毕业论文标题、中英文摘要、关键词和目录的格式

第一篇：毕业论文标题、中英文摘要、关键词和目录的格式

毕业设计（论文）

新民本主义：

传统民本思想与现代民主理念的契合（字体:黑体小一）

专业年级 学生学号 学生姓名 指导老师 评 阅 人

二○○ 年 月 中国·南京

234-

第二篇：毕业论文目录和摘要

河北大学2012届本科生毕业论文(设计)

Positive and Negative Transfer of Chinese as A Mother Tongue in

English Vocabulary Learning

ABSTRACT

To learners whose mother tongue is Chinese, they are often affected by their mother tongue while learning English.This kind of influence includes the positive transfer and negative transfer of Chinese as a mother tongue.The transfer of Chinese as a mother tongue can be reflected in many aspects in the learning of English.This paper mainly focuses on the transfer of Chinese as a mother tongue in the English vocabulary learning.In the first chapter, definitions and terms of positive transfer and negative transfer are illustrated.In the second chapter, it analyses the positive transfer of Chinese as a mother tongue in English vocabulary learning.It mainly focuses on spelling, word formation and cultural aspects.In the third chapter, it mainly talks about the negative transfer of Chinese as a mother tongue in English vocabulary learning with examples and explanations.In this chapter, this paper illustrates the spelling, lexical meanings, part of speech, tenses and cultural aspects to make this chapter clear and easily understood.At the end of this paper, it concludes that it is better for learners to make good use of the positive transfer of their mother tongue and avoid the negative transfer in the English vocabulary learning.Key words: positive transfernegative transferEnglish vocabularylearning

摘要

对于母语是汉语的英语初学者来说，母语对他们在英语的学习中有很大的影响。这种影响大体可以分为两种，一种是汉语作为母语对英语学习的正面影响，一种是负面影响，也即汉语对英语学习的正迁移和负迁移。母语对第二种语言学习过程中的迁移表现在很多方面。本文章主要探讨汉语作为母语迁移对英语词汇学习的正负迁移。本文第一章讨论了正负迁移的概念。第二章探讨了汉语作为母语对英语词汇学习的正迁移现象，从读音、构词法和文化几个方面进行了论述。第三章探讨了汉语作为母语对英语词汇学习的负迁移现象。主要从读音、词汇意义、词性、时态和文化等方面进行阐述。文章最后进行了总结，建议初学者在学习英语词汇的时候要尽量多利用母语汉语对英语的正迁移来学习，尽量避免其对英语词汇学习的负面影响。

关键字：正迁移 负迁移 英语词汇 学习

Contents

Introduction………………………………………………………………….1

Definitions …………………………………………………………………...1

1.1 Positive transfer……………………………………………......1

1.2 Negative transfer………………………………………………………….2 Ⅱ Positive transfer of Chinese as a mother tongue in English vocabulary

learning …………………………..………………………………………..2

2.1 In spelling………………………………………...........2

2.2 In word formation ………………………………………………………..3

2.21 In terms of affix …………………………………………………………3

2.22 In terms of compounds………………………………………………….4

2.3 In cultural aspects………………………………………………………...4 Ⅲ Negative transfer of Chinese as a mother tongue in English vocabulary

learning ……………………………………………………………………5

3.1 In spelling………………………………………………………………...5

3.2 In lexical meanings……………………………………………………….5

3.21 In connotative meanings ………………………………………………..5

3.22 In collocative meanings…………………………………………………6

3.3 In parts of speech ………………………………………………………...6

3.4 In tenses ………………………………………………………………….7

3.5 In cultural aspects ………………………………………………………..7 Conclusion…………………………………………………...……………….8

Bibliography……………………………………………………………...…..9

Acknowledgements…….…………………………………………………...10

第三篇：毕业论文致谢、中英文摘要、目录

Acknowledgements I would like to express my gratitude to all those who helped me during the writing of this paper.I am appreciated for my supervisor, Ms., who gave me the freedom to choose the subject of my paper.Her instructive advice and useful suggestions on my paper benefited me a lot.She has walked me through all the stages of the writing of this thesis.I am deeply grateful of her help in the completion of this thesis.I am also deeply indebted to all the other supervisor and teachers in Translation Studies for their direct and indirect help to me.I also owe a special debt of gratitude to my friends for their valuable suggestions and critiques which are of help and importance in the making the paper a reality.Li Xiaokun

May 10, 2010

【摘 要】 简.奥斯汀是18世纪末杰出的英国女小说家，同时也是英国文学史上第一个重要的女作家。在奥斯汀的作品中，“理性”与“情感”是一个永恒的、矛盾统一的主题。本文对照其早期和后期的主要作品《傲慢与偏见》和《劝导》，对作品中女性人物的进行分析，看奥斯汀作品中“理性”与“情感”的平衡。

引言部分对简〃奥斯汀在英国文学史的影响以及她的作品做了简单的回顾，并指出了论文的主题。第二部分讨论了“理性”与“情感”在《傲慢与偏见》中的体现。通过分析夏洛蒂〃卢卡斯、简〃班内特、伊丽莎白〃班内特三个女性人物点明在简〃奥斯汀的前期作品中，女主人公只有用“理性”约束“情感”，才能获得婚姻的幸福。第三部分讨论了“理性”与“情感”在《劝导》中的体现并指出“理性”只能带来痛苦并不能给将来任何保障。这表明了“理性”向“情感”的转变并歌颂了情感的伟大力量。在第四部分中，具体地解释了简〃奥斯汀创作思想的改变。并主要从社会和简〃奥斯汀的个人经历两方面阐述了这一改变的原因。

简〃奥斯汀是一个集大成者，具有里程碑的意义，在英国文学史上起到了承上启下的作用。奥斯汀阐述了自我认识的重要性并解决了这样的疑惑，那就是只有当“理性”与 “情感”达到平衡时，才会得到真正的幸福。

【关键词】 简.奥斯汀；女主人公；理性；情感；创作思想

【Abstract】 Jane Austen, the most outstanding woman novelist at the end of 18th century.She was the first important woman writer in the history of English literature as well.In Austen's novels, “rationality” and “sensibility” are a perpetual, interdependent and mutually repelling theme.This paper analyses the characters of Jane Austen's novels and questions whether the balance of “rationality” and “sensibility” can be seen in Pride and Prejudice and Persuasion.The introduction gives a short review of Jane Austen' works and her influence on the English literature, and it points out the theme of the paper.Part two discusses the embodiment of “rationality” and “sensibility” in Pride and Prejudice.The analysis of three characters, Charlotte Lucas, Jane Bennett, Elizabeth Bennett, points out that in Austin's early work, Pride and Prejudice, the creative ideas was that only when the heroine use “rationality” to repress “sensibility” she can have a happy marriage.Part three discusses the embodiment of “rationality” and “sensibility” in Persuasion, and points out that “rationality” can only brought pain to us but had no protection for the future.It has confirmed the evolution from “rationality” to “sensibility” and praised the great power of human emotion.Part four, explains the great change on Jane Austen's creative ideas in details and mainly tells us the reasons for the change from two aspects which are the social and personal reasons.Jane Austen is a synthesizer, a milestone of great significance.She plays a connecting role in the English literature.She explains the importance of self-awareness and solves the puzzle that only when rationality and sensibility has reached a balance can people be really happy.【Key Words】 Jane Austen;heroines;rationality;sensibility;creative ideas

Table of Contents Chapter One Introduction............................................................................................................1 Chapter Two The Embodiment of “Rationality” and “Sensibility” in Pride and Prejudice..3

2.1 On Behalf of “Rationality” Characters: Charlotte Lucas....................................................3 2.2 On Behalf of “Sensibility” Characters: Jane Bennet..........................................................4 2.3The Balance of “Rationality and ”Sensibility“: Elizabeth Bennett......................................6 Chapter Three The Embodiment of ”Rationality“ and ”Sensibility“ in Persuasion..............8

3.1 On Behalf of ”Rationality“ Characters: Mrs.Croft............................................................8 3.2 On Behalf of ”Sensibility“ Characters: Mrs.Smith............................................................9 3.3The Balance of ”Rationality and “Sensibility”: Anne Elliot..............................................10 Chapter FourThe Changes of Creative Ideas of Jane Austen.................................................12

4.1 From Pride and Prejudice to Persuasion: Embodied in the Change of Creative Ideas...12 4.2 The Reasons for the Change of Austen's Creative Ideas..................................................12 4.2.1 Social Reasons........................................................................................................12 4.2.2 Jane Austen's Personal Reasons..............................................................................13 Chapter Five Conclusion.............................................................................................................15 Bibliography…………………………………………………………………………………….16

第四篇：毕业论文摘要、目录

瓷器首饰的设计研究

摘要：本文力图通过对目前世界首饰设计发展趋势的分析，希望研究出能够代表中国特色文化的瓷器首饰。

经济的发展，科技的进步，生活水平的提高，人们对首饰的要求也跟着提高，等等一系列原因导致珠宝首饰传统意义上的“ 保值 ”功能退居次要位置，代之而来的是审美、时尚、享受和健康。

尽管如此，全球化，统一化使得各国的生活方式和民族文化相互融合并逐渐趋于一致，最终导致了民族界限越来越小，民族特色首饰越来越少。面对这种情况，作为设计人员的我们唯一能做的就是宣传爱国意识，传播爱国情怀。而瓷器首饰本身就有很强烈的民族特征，在加上青花的效果和 “龙”图纹的衬托，使得瓷器首饰的民族特征更加强烈，更加有利于宣传爱国情怀的宣传和表达。

虽然目前整个首饰行业发展已经迈入稳定状态。但我相信瓷器首饰的出现将给首饰界带来另一个无限的发展空间。

瓷器首饰它是当下最流行的“绿色产品”。它危害低,环保、节能、健康。它是你我最佳的选择。

关键词：瓷器首饰；时尚；中国文化；爱国情怀

中图分类号：TB472

The Research on the Design of Porcelain Jewelry

Abstract: This paper tries to discuss eyewear design from the perspective of fun spirit by analyzing the present world development trend of eyewear design.We are familiar with eyewear as a product.Now，It is not only the use of correcting short-sightedness and astigmatism, but increasingly becoming a fashion carrier embodied the fun spirit as.For the consumers, the purchase of motivation is on fashion, on personality, on decoration.China's optical industry developed fast in recent years but the whole development of the industry has not been standardized, mature.China is the world's major production base of eyewear, the world's first production, but also can not be the forefront of the field.The lack of design capabilities, blindly follow the example is an important reason.China has a long history, which are rich in spiritual wealth is unique to us.In particular, the Chinese elements is more and more popular today, the using of the Chinese elements in eyewear design creativity is a practical sense.The interpretation of Chinese elements, of course, can not remain in superficial level.This paper wants to interpret the Chinese elements with fun spirit in eyewear design, make It has new content, in line with modern consumer and aesthetic needs.Keywords: Porcelain Jewelry ；Eyewear design ；Chinese elements

Classification: TB472

目次

摘要·······································································································································Ⅰ 目次·······································································································································Ⅲ 1绪论······································································································································1

1.1研究背景··························································································································1

1.2研究目的与意义··············································································································2 2瓷器概述······························································································································4

2.1瓷器的定义······················································································································4

2.2瓷器的发展及其现状······································································································5

2.3瓷器产品的分析··············································································································6 3首饰设计概述······················································································································8

3.1首饰的定义及其分类······································································································8

3.1.1首饰的定义··················································································································8

3.1.1首饰的分类··················································································································8

3.2首饰设计的基本方法······································································································9

3.2.1点线面在首饰中的体现······························································································9

3.2.2色彩在首饰设计中的运用························································································10

3.2.3现代首饰的主要特征和形式美的法则···································································· 11

3.3首饰设计元素的选择····································································································12

3.4首饰设计造型的演化····································································································13

3.5首饰设计图案的选择·································································································14

3.6套件首饰设计············································································································15

3.7现有首饰分析············································································································15 4瓷器首饰的设计················································································································16

4.1瓷器饰品的现状及其发展前景····················································································16

4.2瓷器首饰的特点············································································································18

4.2.1瓷器首饰具有强烈的民族性····················································································18

4.2.2瓷器首饰是新型的“绿色首饰” ············································································183

4.2.3瓷器首饰具有的材质优势························································································19

4.2.4瓷器首饰具有无可替代的色彩优势········································································19

4.2.5瓷器首饰具有形式多样性························································································20

4.2.6瓷器首饰具有独特装饰效果····················································································20

4.3瓷器首饰的加工工艺····································································································21 5瓷器首饰的设计理念及其运用························································································22

5.1碗造型及印章的寓意····································································································22

5.2青花图案与现代亮丽的黄颜色分析对比····································································23

5.3龙文化的寓意················································································································24 6设计实践部分····················································································································26

6.1产品构想························································································································26

6.1.1背景调查····················································································································26

6.1.2目标人群分析············································································································26

6.1.3材料选定····················································································································27

6.1.4产品定位····················································································································27

6.2设计初稿························································································································28

6.3产品分析························································································································28

6.4佩戴展示························································································································29

6.5设计效果图····················································································································30

6.6设计版面························································································································31 7结论····································································································································32 参考文献·······························································································································33 学位论文数据集···················································································································344

第五篇：中英文摘要及关键词格式

附件3

中文题目（居中）

摘要：×××××（摘要内容用小四号宋体字书写，每行与冒号对齐；行距为固定

值22磅）×××××

关键词：×××××（关键词内容用小四号宋体字书写，每行与冒号对齐；行距为固

定值22磅；关键词之间用分号相隔。）×××××

注：

① 格式模板中的说明（红色或蓝色字体表示），在参阅后请删除。

② 中文摘要及关键词项目排版要求：中文摘要及关键词项目要求独占一页。其中，中文大标题（课题题目）用二号黑体字居中书写，上空1.5行，下空1行；摘要两字用四号黑体字顶格书写，摘要内容用小四号宋体字书写，每行与冒号对齐，行距为固定值22磅；关键词三字用四号黑体字顶格书写，关键词内容用小四号宋体字书写，每行与冒号对齐；行距为固定值22磅。

英文题目（Times New Roman字体）

Abstract：abcdefghijk（英文摘要内容用小四号Times New Roman字书写，每行与冒号

对齐；行距为固定值22磅）×××××

Keywords：abcdefghijk（英文关键词内容用小四号Times New Roman字书写，每行与

冒号对齐；行距为固定值22磅；关键词之间用分号相隔）×××××

注：

① 格式模板中的说明（红色或蓝色字体表示），在参阅后请删除。

② 英文摘要及关键词项目排版要求：英文摘要及关键词项目要求独占一页。其中，英文大标题（课题题目）用二号Times New Roman字居中书写，上空1.5行，下空1行；Abstract用四号Times New Roman字顶格书写，摘要内容用小四号Times New Roman字书写，每行与冒号对齐，行距为固定值22磅；Keywords用四号Times New Roman字顶格书写，关键词内容用小四号Times New Roman书写，每行与冒号对齐；行距为固定值22磅。