第一篇:关于书评和读后感
关于书评和读后感
王长来
上周给学生布置的题目是写一篇读书笔记,为了开阔思路,并没有如以往一般要求是去读名著名家的作品,只说写你喜欢的书。然而交上来的东西却让我有些失望,转而深思。一贯以来我们总是板着面孔作文,名著也不是不好,名家也不是不值得去研究,然而对于学生来说,却总是如同咸亨酒店的气氛,让人活泼不得,长久下来竟成了写读书笔记的规矩。这次有意让学生放开了写,绝大部分同学还是端着一本正经的架子,满纸慷慨激昂,或者“深思”,又或者“感动”,却未必见到真情实感。甚至如学生最喜爱的武侠、奇幻、言情之类的感想,也多写得八股文一般,让人哭笑不得。
其实读后感真的不应该刻意要求什么,读后感应该是一个人读书之后记录下的感想,别人怎么可以评价自己的心情?所以我只能说一些读后感(评论)讨巧的写法,并不觉得这是读后感的正途。
首先是观点。要想引人注目,标题要好,观点要劲爆。当然不是要你胡编乱造,而是在逻辑的基础上注重一个新字。越是好的,越为众人熟悉,你讲个平平淡淡的观点,只怕首先输掉一半。观点新而
有力,别人才有看的欲望。可以参考下这类题目,比如林妹妹是万贯家财,比如韦小宝是个帅哥,首先就让人有瞅上一眼的欲望。
有了观点,论证一定要有力,千万不能让感情控制住自己的笔。就像一个MM,你在寝室成天叨念美啊漂亮啊,一脸陶醉。兄弟们都想听听咋个漂亮法,你又不说,翻来覆去就是一句真漂亮啊,非被打死。写评写一样,不能老把观点拿出来说,感情冲动之时下笔往往是情感的激荡而忽略了细节,建议稍稍平静下再写。
论证的时候,要么大量引用书中原句和情节,微言大义地分析,要么就是揣度人物心理性格,一切分析合情合理,自然能说服读者相信你的观点。如果能让他们觉得“原来如此,我怎么没想到”,那文章就成功了。
但观点不是时时都能出新,里面的句子也早被人用滥,人家的心得评论写得比原著多了不知多少,比如《四书》《红楼梦》,那就剩两样:感情和文笔。
不能说理了,咱就抒情吧。也是那千古流传人尽皆知的主题,只要文笔得当,大家还是愿意随着你的文字去重温旧梦。除了情,穿插着书中的情节,将那些大家都知道唯独书中人物当局者迷的东西说出来,就像读者自己在说一般。不是每个人都有能力写出自己所思所想,有人帮他说了,自然舒服。
这是相当考验文字能力的。因为大众化的感情观点人人可以写,只有人家文笔没你好,你抒出去的情能引起共鸣,别人的不可以时候,你才能不泯然众人。
还有一种方式,就是用理论去解析文章。个人来说,我并不喜好这种文章。一是分析需要很多理论去支撑,高中阶段很难掌握这么多条条条框框,若是少少的,又难免班门弄斧之嫌,更怕用得不当被老师认为半罐水响叮当。另外,你要知道读你文章的人也不一定就知道那么多理论,或许看了会佩服会觉得高深,但不一定喜欢。同样的,你喜欢历史小说还是历史课本?再者,理论未免枯燥,很难引起读者共鸣,人家想来找知己说说心里话,结果遇上一堆看不懂的东西,怕是又会损失一批支持者了。
自然,用这个要求衡量学生作文有些偏高,然而我们总是要给出一个方向,避免这连篇累牍地歌功颂德。那些名家名篇未必需要你去赞扬什么,而我却希望你们在读书的时候,得到一点属于自己的东西。
第二篇:洛丽塔书评 读后感
洛丽塔
她的笑容,在海边的小木屋里绽放,洁白的蕾丝裤边,和女孩的青春一样甜蜜、美好。
她的死亡,是所有灾难的开端,美好的事物背后似乎总是隐藏着巨大的破坏力和毁灭性。
“洛丽塔,我生命之光,我欲念之光,我的罪孽,我的灵魂,洛丽塔,舌尖向上分三步,从上腭往下轻轻落在牙齿上,洛、丽、塔。”他说。
当她在花园里遇到一位衣衫被花洒淋湿却依然踮起双脚看着画报的时候,他知道,他的光,他的火,他的罪恶与灵魂最真实的黑暗,在那个瞬间全部复活了。
后来的情节,出乎意料但也是在情理之中。
他被这个小妖女给迷惑了,无法自拔,倾注了所有的疼爱和妥协,一个男人,几乎用了他的全部,来试图保存这一份乱伦之爱。
洛丽塔的娇媚、调皮,在画面上跳动着,呼之欲出。而终于,她要离开了,但就算在受过许多苦难之后,她再一次找到他,却只是为了钱。当洛丽塔无情出走之后,再次见面的他说,你一碰我,我就死了。
当日如花妖女,现在只剩下枯枝还乡。苍白、世俗、臃肿、腹中骨肉是别人的,但是我爱她,她可以褪色,可以凋零,怎样都可以但是我只要看她一眼,就好似万般柔情,涌上心头。
面对已经怀孕的她,他心里的声音依旧是
“我望着她,望了又望。一生一世,全心全意,我最爱的就是她,可以肯定,就象自己必死一样肯定„„她可以褪色,可以枯萎,怎样都可以。但我只望她一眼,万般柔情,便涌上心头......”
他给她钱,要她跟他走。她依然执意不肯。她是从未爱过他的。他终于明白过来。老泪纵横,掏尽身上所有的钱、所有的支票都给她然后仓皇地离开。
这些话,令人心痛。看完整部影片,我没有感受到丝毫的罪恶感,没有对Humbert有憎恨和唾弃。虽然,从道德观念上看,他的行为令人难以接受,而实际上,他只是去爱了美好的事物而已,而已。
也许是因为人不可抑制的情欲,也许是因为个中的欺骗和背叛,又或者,是因为爱情本身,它无关年龄,就注定是一场劫难和宿命,人与生俱来的原罪。
每一份深刻的爱情,只要不是邪恶的,都不该被诅咒。
袁婧馨
第三篇:《红字》书评 读后感
Book Review Of The Scarlet Letter
The Scarlet Letter offered an extraordinary thinsight into the norms andbehavior of the 17
century in American Puritan society.The female who gave birth to a baby out of wedlock would be jailed for three months and sentenced to wear a symbol of her adultery—a scarlet “A” on her dress all the time.It concerned about the moral, emotional and psyschological effect of sin on people in general.It was not a simply love story but a story of sin.The Scarlet letter by Nathaniel Hawthorne used the scarlet letters to symbolize the harshness ofPuritan society, showing that how they branded sinners for life.thThe story happened in Boston in 17 century.It narrated love affairs between three person, One was the punished woman Hester Prynne, the other was his husband who called himself Roger Chillingworth.He was an old misshappen man and a doctor.Hester did not love him at all.Another man was a young minister, Dimmesdale, who had a high position
among ministers and was highly respected among his people in town.Hester and Dimmesdale loved each other.But their love was forbidden at that time.It was sinful.Due to this, Hester was punished by society with a letter A on her chest, which considered an evil and a shame.In this novel, the mainline seemd to be around the letter A.Hester was brave enough to face the cruel reality.She was always with a mind of courage.She had been alone with her child for so long, with little communication.Shame!Hopelessness!Loneliness!Hester had to wear the letter A day after day, seven years as for punishment and ill fame.When a woman had lived through a difficult experience, her character changed a great deal.If she been all tenderness, she would die.If she survived, the tenderness would leave her.Hester‟s charitable deeds and quite humility had earned her a reprieve from the scorn of the community.The letter on her chest represented
her work on earth, always helping others, without excepting any thanks.Never afterwards, did that scarlet letter leave her chest.The townspeople no longer view the letter as a punishment, but rather as representing her great strength and bravery and they said it means „Able‟.But Arthur Dimmesdale, his sin against Hester and Pearl was that he would not acknowledge them as his wife and daughter in the daylight.He kept his dreadful secret from mysterious heart trouble, seemingly caused by psychological distress, what's worse, he was an advisor to the townspeople about their sins.After Mr.Dimmesdale‟s death, no one changed more in appearance than Roger Chillingworth.All his strength and energy had been used to harm his patient.This unhappy man aimed to add to the suffering of the young minister.When the evil old man no longer had such a purpose, the devil took him back to the hell.It is a curious subject of observation,however, whether hatred or love are not of the same place.Each takes a great deal of emotion from one person.The two feelings seem basically the same, except that one is smiled upon by God, while the other is worshipped by the devil.The two lovers had ever decided to flee to Europe, where they could live with their daughter Pearl as a family.They felt a sense of release there.However, their plan failed.When Hester died, she was buried next to Dimmesdale.The two shared a single tombstone with a deep colored letter A shining brightly.What stuck me when I read this, and remains with me today,is that it is those who presume to punish sin who are the real sinners, Chillingworth‟s life is one devoid of human feeling, devoid of any real joy as he lies in the stone cold bed of hatred and revenge.And to a lesser extent so it is with Dimmesdale who cannot forgive himself, who secretly flagellates himself so that his life becomes a hell on earth.On the other hand there is Hester who finds forgiveness and love with good works and in the jioy of her beautiful and precious Pearl and in her unstinting love for Dimmesdale and her hope and faith that a better life will come.09英语2班
邓楚欣
第四篇:《紫色》书评 读后感
Reviews of The Color Purple
As a girl, Celie, struggles through life while she slowly matures into a woman, she discovers the irony and hatred associated with life.This woman's life — her personal journal forms the incredibly well written story, The Color Purple.However, this story's meaningful content comes with a price: graphic sexual content and inappropriate language.Putting this aspect aside, The Color Purple's interesting plot twist kept me hooked throughout the story;I wanted to keep reading, and read I did, until I felt too tired to keep my eyes open.The Color Purple informs readers of the harsh lives of African American women who lived in the early 1900's.Terrible examples of the discrimination they received permeate this story, but they help to convey the author's message: no matter what happens, if you have hope, you will get through the tough times.Celie, the protagonist in this book, sets an example for everyone in the world today.Her husband constantly abuses her mentally, physically, and sexually;yet she never gives up hope, never stops dreaming of a better life, and in the end she learns how to live, learn, and love.After I finished reading this story, I began to appreciate many of the possessions I once took for granted.I finally
realized the cold hard reality of pain in this world, and even though I may think I can't live through another day, compared to many other people, my problems are non-existent.09英语2班
邓楚欣 Chrisdina
第五篇:中国文脉读后感书评
中国文脉读后感书评
我平时读书,喜欢挑作者,喜欢挑书的封皮。
寒假里,阅读组推荐了几部书,我先上网搜了一下所有书目的介绍,打算选出自己比较喜欢的来读。第一眼,我就看到了余秋雨的名字,毫不犹豫先搜寻了他的《中国文脉》,屏幕上,黑色的封皮,厚重典雅,配以一簇大红的零星碎片在左下角,撩拨着我的心,所以当即拍下了这本书。这部书一共分三个部分:
一是中国文脉。余秋雨先生追溯到了我国古诗的源头——《诗经》,还谈到了诸子百家中的老庄孔孟,从体裁上来看还赏析了楚辞、秦碑、汉赋等;然后纵横大唐诗文,点评南唐李煜,盛赞了宋代豪放词风及爱国情怀。随后,他论元杂剧、明清小说,最后来到近现代,回望了王国维、陈寅恪等学者。这一路写来,就像一把梳子把中国杂乱的文学史按年代、体裁及历史作用清晰地梳理开来,让我的脑中的历史文学知识立即呈立体状。
二是笔墨历史。作者纵览历史,回望过往,从甲骨金文,一直写到清代和近代。写了汉字之于其他语言的不同之处。它的书写是一种集体人格程序,有风范和表情,不仅是集体的审美,更有韵致,推进了文化的美学品格。汉字千年,历久弥坚,汉语魅力,当并不只遣词达意,更须在用典引文、在修辞造境之上。
三是用了三个话题来说中国的上古时代,从猜测皇帝到感悟神话,然后写殷墟甲骨,考古记事。余先生回溯了黄帝和炎帝的时代,他列举了很多史家对于上古中国历史的质疑,认为华夏文明皆是外来,或者,认为上古根本不存在什么三皇五帝,都是后人的神话传说。
以我的学识,读起本书来觉得有些费劲,但却有一种“高山仰止,景行行止”的感觉。我通过阅读本书,把上大学时期学到的古代文学史回顾一遍,又亲近了中国历史。在品读“中国文脉”的过程中,似乎能从余秋雨先生的文字中听到中国古人的呼吸,感受到他们身上的体温。循着这条脉络,我感觉自己好像在探寻自己生命和文化的源头。余秋雨先生说自己想通过梳理中国文化的脉络来重塑人格,我想他做到了,对于我而言,我读过他的这本书后就深深地感受到自己的精神像被一位高深的长者智者导引着,忘记了眼下的喧闹与物欲,忘记了世俗的纷扰,只想徜徉于中国文化的洪流中,去感受、去思索、去探寻、去收获,这不正是重塑自己人格吗?想来,在当今社会中能让人摆脱纷繁陆离的世界,精心潜读的书籍真的不是很多呀!对于中国文字,我虽然每天都在教,但是它的演变、他的美、他的精髓我从未想过,读了本书,我刹那间发现原来汉字竟然是一种艺术,感谢余秋雨先生带我领略了一座如此令人目不暇接的艺术宝库,作为一名语文老师,我还可以把这座宝库的钥匙交给学生,让他们也同我一样感受中国汉字的魅力,这是一件多么好的事情啊!至于最后的一部分内容,我只做了了解性的阅读,觉得他有很多历史的专业知识,我有些看不懂。最受益的还是前两个部分的内容。
网上评述《中国文脉》是“最好看的中国文学简史”,我想这个评论一点都不为过。