assassination of Austria Prime Minister, I think all these shows his wit.As an actress in the movie, Ilsa Faust’s identity is always mystery.In the start and middle, we can’t even judge if she is a good guy.Finally, we find out the truth which she is faithful to her country and she has to play a double agent.She is a great spy and what she has done all worth it.In this movie, another one leaves me the most impressive impact is Benji Dunn.Generally, there must be a good joker in a good movie.I think it is he who gives us a lot of funny moments.Although he did something useless to Hunt, he is still a cute guy.At last, I want to talk about some thoughts individually after watching this movie.Personally, I think we should always prepare a plan B in case something happens without our control.It is distinct that the more our ideas are, the more chances we will hold on.Having a plan B will help us improve not only our intelligences but also the ability of dealing with any problems.In addition, I think we need do some sports everyday.Whenever I watched a film in a theater or home, I just feel these actors are so handsome and charming.And I think it must be related to their good shape.So we need pay much more attention to excises in order to keep a good figure.

第三篇：纽约时报：Mission Impossible — Ghost Protocol《碟中谍4》影评

Falling Off Skyscrapers Sometimes Hurts a Bit

By MANOHLA DARGIS

Published: December 15, 2011

What makes Tom Cruise run — run harder and run faster, leaping from one building and dangling off another, the world’s tallest — as he does to exhausting, unnerving effect in “Mission: Impossible — Ghost Protocol,” his latest exercise in extreme performance? The fourth in the franchise, this “Mission” has a solid cast, including a notable new co-star in Jeremy Renner;a new director, Brad Bird;and a story that’s as nonsensical as any in the series.Mostly, though, it has Mr.Cruise hurtling through the movie as if his life depended on it, which, to judge by the hard line of his jaw, his punishingly fit body and the will etched into his every movement, may be what’s at stake.It’s fitting that Mr.Bird, the director of the Pixar movies “The Incredibles” and “Ratatouille,” has taken over the reins of the franchise for his live-action directing debut.The “Mission: Impossible” movies belong to that outlandish, sometimes cartoonish class of action adventures in which lesser, Bond-like heroes walk or race from fiery explosions in between locking and loading, kissing and killing, and killing some more.The films, spun off the 1960s television show, fondly remembered for its rubber masks and Lalo Schifrin’s brilliant, pulsating theme music, added Mr.Cruise, who in the 15 years since the first installment has tumbled from his top spot as the world’s biggest movie star to lag behind neo-action figures like Leonardo DiCaprio and Johnny Depp.Mr.Cruise may be somewhat down(certainly his smile has dimmed), yet he’s scarcely out.That’s partly because of Mr.Bird, who has given this movie a self-aware levity that’s intended to clear away the bummer blues of the last “Mission,” five years ago.Directed by J.J.Abrams, who is also a producer of this movie, the third film skewed the series too dark with a nihilistic baddie(chilled to shivering by Philip Seymour Hoffman)and a nightmarish torture scene.It also burdened Mr.Cruise’s character, Ethan Hunt, with a wife(Michelle Monaghan), an unwise move — American action heroes, latter-day fantasies of our native rugged individualism, walk alone, not down the aisle — which suggested that the soon-to-be-remarried Mr.Cruise was borrowing a chapter from his own life.The new movie, written by Josh Appelbaum and André Nemec, both alumni of Mr.Abrams’s television show “Alias”(mostly), ditches the wife and gets back to action basics with globe-trotting, nifty gadgets, high-flying stunts and less loquacious villainy(Michael Nyqvist).(It was also partly shot in Imax, which doesn’t really enhance anything.)

Ethan, after being broken out of a Moscow prison, where he had been idling among hordes of bull-necked Ivans and Igors, sets off on another mission with an old teammate, the tech whiz Benji Dunn(Simon Pegg), and the obligatory pretty lady, Agent Jane Carter(Paula Patton).The mission goes bust and boom, as does a debriefing with Ethan’s boss(Tom Wilkinson, uncredited), whose murder finds Ethan and his team blackballed(if still sleuthing)and keeping company with an intelligence analyst, William Brandt(Mr.Renner).Mr.Renner, who played the main bomb specialist in “The Hurt Locker,” eases effortlessly into the blockbuster register, where star charisma and presence like Mr.Cruise’s matter more than emotionally selling a scene.Mr.Renner has to do some actual acting because of the role(surprise: there’s more to Brandt than a suit), and his low-key performance is a dividend in a movie in which almost all human interactions take exaggerated form, with more throttling than talking, or so it seems.Mr.Renner isn’t an obvious action type — he’s good-looking rather than roguish or boyishly pretty — but as soon as he rolls up his sleeves and picks up a gun, it’s obvious that he’s qualified for the job.For his part, Mr.Cruise seems comfortable resuming his franchise duties, though there’s a palpable difference in his affect, even from the last movie.He still radiates intensity bordering on mania, but without the familiar “what, me worry?” air of invincibility.Maybe it’s age: he turns 50 next year, or perhaps Mr.Bird’s approach doesn’t sit well with him, even if it also fits.The wolfish Cruise smile seems tighter, at times reluctant, despite Mr.Bird’s efforts to lighten the mood with banter(much of it supplied by a chattering Mr.Pegg).Over the years Mr.Cruise, a divinely superficial presence in pop fodder like “Top Gun,” has grown progressively heavier, weighted down by stardom, ambition and the misstep of turning his personal life into a public drama.At times he can feel leaden.Unexpectedly, though, his age and inescapable gravitas work for “Ghost Protocol,” partly because they invest the outrageous stunts with a real sense of risk.Mr.Cruise’s primary job in the “Mission” series is to embody a not-quite-ordinary man whose powers are at once extraordinary and completely believable, a no-sweat feat in the first few films.Here, however, when Ethan ziplines off a building onto a truck and then rolls hard onto the street, Mr.Bird — while borrowing more than a little from the “Roadrunner” cartoons — also makes you aware of the fragility of the body ricocheting on screen, absorbing every blow for your entertainment.And when Mr.Cruise hangs off the even taller building, what you see isn’t just a man doing a crazy stunt but also one poignantly denying his own mortality.“Mission: Impossible — Ghost Protocol” is rated PG-13(Parents strongly cautioned).Largely bloodless, if at times extreme, violence, including gunplay and a

fatal push from a skyscraper.Those with acrophobia beware.

第四篇：碟中谍4观后感

《碟中谍4》的高科科技本以为，毛概课除了那本书基本就没什么教材，结果老师还答应给我们看电影，看的还是我的最爱，科幻片，还是汤姆克鲁斯的《碟中谍4》，老早就想看了，只是每次都忙着，忘了看。这次看完以后，我颇有感触，回去自己查了

资料，更加了解了影片中那些高科技的奥妙，在这里和大家分享一下。影片中最让我震惊的有3种武器。首先，电影一开场，伊森同事特工就在一只眼中戴上了这种眼镜，能将特工看到的信息自动进行搜索、比对。特工利用隐形眼镜的人脸识别功能，迅速与任务信息库中的人物特征匹配从而锁定目标，截获了密码文件。当特工准备离开时，迎面碰上一美女，眼镜识别出其为职业杀手并向特工的iPhone 4手机发送报警信息。随后还有更神奇的：戴上这种眼镜，连眨两下眼，眼前的文件就以通过藏在文件箱中的打印机实时打印出来。其实现实也有类似的科技：你一定记得数码相机、手机的人脸自动对焦以及笑脸快门功能。这些都是基于人脸识别技术，属于生物特征识别技术。机场海关安检、门禁系统、身份信息识别等，也都用上了人脸识别技术。据了解，基于可见光图像的人脸识别技术虽然比较成熟，但在环境光照发生变化时，识别效果会大幅下降。近两年发展迅速的基于主动近红外图像的多光源人脸识别技术，则能克服光线变化的影响，在精度、稳定性和速度方面的整体系统性能都较高。电影很可能是用了这一技术。

至于该隐形眼镜可与打印机远程相连打印文件，也基本在现实中实现，iPhone 4就有AirPrint无线打印功能。运营商也利用开发远程打印业务。隐形眼镜摄像头是怎么供电的？生物的化学能和生物的微动能都能为这薄薄的镜片供电。总体而言，以如今的无线互联终端物联网技术，这些应用不是难事。

然后影片恶搞了克里姆林宫——不仅是“炸”掉建筑，还以高科技手段骗过保卫人员的眼，伊森等特工摸入档案室如同儿戏。简单而言，伊森两人潜入档案室需要骗过门口保卫，首先是能够在荧幕上伪造背后墙的影像，并通过人眼感应器随着保卫的视线转移而对画面进行调整，使之“看到”的始终就是走廊里一面静止的墙。事实上，伊森等人已从荧幕后面溜进了档案室。

现实也有此例：有人说这是裸眼3D技术应用，但仅仅是该技术达不到此神奇效果。从电影场景看，当一众保卫人员涌进时，隐形墙就不停闪烁露出破绽，可见其人眼感应器还只能搞掂一人。而若是裸眼3D则不存在这一问题。记者采访中，有人士称这很可能是导演的一次“发挥”，现实中尚无此例。

最后是那个神奇的面具，中国长久以来即有易容术、变脸这一绝技，在《碟中谍》系列影片中，就变成了面具制造机这看似很高科技的玩意。拥有这个神奇的道具后，任何人都可以在短时间内制作一个和他人相貌一模一样的面具。电影中，在潜入克里姆林宫时，伊森就是靠面具易容混过了卫兵的搜查。而在发射密码的交易中，伊森发现对手竟然也使用了易容面具。同在这一长情景中，伊森的计算机高手同伴就利用Macbook Pro远程改变了克里姆林宫入口处的证件识别仪的程序，让伊森等人伪造的证件能够“二次检查”通过。

当然现实中也有：去年10月一家叫Real-f的日本公司推出了一种与真人长得完全一样的面具。该公司说，技术人员会用数码技术扫描你的脸，然后用3D模型铸出乙烯基氯化物做的模型。这种模型被叫做3D成像模型。虽然该公司不是首次推出这种面具的公司，但它的产品是迄今为止最为逼真的,甚至可以看到眼睛虹膜及血管。一款面具就得近4000美元。

看着这些高科技能和现实生活挂钩，突然觉得我们的未来一片光明，看来科学发展很重要啊。

《金陵十三钗》有感

其实这个影片最大的感动是人性的转变，比如十三钗原本只是想逃命，她们是难民，本不想当英雄，约翰·米勒更是一个小混混儿，自身的毛病比十三钗还多，但惨烈的战火中，他们的人性光辉得以闪耀，他们最终成了英雄。故事大概是这样的：

1937年，日军入侵南京，战火中，六朝古都化为废墟，众多中国军民被困城中。一支十数人的国军德械教导队余部在长官李教官的指挥下，从日军手中救出了一批教会学校女学生，而李教官等人，至此丧失了出城的机会。幸免于难的书娟等学生返回文彻斯特教堂，随她们一 起来到的，还有受雇远道至此收敛神父遗体的美国人约翰·米勒，此时的南京城中，逃难的人们蜂拥进安全区和教堂寻找庇护，十四名风尘女子强行进入教堂避难，其中精通英语的玉墨希望借助约翰的身份为一行人提供更多保护。教堂的墙壁，并不能阻挡日军的铁蹄，教堂内的人们，将面临孰生孰死的选择……《金陵十三钗》的名字很别致，如果改名为“处女保卫战”，未免太剧透，因为，整部电影的主线就是这个：在南京大屠杀中，各色人等都努力保护一群女学生免受日军“蹂躏”，最终，以一群妓女和一个小男孩的慷慨赴难，换得女学生和她们新认的“父亲”——卫成功。女学生们一出场就导致了一堆想保护她们的士

影片强调米勒的轻浮和自私，最后变成英雄，有一组镜头描写他的犹豫和挣扎。十三钗的形象既要前后反差，又要跟女学生反差，故她们上场的时候完全是一副妓院新开张的架势，浓妆艳抹、穿戴夸张，仿佛她们不是从死尸堆里逃过来的，仿佛她们完全不知道日军的惨无人道。在真实世界里，只有彻底缺乏常识的人，才会有十三钗一开始的行为举止。

从这部影片中，我开始对古人的“商女不知亡国恨，隔江犹唱后庭花”有另一番的理解，也许是因为每个国人都有对自己国家的爱护，才会有这么强的爱国之情，护国之心，牺牲自己去保护养育自己成长的家园，每个中国人都有一颗同样的心吧。

第五篇：碟中谍4观后感

托朋友的福，最近看了不少的好电影，心想着也该写些什么来纪念一下，加深记忆，省的以后和人讨论时记忆一下子短路了。多年不写观后感，落笔的时候顿感生疏，感想很多却难以练成通顺的语句表达出来，所以这篇观后感的质量也可想而知了。

但既然决定了，就还是写吧，贻笑四方也当做自娱自乐吧。

这次看的是碟中谍4，地点是上海国金百丽宫影院，大场子，屏幕超大无比，可惜位子稍微靠前，一开始还想着过会要仰着头看电影好累啊，没想到一进入电影就立马被他的情节、场面、人物吸引住了。

故事情节就不多累述了，总之就是超级特工阿汤哥为了阻止想要引起美俄大战的恐怖分子而踏上了惊险刺激的旅程。这种故事情节非常正统，编剧的逻辑思路非常清晰，比一般的故事流畅许多。精彩的点是观众可以跟着阿汤哥游遍全球~从“世界第八奇景”的克里姆林宫，到全世界第一高的迪拜塔到印度的孟买，通过不同角度的拍摄，见识到了不一般的美景，让我这种几乎连上海的边界都不怎么跨出去的宅女大开眼界~当然，整部电影跟着阿汤哥的还有每一部特务片里面必不可少的超级无敌的跑车，可惜我对车子知之甚少，无法作详细的介绍。

除了剧情，再来讲讲电影中的场面，那叫一个宏大、一个惊险、一个刺激呀，爆炸、追车等惊险的要素是基本每一部商业大片中不可或缺的卖点，观众也看腻了各式各样的噱头，但碟中谍4是在拍摄上节奏感把握的相当出色，明明知道要爆炸了起烟了主角要跟着飞出去了，但却仍然不由自主在心中默念：阿汤哥！快跑。

我觉得这种拍摄的节奏就是说虽然作为电影中很关键、很火爆的一场戏，但是导演不会特意把它通过放大或者慢镜头或拍的特别细腻等形式特别强调出来，反而感觉是很恰当的很普通的出现了，让观众就感觉随着阿汤哥一同冒险，一同经历这些，没有出戏的感觉。

最经典的一场戏就是在迪拜塔上的阿汤哥身无防护的飞檐走壁，我的心一直悬空着，就怕他一不小心就掉了下去，其实想想人是主角，当然能够化险为夷啦，但是整个电影的拍摄节奏、拍摄角度就是让人忍不住的身临其境陷进去。我看的是普通2D版的，如果有3D的或者Imax版的一定更加刺激！

美国大片中少不了个人英雄主义，一般而言，我挺反感这个的，一个人能成多大事呀？当然碟中谍4中阿汤哥也不例外，但让我欣慰的是整部影片，虽然阿汤哥的经验最丰富、能力最强、是团队的主心骨，但由始至终，始终强调TEAM的作用，只要强大的团队支持，阿汤哥才能成功。发挥关键核心作用的也许是那个最不起眼的人。

由于我没有看过前面三部，所以也无法做个比较。但就个人而言，碟中谍4真的不错，值得去电影院看。有些片子适合窝在家里细细品味，而有些片子只能在大屏幕上才能发挥出它最大的能量。碟中谍4就是后者，只要去过电影院，才知道他的精彩之处！