建筑文章的“预制板”

第一篇：建筑文章的“预制板”

“万丈高楼平地起”，积累丰富的词汇是写好作文的前提。不然眼前闪烁着美好事物的形象，笔下却不能用适当的词语来表达，岂不遗憾？你见过盖楼房用的现成的材料——预制板吗？建筑工人建筑好墙和梁后，使用预制板很快就盖好了，省工省力，真方便。在我们现代汉语词汇中也有这种现成的造句材料——熟语。熟语包括成语、谚语、惯用语、歇后语、格言。

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成语”是最具中国特色的汉语词汇，是汉语语汇中的精粹。他结构紧凑，修辞丰富，生动形象而有表现力，成语中记载着许多故事典故，蕴含深刻，概括力强。因此，用成语来来表达较深刻较复杂的意思，可使文章言简意明，生动形象，同时文章的句式整齐，节奏和谐，增强文章的感染力。

“谚语”是人们在口头上流传的固定语句，是一种现成的话。如“三个和尚没水吃”、“三个臭皮匠顶一个诸葛亮”、“人心齐，泰山移”。“一只烟二两油，一顿饭一头牛，一屁股坐一座楼”。谚语通俗易懂、精炼传神、整齐押韵；说起来顺口，细想想意味深长。作文或说话时用它来表达意思，简明生动、通俗易懂，给人鲜明印象而又耐人寻味。

“歇后语”是流行于民间的俗语之一，它由两部分组成，前一部分是一个比喻或隐语，而后部分是意义的解释，好像谜底，有时候前半部分歇而不讲，留给人去回味。歇后语分“喻意”“谐音”两种。前者如“小和尚念经——有口无心”，后者如“老虎拉车——没人敢”。歇后语幽默含蓄，生动活泼，耐人寻味。掌握一定数量的歇后语，在作文中灵活运用，可以增强语言的表现力，使文章生动活泼，文风幽默风趣。

某些说法形象通俗、诙谐，大伙喜欢这么说，流传开去就成了“惯用语”。比如通过“冷”比喻引申而成的惯用语有：“炒冷饭”、“冷板凳”、“吹冷风”、“泼冷水”，如由“吃”引申比喻而产生的：“打游击”“定心丸”“闭门羹”“吃哑巴亏”“炒鱿鱼”“铁饭碗”。恰当的运用惯用语可以增强语言的表现力，使文章独具形象、通俗、诙谐的风格

格言指言简意赅、寄寓哲理具有教育和启发作用的名言警句。他与谚语相似，但用语庄重，大多来源于名家学者的书信日记，著名诗词中。格言内容丰富、包罗万象，可做有力的道理论据或当作文章的中心论点、分论点；可用以概括某些材料的中心用在记叙文上；可置于文首，用以“首句标其目”统领全文；在文末用以画龙点睛，点化中心。

熟语贵在积累，积累方法有三：一是在生活中留心虚心向群众学；二是在课外阅读中勤记录，向书本学；三是收集多了，注意分类整理，既是巩固记忆又便于查找应用。

熟语运用，忌滥用、乱用，宜适时、适境、贴切、传神。同学们在你写作时，当你每每要表达一个意思（尤其是复杂的意识）时，请你问问自己：“可否用一个熟语？”长此以往，不愁练不出一手好文字功夫。

第二篇：混凝土预制板技术员工作总结

2011年工作总结

2011，对我来说是非常有意义的一年。学到了很多，也成长了许多。马上就要进入崭新的充满希望的一年了，回望2011年在公司所走过的历程感慨颇多。下面我针对2011年所做的工作，作一个总结，这也算是我个人对2011年工作所递交的答卷吧。

年初的时候，我还是从事库管工作。根据实际情况对库存板和帐外板进行了调整。为每个业务员提供翔实可靠的库存数据。后来来了一位新的同事从事库管工作。我把总结完善成品库管理方法付诸纸上，仔细交接工作重点及注意事项，并与新库管通力合作。圆满的完成了工作的交接。

在3月份的时候，也就是我刚刚从事设计工作的时候。我参与了新加坡项目SP板数量的统计，并且主要负责了出口装箱单的设计工作，同时还积极的学习制图技巧和原则。有机会就和业务员到工地进行现场学习观摩和测量数据。极大的提高了自己的业务水平。

从5月份开始，我开始接受韩国足球场盖板项目的设计工作。针对不同客户的不同要求。和施工的实际需要。进行了从新排版布板工作。并主要承担了装箱单的编制工作。虽然在长度和宽度上面有过很纠结的经历，但是经过领导上层沟通和对我们的指导。我和同事共同努力克服了种种难关。最终搞定了这个硬骨头。

后来，又接触了昌黎、张家口酒店和万昌物流等大项目的图纸。并进行了布板排版，在这个过程中积极学习本行业的专业知识：施工现场的安装布板原则及技巧，与客户特别是负责现场施工的人员的沟通技巧等。认真学习预应力板的板长、板宽、板厚与抗剪力、荷载及其他的力学性能的关系，混凝土强度的决定因素及控制方法等。

在十月份的时候我全权负责了顺天商务酒店工程。从现场测量尺寸。到布板排版。出板改板。到最后现场上板指导。特别是现场指导这个环节，给我思想和认知上带来了很大的冲击。让我真正认识到：理论必须联系实际。并且实际还是需要成熟的理论进行指导的。

在学习理论并联系实际的同时，针对自己工作中存在的性格急躁，不善自查，对施工现场及钢结构图纸不够熟悉等问题也要端正态度、认真学习、努力克服。并且我对于明年工作也做出了进一步规划，一是继续加强理论学习，充分体现设计人员的重要性和牢靠性，二是继续加强业务学习，积极熟悉行业知识，做业务上的行家能手，提高工作效率，使工作再上新台阶；三是出图方面，我要努力学好CAD为以后的企业进一步发展做好充分准备。

作为一名设计人员。不断地开拓设计思路，更好的与市场融合，是我们目前需要改进和加强的，所以我会和公司一起努力，为公司的不断壮大，更好的发展，来尽自己的一份微薄之力。

最后，祝我们的公司能像巨龙般腾飞，像磐石般坚强稳固！也祝愿在座的每一个人身体健康，幸福快乐！

2011-12-24侯晓涛

第三篇：房地产建筑中英文翻译文章

Architectural aesthetics Description: good architecture is breathtaking beauty.We can compare the strict designed by calculation from the ancient Greek temple of ancient Rome, medieval church or ancient temples, but was unable to predict that Tadao Ando's “light of the Church”, he is born, find the peacefulness.After the priest of the Forum should be sacred for wall, human thinking should be in the wall, but on solidification, Ando has boldly fashionable in the wall of a perpendicular to the horizontal opening of the intersect, forming a “cross” light, the God of light into the room.This means that the gods of light of many people's hearts.Keywords: architectural aesthetics, geographical, natural environment Our physical environment, some content to let long galleries, there are things you as minor and fleeting.Sometimes, it has not been tested by underline things but has an excellent quality, because they are in the environment and the role of one of them in the history of a people cannot be underestimated.The building is the mental and the physical form of a fantasy world, is a people want to constantly improve the world.Even in urban space or building a reality, people can be aware of when building the content, the content determines the atmosphere is not visible.At the same time, building with — the walls between the consciousness of history--also pregnant with significant changes in the future.Good architecture is breathtaking beauty.We can compare the strict designed by calculation from the ancient Greek temple of ancient Rome, medieval church or ancient temples, but was unable to predict that Tadao Ando's “light of the Church”, he is born, find the peacefulness.After the priest of the Forum should be sacred for wall, human thinking should be in the wall, but on solidification, Ando has boldly fashionable in the wall of a perpendicular to the horizontal opening of the intersect, forming a “cross” light, the God of light into the room.This means that the gods of light of many people's hearts.Architectural beauty lies in its natural environment, and rooted in obedience to the natural environment.A variety of architectural form, and varied architectural styles suitable for different natural and scenic forest terrain dissolving into one, creating a variety of architectural culture his beautiful language.Different different natural environment, as man and nature, to the summary of the building, to the plants.Hop, hop, suitable for the various geographical areas at the request of the natural environment, and nature.In the South-East Asia and South Asian countries, in China's Hainan Island and Taiwan island, located at the lush, tropical climate, people use Coconut Grove palm leaf up to adapt to the tropical rainforest left, the wooden floor, ventilation, light and cool and simple, built in the building;the tropical rain forest in the province, in China's Western Alpine region, people use stone barrier wall, according to the Hill jiushi built stone building, Typhoon snow insulation against the cold, built a plateau mountain building.As China's Sichuan and other minorities in Tibet Qinghai in Western China, according to the Hill jiushi built to all kinds of mountain building group.The loess plateau in China, mobei Gobi, rainfall climates, they leverage mountain slope dig to build houses, built of Adobe buildings.Dunhuang Pinakothek construction buried into the hillside, semi-open entrance, hillside retaining wall obtained, Adobe-style architectural characteristics very obvious.In the Eastern United States, Australia, in the South of China, with abundant rainfall, mild climate, people with wood and tile mountains jiushi, local conditions and cover up the shade hood, ventilation, humid area in the building.Visible in the different regions of the building has its own beautiful language.Architectural beauty lies in its rich sound, garden buildings is highly representative of a case.Although he continuously to borrow, King, box sites, and many other visual techniques demonstrated at such as art as the conception, however, only to Visual impact, he was not to be so awesome.In addition to the traditional Chinese garden itself of cultural tradition, philosophy, his heart also lies in the human sensory perception of others.The Phoenix huang class flute, whistle “flowing water when his sound;the bamboo homes Kim Bong, Lotus flowers smell” performance taste;“Poly boxing ring shaped Hill, as the bucket water pool” and reflects his scale, not to mention the claustrophobic to solitude, ascending to the expression of emotion in a lifetime “.The beauty of Chinese architecture: all inclusive-vapour and whirling, wind dance secluded huang, fragrant as years years-heze, by xiangyuan Yi Ching;pool-view heart, tingxie pleasant and so on and so on.It is this otoacoustic eye color, full moon flower, Garden perception of imagery, reflecting his poetically.Architectural beauty is a multi axis coordinate system.In different historical periods, different regional culture, ethnic background are not all the same.Ancient Chinese aesthetic standard who are unified, as was the mobilization of centralization, almost all the buildings means the creation of a common complete form of art.As a result, China's architecture reflects the orthodox Confucian thought, and ambitious;Chinese gardens with the Taoist, strongly imitate nature, extreme freedom and changeable.While ancient Greek philosophy and the arts all knowledge, in pursuit of eternal perfect, so in the spirit of the level of their pursuit of spiritual perfection, nature they are pursuing a lasting image of beauty, to some extent, their beauty is $ 1.1840, Engels in his earlier book, seven Filippo's hometown ”, discusses the classical architecture style of Zhongshan key new features: the Greek architects are brightly coloured, Moore of architecture(of North Africa, southern Europe of Islamic architecture)makes people feel hesitant, Gothic sacred happy;Greek architectural style phase anything, Moore-building style like the stars of the evening, Gothic architecture style like the Golden Dawn.“In short, different architectural expression of beauty are quite different.Architectural beauty lies in its arbitrary and should display fine, although it's almost done by people from the natural and artistic creation.Whether it is a tile, is a variation of, or is incomplete, dangerous, contemporary architectural design of the non-harmony ”consciousness is striking a trend.For example, postmodern architecture will tile formally introduced architecture creation, Isozaki of Tsukuba Center is a typical example.He will appear in the history and contemporary of intensity, Roman, Michelangelo, Moore, years and so many people of fragments from the original context in-out, converted and tile, make up a new system crashing, Vilas Palace of the expensive's maid were “in the Group Portrait, which stimulate the thinking of.The remains of ancient construction, the ruins of war, waste that some artists and architects feel torn beauty or form.For example, an earlier use of torn law-abiding architects Haworth to cause Shihlin jewellery design, he will even granite brick facades tore a large gap, causing a crash, make light projecting from the mysterious.While the deconstruction architects also exaggerated attitude stressed that the composition of dangerous to pose, its taste is represented as instability, weightlessness, sliding, overturning, falling, and so on a non-equilibrium of dangerous composition.Beauty is changing, the tragedy of the ancients, fair, sublime, noble, naive, and so far not able to cover a wide variety of today's emerging aesthetic form.Contemporary architecture in the area of ”non-harmony“ complexity, it widens the architectural modeling and aesthetic space so that the architectural beauty and meaning of ”harmonious“ become more abundant.Architectural beauty lies in the fact that it is reasonable to interleave.The evolution of the building, in a sense is emotional and the rational development of the Union.The relationship between emotion and reason, from had clashed, gradually developed into the amalgamation of the stage.In the field of architecture, emotional and rational boundaries are obscure.The emergence of light to dark, as emotion to rational, reasonable negative Chahar confirmed the existence of reason, and the building is with a certain function, a function of matter.At this level, the building contains natural rational components.When crossing the modern industrial civilization dating back to ancient times, we will surprises, this one's mind old emotional factors.Built on a thick massive form, there is a spirit of flexibility and intangible.In accurate and detailed scale in a fine expression of emotion, ”happy and bright mood, … a bright, sunny day...“(Engels).Back to the contemporary, the construction sector, multicultural coexistence styles;the rise and fall of modernism, postmodernism has just put on the stage of history, it was ”crazy“ heedless of the annihilation of deconstruction.”Wrong,“ ”symbiosis“ ”metaphor“ ”symbol“ a ”high tech“...seems to be in one night, the building became the best media passed emotion.Therefore, in the knowledge of contemporary architecture trends and future architecture, architectural beauty of emotional understanding and is one of the contemplative basis points.Architectural beauty lies in the science and technology on the art and architecture of the 20th century art and architecture development, most dramatic beneficial to past era。

Advances in technology make it possible to dream of architect.The role of art and nature and man, society, so that the full of life, from emotionally experience of nature and life of rhyme and poetic.At this time of the construction sector evolved ”reverse form of aesthetics“ aesthetic ”high tech“ ”ecological aesthetics“ and ”to maintain development of aesthetics“ as the representative of the emerging architectural aesthetic system.The inverse form of aesthetics ”intentional violation of the law in the form of aesthetics.Classical aesthetic pursuit in harmony, and he advocated conflict broken by expanding and American antithesis of conflict, warfare requirements, funny, humor, and other ways and means to improve the performance of buildings.“Aesthetic” stressed the high tech application, stressing the cultural expression of emotion, focusing on building flexibility and diversity, local and historical culture, such as Jean Nouvel * Design Center for the Arab world.The ecological aesthetics “ecology of full, stable, harmonious aesthetic standards, the pursuit of natural beauty and man-made beauty, Norman Foster's design in Wales * gardens, will naturally into them create artificial climate, this is not possible in the past.In support of science and technology, could hardly have been able to break through the nature and structure of the constraint.The sustainable development of natural aesthetics ”, ecology, society as a complete system, people and nature of interdependence and mutual harmony, as aesthetic ideals, chasing meet human needs, and create a good environment.The network era buildings form already appeared-e building.The magic of the computer network is now like a storm swept across the world, its biggest huge impact changing our every aspect of life.Science and technology of every advancement affect to the building and the development of the city, just as the invention of the cinema also means cinema such as architecture.Winston * Churchill that widespread warning said “we bring up the building, the building makes us”.E architectural beauty lies in its performance of the network age art architectural space, architect, or at least is the art of a special form, building with building language authoring, artistic expression to the outside world a thought or a explains a significance.The architectural language in the creative process in writing these meanings.While the network age of a main interpretation of the expression of every thought.E building is the author of a creative passion, artistic, aesthetic taste, social experience, the internal state of mind and to describe the depth of understanding of the object.The e-age, and paper are no longer the only vector of architecture, as history and bamboo from Oracle to ask, and development to paper and printing.Computer architecture expression, in fact already started showing up, is different from the previously static drawings, it displays the information of the expression, and broadband Internet use media real-time interactive publication makes the comprehensive development of the architectural design.All in all, a cultural background of the building, the accumulation of a rich cultural connotations of the building, either the environment it reflected the cultural heritage of the human spirit, but also with their own interpretation to the concept of beauty, building rich language and of endless aftertaste.http://www.xiexiebang.com / http:// www.xiexiebang.com

建筑美学浅谈

简介：好的建筑是令人窒息的美丽。我们几乎可以比较严格的由计算而设计出古希腊古罗马的神庙，中世纪的教堂或是古代的寺庙，但却无法预测到安藤忠雄的“光的教堂”，他的诞生着实令人为之一振。在牧师的讲坛后应该是神圣的永恒不变的墙体，人类的思维应该在这面墙体上凝固，可是，安藤却大胆地在墙上流出了一个垂直于水平的相交的开口，形成了一个“光的十字”，把神的光芒引到人间。这种光的神灵意味更强烈的震撼着人的心灵。

关键字：建筑美学,地域,自然环境

我们所处的物质环境中,有些内容让人长久无法忘怀，有些东西则如过眼云烟转瞬即逝。有时，没有经过刻意雕琢过的东西却拥有着精良的品质，因为他们在环境中所扮演的角色令人折服，他们在历史中上演的一幕令人不能小觑。建筑是精神和幻想世界的物化形式，是一个人们想不断完善的世界。即使是在城市空间或建筑成为现实后，人们依然可以察觉到当初建筑所要表达的内容，这种内容决定了不可见的气氛的情绪。同时，建筑标志着过去——墙壁之间可自觉的历史——也孕育着将来显著的变化。

好的建筑是令人窒息的美丽。我们几乎可以比较严格的由计算而设计出古希腊古罗马的神庙，中世纪的教堂或是古代的寺庙，但却无法预测到安藤忠雄的“光的教堂”，他的诞生着实令人为之一振。在牧师的讲坛后应该是神圣的永恒不变的墙体，人类的思维应该在这面墙体上凝固，可是，安藤却大胆地在墙上流出了一个垂直于水平的相交的开口，形成了一个“光的十字”，把神的光芒引到人间。这种光的神灵意味更强烈的震撼着人的心灵。

建筑之美在于其根植于自然环境，又服从于自然环境。多样的建筑形式，各异的建筑风格适宜于不同的自然环境，与风景林木地形溶为一体，形成了各种建筑文化自己的美的语言。

不同的地域，不同的自然环境，作为人与自然总结的建筑，向植物一样落地生根。合天时，合地利，适宜于各种地区自然环境的要求，与大自然融为一体。

在东南亚和南亚各国，在中国的海南岛和台湾岛，椰林茂密，气候炎热，人们用椰树林棕榈叶盖起了适应热带雨林的茅草房，小木楼，通风轻盈凉爽简洁，建起了热带雨林建筑；在中亚西亚，在中国的西部高寒地区，人们用石块垒砌，依山就势盖起了石板建筑，避风挡雪保温御寒，筑成了高原山地建筑。如中国的西藏青海四川等少数民族在中国西部，依山就势建起可各式各样的山地建筑群。在中国的黄土高原，漠北戈壁，雨量稀少，气候干燥，人们利用山边土坡挖地筑房，建起了具有鲜明特色的生土建筑。甘肃敦煌艺术陈列馆把建筑埋入山坡下，半开敞式入口，山坡挡墙甬道，生土式建筑特征十分明显。在美国的东部，在澳大利亚，在中国的南方，雨量充沛，气候温和，人们用木材砖瓦依山就势，因地制宜，盖起了遮阳避雨，通风透气，造型别致的湿热地区建筑。可见，不同地区的建筑有着自己美的语言。

建筑之美在于其诗情画意，中国古典园林的建筑就是卓有代表的一例。尽管他不间断地以借景，对景，框景等诸多视觉手法向人们展示着如画般的意境,然而仅以视觉冲击，他还无以有如此撼人的魅力。除了中国古典园林自身所蕴含的文化底蕴，哲学思想外，他的深意还在于调动了人的其他感官知觉。“凤篁类长笛，流水当鸣笛”表现其声；“竹院金风细，荷塘花气香”表现其味；“聚拳石为山，环斗水为池”又体现了他的尺度，更不用说“幽闭以独处，登高以畅怀”表达的情绪了。中国建筑之美包罗万象：竹影婆娑，风舞幽篁，菏香苒苒，香远益清；池景赏心，亭榭宜人等等等等。正是这耳声目色，月圆花好，造就了中国古典园林的知觉意象，体现了他的诗情画意。

建筑之美是一个多轴的坐标系。在不同的历史时期，不同地域文化，不同民族背景下都不尽相同。中国古代人们心中的美学标准则是统一的，正如当时的中央集权，几乎动员了全部当时的建筑手段共同创造出完整的艺术形式。因此，中国的建筑体现了儒家思想，正统而有气魄;中国园林蕴含着道家思想，极力效法自然，极度自由，变化多端。而古希腊在哲学与艺术等等的一切知识，都是在追求永恒的完美，所以在精神层次上他们追求灵性的完美，在自然界中他们则追求一种永恒的形象美，在某种程度上，他们的美是一元的。

1840年，恩格斯在他的早期著作《七个菲利特的故乡》一文中，论述了古典建筑中山重点新风格的美学特征：“希腊式的建筑师人感到明快，摩尔时的建筑（指北非，南欧的伊斯兰建筑）使人觉得犹豫，哥特式建筑神圣的令人心醉神迷；希腊式的建筑风格相艳阳天，摩尔式的建筑风格像星光闪烁的黄昏，哥特式建筑的风格像朝霞。”总之，不同的建筑有着不同美的表达。

建筑之美在于其随意之处竟显精致，虽由人做宛自天成的艺术创作。无论是拼贴，是变异，抑或是残缺，奇险，当代建筑设计中的“非和谐”意识引人注目的一种倾向。

例如，后现代主义建筑将拼贴正式引入建筑创作中,矶崎新的筑波中心是典型事例。他将历史上和当代的烈度，罗曼诺，米开朗基罗，穆尔，霍来因等很多人的片断从原来的文脉中撕拉出来，进行了转换和拼贴，构成了一个相互撞击的新系统，犹如维拉斯贵兹的《宫廷的侍女们》中的群体肖像，从而激起人们的思索。古代建筑的遗迹，战争废墟，废弃物使一些艺术家和建筑师感受到残缺的美感或造型上的力度。比如较早运用残缺守法的建筑师霍来因，在士林珠宝店的设计中，他将平整的花岗岩砌成的外立面撕开了一个大缺口，造成一种撞击感，使得光线从种神秘的投射出来。而解构主义建筑师同样以夸张的姿态强调构图的奇险于动势的感觉，其审美意趣表现为失稳，失重，滑动，翻倾，坠落等等非平衡的奇险构图。

美是发展变化的，古人提出的悲剧，秀雅，崇高，尊贵，朴素等远不能涵盖当今出现的各种各样的审美形态。当代建筑领域的“非和谐”具有复杂性，它开拓了建筑造型与审美的空间，使建筑之美与“和谐”的含义变得更为丰富。

建筑之美在于其是情理交织的。建筑的演进，在某种意义上是情感与理性的交织发展过程。情感与理性的关系，从曾经相互抵触，逐渐发展到相互融合的阶段。

建筑学领域中,情感与理性的界限正变的模糊。光之于黑暗的出现，正如情感之于理性，对理性的否定恰确认了理性的存在，而建筑物正是凭借了一定的功能，成为了使用功能的物质承担者。在这个层面上，建筑包含与生俱来的理性成分。

当越过现代工业文明追溯到远古，我们会惊喜的发现，这种人的心灵情感因素早已有之。建筑在厚重巨大的形态下，蕴藏了心灵的柔性与无形的时间。在精确细致的比例尺度中营造着细腻的情感，“表达了愉快与明朗的情绪，„„灿烂，阳光照耀的白昼„„”（恩格斯语）。回到当代，建筑界多元共存，风格多变；现代主义潮起潮落，后现代主义刚在历史舞台上上演，又被“疯狂”的解构狂啸湮没。“错时”“共生”“隐喻”“象征”“高技”„„.似乎在一夜之间,建筑成了传递情感的最佳媒介。因此，在认识当代建筑思潮以及对未来建筑时，建筑之美的情理解和则是思辨的基点之一。

建筑之美在于科学技术对艺术和建筑创作的影响，这是20世纪艺术和建筑发展中，最鲜明的有益于以往时代的特征。

技术的进步使得建筑师的梦想成为可能。艺术的作用表现与人与自然，社会的关系，使生活的爆满，从感性上体验自然和人生的韵律和诗意。这时候的建筑界逐渐形成了“反形式美学”“高技美学”“生态美学”和“可维持发展的美学”为代表的新兴建筑美学体系。

“反形式美学”有意违反了形式美学的规律。古典美学追求和谐统一，而他提倡冲突破碎，通过拓展美的对立面要求采用冲突，对抗，滑稽，幽默等方式与手法来提高建筑的表现力。“高技美学”强调高技术的应用，讲究文化情感的表述，注重建筑灵活性和多样性，努力表现地方性与历史文化的内涵，如让*努维尔设计的阿拉伯世界研究中心。“生态美学”以自然生态的完整，稳定，和谐为审美标准，追求自然美与人工美的完美结合，诺曼*福斯特设计的威尔士国家植物园，将自然纳入其中营造人工气候，这在过去是不可能想象的。在科技的支持下，简直已经能够突破自然，结构的约束。“可持续发展美学”把自然，生态，社会作为一个完整的系统，将人与自然的相互依赖和相互和谐，作为审美理想，追求着满足人类生存需要，又创造良好的生态环境美学价值。

网络时代的建筑形式已经出场——e建筑。神奇的计算机网络现在像一场风暴席卷着全球，正以其无法估量的巨大冲击力改变着我们生活的每一个方面。科技的每一次进步都或多或少影响到建筑和城市的发展，就像电影的发明同时也就意味着电影院这类的建筑产生一样。

温斯顿*丘吉尔那就广为传播的警句说“我们造就建筑，建筑也造就我们”。e建筑之美在于它表现网络时代的建筑空间，建筑师艺术，或者至少是艺术的一种特殊形式，建筑时采用建筑的语言创作，凡是艺术都要向外界表达一种思想或说明一种意义。建筑语言在创作过程中书写了这些意义。而网络时代的一件主诠释了每一个思想的表达。e建筑凝聚了作者的创作激情，艺术修养，审美趣味，社会阅历，内在心境和对描绘对象深度的理解。

e时代，纸不再只是建筑的唯一载体，正像历史上从甲骨文到竹简问，又发展到纸和印刷术一样。计算机建筑表达，事实上已经开始显示出强大的说服力，不同于一张张静止的图纸，它显示了信息的动态表达，并在宽带互联网上利用媒体实时交互式发布，使得建筑设计全面发展。

总之，孕育着一个文化背景的建筑，积淀着丰富的文化内涵的建筑，既可以折射出所处环境的文化传统，人文精神，同时也以其自身诠释着美的概念，建筑丰富的语言中裹着的是让人无尽的回味。

第四篇：文章简介：《建筑实习报告》

文章简介：《建筑实习报告范文》

一、实习目的通过接触和参加实际工作，充实和扩大自己的知识面，培养综合应用的能力，为以后走上工作岗

《建筑实习报告范文》《其他范文》

关于《其他范文》的文章《建筑实习报告范文》正文开始>>-

一、实习目的通过接触和参加实际工作，充实和扩大自己的知识面，培养综合应用的能力，为以后走上工作岗位打下基础。

二、实习内容

参加测量工程、钢筋工程、模板工程、混凝土工程、砌筑工程施工全过程的操作实习，学习每个工种的施工技术和施工组织管理方法，学习和应用有关工程施工规范及质量检验评定标准，学习施工过程中对技术的处理方法。

三、实习概况

在实习期间遵守实习单位和学校的安全规章制度，出勤率高，积极向工人师傅请教善于发现问题，并运用所学的理论知识，在工地技术员的帮助下解决问题。对钢筋工程、模板工程、混凝土工程等有了很具体的了解，同时对部分工程进行实践操作。

1.钢筋工程钢筋使用必须坚持先检查后使用的原则;钢筋必须有出厂合格证和检验报告，按国家规范进行复检合格后方可用于工程中，钢筋在现场加工，制作加工工序为：钢筋机械安装→钢筋对焊→锥螺纹加工→弯曲成型→钢筋绑扎。

2.模板工程模板及其支架应根据工程结构形式、荷载大小、地基土类别、施工设备和材料供应等条件进行设计。模板及其支架应具有足够的承载能力、刚度和稳定性，能可靠地承受浇筑混凝土的重量、侧压力以及施工荷载。浇筑混凝土时模板及支架在混凝土重力、侧压力及施工荷载等作用下胀模(变形)、跑模(位移)甚至坍塌的情况时有发生。为避免事故，保证工程质量和施工安全，提出了对模板及其支架进行观察、维护和发生异常情况时进行处理的要求。

3.混凝土工程结构混凝土的强度等级必须符合设计要求。用于检查结构构件混凝土强度的试件，应在混凝土的浇筑地点随机抽取。取样与试件留置应符合下列规定：

1、每拌制100盘且不超过100m3的同配合比的混凝土，取样不得少于一次;

2、每工作班拌制的同一配合比的混凝土不足100盘时，取样不得少于一次;

3、当一次连续浇筑超过100m3时，同一配合比的混凝土每200m3取样不得少于一次;

4、每一楼层、同一配合比的混凝土，取样不得少于一次;

5、每次取样应至少留置一组标准养护试件，同条件养护试件的留置组数应根据实际需要确定。

四、实习主要工作任务

我们这次实习的主要任务就是看懂实习工地的建筑类型，了解工程的性质，规模，建筑结构特点与施工条件等内容，了解不同机械设备的操作范围和规程，多多请教了解看到的不知道的知识。尽量争取参与并了解工程开工前和施工中的各项准备工作，参与进入施工现场的材料，收集有关技术资料，整理施工实习日记，做好实习收尾工作。

我们应该去了解或者熟悉工地上常用的机械设备的性能。带着各种各样的疑问，我们一边参观一边询问着，尝试了解常用的机械设备。

第五篇：建筑专业土木工程专业英语文章

第一篇

Architecture is the art and science of designing buildings and structures like gates, bridges, and other things that are built.Sometimes, the areas surrounding the building, such as paths and gardens, are included in the design too.People who design buildings are architects.They may need skills in many fields, for example: mathematics, science, art, technology, social sciences, politics, history, and philosophy.The Colosseum, Rome, Italy People in different countries and periods of history have designed buildings in different styles.This may depend on the climate, the materials available for building, and fashion.The earliest architecture was the building of simple shelters, huts and houses.As people first began to live together in towns and cities, types of architecture became more complex.Some of the oldest buildings that have been found include the pyramids in Egypt and the ziggurats in Mesopotamia, and other early temples.The houses common people lived in were fairly simple, small and close together.The architecture of the Ancient Greeks and Romans is called Classical architecture.Some important classical buildings have stone columns with complex designs.Greek columns have beams placed across them, but Romans developed the arch in their architecture which was spread across the Roman Empire.Indian architecture is famous for the stone carving of its temples and palaces.Different archectural styles developed in China, Japan, Southeast Asia, Africa, Mexico, and Central and South America.People in Western Europe in the Middle Ages made Romanesque architecture, then Gothic architecture.Gothic buildings have tall, pointed windows and arches.Many churches have Gothic architecture.When the Normans invaded England it was noticed that the English liked small houses with a lot of things in them, while the French liked big houses that were almost empty of furniture.Many castles were also built at this time.In Eastern Europe, the Byzantine influence meant that churches usually have domes.Mosques may also have domes which are a way of building a wide open space which can hold a lot of people.This is important for religious buildings.The Industrial Revolution led to new types for buildings for machines and for people to work in.Industrial architecture is the architecture of factories, mills, and other working buildings.Modern architecture was a new type of architecture created in about 1900.Modern buildings often have little decoration(designs to make something more beautiful)and are often made of steel, glass, and concrete.