第一篇:毕业论文目录
目录
前言
一、记者社会责任的内涵……………………………………………………………1
(一)社会责任理论……………………………………………………………1
(二)记者的社会责任及含义…………………………………………………1
(三)新闻采访中记者所承担的社会责任及意义……………………………2
1.新闻采访中记者所承担的社会责任………………………………………2
2.明确新闻采访中记者所承担的社会责任的意义…………………………3
二、新闻采访中记者社会责任的缺失………………………………………………3
(一)假新闻中记者社会责任的缺失…………………………………………3
(二)突发事件采访中记者社会责任的缺失…………………………………4
(三)隐性采访中记者社会责任的缺失………………………………………4
三、社会责任缺失的原因及其规避途方法和途径…………………………………5
(一)社会责任缺失的原因……………………………………………………6
1.记者的职业责任意识不高,在新闻采访过程中不深入、作风不扎实是造成记者社会责任缺失的一个重要原因。…………………………………………6
2.记者的专业修养不高又是造成其在新闻采访中社会责任缺失的一个重要原因。……………………………………………………………………………6
3.记者的道德法律素养不高是造成其在新闻采访中社会责任缺失的另一个重要原因。…………………………………………………………………………6
(二)规避记者在新闻采访中社会责任缺失的方法和途径…………………7
1.学好新闻理论知识和职业技能是保证新闻记者在采访中承担社会责任的基本条件。……………………………………………………………………………7
2.加强和提高记者的专业修养是保证记者在新闻采访中承担社会责任的重要途径。……………………………………………………………………………7
3.着力提高新闻记者的道德法律素养又是保证新闻记者在采访过程中履行社会责任的重要方法。……………………………………………………………8
四、结语………………………………………………………………………………9
致谢………………………………………………………………………………9 参考文献…………………………………………………………………………9
第二篇:毕业论文目录
目录
1.渭南师范学院本科毕业论文封面..........错误!未定义书签。
2.渭南师范学院本科毕业论文任务书........错误!未定义书签。
3.渭南师范学院本科毕业论文开题报告......错误!未定义书签。
4.渭南师范学院本科毕业论文中期检查表....错误!未定义书签。
5.渭南师范学院本科毕业论文登记表........错误!未定义书签。
6.渭南师范学院本科毕业论文正文..........错误!未定义书签。
7.渭南师范学院本科毕业论文答辩记录......错误!未定义书签。
第三篇:毕业论文目录
村民自治制度建设中存在的问题与对策
选题背景:自1980年第一个村民委员会产生至今,村民自治已经走过了三十多年的历程。在这三十多年中,广大村民民主意识和公民意识得到了不断的提高,农村的民主政治进程大大加快。村民自治的实行提高了村民的民主意识和主人翁责任感,最的限度地激发了广大农民的政治热情,但同时也逐渐暴露出了很多问题。
一、村民自治概述
(一)村民自治的含义
(二)村民自治的特点
二、村民自治制度建设取得的基本成效
(一)民主选举制度得到进一步规范
(二)民主决策制度得到进一步落实
(三)民主管理制度得到进一步加强
(四)民主监督制度得到进一步强化
三、村民自治制度建设存在的主要问题
(一)职责不明确,村“两委”关系难以正确处理
(二)“贿选”打击力度小,导致“贿选”成风
(三)村务公开制度不规范,群众对村干部的监督难以到位
(四)法律法规不够完善
四、进一步健全村民自治制度的对策思考
(一)明确村两委职责划分,创新村党支部选举制度
(二)加强立法工作,推进规范化管理
(三)提高村民自治主体素质
结束语:村民自治顺应了中国农民的意愿,满足了村民的要求,增强了村民的民主意识和自治能力,最大限度地激发了广大农民投身改革和建设的积极性,符合中国加强民主法治的努力和趋势。总之,实行村民自治是大势所趋、民之所向的,而进一步完善村民自治制度,解决在这条道路上存在的各种问题,则是迫在眉睫、任重而道远的。
第四篇:毕业论文摘要、目录
瓷器首饰的设计研究
摘要:本文力图通过对目前世界首饰设计发展趋势的分析,希望研究出能够代表中国特色文化的瓷器首饰。
经济的发展,科技的进步,生活水平的提高,人们对首饰的要求也跟着提高,等等一系列原因导致珠宝首饰传统意义上的“ 保值 ”功能退居次要位置,代之而来的是审美、时尚、享受和健康。
尽管如此,全球化,统一化使得各国的生活方式和民族文化相互融合并逐渐趋于一致,最终导致了民族界限越来越小,民族特色首饰越来越少。面对这种情况,作为设计人员的我们唯一能做的就是宣传爱国意识,传播爱国情怀。而瓷器首饰本身就有很强烈的民族特征,在加上青花的效果和 “龙”图纹的衬托,使得瓷器首饰的民族特征更加强烈,更加有利于宣传爱国情怀的宣传和表达。
虽然目前整个首饰行业发展已经迈入稳定状态。但我相信瓷器首饰的出现将给首饰界带来另一个无限的发展空间。
瓷器首饰它是当下最流行的“绿色产品”。它危害低,环保、节能、健康。它是你我最佳的选择。
关键词:瓷器首饰;时尚;中国文化;爱国情怀
中图分类号:TB472
The Research on the Design of Porcelain Jewelry
Abstract: This paper tries to discuss eyewear design from the perspective of fun spirit by analyzing the present world development trend of eyewear design.We are familiar with eyewear as a product.Now,It is not only the use of correcting short-sightedness and astigmatism, but increasingly becoming a fashion carrier embodied the fun spirit as.For the consumers, the purchase of motivation is on fashion, on personality, on decoration.China's optical industry developed fast in recent years but the whole development of the industry has not been standardized, mature.China is the world's major production base of eyewear, the world's first production, but also can not be the forefront of the field.The lack of design capabilities, blindly follow the example is an important reason.China has a long history, which are rich in spiritual wealth is unique to us.In particular, the Chinese elements is more and more popular today, the using of the Chinese elements in eyewear design creativity is a practical sense.The interpretation of Chinese elements, of course, can not remain in superficial level.This paper wants to interpret the Chinese elements with fun spirit in eyewear design, make It has new content, in line with modern consumer and aesthetic needs.Keywords: Porcelain Jewelry ;Eyewear design ;Chinese elements
Classification: TB472
目次
摘要·······································································································································Ⅰ 目次·······································································································································Ⅲ 1绪论······································································································································1
1.1研究背景··························································································································1
1.2研究目的与意义··············································································································2 2瓷器概述······························································································································4
2.1瓷器的定义······················································································································4
2.2瓷器的发展及其现状······································································································5
2.3瓷器产品的分析··············································································································6 3首饰设计概述······················································································································8
3.1首饰的定义及其分类······································································································8
3.1.1首饰的定义··················································································································8
3.1.1首饰的分类··················································································································8
3.2首饰设计的基本方法······································································································9
3.2.1点线面在首饰中的体现······························································································9
3.2.2色彩在首饰设计中的运用························································································10
3.2.3现代首饰的主要特征和形式美的法则···································································· 11
3.3首饰设计元素的选择····································································································12
3.4首饰设计造型的演化····································································································13
3.5首饰设计图案的选择·································································································14
3.6套件首饰设计············································································································15
3.7现有首饰分析············································································································15 4瓷器首饰的设计················································································································16
4.1瓷器饰品的现状及其发展前景····················································································16
4.2瓷器首饰的特点············································································································18
4.2.1瓷器首饰具有强烈的民族性····················································································18
4.2.2瓷器首饰是新型的“绿色首饰” ············································································183
4.2.3瓷器首饰具有的材质优势························································································19
4.2.4瓷器首饰具有无可替代的色彩优势········································································19
4.2.5瓷器首饰具有形式多样性························································································20
4.2.6瓷器首饰具有独特装饰效果····················································································20
4.3瓷器首饰的加工工艺····································································································21 5瓷器首饰的设计理念及其运用························································································22
5.1碗造型及印章的寓意····································································································22
5.2青花图案与现代亮丽的黄颜色分析对比····································································23
5.3龙文化的寓意················································································································24 6设计实践部分····················································································································26
6.1产品构想························································································································26
6.1.1背景调查····················································································································26
6.1.2目标人群分析············································································································26
6.1.3材料选定····················································································································27
6.1.4产品定位····················································································································27
6.2设计初稿························································································································28
6.3产品分析························································································································28
6.4佩戴展示························································································································29
6.5设计效果图····················································································································30
6.6设计版面························································································································31 7结论····································································································································32 参考文献·······························································································································33 学位论文数据集···················································································································344
第五篇:大学毕业论文目录
目录
引言………………………………… ……… … ………………………………….1
一、自我分析………………………… ……………………………………………2
1.职业兴趣………………………………………………………………….…2
2.职业能力………………………………………… …………………………2
3.个人特质……………………………………………………………….……2
4.职业价值观……………………………………………………………….…2
5.胜任能力……………………………………… ……………………………2 自我分析小结…………… ……………………………………………………2
二、职业分析………… ……………………… ………………..........3
1.家庭环境分析………………………………………………………….…3
2.学校环境分析………………………………………………………….……3
3.社会环境分析…………………………………………………………….…3
4.职业环境分析……………………………………………………………….3
(1)行业分析………………………………………………………………...3
(2)职业分析…… …………… ……………………… ……………………3
(3)企业分析…………………………………………………………………3
(4)地域分析…………………………………………………………………3
三、职业定位………………………………………………………………………..4
1.综合分析……………………………………………………………………..4
2.职业目标……………………………………………………………….…….4
四、规划实施方案……………………………………………………………….….5
1.在校目标……………………………………………………………….…….5
2.中期目标……………………………………………………………………..5
3.长期目标…………………………… ……… …… ………………………..5
五、职业生涯规划评估调整…… ……………… ………………………………...6
1.评估的内容…………………………………… …… ………………….…..6
2.评估的时间………………………………… ………………………………6
3.规划调整的原则………… …………………………………………………6 参考文献…………………………………… …… ………………………… ….….7 致谢………………… ……………………………………………………… …..….8